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Alien house buyers, a love-lorn hitman and life in a bingo hall seek IPF funding

One of the mandates we set out for 2017 was to cover web series. It makes sense because they’ve become more popular over the past couple of years. The fact Natasha Negovanlis—star of the online series Carmilla—won the Fan’s Choice Award at the Canadian Screen Awards just cemented it for us: web series are here to stay.

Our timing couldn’t have been more perfect. The Independent Production Fund (IPF) has welcomed submissions for those looking to be awarded funding to bring content to the Internet or mobile platforms. Established in 1991 to provide financial support for dramatic television series, the IPF was expanded in 2010 to include financing drama series for the web. That mandate has been extended indefinitely. The result? Almost 70 trailers for potential projects have been posted on YouTube. Thanks to the Independent Web Creators of Canada, they’re all collected in one spot.

With the end of March approaching, creators are looking for support via views and comments about their potential projects before the IPF makes their decision; in 2016 they approved funding for 16 scripted series (nine English and seven French); five were renewals for past projects with the other 11 being new ones. (One of was Riftworld Chronicles, starring Erin Karpluk and Tahmoh Penikett.)

To kick off our online series coverage, we chose three projects that caught our eye and spoke to the creative folks behind them.

The Series: Earthling House Huntress

The Creator(s): Ivy Johnson and Jordan Himelfarb

The Idea: In a world where space travel is simple, aliens are coming to Earth in search of real estate with curb appeal and a great price. Enter Liz Klein (Laura Cilevitz in the teaser), who specializes in helping ETs find their fovever home.

The Inspiration: “We had already discussed a show about a real estate agent because I worked as a real estate agent’s assistant for about a year,” Ivy Johnson says. “We were buying a house in Toronto. That took a long time and we got to know our real estate agent and found that character so interesting. To be a really great agent, you have to spend a lot of time with people and make friends with anybody. We thought this character would be the perfect ambassador to Earth and is able to really be super-charming with the most bizarrely imaginable creatures.” Himelfarb and Johnson pitched the idea to CBC, who came on board and connected them with Sphere Media to produce Earthling House Huntress; this is Sphere’s first web series.

The Plan: Based on the HGTV concept, each seven-minute episode finds Liz Klein with a new client as she goes through three houses showing the client the homes. Each client being from another planet means very different needs from humans; the first couple needs a hot enough furnace to roast the egg sac containing their baby. “I think it’s rare to find someone for whom a web series is the end goal,” Johnson says. “Jordan and I have a 22-minute pilot episode in our minds. We’re waiting on that until the starting gun goes off [on funding]. For now, it could only ever be a web series and something we can keep going back to and have Canadian comedians come in and shine as great characters.”

The Series: Hit on Me

The Creator(s): Marvin Kaye

The Idea: After killing people for the last two decades, how does a middle-aged killer find love?

The Inspiration: “I was just trying to write something that was different from before,” says Kaye, who co-created Less Than Kind. “I had a crush on this girl in high school. My best friend went out with her for prom and it broke my heart and I wanted to kill him. That was my inspiration: how would a guy who kills people for a living react to being lovelorn.” The producers on Hit on Me are Lauren Corber and her LoCo Motion Pictures (the folks behind web series My 90-Year-Old Roommate), Kaye and Liz Whitmere.

The Plan: Eight episodes of up to 15 minutes each. Kaye says that while having Hit on Me be broadcast on television “would be like winning the lottery,” but he wants to concentrate on this shorter format where “eight assassinations leads to a relationship falling apart and a love triangle forming.”

“I just want to tell a great story in eight 15-minute blocks,” he says.

The Series: Free Space

The Creator(s): Matthew MacFadzean

The Idea: A black comedy about a family that runs a bingo hall at the end of the American empire.

The Inspiration: “I wandered into a bingo hall in Montreal in 1997,” MacFadzean recalls. “I sat down with some friends and the air was filled with smoke and shady characters. I wondered, ‘What if the revolution started here? What if the meek really do inherit the earth?'” The idea percolated for years until Donald Trump was elected president. Free Space deals with xenophobia and terrorism; an attack at a nearby bar puts focus on the bingo hall as the likely source of the violence. The son of the hall’s owners, Terry Buxton, is called on to protect the hall from scrutiny and uncovers a connection between the attack and his family.

