Everything about Featured, eh?

Rookie Blue’s Missy Peregrym guest-stars on Motive

Motive is nearing the end of its run, and everyone involved is clearly looking to go out on top. After weeks of strong stories and high-profile guest strs, Tuesday’s newest, “In Plain Sight,” not only boasts Tommy Flanagan, but Continuum/Intelligence actor Ian Tracey, iZombie‘s Aly Michalka and Rookie Blue‘s Missy Peregrym.

Here’s the network synopsis:

When an abducted woman returns and is later found nail-gunned to death, Detective Angie Flynn and the team discover that truth is stranger than fiction. Angie embraces her new relationship with Agent Jack Stoker, while Staff Sergeant Oscar Vega’s increasing frustration with the bureaucracy in the department drives him to look for other options.

Here’s what else we can tell you about the episode, written by Damon Vignale.

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Missy Peregrym as you’ve never seen her before
Rookie Blue viewers are used to seeing her as cop Andy McNally, but Motive poses Peregrym as the killer in this episode. It’s a twisting, turning case that involves kidnapping, an estranged father, bundles of cash and a private investigator (Tracey), leading to one shocker of an ending.

Betty and Lucas team up for Angie teasing
“Sure hope Stoker is ‘fitting in,'” mocks Betty. “Like a glove,” adds Lucas. Love it.

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Vega weighs his options
Fed up with being questioned constantly, Vega is considering another career. Based on his impression of Al Pacino, we think improv might be a good move too.

Motive airs Tuesdays at 10 p.m. ET on CTV.

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Set visit: Canada: The Story of Us

It’s not often you’re given the opportunity to step back into Canada’s past, but that’s exactly what I did last Thursday. The beach at Hamilton’s 50 Point Conservation Area was transformed into Normandy’s Juno Beach, the site where Canadian troops stormed ashore during D-Day.

With just a line of orange pylons separating filming from the public beach, a handful of actors dressed in the fatigues of the time darted up the dense sand countless times, diving behind Czech hedgehogs for scant cover as explosions (peat moss stuffed into metal bowls and then blown skyward) went off around them. The footage filmed portrayed how William “Boots” Bettridge and his fellow Queen’s Own Rifles land on the beach and call in aerial attacks on German tanks.

The segment, and 49 others, are part of Bristow Global Media’s massive production, Canada: The Story of Us, for CBC. Debuting next year to celebrate Canada’s 150th anniversary, other scenes filmed along Lake Ontario’s shores that day included Samuel de Champlain paddling a canoe and a re-creation of the struggle of Nguyen Ngoc Ngan, one of 60,000 Vietnamese refugees who came to Canada following the Vietnam War. Playing Ngan? His son, Tien Ngoc Ngan. Bristow Global Media president and CEO Julie Bristow says all the tales told in Canada: The Story of Us are personal ones.

“As a producer and journalist, this is the perfect combination for me,” Bristow says. “It’s mixing up modern ways of storytelling with CGI, celebrity interviews and re-creations of personal stories is a fresh take on documentaries. I really like doing shows that demand different skill sets and different teams.” She adds over 150 stories were pitched and 50 were chosen for the 10, 60-minute instalments to spotlight everything from Canada’s birth to where the country’s future lies.

“We like to say that, without the actions of that person, Canada may never have been the same,” she says. “It could be a small action, but without the bravery of some people that we don’t know, history might have been different.”

Canada: The Story of Us airs in 2017 on CBC.

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Comments and queries for the week of July 22

What Degrassi means to me? Um, I’m effin’ Snake. Duh.

Where to begin? Well I live in the States in a pretty normal middle-class Christian family, so when I started watching Degrassi at about 13 it was scandalous. Now I am 17 and have graduated from high school and junior college and I have come out mostly intact and I have to thank Degrassi for some portion of that.

Like I mentioned, I was raised in a religious family so some (more like most) of the topics that Degrassi was covering were things that I was running into from periods to as “Snake” put it, boners. I was dealing with growing up in a family who wasn’t as open in talking about all of the not-so-pretty sides of being a teenager. And not even just the not pretty but that stuff that you never want to admit to your parents that you are dealing with.

Now I can say I have never been pregnant or diagnosed with a mental illness, but I have survived the pressures of high school and am thankful it was just in time. Finding out that Degrassi would no longer be airing in the U.S. was a sad thought. It was a show that gave the honest truth and with that truth it gave an honest outcome. When Paige got raped and Jenna got pregnant there were long -erm repercussions that effected them for much longer than an episode or two, but it was something that their character had to deal with for the rest of their time in the show. Which was a factor that was true in real life and something that mainstream Hollywood has not been able to capture or has not been willing to. I am forever grateful to those who have participated in the prolonging of Degrassi for the teens of today and the future. It was a pleasure growing up with you. —Kaile

I live in the States as well and Degrassi was a great show! I’m from the years when Degreassi: The Next Generation was on (Emma, Manny, Paige, Marco, etc.) and to me that was the BEST seasons Degrassi has ever had! They really helped me learn and grow and gave me hope as I went through school, so thank you Degrassi and, honestly, I hope you’re still around on Netflix or picked back up on TV whenever I have kids old enough to watch! —Love

If Canada’s known for delicious poutine and realistic portrayals of teenage life, I don’t think that’s a bad thing. Also, count me out of the modern dating game if dick pics are part of the process. —Shannon

 

 

Got a question or comment about Canadian TV? Email greg@tv-eh.com or via Twitter @tv_eh.

