Tag Archives: CBC Gem

Featured, Sort Of

Sort Of: Bilal Baig and Fab Filippo tease CBC’s most ambitious show

It’s part of CBC’s mandate to tell Canadian stories. To reflect the faces we see in our communities from coast to coast. So it was a true pleasure when the public broadcaster announced Sort Of would be headed our way.

Debuting Tuesday on CBC Gem before bowing next month on CBC, Sort Of is ambitious, hilarious and heartfelt. Co-created by Bilal Baig and Fab Filippo (Save Me), Sort Of tells the story of Sabi Mehboob (Baig), a fluid millennial who straddles various identities from a bartender at an LGBTQ bookstore/bar, to the youngest child in a Pakistani family, to the de facto parent of a downtown hipster family.

In the debut episode, “Sort Of Gone,” Sabi contemplates an opportunity that would change their life until an accident puts their new plans in jeopardy. With a cast boasting Grace Lynn Kung, Supinder Wraich, Alana Bale, Amanda Cordner and Gray Powell, Sort Of is definitely great. We spoke to Bilal Baig and Fab Filippo ahead of the show’s debut on CBC Gem.

Bilal, the idea for Sort Of came while you and Fab chatted during breaks a play you were both performing in, Theory. What was it about those conversations that got you excited about working with Fab?
Bilal Baig: I appreciated the sense of humour. I thought there was something really fun in figuring out what tickles each other. We had a similar sensibility in that our humour isn’t slapstick. I had also consumed both seasons of Save Me and got a sense that his sense of humour could be twisted too, and I’m all about that.

The other part of it was that he not only met me at every point in the making of this together, but he really brought his heart into it and I really appreciated that as a collaborator. It was really important that this was something we were really going to pour ourselves into.

Fab, what excited you about collaborating with Bilal?
Fab Filippo: Right off the bat, I got the sense that Bilal had an unusually clear voice for someone their age. I was taken by how they moved in the world and how much generosity they had in the world toward other people in helping see who they are.

At first, it was getting together to hang. And then, when we discovered we laughed at the same stuff and started to pitch ideas back and forth, it became really clear that there was a kinship and a kind of understanding of how to move forward in collaboration.

Sort Of co-creator Fab Filippo

Bilal, there is a lot of heart in Sort Of. Near the end of Episode 1 is a wonderful and funny scene between Sabi and their mother. Can you talk about walking the line in those moments?
BB: The word I’ve been using is truth. We didn’t go into this looking to load every episode with as many huge, knee-slapping jokes as possible. It was more, ‘What feels truthful in this moment? What would these characters actually say and do?’ What I love about that scene, in particular, is that there are these other messages inside the words that actually come out of peoples’ mouths and to strive for that is really exciting. It goes back to the type of humour Fab and I like and working with the writers we did—Jenn Engels, Ian Iqbal Rashid and Nelu Handa—they all got on board too.

Fab, how did the writing room work, with COVID?
FF: A lot of marathon Zoom meetings. [Laughs.] It was interesting to open it up to a writing room. It was, for the longest time, Bilal and I with the project. And then there is this vulnerability when you bring it to a room with the thoughts and ideas we had in our own, private, world. But they brought so much and added some much texture and dimension.

BB: It was kind of hard to step into my power because I was so in awe of these people who had come to serve this story. It’s one thing to create something on your own, but a whole other thing to have a room full of people dedicated to wanting to honour the vision. It was actually through Fab bringing me more and more into the process and reminding me that people want to hear from you and your voice is essential to all of this. I think I had forgotten that because I was so enamoured and scared.

Having two other South Asian folks in the room, the onus wasn’t just on one of us to get it right 100 percent of the time. If I missed something from our community, Nelu or Ian would step in. That was such a privilege.

Sort Of is available for streaming on CBC Gem on Tuesday. Sort Of debuts Tuesday, November 9, at 9 p.m. on CBC.

Images courtesy of CBC.

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Reality, Lifestyle & Documentary

Season 5 of The Great Canadian Baking Show premieres October 17 on CBC

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From a media release:

CBC today revealed the ten amateur bakers who will participate in the upcoming fifth season of THE GREAT CANADIAN BAKING SHOW, premiering Sunday, October 17 at 8 p.m. (8:30 NT) on CBC and the free CBC Gem streaming service. Ten Canadians from across the country will bake off in the iconic tent and put their culinary chops on display in an attempt to win The Great Canadian Baking Show title.

Season five of the series will consist of eight episodes and be hosted once more by comedians, actors, writers and Second City alumni, Ann Pornel and Alan Shane Lewis. Esteemed pastry chefs Bruno Feldeisen and Kyla Kennaley return to the judges’ table to sample the bakers’ scrumptious offerings.

