Everything about Awards, eh?

TV, eh? podcast episode 202 – Wifi and the Candy

As with every other week, Diane, Anthony and Greg discuss the next two weeks in Canadian TV programming using the ever-popular calendar before breaking down this year’s Canadian Screen Award winners in the key categories handed out on Sunday night. Greg gives his thoughts on three nights of trophies from the media room.

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Orphan Black and Schitt’s Creek capture key Canadian Screen Awards

Orphan Black and Schitt’s Creek were multiple television category winners during Sunday’s broadcast of the 2016 Canadian Screen Awards, dubbed the Candys by host Norm Macdonald in memory of the late John Candy.

“Never has there been so much Canadian talent in one place that hasn’t had to be zambonied first,” host Norm Macdonald joked in front of those assembled in Toronto’s Sony Centre on Sunday night. Orphan Black leads Tatiana Maslany and Ari Millen won in the Best Actress and Best Actor in a Drama while Schitt’s Creek‘s Catherine O’Hara and Eugene Levy took awards for Best Actress and Actor in the Comedy categories and the series won for Best Comedy Series. City’s off-the-wall sketch comedy Sunnyside beat out favourites Rick Mercer Report and This Hour Has 22 Minutes for Best Variety or Sketch Comedy Series.

“We’re the new kids on the block. It’s a weird show and we’re weird in it. It’s overwhelming,” Sunnyside‘s Kathleen Phillips said in the media room following their win. Gritty cop drama 19-2 outpaced Blackstone, Motive, Saving Hope and X Company for Best Dramatic Series.

Here are the winners in the television categories (denoted by blue):

Non-televised
Best International Drama
Jonathan Strange & Mr. Norrell
Vikings

Golden Screen Award for TV Reality Show
The Amazing Race Canada
Big Brother Canada
Canada’s Smartest Person
Dragons’ Den
MasterChef Canada

Televised
Best Performance by an Actor in a Continuing Leading Dramatic Role
Adrian Holmes, 19-2
Jared Keeso, 19-2
Ari Millen, Orphan Black
Ben Bass, Rookie Blue
Aaron Poole, Strange Empire

Best Performance by an Actress in a Continuing Leading Comedic Role
Brittany LaBorgne, Mohawk Girls
Annie Murphy, Schitt’s Creek
Catherine O’Hara, Schitt’s Creek
Belinda Cornish, Tiny Plastic Men

Best Performance by an Actor in a Continuing Leading Comedic Role
Gerry Dee, Mr. D
Eugene Levy, Schitt’s Creek
Daniel Levy, Schitt’s Creek
Dave Foley, Spun Out

Best Performance in a Variety or Sketch Comedy Program or Series (Individual or Ensemble)
This Hour Has 22 Minutes
The Second City Project
Sunnyside
Rick Mercer Report

Best Performance by an Actress in a Continuing Leading Dramatic Role
Kristin Lehman, Motive
Tatiana Maslany, Orphan Black
Megan Follows, Reign
Missy Peregrym, Rookie Blue
Jennie Raymond, Sex & Violence

Fan’s Choice Award
Daniel Levy, Schitt’s Creek
Natasha Negovanlis, Carmilla
Yannick Bisson, Murdoch Mysteries

Best TV Movie or Limited Series
The Book of Negroes
First Response
Forget and Forgive
Kept Woman
Studio Black!

Golden Screen Award for TV Drama/Comedy
The Book of Negroes
Corner Gas: The Movie
Murdoch Mysteries
Rookie Blue
Saving Hope

Best Dramatic Series
19-2
Blackstone
Motive
Saving Hope
X Company

Best Comedy Series
Mr. D
Mohawk Girls
Schitt’s Creek
Tiny Plastic Men
Young Drunk Punk

Were you happy with who won? What did you think of the broadcast and/or Norm Macdonald as host? Comment below or via @tv_eh.

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Link: Norm Macdonald on hosting the Canadian Screen Awards

From Linda Barnard of the Toronto Star:

Norm Macdonald on hosting the Canadian Screen Awards
As Norm Macdonald prepared to host the Canadian Screen Awards for the first time, the Star caught up with him in Los Angeles to chat with the former Saturday Night Livecast member and standup comic about what’s going to make it into his monologue, Chris Rock and catching up on Canuck TV. Continue reading. 

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Schitt’s Creek and The Book of Negroes dominate Night 2 of the Canadian Screen Awards

Schitt’s Creek and The Book of Negroes were among the winners of Night 2 of the Canadian Screen Awards. Hosted by Steve Patterson, the non-broadcast spectacle gave a nod to supporting actor and actress roles in television drama and comedy, children’s categories, and writing, directing, sound, makeup, costume in scripted series.

“Welcome to Night 2! I don’t care if you laugh or boo, as long as you’re listening,” Patterson quipped. “I do believe these awards mean something. Exactly what, I don’t know because I’ve never won one.” CBC’s Schitt’s Creek—recently picked up for a third season—took home a number of awards, including those for co-stars Chris Elliott and Emily Hampshire in the performance categories and Daniel Levy for writing.

