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Featured, X Company

Comments and queries for the week of April 15

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Jennifer Valentyne exits Breakfast Television Toronto

Jennifer was and still is a fixture to all in this city. I know that most woke up to her in the morning and their mood was set by Jennifer’s laugh and her humour, while at the same time being professional at what she did for Breakfast Television. We will miss her, but I am sure that with this chapter closed for her another better opportunity will land on her door step soon. Good luck Jennifer, and thanks for being the best you could be for all these years. —Councillor Giorgio Mammoliti

All the comments from people saying they will not be watching any more is pure BS. You did not watch because of Jennifer, she was NOT what makes BT tick. You watched to get the news, bottom line, so stop it. Yes, it is sad that she lost her job but it’s sad when anyone loses their job after so many years of service. That’s life. (She just had a better job than most people.) I will still watch BT because l like the show and the morning people that run it. —Jeannie

So sorry that Jennifer will no longer be on BT. I always looked forward to her segment. Someone has made a poor decision. —Edie

So sad to hear about Jennifer’s departure. I will not continue to watch the program. I wish her all the best!!! —Janee

Could it be possible that Rogers ends up selling City and their speciality channels to offset the losses they are facing with NHL? —Karen

X Company‘s creators discuss the heartbreaking finale and look towards Season 3

This is the best show CBC has ever done: well-written, well-acted, well-directed. I am so glad that the audience learns some history mixed in with the fiction, and stunned to see a German portrayed as a genuine conflicted human being. Bravo, can’t wait for next season! —Scott

A fantastic show. I, too, waited anxiously all week for the next episode and was SO RELIEVED to hear it’s been renewed for Season 3. Great actors. Great writing. Great story. —Catharine

This is the best show CBC has ever aired. The anticipation from week to week was high. The actors are so outstanding and the writing is good, the hour seemed to go too fast. I’ve been to the beaches in Dieppe and spoke with many of the survivors so it really hits home with me. —Robyn

The finest Canadian show I have ever watched. Bravo! The acting was superb, the writing (for both seasons) exceptional. Each episode a hand wringer until the very end. It was hard waiting for the next episode every week. Bring on Season 3, we’re all waiting. —Ann

Very sad that Tom has died. Someone was obviously going to die knowing what happened at Dieppe. The trailer pretty much sold it out as Tom due to his absence in the safe house and warnings from Neil, but the exit was quite spectacular! Can’t wait ’til next year for S3. :) —Emily

Got a question or comment about Canadian TV? greg@tv-eh.com or via Twitter @tv_eh.

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Featured, Slasher

Slasher cuts another character

With the Season 1 finale airing on Chiller this Friday, fans in Canada watching Slasher on Super Channel are still seven weeks behind. Sarah and Dylan have just moved to Waterbury, and Verna McBride (Mary Walsh) and Justin Faysal (Mark Ghanimé) are The Executioner’s first two victims. That is, if there is in fact just one person committing the crimes, something Police Chief Iain Vaughn (Dean McDermott) was hoping when Heather Peterson (Erin Karpluk) was arrested last week.

Clearly, as “Like As Fire Eateth Up and Burneth Wood”—Friday’s new episode—shows, the wrong person was put in jail. That’s not all we learn during the instalment; here’s a sneak peek at what’s to come.

Brenda confesses
We love Wendy Crewson in everything, but she really shines in Slasher. Creator Aaron Martin has written a sassy, cigarette smoking chick who isn’t afraid to speak her mind, especially when things get a little tense. When she and Sarah find themselves in a dangerous position, she pulls out a gun, stating: “You think I’d return to this shit-hole without packing a little heat?” Line of the night. There is one thing that scares Brenda, and that’s the past: her confession, revolving around an incident in 1968, threatens to ruin the relationship she’s got with Sarah.

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Tropes twisted
Horror movies contain some of the most hackneyed scenes and dialogue ever. Running and hiding in a closet. Calling “Hello, is anyone there?” into a darkened room. Hitting re-dial on your phone and having it ring the killer hiding inside your house. Martin’s nods to those well-worn customs are rife, but subtle twists on them result in truly scary moments.

Shout-out to Mr. D
Booth Savage, who played Principal Callaghan on Mr. D, gets new life on Slasher as the mayor of Waterbury. It’s pretty safe to say we’ve never seen this side to him before.

The Executioner vs. Sarah
Turns out The Executioner isn’t merely killing everyone. There is method to his madness and Sarah discovers what that is during the show’s closing moments.

Slasher airs Fridays at 9 p.m. ET on Super Channel.

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Featured, Orphan Black

Orphan Black returns to form in Season 4

I was a huge fan of Orphan Black in Season 1. I sat, transfixed, as Tatiana Maslany assumed multiple personalities to play Sarah, Katja, Alison, Cosima, Helena and the first revelations about the Leda clones were first hinted at. I missed folks like Dr. Leekie, Det. Angie DeAngelis and Olivier Duval (a.k.a. the man with the tail), who were so important—and fun—in those early days.

So to see all of them packed into Season 4’s return, “The Collapse of Nature,” was not only thrilling, but a much-needed—in my eyes—reboot and reminder of why we all tuned in in the first place. Within the first four minutes (available to fans to watch online ahead of Thursday’s broadcast), it had been established there was yet another clone, M.K., who was working with Beth Childs. Speaking of Beth, she was alive and well. Yup, Orphan Black did a time jump back to before Sarah Manning ever entered the picture. There she was, sleeping when M.K. called to say she’d witnessed a body being buried in the woods. And who was next to Beth and wrapped in the sheets? Paul, also alive and kicking.