Based on the beloved British format, each episode will feature the bakers competing in three challenges – the Signature Bake, the Technical Bake, and the Show Stopper – during which they will rely on their personal interests and backgrounds to ensure that their delectable dishes stand out. Once their sweet creations have been tasted and critiqued, the judges will decide who will be the week’s Star Baker and who will be sent home. In the final episode, the remaining three bakers will face off for the title of Canada’s best amateur baker.

This season, audiences will get acquainted with the show’s most innovative batch of bakers yet. Meet the ten contestants who are ready to whisk it for the biscuit:

Aimee DeCruyenaere, 23, an industrial design student from Ottawa, ON

Alina Fintineanu, 30, an orthodontic dental hygienist from Toronto, ON

Amanda Muirhead, 45, a paralegal from Westmoreland, P.E.I.

Caron Lau, 26, an occupational therapist from Richmond, B.C.

Dougal Nolan, 31, a mental health researcher from Dartmouth, N.S.

Kunal Ranchod, 30, a choreographer from Montreal, QC

Marian Castelino, 41, a designer from Ottawa, ON

Stephen Nhan, 30, a health administrator from Regina, SK

Steve Levitt, 54, a small business owner from Aurora, ON

Vincent Chan, 55, a graphic designer from Toronto, ON

Season four winner, Raufikat Oyawoye, a 35-year-old IT support engineer of Milton, ON took home the title after competing against semi-finalists Mahathi Mundluru from Markham, ON and Tanner Davies of Winnipeg, MB. Fans wanting to satisfy their sweet tooth can catch up on seasons one through four on CBC Gem leading up to the season five premiere.

THE GREAT CANADIAN BAKING SHOW is produced by Boat Rocker’s Proper Television in association with CBC and Love Productions. The executive producers are Cathie James and Lesia Capone, and the series producer is Mark Van de Ven.

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Children's Programming, Web series

Production begins on the third season of CBC Gem’s Detention Adventure

From a media release:

Award-winning producer LoCo Motion Pictures is proud to announce that production on the third season of its CBC Gem original scripted tween series Detention Adventure commenced on July 5th in Toronto. In addition, Blue Ant International has secured the worldwide distribution rights to the third season of the series (outside of Canada).

In the new season, Carolyn Taylor (Baroness Von Sketch Show) will guest star in five episodes and up-and-coming singer, dancer and actor Danté Prince has been tapped to co-star as “Dash” alongside returning series regulars Simone Miller Castoro-Qualizza as “Raign Westrook,” Tomaso Sanelli as “Brett Austin,” Alina Prijono as “Joy Jayadi,” Jack Fulton as “Norman ‘Hulk’ Bean,” Lilly Bartlam as “Kelly Darnell,” Andrew Moodie as “Principal Lounsberry,” Rodrigo Fernandez-Stoll as “Coach Rod,” and Stacey McGunnigle as “Miss Marner.” Benjamin Ayres will also return as a guest star as “Bruno Black.”

In season 3, the Detention Adventure Team is at it again working to uncover the secret hidden in Lawren Harris’ painting given to them by none other than Principal Lounsberry. Their investigation is interrupted after learning they will be spending one of their final weeks of school at Island School! Unimpressed when Island School proves to be a dilapidated camp, the kids soon realize that the camp is more than it appears and might just hold the answers they’re looking for. With the help of the charismatic new art school student, Dash, the team explores what Lawren Harris’ painting could mean through different art forms while forging new bonds with their fellow Island School students. But with the crew heading off to high school, does growing up mean growing apart?

Co-created by Joe Kicak and Carmen Albano, Detention Adventure is written by Kicak, Albano, Lisa Rose Snow, Jay Vaidya and Cassie Cao. The series is executive produced by Lauren Corber, Kicak and Albano. Ryan West is producer.

Detention Adventure launched in 2019 as CBC’s first original kids scripted series for CBC Gem. Since then, the series has received numerous awards and accolades including Kidscreen Award winner for Best Web/App Series: Kid and CSA winner for Best Writing, Children’s & Youth and Best Original Music. Blue Ant International has licensed the first two seasons of the series to platforms in more than 125 territories, including the US, the UK, Ireland, Spain, Australia, New Zealand, the Middle East, Latin America, the Nordics and Hong Kong.

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Featured, Web series

CBC Gem’s Something Undone a genuine scare-fest

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I like my horror/scary projects to be atmospheric. A jump scare is OK, but I prefer a general feeling of unease coupled with a tinge of a slow burn. It’s why I love Something Undone.

Debuting Friday on CBC Gem, Something Undone—created by and starring Madison Walsh and Michael Musi—manages what I thought was unthinkable: a genuinely spooky piece of work encapsulated in a six-episode web series.

And, it was written, produced and filmed during the pandemic. Created through funding from CBC’s Creative Relief Fund, which provided $2 million in development and production funding to a diverse range of original Canadian projects in response to the COVID-19 pandemic, the CBC’s hook was projects had to be produced under strict COVID-19 guidelines.

