TV, eh? | What's up in Canadian television | Page 149
TV,eh? What's up in Canadian television

SurrealEstate’s Tim Rozon: “The magic of the show is that group”

There’s a certain amount of scrutiny that comes with making the jump from one landmark TV show to another. For Tim Rozon, you can’t help but wonder if that scrutiny was even more intense.

After all, the Montreal native most recently starred on Schitt’s Creek, Vagrant Queen and a little show you may have heard of called Wynonna Earp. I’m happy to say that he’s hit a home run with SurrealEstate.

Airing Fridays at 10 p.m. ET on CTV Sci-Fi Channel, George Olson’s creation is a perfect vehicle for Rozon, an opportunity to stay in the genre space while playing a very different character. His Luke Roman runs The Roman Agency, a real estate company whose team helps sell homes that are haunted and therefore tend to stay on the market. Along for the ride are co-stars Sarah Levy, Adam Korson, Maurice Dean Wint, Savannah Basley and Tennille Read.

We spoke to Tim Rozon about SurrealEstate, which films in St. John’s, haunted houses and his co-stars.

Was this a career path that you expected, that you’d follow one show with demons on it to a show with other demons on it?
Tim Rozon: In a way, yes, because I remember the moment I had this conversation with my wife and I said, ‘My dream is to be on a show that goes to Comic-Con, like one of these supernatural shows, I would just love that. And fast forward a year later, there we were, Wynonna Earp, at San Diego Comic-Con, and since then I’ve got to be on Vagrant Queen, and now SurrealEstate, so surreal is the feeling.

Had you considered at any point maybe taking a break after being on several seasons of Wynonna, or was the thinking the opposite, ‘I got to strike while the iron is hot’?
TR: A hundred percent. At the end of the day, we’re actors, actors want work. To be honest, I can’t believe how lucky I’ve been. It’s pretty difficult, I’ll tell you, there’s so much competition and so many great actors, and I feel very fortunate and I don’t take it for granted, that’s for sure. And then, especially on great shows that you really want to be a part of, I’m very fortunate in that sense, I’ve got to work a lot, but I’ve also got to work on shows that I really loved being on, and that’s from Instant Star to Schitt’s Creek, Wynonna Earp, Vagrant Queen, right into SurrealEstate, so I’ve been very fortunate.

I really like the humour George has established in the world of SurrealEstate.
TR: Yeah, we really lean into it as we start going. I think we really figured out what George’s vision was around Episode 3. We get it right off the bat, but I don’t think we really leaned into it until after, because he’s such a good writer, sometimes it’s so subtle, and at first we just showed up, we don’t know… You don’t know what show we’re making right off the bat. How do you not lean into the humour when you have someone like Sarah Levy there?

You couldn’t have picked a better location for your next project. Had you been to St. John’s before? What was it like shooting there?
TR: It was incredible. I’m lucky that I had been there before, when I was much younger, filming a movie called Screamers: The Hunting, and we filmed that all over St John’s and across the island down in the mines on Bell Island. So I was all over, and also I was Screeched In at that time, which is great because I don’t think I could have handled it now. Before we started [filming SurrealEstate], I was in no way a believer in ghosts at all. After filming in St. John’s, so many guest stars experienced something with ghosts at the hotel that production had them staying at. It was this old Victorian house where they brought in all the guest stars, and they would do their quarantine there and start filming.

But, supposedly, this house was haunted, and the crew and everybody are just like, ‘Yeah, all Newfoundland… all things are haunted, we all know that. I’ve got a ghost in my house. I got a ghost over here. My mom’s house has a ghost.’ It’s like the norm.

And I’m a non-believer, but after hearing the experience of so many guest stars, Sarah and I are like, ‘I don’t know, there’s got to be something, I don’t think anybody’s lying to us.’ Some guest stars actually left that house, they wouldn’t stay there. They had negative experiences with ghosts, and some of the people that I talked to had said they had had experiences before, and other people were kind of like me, it was their first experience. Now, saying all that, I didn’t have an experience while I was in there for mine. I personally didn’t, but it’s tough to call everybody a liar.

