Everything about 19-2, eh?

Call Me Fitz and Orphan Black take home top Canadian Screen Award TV titles

Cancelled comedy Call Me Fitz and cult hit Orphan Black were the big winners in the television categories at the 2015 Canadian Screen Awards on Sunday night.

“It’s an honour to make great Canadian TV for the world from our own backyard,” Orphan Black co-showrunner Graeme Manson said from Toronto’s Four Seasons Centre for the Performing Arts stage after claiming the trophy. Orphan Black lead Tatiana Maslany took home the title for Best Performance by an Actress in a Continuing Leading Dramatic Role.

19-2‘s Jared Keeso took home the hardware for Best Performance by an Actor in a Continuing Leading Dramatic Role.

Cancelled Movie Network/Movie Central sitcom Call Me Fitz took home two awards for Best Comedy Series; co-star Joanna Cassidy won for Best Performance by an Actress in a Continuing Leading Comedic Role.

Bomb Girls: Facing the Enemy had a bittersweet goodbye earlier in the night with a win for Best Dramatic Mini-Series or TV movie; star Jodi Balfour captured Best Performance by an Actress in a Leading Role in a Dramatic Program or Mini-Series.

Lost Girl was given the Fan’s Choice Award.

Here’s a list of the television winners (Bold text indicates the winner of each category.)

Best Dramatic Series
19-2
Continuum
Motive
Orphan Black
Remedy

Best Comedy Series
Call Me Fitz
Mr. D
Seed
Spun Out
Tiny Plastic Men

Best Reality/Competition Program or Series
The Amazing Race Canada
Big Brother Canada
MasterChef Canada
The Ultimate Fighter Nations – Canada vs. Australia
Unusually Thicke

Best International Drama
Vikings
The Great Martian War

Best Variety of Sketch Comedy Program or Series
Rick Mercer Report
Funny as Hell
Seth Rogen: Hilarity for Charity
This Hour Has 22 Minutes

Best Performance by an Actor in a Continuing Leading Comedic Role
Gerry Dee, Mr. D
Adam Korson, Seed
Don McKellar, Sensitive Skin
Dave Foley, Spun Out
Mark Meer, Tiny Plastic Men

Best Performance by an Actress in a Continuing Leading Comedic Role
Joanna Cassidy, Call Me Fitz
Julia Voth, Package Deal
Carrie-Lynn Neales, Seed
Kacey Rohl, Working the Engels
Andrea Martin, Working the Engels

Best Performance by an Actor in a Continuing Leading Dramatic Role
Adam Beach, Arctic Air
David Sutcliffe, Cracked
Jared Keeso, 19-2
Michael McLeod, Forgive Me
Dillon Casey, Remedy

Best Performance by an Actress in a Continuing Leading Dramatic Role
Meaghan Rath, Being Human
Tatiana Maslany, Orphan Black
Megan Follows, Reign
Jennie Raymond, Sex & Violence
Jackie Torrens, Sex & Violence

What did you think of the Canadian Screen Awards? Did your favourite take home a trophy? Comment below or via @tv_eh.

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Interview: 19-2’s Maxim Roy celebrates la belle province

Maxim Roy is fiercely proud of her home province of Quebec. The native of Rigaud is thrilled Montreal and its surrounds serve as another cast member in 19-2 because it allows the series to show off its colour and character.

This second season of Bravo’s Monday night drama has been a tough one for Roy’s character, Isabelle Latendresse. The detective has her sights set on advancing her career in the force, but being married to Nick Barron (Adrian Holmes) seems to have labelled her defective among the higher-ups. Pair that with at-home issues with son Theo (Zackaryer Abdillahi), and things haven’t been easy for Isabelle.

Or, in a way, for Roy. As the veteran actress—and 2015 Canadian Screen Award nominee—tells us, being a French actress who dabbles in roles outside of Quebec has netted her some detractors.

What’s it like having your home province featured in 19-2?
Maxim Roy: It’s so refreshing to finally have our city showcased, and to feel that English Canada has embraced that is really fantastic.

This show is filled with complicated characters. Isabelle is very complicated. There were times in the first season where I shook my fist at the screen. Like when she slept with Nick and then broke things off again the next day.
Yeah … see … [Laughs.] I kind of feel for her, though. She’s in a very difficult position. Nick and Isabelle still love each other and have this amazing chemistry. They have the utmost respect for each other … they just can’t live together and that happens to a lot of couples. It seems so complicated, but the number of couples that I know that are exactly like that? I know a lot. So I thought it was really nice to play somebody that complex for once. She’s not just this superwoman cop who has no emotion. She’s a woman and she has feelings and desires and she is very passionate about her work and her son.

Have you watched the original, French version of 19-2?
I’ve only watched the first season, after we were done with Season 1. I watched it all in two days. I didn’t want to be influenced by performance. I know the girl that plays Isabelle in the French version—we played sisters in a movie—and she’s a fantastic actress. I didn’t want to go there. I wanted to do my own thing and build my own character.

Did you have questions about Isabelle heading into Season 2?
Yeah. Adrian and I had questions about the relationship between Nick and Isabelle and we thought it was important that it stay in there for Season 2. That whole tension thing is interesting and interesting to play. Isabelle is interested in her career and getting ahead this season.

Are you bummed Isabelle isn’t involved in foot chases and taking bad guys down?
[Laughs.] I’m hoping for more flashbacks! I want to wear blue. I want to wear those comfortable shoes, not those frigging high heels! [Laughs.] I am so envious of the other girls.

Quebec is a fascinating province with its own star system.
It’s crazy. You feel like everyone is there encouraging each other and their projects. But there is a lot of pressure in that if you go outside Quebec, like me—I work in both languages—there is some criticism. I have my Facebook page and if I post a picture of me with this crew, there are comments like, ‘Well, why aren’t you doing the French version?’ It’s like a betrayal, almost.

