TV, eh? | What's up in Canadian television | Page 3
TV,eh? What's up in Canadian television

Preview: Strays returns for Season 2 on CBC

September is a busy month for the CBC. There are several new shows to debut and a pile of returning ones to schedule; it can be easy to miss Strays. Returning for its second season, Strays grabbed a lot of headlines last year because it is the companion series to that cancelled-to-soon award-winner Kim’s Convenience.

Unfairly or not, Strays—which follows Shannon Ross as she leaves Toronto and Handy car rental behind for Hamilton and a gig as manager at Hamilton East Animal Shelter—was compared to Kim’s. Though it features Nicole Power in the lead role of Shannon and boasts many Kim’s creative staff, Strays quickly established itself as a project worthy of standing on its own.

Returning Tuesday at 8:30 p.m. on CBC, “Friends and Neighbours,” written by co-creators and executive producers Kevin White and Anita Kapila, Shannon deals with an unwanted guest in the parking lot and then struggles to balance her commitment to the community with her desire to impress a new board member, Tonya. Meanwhile, a dance party at the shelter leaves Kristian yearning for his perfect “moment” with Lara.

The strength of Strays will always be Power’s portrayal of Shannon’s adorable kindness and awkwardness, as the centrepiece to an incredibly strong supporting cast and their characters. Standouts continue to be Kevin Vidal’s Liam, Nikki Duval’s Nikki, Tony Nappo’s Paul, Tina Jung’s Joy, Emily Piggoford’s Lara and Frank Cox-O’Connell’s Kristian. Tuesday’s return sees guest gigs by Dennis Andres (Workin’ Moms) as the aforementioned unwanted guest and Varun Sanga (Wynonna Earp) as Lara’s boyfriend, who complement the key cast.

Strays airs Tuesdays at 8:30 p.m. on CBC.

Image courtesy of CBC.

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TV, Eh? Podcast Episode 252: CBC’s fall debuts and returns and Lisa LaFlamme’s new gig

[Editor’s note: After we recorded this, we were reminded that Hudson & Rex returns on Sunday, September 25 on Citytv and Highway Thru Hell returns on Monday, September 26 on Discovery.]

It’s a jam-packed couple of weeks in Canadian TV! As always, Greg and Amy go through debuts and returns on the Canadian TV calendar.

Then, we cover the latest Canadian TV news, including Lisa LaFlamme’s new correspondent role at CityNews; Adrienne Arsenault’s new gigs at CBC News; and Blue ant Media purchasing Mike Holmes’ content library, which will include new TV projects

This podcast brought to you by San Pellegrino Momenti and The Famous Grouse Scotch Whiskey.

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Link: Catherine Reitman reflects on creating ‘Workin’ Moms’ and reaching seventh, final season: “I’m Still in Disbelief”

From Etan Vlessing of The Hollywood Reporter:

Link: Catherine Reitman reflects on creating ‘Workin’ Moms’ and reaching seventh, final season: “I’m Still in Disbelief”
“In America, the edgiest storyline is the abortion storyline. In Canada, it’s no big deal. In Canada, it’s these women are so flawed, that they do things that are occasionally unlikable. That’s the biggest bump here.” Continue reading.

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Preview: History Channel goes hunting for gold in Deadman’s Curse

Growing up, I loved to read about treasure. It was in a copy of Children’s Digest that I first learned about Oak Island and the supposed treasure buried there. (They’re still looking for it on that other History Channel show.) I’m still fascinated by these tales of lost loot, and the people who search for them. And History Channel’s latest is a doozy.

Deadman’s Curse, debuting Sunday at 10 p.m. ET/PT on History Channel, follows a quartet determined to find gold in Pitt Lake, B.C., despite the supposed curse associated with it. In the first of eight episodes, prospector Kru Williams, mountaineer Adam Palmer, Indigenous explorer Taylor Starr and her father, Don Froese, recall the legend of Slumach’s lost gold mine.

The story goes that Slumach, an elderly Katzie First Nations man, died on the gallows in New Westminster in January of 1891. Before he died, Slumach is alleged to have uttered the words, “Nika memloose, mine memloose,” or “When I die, the mine dies.” For over 100 years, many have tried to find the mine, to no avail. Well, that’s not quite true. According to Walter Jackson, he discovered the mine in 1901 and, weighed down with too much gold to carry, buried it. Jackson died after returning home, but not before writing a letter to a friend with clues to the spot he buried the gold. It’s gone undiscovered ever since.

My biggest beef with series like these is they’re packed with stories, conjecture and assumptions, and frustratingly light on actual discoveries. Deadman’s Curse begins with plenty of backstory and research done by Kru and Adam sufficient to pique my interest, especially when Adam seems to have a line on a copy of Jackson’s letter. Meanwhile, Taylor does research into Slumach, who he was, and why he was hung. These two storylines are compelling, and really add legitimacy to Deadman’s Curse and what the producers are trying to achieve.

And, by the time the first 44 minutes are complete, enough information has been unearthed for the group—and me, the viewer—to continue the quest.

Deadman’s Curse airs Sundays at 10 p.m. ET/PT on History Channel.

Image courtesy of Corus.

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CMF funding triggers record-breaking $1.9B in industry activity, says 2021-2022 Annual Report

From a media release:

Released today, the Canada Media Fund (CMF)’s 2021-2022 Annual Report shows that our investments in Canada’s screen-based industries triggered a record-breaking $1.9B in production across the country. Every $1 of CMF funding generated $5.16 in production activity, the highest leverage ratio since the CMF was created in 2010, and played a key role in creating close to 217,000 jobs in Canada’s screen sector.

“The industry we serve is on the verge of a magnitude of change—and it’s long overdue,” says Valerie Creighton, President and CEO, CMF. “We are proud to generate record-breaking production activity across Canada’s screen-based industries, but even more importantly, we delivered over $60M for equity-seeking communities through our Equity and Inclusion Strategy. One of our main priorities is to ensure a truly accessible and inclusive screen sector that supports all storytellers in bringing their stories to screens here at home and beyond our borders.”

View our 2021-2022 Annual Report

As the industry rapidly evolves, CMF programs delivered $359M in funding for the prototyping, development, production, promotion, and export of 1,433 television and digital media projects in 2021-2022. This level of investment and support was made possible thanks to the continued commitments of the CMF’s funding contributors: the Government of Canada, and Canada’s cable, satellite, and IPTV distributors.

As showcased in our 2021-2022 Annual Report, the CMF’s funding programs, as well as our extensive research and promotion initiatives, are clear examples of the fundamental role we play in driving Canada’s digital economy and supporting our nation’s cultural diversity.
  

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