You already mentioned Sarah, and the great cast for this show. I haven’t seen Adam Korson in a while, so it was great to see him onscreen. Maurice Dean Wint, a legend in Canadian television and in film. Talk a little bit about this cast of characters that you got to play with.
TR: Yeah, I’m so happy you brought it up, because this truly is an ensemble piece, and the magic of the show is that group. Each episode we go into a new house, which means we get into a new ghost, which is super fun, but it’s the relationships between that group of people and how they deal with it that I think is the real magic of the show. Starting with Sarah Levy, I found out she was cast right away, and that was it, then I knew, ‘OK, I need to do this project because, A) she’s a great actor and B) she’s a great person.’ So I just couldn’t wait to work with her again. You just knew, both of us were like, ‘OK, this is going to be so good and chill.’

And so, you got to spend five months together, you want it to be with someone you really like. And then, as far as everybody else, I literally asked George and [director and executive producer] Danishka [Esterhazy] after, ‘How did you manage to do this?’ Because this was during COVID, and we didn’t have screen tests and chemistry tests. We didn’t get to meet because of COVID, there were no read-throughs or anything, so we met on set and our first scene was in the big room, the Roman Agency with everybody meeting Susan for the first time, and right there and then it felt like magic. It really did it, just immediately you could sense everybody’s character, and we all could connect and figure each other out, and it was great.

And then, for 10 episodes, we got to create that bond and chemistry. I can’t say enough about the cast, as people and actors.

We’d be remiss if we didn’t talk about a couple of guest stars, Art Hindle and Jennifer Dale, playing Luke’s parents.
TR: Yeah, they knew each other, which was great, and I knew Art because I used to watch his show, E.N.G., when I was a kid. I knew that show, trust me, I only had two channels, we didn’t miss E.N.G., that was on in my house. So I knew exactly who he was, he was great. And Jennifer… I won’t get into too much, because of what I’m allowed to say or not say, but of course I knew who that was too, so incredible. And they obviously know each other, which was very nice.

Surreal Estate airs Fridays at 10 p.m. ET on CTV Sci-Fi Channel.

Images courtesy of Bell Media.

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CBC and Lionsgate reunite with Andrew Barnsley and Project 10 for Mark Critch’s original comedy Son of a Critch

From a media release:

CBC, Canada’s public broadcaster, and global content leader Lionsgate (NYSE: LGF.A, LGF.B) are partnering with “Schitt’s Creek” Emmy® and Golden Globe® winning producer Andrew Barnsley and comedian-actor-writer Mark Critch to bring “SON OF A CRITCH” (13×30) to audiences in Canada, the U.S. and around the world. Created by Critch and Tim McAuliffe (“The Office,” “Last Man on Earth,” and the upcoming “MacGruber” series) and based on Critch’s award-winning, best-selling memoir Son of a Critch: A Childish Newfoundland Memoir, the CBC original series will premiere on CBC TV and CBC Gem in Canada in January 2022, with Lionsgate handling U.S. and international distribution rights.

“Son of a Critch” is the hilarious and very real story of 11-year-old Mark coming of age in St. John’s, Newfoundland in the 80’s. It’s a heartfelt window into the life of a child – much older inside than his 11 years – using comedy and self-deprecation to win friends and connect with the small collection of people in his limited world. With production starting today in St. John’s, Newfoundland, the comedy stars Mark Critch as his father and Benjamin Evan Ainsworth (Pinocchio) as young Mark. Ainsworth can currently be seen as one of the leads in the limited series “The Haunting of Bly Manor” for director Mike Flanagan on Netflix, and stars as Pinocchio opposite Tom Hanks in Walt Disney Pictures’ upcoming live action remake of Pinocchio for director Robert Zemeckis. Additionally, Claire Rankin (Molly’s Game) has been cast as Mark’s mother, Mary, alongside newcomers Sophia Powers and Mark Rivera, who are cast as classmates of young Mark. Golden Globe nominee Malcolm McDowell (A Clockwork Orange) to star as Pop.

The project is a very personal one for both Critch and McAuliffe, as the two have been friends dating back to working on “This Hour has 22 Minutes” together.

A CBC original series, “Son of a Critch” is an inter-provincial co-production between Barnsley’s Project 10 Productions Inc. and Newfoundland-based Take the Shot Productions in association with CBC and Lionsgate Television, and executive produced by Critch, McAuliffe, Barnsley, Ben Murray and Allan Hawco. Renuka Jeyapalan and Anita Kapila serve as co-executive producers with Jeyapalan directing the first four episodes of the series.

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NBC/Universal’s streaming service Peacock snaps up award-winning Mohawk Girls for broadcast in the U.S.

From a media release:

Rezolution Pictures announced today that NBC’s Peacock streaming service has picked up all 5 seasons of the critically acclaimed, award-winning and much-loved TV series Mohawk Girls. All 5 seasons began airing on July 12, 2021.