“Mike and I started brainstorming,” says Walsh during a recent call. “We thought, ‘What can you maintain the quality and enjoyment of with restrictions on visuals? If we can’t have that many actors, what can we do? If we could only have one location, what could we do?’ That’s when we started to think about sound.” The result is Something Undone.

In the first episode we meet Jo (Walsh), a foley artist and her partner, Farid (Musi), who are the successful hosts of a Canadian true crime podcast. After her mother passes away Jo returns to her small Ontario town to sort through her mother’s things while continuing her foley work on the podcast. With Farid in Newfoundland and only available over the phone, a sense of desolation, loneliness, and unease begins to permeate Jo’s life. A disturbing sound Farid hears in one of Jo’s tracks leads her on a creepy, spooky path. Did the house, or something in it, cause her mother’s death?

“I was doing research about sound and learned that we, as human beings, perceive sound so realistically that we can make them up and hear them almost as if they were actually there,” Musi says. “I think that’s why watching a horror movie in our home is such an amazing experience. It doesn’t end when the movie ends. It stays with us.”

With strict safety guidelines in place early in 2020, Walsh and Musi headed off to write Something Undone in a spot many would consider a scary setting: a cottage in the middle of nowhere with no heat. There, they wrote for 10 days, fleshing out what they had established in the pilot into one big chunk and then found ways to break it up into six episodes with a cliffhanger for each.

And while you can certainly watch Something Undone on your TV via the CBC Gem app—the colour palette, visuals and set decoration are wonderful—watching it with headphones on my laptop revealed a whole other level to the horror. Every little creak and clatter can be heard.

“We spoke to our sound designer and he spent extra time really juicing the sound for direction and to make that audio experience with your headset,” Walsh says. “Because it is sound-based, yeah, go for your headphones.”

Something Undone debuts Friday on CBC Gem.

Images courtesy of 4AM Film Studios.

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Featured, Web series

CBC Gem’s The Communist’s Daughter a funny peek at the 80s in all its excess

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My formative years were spent in the 1980s. Though I didn’t know it at the time, the 80s celebrated consumerism and excess. I was, however, aware of the media’s portrayal of Communism—and the Soviet Union, specifically—during that decade through movies like Rocky IV, Red Dawn and then-WWF wrestlers Nikolai Volkoff and Boris Zhukov. And I was aware of how it all came to a head in 1989 when the Berlin Wall tumbled, signifying the fall of Communism in Eastern Europe.

That time, and the tumult that came with it, is explored in the new web series The Communist’s Daughter. Available now on CBC Gem, the eight first-season episodes are the creation of head writer and director Leah Cameron (Coroner), who has first-hand knowledge of the subject matter.

The Communist’s Daughter is loosely based on Cameron’s childhood: her father was a Communist during the 1980s. As a result, the family car was a Lada, Soviet Life magazine was delivered to the door, and family vacations were to Cuba to support the economy. In the first episode, viewers are introduced to Dunyasha McDougald (Sofia Banzhaf), a 15-year-old living in Toronto in 1989. Happily upholding the beliefs of her father Ian (Aaron Poole) and mother Carol (Jessica Holmes), Dunyasha finds her support of Communism challenged by her first day at high school when she meets Jasmine (Nadine Bhabha) and Marc (Kolton Stewart). (Look for Chris Locke, George Stroumboulopoulos and Neema Nazeri in funny supporting roles.)

It’s been a long road for The Communist’s Daughter. I first spoke to Cameron back in 2018, when she applied to the Independent Production Fund to produce the series. Now, with the debut close at hand, how did she tackle writing the web series?

“By the time I got to shooting the [IPF] teaser, I had a sense of, tonally, what I wanted the show to feel like in terms of comedy and casting,” Cameron says. “I had originally conceived of it as a half-hour comedy, so it was more a process of refining some of the characters and paring things down.” The first TV episode was broken down and served as Episodes 1 and 2 of the web series and a rough season outline followed. Cameron knew she wanted The Communist’s Daughter to be serialized and take place over time, using the frame of Ian running for a local election and Dunyasha beginning her school year in September and the fall of the Berlin Wall in November of 1989.

“It’s a time when the family’s values couldn’t be more out of sync with what’s going on,” she says. “The Reagan 80s are a super-consumerist time, a super-conservative time and a time when I, growing up, said that my dad was a Communist and everybody thought that meant he was an evil person.”

Executive producer Lauren Corber—her LoCo Motion Pictures are behind Detention Adventure and How to Buy a Baby—is always looking for stories that speak to her, an audience for a project and if a creator is bringing something new to the table. She found all three in The Communist’s Daughter.

“Leah and [producer] Natalie Novak did an excellent job with their proof of concept video,” Corber says. “I had worked with Natalie before and was excited to work with her again. Leah came to the project with such a passion for the story. It was just undeniable that she would bring something special to the production.”

The Communist’s Daughter is available now on CBC Gem.

Images courtesy of Conor Fisher for Pinko Productions Inc.

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