Tag Archives: CBC

Kim’s Convenience comes to an end after five seasons

After five seasons on CBC, Kim’s Convenience is closing its doors.

The news came on Monday afternoon via producers.

“Authenticity of storytelling is at the centre of the success of Kim’s Convenience,” the show’s producers said in a statement. “At the end of production on Season 5, our two co-creators confirmed they were moving on to other projects. Given their departure from the series, we have come to the difficult conclusion that we cannot deliver another season of the same heart and quality that has made the show so special. Kim’s Convenience has meant so much to our cast, writers, crew, and audiences around the world. Despite the restrictions and complications of shooting during the pandemic, Season 5 is our finest season to date. It’s been a privilege and a very great pleasure to work with the Kim’s family of gifted writers and performers for the last five years. Thank you to our fans for the love and support you’ve given this show.”

The statement was followed by messages from the cast on social media. The series had previously been earmarked for Season 6.

“It was announced today that the current season of #kimsconvenience will be our last and we will not make a season 6,” Andrew Phung posted on Twitter. “It’s a bittersweet end to one of the greatest experiences of my life. I’m so proud of what we’ve done and want to reflect and thank those who made it possible.

“We were the little show that could,” he continued. “Based on a fringe fest play that major theatres passed on. Ins Choi took this from an idea, to the stage, and w/ Kevin White to the TV screen. Few gave us a chance but we were a breakout hit. Thank you Ins and Kevin for your ideas and stories.”

You can read the rest of Phung’s heartfelt message, and feedback here, as well as Twitter posts by co-stars Simu Liu, Paul Sun-Hyung Lee and Jean Yoon.

This fifth season has seen the Kim family face one of its toughest challenges yet, with a difficult medical diagnosis for Umma (Jean Yoon), Appa (Paul Sun-Hyung Lee) stepping up as the primary caregiver, and recently-graduated Janet (Andrea Bang) moving back home. Meanwhile, Jung’s (Simu Liu) trip to business school has tested his relationship with Shannon (Nicole Power) and Kimchee (Andrew Phung) reconnected with his family, and his high school crush.

Recently, Kim’s Convenience was recognized by TV Guide as one of the best “feel good” streaming series available and a perfect quarantine distraction by Oprah magazine.

Awards it has collected include Canadian Screen Award wins for Phung, Sun-Hyung Lee, Amanda Brugel and the series, and nominations for Bang, Yoon and Power. The series has also received nominations for awards from the Writers Guild of Canada, and the Directors Guild of Canada.

In addition to airing in Canada on CBC and CBC Gem, the series also streams on Netflix and is watched on cable and VOD platforms around the world, including in Japan and Korea.

The news comes a week after it was announced Frankie Drake Mysteries would not return for Season 5 on CBC.

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Murdoch Mysteries; Caleigh Bacchus breaks down “The .38 Murdoch Special”

[Spoiler alert: Do not continue reading until you have watched “The .38 Murdoch Special.]

Named on of Playback magazine’s 10 to Watch in 2020, Caleigh Bacchus is a new member to the Murdoch Mysteries‘ writer’s room. She, along with Simon McNabb, penned Monday’s instalment, which investigated murder, racism and more.

We spoke to Caleigh Bacchus via email about the key storylines and what fans can expect as Season 14 closes out.

Welcome to the Murdoch Mysteries team! You’re a former track and field athlete. How did you end up working in Canadian television?
Caleigh Bacchus: I’d always been interested in storytelling, but it took me a while to figure out the best medium to do so. It wasn’t until I moved to Toronto that I saw film crews all around the city and I considered screenwriting. So I decided to go back to school for film and it was the best decision that I ever made.

And how did you end up in the Murdoch Mysteries writing room?
CB: I interviewed for MM in 2019, but I didn’t get the job that year. They remembered me the next year (2020) and offered me the script coordinator position.

You previously worked on Diggstown with Floyd Kane. What did you learn from him – about storytelling, the craft of TV or anything else – while working with him?
CB: Diggstown was a great experience and it was where I first learned how to break story and really break down a script. After that I was able to go back and apply what I’d learned to my own work. I also learned from Floyd that it’s important to have some ownership over your projects. To take the risk and invest in your work so that you truly have a stake in it.

How did the idea for the main storyline come about, regarding the opium den? Was it discussed in the room first and then fleshed out? What was the inspiration for it?
CB: We started breaking this story during the summer of 2020 while the BLM protests were happening worldwide and we thought that it was important to join in on that conversation of racial injustice. Upon researching the topic, we discovered the Vancouver anti-Asian race rots of 1907 and the Opium Act of 1908 which was also seen as an anti-Asian law. It was a great opportunity to highlight this bit of history so we decided to focus the story there.

It was interesting to get a little history on opium via Brackenreid, Murdoch and Watts. What was it like researching it?
CB: I didn’t personally know all of the history around the opium laws and anti-Asian sentiments in Canada so the research was both informative and heartbreaking.

What about the history of mayonnaise? I didn’t expect that little tidbit.
CB: While mayonnaise had been around since the 1700s, it wasn’t jarred and sold until 1907. So we thought it would be fun if Murdoch and Ogden tried it for the first time on the show.

How did the writing process work between yourself and Simon McNabb? Did you write first, and then pass it to him?
CB: Writing with Simon was a very smooth process. We would split the writing work 50/50 then put our halves together and then we would each do a round of edits to the entire document.