Mohawk Girls takes a comedic look at the lives of four modern-day women trying to stay true to their roots while navigating sex, work, love and what it means to be Mohawk in the 21st century. The half-hour dramedy follows these twenty-something women as they begin to forge their own identity within a community embedded with rules and cultural traditions.

The cast includes Jenny Pudavick (Bailey), Brittany LeBorgne (Zoe), Heather White (Caitlin), and Maika Harper (Anna) and Canadian film & TV veterans Tantoo Cardinal as Zoe’s mother and Glen Gould as Bailey’s father.

The show’s launch in the US joins a wave of Native American programming that brings modern Indigenous stories into the mainstream TV landscape, including Rutherford Falls, co-created by Ed Helms, Sierra Teller Ornelas and Michael Schur, also streaming on Peacock; and Reservation Dogs, created by Sterlin Harjo and Taika Waititi.

Mohawk Girls was created and executive produced by Tracey Deer and Cynthia Knight. Directed by Tracey Deer and Cynthia Knight was the head writer. Produced by Rezolution Pictures’ Catherine Bainbridge, Christina Fon and Linda Ludwick, and executive produced by Catherine Bainbridge, Christina Fon, Linda Ludwick and Ernest Webb.

“We’re delighted that Peacock has picked up Mohawk Girls and millions of American viewers will now have access to this fun, bold show that’s more timely than ever and that will entertain while also shedding light on an Indigenous world not often represented on American TV.” – Cynthia Knight, Series Co-Creator/Executive Producer/Head Writer; Tracey Deer, Series Co-Creator/Executive Producer/Director

About Rezolution Pictures
Rezolution Pictures is an award-winning production company led by Ernest Webb and Catherine Bainbridge (co-founders and executive producers), Christina Fon (Vice-President and executive producer), and Linda Ludwick (CFO and executive producer). Rezolution is best known for its original and trailblazing productions, including feature documentaries such as the Emmy-nominated RUMBLE: The Indians Who Rocked the World, which screened worldwide and won multiple awards at Sundance, Hot Docs, and the Canadian Screen Awards, among others; and Reel Injun, which won multiple Geminis, and a Peabody Award. Rezolution also made its mark in scripted television with Canadian Screen Award-nominated comedy series, Mohawk Girls, which aired for five seasons on APTN, was recently broadcast as part of Air Canada’s in-flight entertainment and streams on CBC’s GEM platform. From ground-breaking documentaries to innovative scripted series, Rezolution has helped shape Canada’s film and television industry for the past two decades, working with many of the country’s best new and established talents to create unique content, as well as video game and Virtual Reality content through its sister company Minority Media. An effective mix of production, creative, and executive experience has positioned Rezolution for global success as it turns its focus to developing and producing premium content with international partners.

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CBC’s hit original drama Coroner begins production on Season 4

From a media release:

Muse Entertainment, Cineflix Studios, and Back Alley Films are thrilled to announce that production has started in Toronto and Ontario on season four (12×60) of the CBC original series and audience favourite CORONER, starring Serinda Swan (Inhumans, Ballers) as coroner Dr. Jenny Cooper with Roger Cross (Dark Matter, Caught) as Detective Donovan McAvoy. Inspired by the best-selling series of books by M.R. Hall and created for television by Morwyn Brebner (Saving Hope, Rookie Blue), the new season will debut on CBC and the CBC Gem streaming service in Winter 2022. 

This season, Serinda Swan will feature her talents behind the camera for her television series directorial debut. Swan joins a dynamic and acclaimed group of directors including Adrienne Mitchell (Durham County, Bellevue), Ruba Nadda (Frankie Drake Mysteries), Farhad Mann (Murdoch Mysteries), Samir Rehem (Tiny Pretty Things), Cory Bowles (Pretty Hard Cases) and Liz Farrer (Coroner). Award-winning writer/producer Adriana Maggs (Caught, Grown Up Movie Star) will lead the series as Showrunner with a celebrated and illustrious writing team including Noelle Carbone (Wynonna Earp), Shannon Masters (Cardinal), Laura Good (Burden of Truth), Nathalie Younglai (Super Zee), Seneca Aaron (Nurses), Wendy ‘Motion’ Brathwaite (Akilla’s Escape), JP Larocque (Another Life), Mazi Khalighi (Foraldraskap) and Lindsey Addawoo (Promise Me). 

