TV, eh? | What's up in Canadian television | Page 976
TV,eh? What's up in Canadian television

Link: Wasted: A Must-See NOT Documentary

From Jim Bawden:

Wasted: A Must-See NOT Documentary
Wasted is a top Nature Of Things documentary that puts a face on the compelling subject of alcohol addiction. You can catch it Thursday night at 8 on CBC-TV. Got that?

The hour begins with film maker Maureen Palmer’s profile of her partner Mike Pond who was a psychotherapist helping people with addiction in Penticton, British Columbia. And then he succumbed to alcoholism himself –living smack dab in wine country didn’t help needless to say. Continue reading.

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Design Icon Debbie Travis Comes to OWN in All-New Series La Dolce Debbie

From a media release:

OWN: Oprah Winfrey Network (Canada) announced today that celebrated interior designer Debbie Travis will be joining the OWN (Canada) family with the new documentary series La Dolce Debbie (6X30). The series follows Debbie as she searches for, buys and completely overhauls a 13th century Tuscan property, transforming it into her ultimate dream women’s retreat. La Dolce Debbie premieres Tuesday, February 16 at 8:30 p.m. ET.

La Dolce Debbie takes viewers on design icon Debbie Travis’ most personal journey yet: risking her life’s savings to buy and transform a 13th century medieval watchtower and farmhouse into a luxurious 14 bedroom women’s retreat in Tuscany, Italy. Inspiring, touching, and heart-warming – the series explores the highs and lows of buying and renovating a large property in a foreign country.

In her area of Tuscany, which is deemed an international heritage site, Debbie is forced to conform to rigid historical protection laws and red-tape committees. Working with some of the best architects, designers and tradesmen in Italy, she struggles to grasp the language and assimilate to a new culture, and also has to wrap her head around what it takes to run a 100-acre farm with 800 olive trees and vineyard. While the property slowly transforms, so does Debbie. At the heart of the series is her personal journey to find a new happiness through her desire to create a one-of-a-kind retreat that captures the transformative spirit of Tuscany and the experience of La Dolce Vita – The Sweet Life.

In the first episode, which premieres Tuesday, February 16 at 8:30 p.m. ET, Debbie is on the hunt for an Italian property to transform into the permanent home for her women’s retreats. For more than two years she and her husband Hans scour the country – and when they finally fall in love with the idyllic region of Tuscany, they struggle to find the perfect place.

La Dolce Debbie is produced by Montréal-based WAM (Whalley-Abbey Media).

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Hidden gems of the Canadian Screen Awards

The Canadian Screen Awards (aka CSAs aka Screenies aka#CdnScreen16 aka give the damn things an official nickname, would you?) were announced yesterday.

In one of the worst-designed websites you’ll find this side of GeoCities, the Academy helpfully tells us which awards we should care most about by selecting them for an easier to navigate “Selected Awards” television page. They think I’m more interested in Best Local News Anchor than any of the screenwriting awards? Don’t they know me at all?  After combing through a 55-page PDF of the complete television nominees I’ve found some gems and head-scratchers.

Favourite head-to-head match-up

Dan Levy versus dad Eugene Levy, both of Schitt’s Creek, as best actor in a comedy? Bring on the battle of the eyebrows. Eugene has the Canadian comedic royalty history but Dan’s portrayal of selfish, oblivious, vulnerable David won my heart and my funny bone. Both could be winners as producers, since Schitt’s Creek is up for best comedy, and Dan has one of two writing nominations for the series, which garnered a whopping 14 TV nominations (and one for digital).

Helen Shaver should direct everything

She has two of the five nominations for best direction in a drama, for two different series: Vikings and Orphan Black. Which also seem to me two of the most complicated series to direct, what with the multiple clones played by one person and the swashbuckling Vikings.

There’s a fine line

Still Standing, with comedian Jonny Harris touring the country doing standup and finding laughs and poignancy in small town Canada is most reminiscent of the Rick Mercer Report to me, yet they are in different categories: best factual program for Still Standing, best variety or sketch for Mercer. It both makes sense — Still Standing skews towards learning about the places he visits, Mercer skews more toward sketch, and yet illustrates the difficulty of categorization, especially for awards that have 55 PDF pages of categories to choose from.

I do not think that word means what you think it means

Bitten received two nominations, one for music and another for “best achievement in casting.” Yet none of the cast, including guest roles, was nominated. I wouldn’t take anything away from Bitten but one of the few nominations Schitt’s Creek did not get was casting, though nearly its entire cast was nominated.