What was the idea behind not showing Miss Hart’s wedding? Was it just due to the shortened episode order?
CB: We thought it would be in character for Miss Hart to have her wedding without inviting any of her colleagues.

The addition of composer Samuel Coleridge-Taylor as a historical reference was neat.
CB: Yes. A wonderful black historical figure.

Watts going to Ogden, seeking hypnosis as a “cure” was so heartbreaking. What has it been like to follow Watts’ journey this season?
CB: It’s been quite an emotional journey watching Watts’ plight. It’s good to see how far we’ve come as a society but also a reminder that there is work still to be done because, unfortunately, we can still draw too many similarities from Watts’ story and apply them to the issues facing the LGBTQIA today.

Racism has always been a part of Murdoch Mysteries’ storylines, in particular against the Black community. What has it been like telling Black stories like Momo and Nomi’s on Murdoch this season?
CB: I was really glad to be a part of telling this story and portraying some of the issues that the Black community faced and still face to this day through the characters of the world.

I feel like Brackenreid has put himself in danger with his revealing Nomi is his daughter. Should I be concerned?
CB: You’ll have to wait and see :)

There are just two episodes of Murdoch Mysteries left this season. What can you say about them without giving any secrets away?
CB: They’re a whirlwind. Prepare yourself for a lot of jeopardy and some heart wrenching twists.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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CBC’s Frankie Drake Mysteries ends after four seasons

Frankie Drake Mysteries is riding off into the sunset and will not be returning for Season 5.

The news was announced via Instagram on the stars’ Instagram pages on Sunday.

“We wanted to come on and let you guys know that, before it gets out into the world, that we have not be renewed for a Season 5,” Lauren Lee Smith announced. “We are incredibly disappointed, but we felt that it was really important for us to let you guys know. We are so incredibly grateful for the four seasons that we got to do and I know we all loved making this show.”

“I will miss the laughter that we had,” Chantel Riley said. “We laughed a lot, and that’s something I’m grateful for.”

“We’ve all gone through so many different things during these last four years, and we have all been so there for each other … this whole job was such a gift,” Matthews said.

You can watch the full announcement on Instagram.

“We can confirm that Frankie Drake Mysteries will not be continuing beyond this season,” said Christina Jennings, founder, chairman and CEO of Shaftesbury and Frankie Drake Mysteries executive producer. “We would like to thank the incredible cast and crew, and the fans for all of the love and support over the past four years. We are so proud of this show and look forward to sharing the final two episodes.”

Set in 1920s Toronto, Frankie Drake Mysteries follows the city’s only female private detectives, Frankie Drake and Trudy Clarke, as they take on the cases the police don’t want to touch. In a time of change and hopefulness, their gender is their biggest advantage as they defy expectations and rebel against convention. 

Co-created by Carol Hay and Michelle Ricci, Frankie Drake Mysteries stars Lauren Lee Smith as Frankie Drake, Chantel Riley as Trudy Clarke, Rebecca Liddiard as Mary Shaw and Sharron Matthews as Flo Chakowitz.

Frankie Drake Mysteries airs in the UK, Spain, Brazil, Central and Eastern Europe, Finland, Portugal and New Zealand.

Season 4 of Frankie Drake Mysteries wraps up Mondays at 9 p.m. on CBC.

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Preview: CBC’s Arctic Vets an education of Canada’s northern wildlife

As a kid growing up in Southern Ontario, a trip to the Toronto Zoo was a rite of passage. Usually done on the hottest day of the summer, an outing featured—aside from tears—a visit to see the elephants, giraffes, lions, rhinoceros and primates. Those animals, from other countries, are often seen as the stars. But Canada has some pretty cool creatures as well, and I’m not just talking about the raccoons.

Debuting Friday at 8:30 p.m. on CBC, Arctic Vets follows Dr. Chris Enright (pictured above), director of veterinary services and animal welfare at Winnipeg’s Assiniboine Park Conservancy, and his staff as they treat and save some of this country’s interesting animals. In Friday’s first instalment, Enright and his animal experts trim the hooves on 800-pound muskox Chloe before jetting to Churchill, Manitoba, to examine a female polar bear caught while moseying around town. Future episodes spotlight wolves, lynx, snowy owl, Arctic fox and a tundra swan.

Aside from the stunning visuals, Arctic Vets is an education too.

“There are some incredible animals in the north and this is a great opportunity to share their stories,” Enright says during a phone interview. “The whole series really does highlight the animals that, for people who live in the south, don’t always experience.”

Three years in the making, Arctic Vets shows the level of care provided to animals, conservation and research programs offered at Assiniboine, and partnerships they have with other groups. Enright and his staff relished the opportunity to be filmed by camera crews for the 10-episode first season.

“We’re enthusiastic about what we do and we can talk about the level of care and excellence in the veterinarian procedures,” he says. “It’s sharing those stories that people don’t necessarily have the opportunity to have themselves, but also on that broader level to really promote conservation messaging and leaving room for wildlife.”

Arctic Vets airs Fridays at 8:30 p.m. on CBC.

Images courtesy of CBC.

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Link: Hélène Joy reveals secrets to ‘Murdoch Mysteries’ success

From Rick Bentley of KGET:

Link: Hélène Joy reveals secrets to ‘Murdoch Mysteries’ success
“We have 10-year-olds who love the show. We have 85-year-olds who love the show. And, everyone in between. If ever there was a demographic in their 20s that we didn’t have, we have them now because we got them when they were 10. So now we have everybody across the boards.” Continue reading.

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