CORONER stars Serinda Swan as Dr. Jenny Cooper with Roger Cross as Detective Donovan McAvoy; Ehren Kassam (Degrassi, Next Class) as Ross; Nicholas Campbell (Da Vinci’s Inquest, Bad Blood) as Gordon Cooper; Jennifer Dale (SurrealEstate) as Margaret ‘Peggy’; Andy McQueen (Station Eleven) as Malik Abed; Kiley May (It Chapter Two) as River Baitz; Shawn Ahmed (Awake) as Alphonse; and Jon de Leon (Downsizing) as Dennis Garcia. Thom Allison (Killjoys) joins the cast this season in the recurring role as the highly competitive and commanding Dr. Elijah Thompson. 

CORONER was the highest-rated new drama series premiere on CBC in 2019. Following that, NBCUniversal International Networks (NBCUIN) acquired the rights to all three seasons of the series for multiple territories from global distributor Cineflix Rights. The third season premiered across NBCUIN’s channel portfolio in Sub-Saharan Africa, France, Spain, Poland, Romania, Serbia, Latin America and Brazil. In Germany, season three premiered on 13TH Street. CORONER airs in the U.S. on The CW network and is available on their digital platforms including the CW app. Season three will premiere on Thursday, August 19th at 8pm. CORONER premiered on Sky Witness in the UK, with season three currently on air. Cineflix Rights has also sold the series to the UK’s Channel 4 for its More 4 channel. Most recently CORONER is slated to air on Nine Network (Australia), Sky (UK), Paramount+ (Nordics), SBS (Belgium), Sky Italia, Globoplay (Brazil), and Stöð 2 (Iceland). The series also launched on Netflix Canada in 2020.

A CBC original series, CORONER is produced by Muse Entertainment, Cineflix Studios, and Back Alley Films with the financial participation of the Canada Media Fund, the Bell Fund, the IPF’s COGECO Television Production Fund, TVA, the Canadian Film or Video Production Tax Credit, and the Ontario Film and Television Tax Credit. Adrienne Mitchell is executive producer for Back Alley Films, Aren Prupas and Jonas Prupas are executive producers for Muse Entertainment with Peter Emerson and Brett Burlock as executive producers for Cineflix Studios. Serinda Swan is also Executive Producer with Showrunner Adriana Maggs, writer Noelle Carbone as well as Morwyn Brebner and Suzanne Colvin-Goulding.

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Jesse Fawcett launches independent production company, Fireworks Media Group

From a media release:

Prolific award-winning television producer Jesse Fawcett has launched Fireworks Media Group, a North American-based production company to develop and produce premium unscripted and scripted content.

Fawcett is well known in the entertainment business as a co-founding partner of global content company Essential Media Group where he helmed North American operations until the company was successfully sold to Kew Media in 2018. In 2020, Fawcett and Greg Quail re-acquired the assets of Essential from Kew and relaunched as EQ Media Group. Now, Fawcett is poised to inaugurate his own venture, Fireworks Media Group, together with a cross-border team of veteran production professionals.

Under the new banner, the company is producing the new original series Pamela Anderson’s Home Reno Project (working title) for HGTV Canada with iconic Baywatch star Pamela Anderson returning to her Canadian roots to rebuild the family home of her dreams. The series is executive produced by Brandon Lee, Fawcett and Firework’s new President of Canada, Robert Hardy. Corus Studios will distribute the series internationally. Pamela Anderson is represented by Chris Smith at ICM Partners. Fireworks Media Group has also secured an exclusive first-look scripted development deal with social media sensation Kris Collins, who has amassed over 32 million followers and 1.4 billion likes.

In addition, Fireworks Media Group is currently in production on sophomore seasons of the real estate unscripted series Selling the Big Easy for HGTV in the US as well as Corus Studios’ Big Timber which airs on HISTORY in Canada and Netflix in the US and internationally. A top performer on HISTORY and Netflix, Big Timber. follows the high-stakes work of logger and sawmill owner Kevin Wenstob as he and his crew go to extremes to keep the family sawmill, and their way of life, alive.

Some of the other successful shows completed during Fawcett’s tenure at EQ Media Group include No Demo Reno which recently launched on HGTV as the #1 cable premiere in the Thursday 8-9pm timeslot, multi-season hit series Restored airing on Discovery+, the paranormal reality series Ghost Loop for Travel Channel and 165 episodes of Texas Flip N’ Move, perennial #1 series on DIY Network.

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