But at the same time it’s so admirable. We have the ratings. We watch our shows and we go and see our own movies, so it gives us jobs. That’s fantastic, but there is a sense of ‘belonging.’ If you belong to Quebec you should stay in Quebec.

19-2 airs Mondays at 10 p.m. ET on Bravo.

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Toronto Screenwriting Conference announces Writer’s Room Intensive with 19-2’s Bruce Smith

From a media release:

Toronto Screenwriting Conference announces new Writer’s Room Intensive with 19-2’s Bruce Smith

The Toronto Screenwriting Conference (TSC) has announced a new Writer’s Room Intensive program with Bruce Smith, executive producer and creator of the serialized police drama 19-2. Six participants will work with Smith to create a ‘tent pole’ episode that involves the full squad in a single police action while maintaining the show’s focus on the emotional lives of the police officers. They will join Smith on stage during the TSC to present their ideas. The sixth annual Toronto Screenwriting Conference takes place on April 11 and 12, at its new location, the Daniels Spectrum in Regent Park.

“We strive to provide writers the opportunity to not only learn from the most-successful working showrunners and executive producers today, but also how to apply these advanced tools in a practical manner. Bruce’s new intensive program does just that,” said Kent Robinson, Toronto Screenwriting Conference producer. Adding, “In addition the Writer’s Room Intensive, we’ve developed other new craft sessions that will fully engage screenwriters including the business of showrunning, creating a successful series engine, and how and why a project gets from pitch to screen.”

Bruce Smith is a three-time WGC award winner. Prior to 19-2, he was the showrunner on Cracked, and worked as a writer/producer on numerous dramas including Durham County. Smith has also penned multiple award-winning MOWs and mini-series including Prairie Giant: The Tommy Douglas Story, and John A: Birth of a County, which he won a Canadian Screen Award.

Joining Smith on the speaker roster are Master Class speaker, David S. Goyer (Man of Steel, Batman Begins, the Blade Trilogy, creator and showrunner Da Vinci’s Demons); Emmy, Golden Globe and Television Critics Association Award-winning executive producer, Jeff Melvoin (Army Wives, Alias, Picket Fences, Northern Exposure); Head of the WGAs Showrunner training program & CBS Diversity Writers Mentoring Program, Carole Kirschner; and award-winning playwright and screenwriter, Corey Mandell.

The Writer’s Room Intensive is for registered delegates with experience in television with two positions available for recent post-secondary graduates. The selection process will be juried. Deadline to apply is Monday March 5, 5pm ET. For complete details, please visit torontoscreenwritingconference.com

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TV Eh B Cs podcast 14 – On Patrol with Bruce Smith

BruceSmithBruce Smith is currently the showrunner for 19-2 (BRAVO). Most recently he was showrunner for CRACKED (CBC). He has worked as a writer/producer on numerous dramas, including DURHAM COUNTY (HBO CANADA).

Bruce has also penned multiple award-winning long-form Movie of the Weeks and Mini-Series including CBC’s JOHN A: BIRTH OF A NATION, THE SLEEP ROOM, PRAIRIE GIANT: THE TOMMY DOUGLAS STORY and THE INVESTIGATION for CTV.

He won a 2013 Canadian Screen Award for JOHN A: BIRTH OF A NATION and is a three-time Writer’s Guild of Canada award winner.

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to become a Patron of the Podcast? We’ve got a Patreon page where you can donate a small amount per podcast and get a sneak peek of each release.

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Review: 19-2 heads into a new direction

Quite often it’s the physical action on 19-2 that keeps me riveted to the screen. But there are times when conversations between the characters have me on the edge of my seat. That was certainly the case with Monday’s latest, “Tables,” when Ben finally came clean to Nick that he had been spying on him.

To say this was a relief for me is an understatement. Nick and Ben have developed into a fantastic partnership and having this hanging over them has made me feel very uneasy. To be honest, I was expecting major fireworks between the two once Nick found out—maybe a wrestling match like we saw in the cabin last season—but Nick was surprisingly cool even though Ben pulled his gun at the height of his fright. I’m guessing the fact Ben’s apartment was torn apart and his files stolen caused Nick to realize his partner wasn’t spying on him because he enjoyed it. Still, Ben betrayed Nick’s trust and they won’t simply bounce back from it in a week.

Nick’s own investigation into who the mole in 19 will certainly make strides in the right direction. Arresting the guy Nick saw in the pizza place—the same fellow who had the underage girl in the hotel room—and booking him on drug and weapons charges caused the fellow to request help from their “friend in 19” has gotten the ball rolling. From the way he’s been acting, it looks like Commander Gendron is the mole. He’s been pretty shifty lately and been caught looking out the window a lot, which means he’s reflecting on decisions he’s made in his life.

Past decisions revisited Bear this week. A call to a strip club reunited she and former girlfriend Mary Louise, who planted a big kiss on Bear—much to J.M.’s glee—and demanded a dinner date. Dinner went well, but some after-dinner oral sex seemed to go even better. I’m guessing the reunion, paired with Mary Louise’s desire to turn over a new leaf, means Bear will be questioning that life plan she’s got all figured out.

Notes and quotes

  • Kudos to composer Nicolas Maranda for creating haunting moments with 19-2‘s theme and background music.
  • I never realized the police were given a specific time during their shift to eat. I assumed they just did it whenever they were peckish.
  • I don’t know what “squished chicken” is, but I want some. With rice.
  • “I don’t mind a bit of grime.” Line of the night from J.M.

19-2 airs Mondays at 10 p.m. ET on Bravo.

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