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The Killjoys get “Schooled”

Sure, it’s nearing the end of July, so most kids are enjoying being out of the classroom. Unfortunately, for Killjoys‘ Dutch, D’Avin and Johnny, they become enrolled embroiled in strange and dangerous goings-on at a special school for super-smart kids. Here’s Space’s official synopsis about Friday’s new episode, “Schooled”:

A simple escort mission takes a frightening turn when the Killjoys discover students have mysteriously disappeared from a school for gifted Westerley children.

And here’s a sneak peek from us about what fans can expect.

Dutch and D’Avin’s super-sexy fight scene
Unlike their near-deadly Season 1 grapple, this one’s all about bragging rights. We’ll call it a draw; let us know what you think.

Image courtesy of Bell Media.
Image courtesy of Bell Media.

The Killjoys go back to school
The mystery at the Prodigy School gives viewers a chance to see how the Killjoys would fare as parents. D’Avin and Johnny? Naturals. Dutch? Not so much. But while D’Av’s scenes with the kids are super-sweet, there’s dark stuff going on at the school. The simple mission outlined by Turin doesn’t go as planned—when do they ever?—and our trio is forced to work with Delle Seyah.

Image courtesy of Bell Media.
Image courtesy of Bell Media.

D’Avin vs. Sabine
She has a small role in “Schooled,” but Pree’s latest hire, Sabine, makes an impression on D’Av. Sabine is played by Tori Anderson, who many of us last saw starring on Open Heart. Can we take a moment to remember Open Heart?

An homage to Marion Ravenwood?
There’s a particular scene involving Pawter that left us with a major case of déjà vu. We’re pretty sure the Killjoys writing team was channeling Raiders of the Lost Ark when our favourite doc was trying to gain her freedom.

Killjoys airs Fridays at 9 p.m. ET on Space.

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Recap: Working It Out Together – Rene Meshake, Healing Arts

Episode 8 of Working It Out Together, featuring Artist and Musician Rene Meshake, explores how creative arts are being used by those most severely affected by colonization to channel anger and decolonize the self.

Waneek Horn-Miller introduces this episode. “Arts are important; it’s our voice, something  you create from your spirit somewhere deep inside of you.  Art is an important way to express pain sometimes, and trauma sometimes, and these things have to come out.”

Arts and artistic expression were suppressed during what Rene Meshake refers to as the colonial period.  It is Rene’s belief that during this period the people lost their heart. Without heart there could be no art and no truth.  It was during his time in residential school that Mr. Meshake’s was denied his freedom of expression. This denial of his true being, compounded by the abuse he suffered, served to forge self hatred that manifested in alcohol and substance abuse. Suicide seemed his only option. Ironically, it was the recognition of colonized  Aanishnaabmowin into mainstream culture that connected with Rene’s artistic side and led him away from his destructive path.  Rene then began to channel his creativity and opened up a world of possibilities in a healthy way.

Currently, Rene is a respected elder who mentors Indigenous youth In Guelph, Ontario. He shares his experiences and his artwork in the hopes that youth today can embrace their own artist selves rather than choosing  abusive lifestyles.

Isaac Murdock, a traditional Aanishnaabe storyteller,  returns this week to explain the importance of art to Indigenous life. He highlights the importance of pictographs, regalia, and basketry; artwork was a part of identity. Furthermore, art, dance, and singing were all about the spiritual connection to the land. Then, at the time of initial contact, “colonialism was really hard on our symbolism. The church and the government people requested that all of the bundles, all of the baskets, everything with the symbols needed to be piled onto the ground and they would set them on fire.”

Following the closure of the residential school system, young people began to express themselves in very powerful ways. Murdock elaborates: “Those that came out of residential school knew that the spirit of the land had to be expressed through their work. So that even though it was suppressed and even though it was made to believe to be bad, people overcame those feelings because it was their way to show the world who they were, who their people were, and what they stood for.”

This was a beautifully crafted episode filled with many touching moments all demonstrating the power of art and its inherent ability to heal. It is also fascinating to learn how Indigenous art is evolving today. Rather than the static concept mainstream is so familiar with, we witness here today’s modern Indigenity. Murdock sums this up nicely: “Art is a ceremony, of creating pieces that are actually healing people and making people stronger. It goes out into the universe and it is connecting with everything. It is always the artists and the musicians that make the greatest change. There is a medicine and a code in there, a blueprint with how to walk with mother earth.”

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