I was immediately immersed in the story as Beth and Art investigated the mutilated corpse, boasting a bifurcated penis and missing right cheek, and were off to find out who he was and why he was there. The path led Beth to the body mod club … and there was Olivier having shiny bling added to his tail.

We’ve all known Beth had issues, but to see them played out in front of us was amazing and added depth to the character. Addicted to drugs and battling to keep her relationship with Paul intact, Beth was only scratching the surface of the clone conspiracy—including questioning Leekie—when she stepped in front of that train. Feeling alone and emotionally disconnected, she turned to Art for affection before being called away by a girl at the club and witnessing the worm being pulled from a fellow club-goer’s cheek. The revelation the bearded guy involved in the plot is with the police union in wake of the alleyway shooting that killed Maggie Chen is pushing Beth into a corner she’s desperate to escape from. (As an aside, how great was it to see Felix in the police precinct, sassy as ever while defending the actions that got him booked in the first place?)

By episode’s end, we were jerked back to the present, with Art calling Sarah to tell her to run, that Iceland was no longer safe for her. I’m hoping that there’s at least one more episode where we see Beth’s storyline and see what she’d discovered before she took her life. And, of course, to learn more about M.K.

Orphan Black airs Thursdays at 10 p.m. ET/7 p.m. PT on Space.

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Bitten, Featured

Bitten says goodbye

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It’s always hard to say goodbye to a television show, especially one like Bitten. Far from stale, Season 3 felt like a bit of a rebirth for the show, and a move in a bold new direction. That’s certainly the case for Friday’s series finale “Truth, Changes, Everything.” Written by Daegan Fryklind, the script does close out stories, but leaves others wide open for interpretation and the imagination. Yes, there have been dark moments for several of these characters over the last three seasons, but by the end of “Truth, Changes, Everything,” I definitely felt hope.

Here’s what’s in store for Jeremy, Elena, Clay, Nick, Rachel, Paige, Sasha, Alexei, The Albino and Konstantin moving forward.

“Truth, Changes, Everything”
The episode title has a wonderful double meaning to it, referring both to how the truth literally changes everything and the storylines deal with truth, changes and, well, everything. Fryklind is a damned wordsmith and I love it.

Things start slow
The first 20 minutes are prep and posturing. Then the wheels really start to move and there’s no let-up. The next 22 minutes sped by faster than a wolf chasing down prey.

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Elena’s dream is realized
“We’re the outlaws now. It’s time to embrace our fate. This won’t stop until it happens, so let it come.” With those words, Elena makes a decision, putting irreversible steps in motion that can’t be stopped. Whether or not those steps were the right move will have fans talking for awhile.

Not everyone survives
It would be silly to assume everyone emerges from “Truth, Changes, Everything” unscathed—Bitten is a series about werewolves, blood and witches, after all—so place your bets on who will, and won’t, survive the final showdown. I can say those who do perish don’t do so in vain and are given the proper sendoff.

Bitten‘s series finale airs Friday at 10 p.m. ET on Space.

Let me know what you think of Bitten‘s series finale!

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Featured, Slasher

Slasher’s latest suspect/victim: Brandon Jay McLaren’s Dylan Bennett

If Sarah Bennett would seem an unlikely suspect, her husband Dylan would make for the perfect killer. With all of the secrets around Waterbury, it’s more likely to suspect someone from there than outside the town. And, let’s be honest, dead folks can make a man’s newspaper career, something the industrious Dylan is certainly looking to do.

In our second instalment of interview with the cast of Slasher, the Vancouver native talks Dylan, his friendship with showrunner Aaron Martin and Harper’s Island.

Congratulations on Slasher. Before we talk about that, though, you were fantastic on Harper’s Island.
Brandon Jay McLaren: Thanks. I feel like Harper’s Island was a little ahead of its time. Now that show would kill. It’s the perfect binge-watch. We were just a little premature. That was on CBS back when live ratings numbers meant something. I think our premiere was 10 million, and then we got 7 million for the second episode and they moved us to Saturday nights.

Talk to me about Dylan and his relationship with Sarah.
We met under a very strange circumstance, and she wants to come back to her hometown where her parents were murdered and she was pulled out of her mom’s womb. It’s very gruesome. She’s grown up with this about where she’s from and her past and we decide to move back to her hometown and move back to her parent’s house and fight her fears. Let’s move back and move on, because it’s been a debilitating thing in her life. We move back and the murders start happening again in a very similar fashion.

I play a journalist from the city and I move to this small town and take over the paper. These murders are terrible, but they’re good for me because I have this huge international story on my hands, so I’m pushed and pulled. Dylan’s career is skyrocketing, we have a Nancy Grace-type character come up and I’m put on TV. That’s why I took the role, because it’s different from what I’ve done on Graceland.

What are Aaron Martin’s scripts like?
They’re different. I worked with Aaron on The Best Years and a couple of seasons of Being Erica, just in and out, and this is a complete departure from anything I’ve ever read of his. I didn’t know that he was this sick in his head and I told him that. [Laughs.] He’s very good with relationships and you have that, but it’s gruesome and terrible. It makes for some really good reading.

Because you’ve known him for so long, are you more apt to read something Aaron has written?
Oh sure. He’ll contact me. He’ll be like, ‘Hey man, I’m doing this thing up here. When are you wrapped on Graceland? I’d love for you to take a look at this.’ Anytime he calls I’m fair game if I’m available. He always lets me play something that I haven’t played before, so this was another opportunity.

Slasher airs Fridays at 9 p.m. ET on Super Channel.

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