The Amazing Race Canada continued its winning streak from Night 1, as host Jon Montgomery was recognized for Best Host. The Book of Negroes won a slew of trophies, including Aunjanue Ellis for Best Actress, Lyriq Bent for Best Actor and Shailyn Pierre-Dixon for Best Supporting Actress, Best Writing in a Dramatic Program or Limited Series, Best Sound, Best Original Music and Best Production Design.

Here are the winners in some of the key categories:

Best Performance by an Actor in a Featured Supporting Role or Guest Role in a Comedic Series
Chris Elliott, Schitt’s Creek

Best Performance by an Actress in a Featured Supporting Role or Guest Role in a Comedic Series
Emily Hampshire, Schitt’s Creek

Best Host in a Variety, Lifestyle, Reality/Competition or Talk Program or Series
Jon Montgomery, The Amazing Race Canada

Best Pre-School Program or Series
Odd Squad

Best Writing in an Animated Program or Series
Mark Steinberg, Numb Chucks

Best Writing in a Comedy Program or Series
Daniel Levy, Schitt’s Creek

Best Writing in a Variety or Sketch Comedy Program or Series
Rick Mercer, Rick Currie, Greg Eckler, Tim Steeves, George Westerholm, The Rick Mercer Report

Best Writing in a Dramatic Program or Limited Series
Clement Virgo, Lawrence Hill, The Book of Negroes

Best Writing in a Dramatic Series
Alex Levine, Orphan Black

Best Children’s or Youth Fiction Program or Series
Degrassi

Best Animated Program or Series
Rocket Monkeys

Best Variety or Sketch Comedy Program or Series
The Rick Mercer Report

Best Performance in a Guest Role, Dramatic Series
Christine Horne, Remedy

Best Performance by an Actor in a Featured Supporting Role in a Dramatic Program or Series
Torben Liebrecht, X Company

Best Performance by an Actress in a Featured Supporting Role in a Dramatic Program or Series
Shailyn Pierre-Dixon, The Book of Negroes

Best Performance by an Actress in a Leading Role in a Dramatic Program or Limited Series
Aunjanue Ellis, The Book of Negroes

Best Performance by an Actor in a Leading Role in a Dramatic Program or Limited Series
Lyriq Bent, The Book of Negroes

Here’s the complete list of winners.

The Canadian Screen Awards gala airs Sunday at 8 p.m. on CBC.

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A fable

Written by Mark Farrell

Imagine a world, much like our own, one in which there was a hugely popular hockey league in Canada, separate from a larger more popular hockey league in the USA (far-fetched but just go with it for a second), and there was an awards show for this Canadian hockey league that celebrated its participants. This award show was actually broadcast on television.

Now imagine that there was also a Canadian lacrosse league, not as popular in Canada as the hockey league but there was a belief in the highest offices of the land that lacrosse was much more important to our national identity than hockey. Hockey is fine, but lacrosse is CULTURAL. Canada couldn’t be a country if we weren’t accomplished at lacrosse. No matter how good, or popular our hockey players and games were.

But even though many people — often good, well-intentioned people — tried, lacrosse never caught on in a mainstream way. Oh there were great lacrosse players, but we couldn’t compete with the American lacrosse players for a bunch of reasons, not in the purview of this silly self-indulgent exercise.

So there was a hockey awards show and also a lacrosse awards show, separate, both broadcast in Canada. The hockey one, while sometimes cheesy and sometimes not very good, was always watched, mostly because people cared about Canadian hockey. Just for the sake of keeping the numbers simple let’s say it always got at least one million viewers. It also attracted all the big name Canadian hockey players.

Sadly, the lacrosse awards, no one watched ever, despite how important Canadians were told lacrosse was.

So then the elite of the elite, those lacrosse owners and some hockey owners who dared to dream about being lacrosse owners, decided to move the hockey awards from its normal time in March when it was being watched, to an asinine time in September. People stopped watching the hockey awards. Let’s say for the sake of the simplicity that it had 300,000 viewers.

So the Illuminati said let’s move the hockey awards back to its original time in March. But wait: let’s combine it with the lacrosse awards. Oh and let’s add soccer, because soccer is the future. And let’s call it the Canadian Score Awards because you are trying to score in each of the games.

Some simple-minded people asked: but won’t that water down the hockey awards? The elite folks smiled at the benign naivete of the question. No, they answered, in fact it will be great because people are getting awards show fatigue. And even if it did water down the hockey awards, lacrosse is much more important to the fabric of the country. We’ll mix popular hockey players with unknown lacrosse players and tell everyone it’s just like the Golden Globes, except you can find out the winners an hour before in 95% of the country if you have something called the internet.

Well some people still thought this wouldn’t work; that hockey would be dragged down. These people were quickly dismissed as unpatriotic lacrosse haters.

So the awards were moved back to March and some great people produced and worked on the show. The show was good, hiring hosts known for their work in hockey and writers who had also worked in hockey. But half the show was given to lacrosse and its celebration.

The first Canadian Score Awards got 700,000 viewers, and was trumpeted across the land as a huge success even though that was less than the hockey awards used to get. In fact the only knock from the lacrosse people was that the award for Best Lacrosse Game is the most important and should have been last. The next year the awards show got 500,000. But the award for Best Lacrosse Award, the award really that no one in the actual audience on television gives a shit about, was last.

So that’s how the Canadian Score Awards, or the CSAs, came to be.

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