Moment of panic

No This Life or Romeo Section? The Canadian Screen Award eligibility period for television is from September 1, 2014 to August 31, 2015, so they won’t be able to enter until next year.  That five month gap between the period’s end and the nomination announcement — which expands to seven months until the awards are handed out — primes the Screenies to regularly honour already cancelled shows long after they last aired.

Speaking of cancelled series …

Strange Empire‘s Aaron Poole is deservedly up for best dramatic actor, and Woody Jeffreys for supporting in the same series. Blackstone has one last shot as best drama, an award its been nominated for before but has never taken home.

That said … holy 19-2

The Bravo series will be hard to beat, with 12 nominations including best drama series. Orphan Black has 13 nods but best drama series isn’t one of them (two of them are best writing for a drama series, though).

Canadian rules

Best international drama was added to  the Gemini Awards — the TV awards that merged with the Genies to create the Canadian Screen Awards — in 2012.  The perception was that international coproductions such as The Tudors and The Borgias had an unfair advantage over purely homegrown productions and naming them best Canadian drama was an embarrassment. Lately it’s the international drama category itself that’s an embarrassment, with only Vikings and Jonathan Strange & Mr Norrell earning nominations this year. With two contenders, why bother? I’d put my money on 19-2 over those two any day. And yet, this category made the Academy’s “Selected Awards” cut.

Tune in March 13 on CBC to see Norm Macdonald preside over the televised portion of the ceremony.

 

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Link: Mohawk Girls creators confirm Season 4

From Bridget Liszewski of The TV Junkies:

Mohawk Girls creators confirm Season 4
Get ready to head back to the rez! Mohawk Girls Season 4 is happening.

“We are developing the fourth season,” showrunner Cynthia Knight confirmed to The TV Junkies. The APTN comedy’s fourth year will be an extended run since “it’s going to be eight half hour episodes instead of six,” says Knight. She also said that they are aiming “to shoot around the same time as last year, hopefully around the end of May to mid-July. It’ll then air next fall.” Knight and Mohawk Girls creator and executive producer Tracey Deer also confirmed that the writers’ room for Season 4 of the critically acclaimed show will have six women in it. Knight calls it their “biggest story room yet by far,” as they get set to begin writing this week in Toronto. Continue reading.

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Review: Schitt’s Creek “Jazzagals” – And, we’re back

The first two episodes of season two were good, but did not measure up to season one for me. Episode three is a showcase of talent. It’s a one-two-three punch. It goes from one vignette to the next. One brilliant line to the next.

The show starts with Moira and David discussing “the perils of owning cashmere” after David finds moths have found their way into “a triple locked titanium suitcase.” In that same moment we have yet more proof that Moira is not going to win the Mother of the Year Award when she insists to David that she had breakfast with Alexis yesterday (her daughter has been with her new boyfriend for a week and a half). David says, “That was me.” To which Moira replies that she and Alexis had a “lengthy conversation about hosiery and menopause.” David’s response was simply, “Again, that was me.”

We find Johnny in his “office” in Bob’s garage spending more time with Bob’s clients than Bob. But the scene where he proudly tells Bob that he sold the ‘93 Buick and how there are “certain instinct that you don’t lose…it’s like riding a bike” is priceless. Bob quips back in his typical deadpan, “it’s interesting that you use that phrase because Dick Sinson is going to be riding a bike until I can get his car back.”

Things continue to be tense and sarcastic between David and Stevie as David decides to build a cedar chest for his “knits”. I think I enjoy this dynamic between them even more than the friendship/lover relationship. But both work equally well. In the end, Mutt builds the cedar chest for David. This is the first real interaction between these two and they do not disappoint.

Moira, it seems, has not fallen from her high horse after the embarrassing false exit from Schitt’s Creek. She finds out there is a singing group in town called the Jazzagals and she decides to condescend and join the group. When told she will need to audition, she says, “in the actual world of entertainment I’m what’s known as offer only.” Jazzagals won’t budge. So she goes to “showcase” her talent, telling them they can call it an audition or “an evening with.” When she hears their lead singer she is taken aback and clearly nervous. Her “audition” is not good. The show ends with her singing softly in bed to Johnny, still not sure if she’s in the group.

Just looking at Catherine O’Hara makes me giggle.

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