A part of me will always miss This Life. Created by Joseph Kay—from an adaptation of Radio Canada’s Nouvelle Adresse—the story of a single mother raising her two daughters while battling cancer was cancelled far too soon. I feel like Kay was just getting the story going before it came to an end.
Thankfully, Kay is back with a brand-new primetime family, albeit with a different style of story. Debuting Wednesday at 9 p.m. ET/PT on CTV, Transplant follows Dr. Bashir “Bash” Hamed (Hamza Haq, The Indian Detective), a Syrian doctor with battle-tested skills in emergency medicine, makes the difficult decision to flee his country with his younger sister Amira (Sirena Gulamgaus, Orphan Black).
With the hope of returning to his career in medicine, Bash and Amira build a new life in Canada while managing the struggles that come with a new country. Bash works in a new environment after earning a residency in the Emergency Department at Toronto’sfictional York Memorial.
Alongside Bash at the hospital are Dr. Jed Bishop (John Hannah), Dr. Mags Lablanc (Laurence Laboeuf, 19-2), Dr. Theo Hunter (Jim Watson, Mary Kills People), Dr. June Curtis (Ayisha Issa, Dark Matter) and head nurse Claire Malone (Torri Higginson, This Life).
We spoke to Joseph Kay about his road to Transplant, the learning curve of writing a medical drama and Hamza Haq’s superstar potential.
How did Transplant come about? What was the origin story?
Joseph Kay: I started developing it way back in 2016 right as This Life was ending actually. At the time I had been reading a lot about really skilled professionals from different parts of the world who come here and then can’t qualify and can’t do their jobs. It occurred to me that that could be a novel take on the genre. I was always a fan of the medical genre. And when I started thinking about it on those terms also in 2016, Syria and the conflict was in the news a lot. It still is, but it was in it quite a bit then. And there were a lot of refugees and newcomers and immigrants coming to Toronto specifically.
Two sort of jumped into my mind together, the idea of building a show around a refugee coming from Syria who was amazingly skilled at something and then wasn’t able to do the thing that he could do. I started researching pretty heavily both sides of that, particularly the Syrian side and immediately got connected and found a lot of different Syrians who were here and different kinds of immigrants and newcomers to get people’s lived perspectives and trying to figure out whether I could write that and sort of went from there.
Was the name of the show always Transplant, or was it something else?
JK: It was always Transplant. It’s just a very evocative, I love single word titles.
Let’s talk a little bit about some of the other research you had to do. Was that a bit of a slog for you or do you like doing that kind of research into medical terminology or do you pay somebody to do that for you?
JK: Both. I love it, Greg. I actually love it. I found, very early on, a doctor who is a trauma team leader at St Mike’s hospital in Toronto. So, by the time the show was up and running, we had a lot of consultants. But in the early days, I was very fortunate to come across a guy who was willing to give a lot of his time to just take me through everything and read the scripts and help me with the dialogue and all the medical-ese.
Hamza is great as Bash, a very expressive face. I’m cheering for him and fell in love with him. Was Hamza, when he walked in the room or when he supplied his casting tape, was he the guy right from the get-go?
JK: Definitely. Hamza and I knew each other because of the second season of This Life. He was sort of a foreign student in his little arc and he was nominated for a CSA for his role. And at the time Hamza and I talked a lot. Hamza’s an immigrant and part of his background formed the character he was playing on This Life. We get along well creatively. So as soon as I started thinking about this show, Hamza was the guy I started thinking about very, very, very early on in the process. Of course, we looked at every available actor all along because you always have to do that. But Hamza was very prominent in my mind and in the minds of the people at Sphere Media from the beginning. And then when he did finally start reading for it: he’s a star.
He’s charming, he’s got great energy, he is very expressive. And the character was always meant to be the kind of person who doesn’t say that much, so you want a specific actor who can pull that off. And I had written this thing about the character in one of the series documents, which is that Bash is the kind of guy who you tell all your secrets to and then you realize that you don’t know a single thing about him and you told him everything.
Can you tell me about some of the themes and storylines that you cover in the first season?
JK: When we started really digging into the creative we quickly realized that the storytelling lends itself to this idea of starting over. Starting over of second chances, so everything systematically would flow from that. I mean, it’s Bash’s opportunity to start over. And so in that way, the stories that we tell over the first season are, what are the challenges there both at work and the kinds of conflicts he’s going to find himself in at work? He’s the kind of person who is all instinct and a bit of a rule breaker. He acts before he thinks. So we’re trying to look at sort of the challenges he faced in an environment being an outsider combined with the sort of the nature of his personality.
And then also to see the other side of him. We’re fortunate in that we’re able to go home with him and see a little bit of his family life. And so we’re telling his story of starting over and we’re also at the same time wondering who this guy is and where he came from really and what happened to him and what he left behind. So as we encounter present-tense conflicts and challenges at work and in his personal life, we start to unpack what happened to him and what are the sort of major events of his life that have led him right now. We let those trickle out in ways that keep it interesting and mysterious.
Transplant airs Wednesdays at 9 p.m. ET/PT on CTV.
Images courtesy of Bell Media.