The Plan: MacPhadzean is going at this process as if the funding is on the way for his proposed five episodes. In addition to the teaser, he and producer Chris Baker have posted two more short videos—a location scout and Free Space Initiative—designed not only to outline what Free Space is but drive eyeballs to the teaser. More content will be rolled out in the coming weeks. He’s also got an hour-long pilot in the can and first-season of hours mapped out; he can go forward with more seasons of Free Space online or expand and make the jump to television.

Check out the trailers for the 2017 Independent Production Fund submissions, courtesy of the Independent Web Creators of Canada, here!

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X Company Charity Auction benefitting Camp X

UPDATE: Thank you to everyone who bid on X Company items! Over $7,000 was pledged, with funds going to save and preserve the Camp X legacy. Winning bidders have been contacted; items will be sent out in the next week or so.


After three seasons, X Company is ending. We’ve travelled from Canada to Europe with Aurora, Neil, Alfred, Harry and Tom as they’ve gone deep behind enemy lines battling the Nazi regime and Franz Faber. There have been plenty of tears shed and memories cemented in our brains forever.

You can keep the memories even more alive with an item from the series! We’ve got signed scripts, clothing, props and other one-of-kind items any X Company fan would love to own.

Thanks to X Company‘s co-creators, Mark Ellis and Stephanie Morgenstern, for supplying the items. All funds raised will help save and preserve the CAMP X LEGACY.

The Oshawa Aeronautical Military & Industrial Museum is a not-for-profit organization that is overseeing the preservation of the last original Camp X building. The building will be fully restored and a permanent Camp X museum will be housed inside.

All donors will receive a thank you note from OAMIM and will be kept up to date on the project’s progress.

All donors will also receive a limited edition Alfred and Aurora postcard, with a personal thank you note from X Company creators Mark Ellis & Stephanie Morgenstern.

This auction uses simple bidding and ends Friday, March 17 at 11 a.m. ET. Payment will be due by end of day Wednesday, March 22, 2017. International bidders, please note that any additional taxes and duties charged by customs will be your responsibility.

A technical note: this auction doesn’t work on all cell phones or tablets. If you’re having issues bidding, use a laptop or desktop. Got a question or having problems? Email greg.david@tv-eh.com

Click on the direct links below for access to the auction pages and detailed images:

Autographed X Company Series Finale script

Autographed X Company Pilot script

Sinclair’s fedora

Large Toronto baseball banner

Toronto baseball pennants

Medium Toronto baseball banner 1

Medium Toronto baseball banner 2

Medium Toronto baseball banner 3

Aryan Selection Kit

Schmidt’s flask

‘My Dark Destiny’

Aurora’s Camp X fighting knife

Binoculars

Soft prop handcuffs

Key to Obergruppenführer Schmidt’s room

Camp X photos, Heidi’s calling card

Krystina’s Camp X file photo

Rene’s Camp X file photo

Faber family photo

Propaganda article

Camp X manual

Alfred’s Memory Show poster

Wanted Poster

Two tickets to Berlin

Operation Marigold Top Secret file

Alfred’s emergency letter

Neil’s identity papers

Harry’s identity papers

Specially-built button

Sabine’s dress

Aurora’s dress

Camp X, HYDRA uniform

Neil’s wardrobe

Aurora’s hidden pill kit

Mags’ letter to Neil

Operation Marigold kill kit

Mags’ drawing

Fuse used by Aurora, and then Faber, to blow up Voigt

Colonel Sinclair memorial picture

X Company crew gift Bluetooth speaker

 

 

 

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TV Eh B Cs podcast 61 — Riding Along with Shelley Scarrow

Hailing from Sarnia and then from York University’s Theatre program, Shelley Scarrow has a diverse list of television credits to her name. Recent highlights have included showrunner/executive producer and writer on Ride and writing for Wynonna Earp.

She served as consulting producer and writer on both Lost Girl and Being Erica. She served as creative consultant and writer for the comedy series Sophie. Other credits include Flashpoint, Da Kink In My Hair, Instant Star and Degrassi.

Animation work has included writing and story editing for the upcoming girls’ action series, Mysticons.

[Please note: Mysticons does not have a Canadian broadcaster … yet.]

Listen or download below, or subscribe via iTunes or any other podcast catcher with the TV, eh? podcast feed.

Want to support TV, eh?’s work? Become a Patreon!

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X Company 310: The end is nigh in “Remembrance”

After 27 episodes, CBC’s Second World War spy drama X Company comes to a powerful and moving conclusion tonight, as Aurora (Évelyne Brochu), Neil (Warren Brown) and Alfred (Jack Laskey) must turn to Faber (Torben Liebrecht) to take out Voigt (Kevin Griffiths).

