All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

TV, Eh? Podcast Episode 252: CBC’s fall debuts and returns and Lisa LaFlamme’s new gig

[Editor’s note: After we recorded this, we were reminded that Hudson & Rex returns on Sunday, September 25 on Citytv and Highway Thru Hell returns on Monday, September 26 on Discovery.]

It’s a jam-packed couple of weeks in Canadian TV! As always, Greg and Amy go through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, including Lisa LaFlamme’s new correspondent role at CityNews; Adrienne Arsenault’s new gigs at CBC News; and Blue ant Media purchasing Mike Holmes’ content library, which will include new TV projects.

This podcast brought to you by San Pellegrino Momenti and The Famous Grouse Scotch Whiskey.

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Link: Catherine Reitman reflects on creating ‘Workin’ Moms’ and reaching seventh, final season: “I’m Still in Disbelief”

From Etan Vlessing of The Hollywood Reporter:

Link: Catherine Reitman reflects on creating ‘Workin’ Moms’ and reaching seventh, final season: “I’m Still in Disbelief”
“In America, the edgiest storyline is the abortion storyline. In Canada, it’s no big deal. In Canada, it’s these women are so flawed, that they do things that are occasionally unlikable. That’s the biggest bump here.” Continue reading.

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Preview: History Channel goes hunting for gold in Deadman’s Curse

Growing up, I loved to read about treasure. It was in a copy of Children’s Digest that I first learned about Oak Island and the supposed treasure buried there. (They’re still looking for it on that other History Channel show.) I’m still fascinated by these tales of lost loot, and the people who search for them. And History Channel’s latest is a doozy.

Deadman’s Curse, debuting Sunday at 10 p.m. ET/PT on History Channel, follows a quartet determined to find gold in Pitt Lake, B.C., despite the supposed curse associated with it. In the first of eight episodes, prospector Kru Williams, mountaineer Adam Palmer, Indigenous explorer Taylor Starr and her father, Don Froese, recall the legend of Slumach’s lost gold mine.

The story goes that Slumach, an elderly Katzie First Nations man, died on the gallows in New Westminster in January of 1891. Before he died, Slumach is alleged to have uttered the words, “Nika memloose, mine memloose,” or “When I die, the mine dies.” For over 100 years, many have tried to find the mine, to no avail. Well, that’s not quite true. According to Walter Jackson, he discovered the mine in 1901 and, weighed down with too much gold to carry, buried it. Jackson died after returning home, but not before writing a letter to a friend with clues to the spot he buried the gold. It’s gone undiscovered ever since.

My biggest beef with series like these is they’re packed with stories, conjecture and assumptions, and frustratingly light on actual discoveries. Deadman’s Curse begins with plenty of backstory and research done by Kru and Adam sufficient to pique my interest, especially when Adam seems to have a line on a copy of Jackson’s letter. Meanwhile, Taylor does research into Slumach, who he was, and why he was hung. These two storylines are compelling, and really add legitimacy to Deadman’s Curse and what the producers are trying to achieve.

And, by the time the first 44 minutes are complete, enough information has been unearthed for the group—and me, the viewer—to continue the quest.

Deadman’s Curse airs Sundays at 10 p.m. ET/PT on History Channel.

Image courtesy of Corus.

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CMF funding triggers record-breaking $1.9B in industry activity, says 2021-2022 Annual Report

From a media release:

Released today, the Canada Media Fund (CMF)’s 2021-2022 Annual Report shows that our investments in Canada’s screen-based industries triggered a record-breaking $1.9B in production across the country. Every $1 of CMF funding generated $5.16 in production activity, the highest leverage ratio since the CMF was created in 2010, and played a key role in creating close to 217,000 jobs in Canada’s screen sector.

“The industry we serve is on the verge of a magnitude of change—and it’s long overdue,” says Valerie Creighton, President and CEO, CMF. “We are proud to generate record-breaking production activity across Canada’s screen-based industries, but even more importantly, we delivered over $60M for equity-seeking communities through our Equity and Inclusion Strategy. One of our main priorities is to ensure a truly accessible and inclusive screen sector that supports all storytellers in bringing their stories to screens here at home and beyond our borders.”

View our 2021-2022 Annual Report

As the industry rapidly evolves, CMF programs delivered $359M in funding for the prototyping, development, production, promotion, and export of 1,433 television and digital media projects in 2021-2022. This level of investment and support was made possible thanks to the continued commitments of the CMF’s funding contributors: the Government of Canada, and Canada’s cable, satellite, and IPTV distributors.

As showcased in our 2021-2022 Annual Report, the CMF’s funding programs, as well as our extensive research and promotion initiatives, are clear examples of the fundamental role we play in driving Canada’s digital economy and supporting our nation’s cultural diversity.
  

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Blue Ant Media announces purchase of over 200 hours of programming from Mike Holmes’ iconic library of original series and specials

From a media release:

Blue Ant Media – international producer, distributor and channel operator – and The Holmes Group, have entered into a definitive agreement to acquire the extensive library of unscripted original series and specials of Mike Holmes, a pioneer in home renovation and one of the highest-rated stars of lifestyle television. The deal gives Blue Ant Media ownership of over 200 hours of programming from the past two decades, including all seasons of Holmes on Homes, Holmes Makes it Right, Holmes Inspection, alongside specials such as Holmes for the Holidays, Holmes in New Orleans and Mike’s Ultimate Garage, among others.

As current licenses expire, the beloved library of programming will launch in FAST exclusively on Blue Ant Media’s new free streaming channel, Homeful, which showcases real estate, design and decor projects that help make a house a home. Over the coming months, audiences in the US and Canada will see Homeful introduce the Holmes content on platforms such as Roku, LG and Xumo. Blue Ant International now holds the distribution rights to Holmes’ catalog, which will debut at Mipcom 2022 this fall.

As part of the new partnership, Blue Ant Media will also commission new original programming with Mike and his kids Michael Holmes Jr and Sherry Holmes, for its Canadian TV platforms and Homeful. More details on this commissioning will be announced in the coming months.

Having earned his place as one of North America’s most trusted contractors, Mike Holmes holds a loyal fanbase amongst audiences and is widely considered the face of the home renovation space. In every Holmes series, the beloved contractor fixes poor construction work while lending his incredible eye for detail and expert advice to guide homebuyers, homeowners, friends, and family into doing it right.

Newly-launched in spring 2022, Homeful features notable real estate, renovation and transformation series with some of the most well-known faces in TV home design. The new deal builds on Blue Ant Media’s already comprehensive library of original and acquired design and decor-inspired programs. The full list of Mike Holmes IP that Blue Ant now owns, includes: Holmes on Homes™ (Seasons 1-7), Holmes Makes it Right (Seasons 1-2), Holmes Inspection (Seasons 1-3), Holmes + Holmes (Seasons 1-2) Holmes for the Holidays, Lien on Me, Best of Holmes on Homes, Holmes In New Orleans, Holmes Family Effect, Holmes 10th Anniversary and Mike’s Ultimate Garage.

Blue Ant Media’s suite of FAST (free, ad-supported streaming TV) channels offer audiences curated, exclusive programming that is free to access on growing platforms like VIZIO WatchFree+, The Roku Channel, Xumo, Samsung TV Plus and PrendeTV. The company’s growing global portfolio of FAST channels include Love Nature, HauntTV, Total Crime, Homeful and HistoryTime.

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