Here is our preview of “Remembrance,” written by Mark Ellis & Stephanie Morgenstern, and directed by Morgenstern.

Full circle 
The finale brings the show’s concept full circle for series creators Ellis and Morgenstern. In 2001, the duo wrote and starred in a short film called Remembrance, about a man with synesthesia who is recruited into Canadian spy school Camp X by a beautiful woman. Like the film, tonight’s episode is called “Remembrance,” and also like the film, Morgenstern directs, having the opportunity to guide the characters she and Ellis created over 16 years ago on their final mission.

Morgenstern says she’s pleased with the way it all turned out—in her typically modest way.

“There aren’t any moments where I think, ‘Ah, if we could have just gone back and adjusted that or fixed that or written that differently,'” she explains. “I don’t think I’d be brazen enough to say it’s a piece of artistic perfection, but I would say I can’t think of what I would change if we had the chance or more time. I’m happy with it.”

My how they’ve grown
In a treat for long-time fans, there are several satisfying nods to Season 1 that show just how much Aurora, Neil and Alfred have grown since they first left Camp X.

Stunning work by the X Company cast
Morgenstern, a former actress, gets the most out of her cast as Évelyne Brochu, Warren Brown, Jack Laskey and Torben Liebrecht all give series-best performances. There is a scene between Brochu and Liebrecht that tops all their previous scenes combined, something I didn’t think was possible.

You will be satisfied (and teary-eyed)
After three seasons, X Company ends on a pitch-perfect note. “Remembrance” is a beautifully written, gorgeously lensed episode that was clearly made with love by all involved. A remarkable achievement.

X Company airs Wednesday at 9 p.m. on CBC.

Image courtesy of CBC.

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CBC’s excellent Keeping Canada Safe showcases everyday heroes

Last fall, Force Four Entertainment and CBC teamed for Keeping Canada Alive, a poignant documentary that showed the breadth and depth of our country’s health care in a 24-hour period. (Give Diane’s review of that a read, won’t you?)

Both companies have partnered again for Keeping Canada Safe, a 48-hour whirlwind look—spread over eight half-hour episodes—of the emergency personnel (and sometimes animals) charged with ensuring our safety last summer. With news of walls going up and national security in the headlines of late, Keeping Canada Safe is certainly timely. What sets this series apart from, say Border Security, is the 60-plus cameras dispatched across the country. Rather than being focused on one airport or border crossing—production was granted access to more than 47 organizations in 34 cities across 10 provinces and two territories—the program is able to profile a cross-section of this country and the personalities of folks who do this.

The debut instalment, airing Thursday at 9 p.m. on CBC, wasn’t what I was expecting. With Border Security as my only reference, I assumed Keeping Canada Safe would spend most of the time at airports, borders and other high-profile transit points. After having seen Keeping Canada Alive, I should have known better. You do get those broader national security stories here, but Force Four connects with viewers by getting down to a local level, like an enraged Calgary man trying to break into his house as a police helicopter swoops overhead. That situation is used to explain the reason for a helicopter being in the air in the first place: it’s safer for police and citizens for a chopper to track a criminal in a car than a high-speed chase is.

Meanwhile, in rural Prince Edward Island, Lewie Sutherland is the police chief of Kensington and everyone calls him by his first name. Because of the small population—a mere 1,500—everyone knows each other, and the death of a citizen is felt by the community. It’s easy to assume Lewie’s life is easier than that of the guys working in Calgary, but I think it’s harder. In a metropolis, people can become somewhat faceless. But in PEI, a criminal or someone in danger could be your friend.

The most disturbing segment of Episode 1 is devoted to following Winnipeg’s Bear Patrol, a group of volunteers who strive to find missing women in the city. Within the span of mere broadcast minutes (but remember, this is filmed over just 48 hours), a handful of girls and young women are reported missing. The race is on to locate them in a neighbourhood known for violence and the sex trade.

Upcoming stories during the eight-episode run include an all-access look at Pearson International airport, including their K9 Unit, wildlife control with trained falcons and an emergency landing; a Kingston drug bust against a suspected meth dealer; and Ottawa scientists testing a compound of everyday chemicals and a bomb suit for first responders.

Beautifully shot and wonderfully written, Keeping Canada Safe really should be seen, both to be informed about the jobs being done behind the scenes for our security and to celebrate those who are doing it.

Keeping Canada Safe airs Thursdays at 9 p.m. on CBC.

Image courtesy of CBC.

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