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Anne with an E: Lucas Jade Zumann describes Gilbert’s Season 2 journey

While Anne Shirley has been experiencing life in Avonlea and all that entails—school, friendship, chores and two sneaky grifters—Gilbert Blythe has been on an adventure of his own in Season 2 of Anne with an E.

Leaving Prince Edward Island following the death of his father, Gilbert has been shovelling coal into a ship’s boiler alongside Bash in the Caribbean. The two have established a strong friendship, and there has been great personal growth for Gilbert already. It’s not clear exactly when Gilbert will return to Avonlea—it depends on how fast Anne’s letter reaches him—and Lucas Jade Zumann won’t tell me.

I spoke to Zumann earlier this year about how he was cast in the role, what’s in store for Gilbert this year and his plan to study … astrophysics and quantum theory.

Gilbert’s got a lot going on from what I’ve seen so far in Season 2.
Lucas Jade Zumann: Yeah. Absolutely, I think he’s getting a much more worldly perspective during Season 2. Even more so than I think the character had in the book. [Showrunner Moira Walley-Beckett] is really writing in between the pages on this one and really adding a lot to his character’s backstory. I think it’s really important and it lends a lot to his natural worldly character that he has in the book. And I think that this journey of his kind of, it lends an explanation to Gilbert’s perspective.

How did you end up with the role in the first place? 
LJZ: It wasn’t actually very traditional. When I got the offer for the audition, I was on tour for the publicity for 20th Century Women, a film that I did. And the director of 20th Century Women worked with the producer of Anne with an E. She liked the film. She saw the film early and she liked my work and she requested that I read for the role. So I came in, the first thing I did was actually a chemistry read with Amybeth McNulty. And then after that point, it was maybe a couple of weeks before my agent called me and let me know that I had gotten the role of Gilbert Blythe.

To be skipping that step because executive producer Miranda de Pencier had seen you and thought that you’d be a good fit … were you a little bit extra nervous going into this?
LJZ: Oh, absolutely, especially considering the rank of these people that were sitting at the table in front of me. I mean, Moira Walley-Beckett is a phenomenal writer and director and I have been inspired by her work for many years beforehand. Just sitting in a room with these people is intimidating. Even the waiting room. I was, yeah, I was very nervous to say the least. I’m just really lucky that we kind of clicked in a certain way.

Gilbert lost his father in Season 1. That was a very dark and serious storyline that you had to take on.
LJZ: Yeah. Absolutely. I think losing his father was a huge deal for Gilbert’s growth and it pushed him to grow up really fast and have to start supporting himself and discovering his own place in the world. I think being in school just … and then having to support yourself, just in a little life change like that, I can only imagine how hard that must be for a person. And the kind of toll that that has on their personality. I think that lends a lot to his mentality and his maturity.

Where’s Gilbert’s head at in Season 2?
LJZ: I think he’s just so excited to be exploring parts of the world. I think he’s so accustomed to the way of life in Avonlea, where it’s snow almost all year and just farm work every single day. And I think that just being on a boat and even just shovelling coal, like, that was, that’s part of the exploration for him. I definitely can see that in my own life, too. I mean, I personally like working in a restaurant in my free time, just simply because it’s a more mindful type of workspace, in a restaurant. And I appreciate that there so many different roles that people can play in this world. I think Gilbert is taking the time in to explore that.

What can you say about his relationship with Sebastian?
LJZ: Sebastian really is kind of his leader to the world outside of Avonlea. I think when Gilbert leaves Avonlea, all he knows is, well, I mean, he’s been surrounded by white people and this culture, this European Canadian culture that he’s had his whole life. Seeing Trinidad and seeing what it’s like on a steamship, all the other trials that he goes through, I think that being with Sebastian and seeing that these are trials that people like him would go through on a daily basis just to survive.

That grants him perspective. Coming from a classroom full of people worried about what they’re going to wear the next day, to people worried about how they’re going to eat the next day. That was something that’s really important for him to understand. There’s a whole other world outside of Avonlea.

Is there something that you’re working on now that you can talk about? Are you back working in a restaurant? 
LJZ: Well, I just took a break from the restaurant because I am starting my senior year in high school. Which I did not necessarily think I was going to go back and do because I did take my GED. I tested out of high school, but I don’t have enough credits to apply for a college and make it look cool. I don’t have all the college credits that I would need.

I do eventually want to go back and I really am interested in studying astrophysics and quantum theory. That would definitely require some mathematics or history, you know. Coming back to school with that kind of new drive for learning, specifically with the astrophysics, understanding that calculus and math is like the language of how we humans quantify and understand things about our universe, it could be beyond our perception, I’m so fascinated by that. I really want to explore everything that we can about the universe that we live in.

Anne with an E airs Sundays at 7 p.m. on CBC.

Image courtesy of CBC.

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Preview: Do Higgins and Ruth marry in Murdoch Mysteries’ “My Big Fat Mimico Wedding”?

Fans of Henry Higgins and Ruth Newsome, your day has arrived! At long last, Higgins is joining the storied Mimico Newsomes in Monday’s Murdoch Mysteries episode, aptly titled “My Big Fat Mimico Wedding.” At least, that’s the plan.

Written by Simon McNabb—who has penned some of the funniest scripts on Murdoch Mysteries—and directed by Gary Harvey, here’s what the CBC has revealed in their official synopsis:

When Murdoch, Ogden, Crabtree and Brackenreid attend Higgins’ and Ruth Newsome’s wedding, a guest repeatedly tries to kill the groom. 

And here are more morsels I can reveal after watching a screener.

Guess who is part of the ceremony?
You can’t have a Newsome storyline, especially a wedding involving one of them, without Rupert Newsome (Cyrus Lane). Lane, as usual, steals every scene he’s in from his co-stars. There are so many giggle-worthy moments that I lost track.

Will Higgins return to Station House No. 4?
It doesn’t appear so when the episode starts and Brackenreid is just fine with it.

George doesn’t attend the wedding solo
That’s all I’ll say about that … other than the journey he takes to get to that state is wonderful.

Speaking of wonderful…
Gary Harvey’s direction is just that. What he does with his large cast of main and supporting characters during key witness testimony is well-executed, fun and really adds to the storytelling.

This is not your typical episode of Murdoch Mysteries
And, because of that, it’s one of my favourites. I can’t wait for fans to see it. Please let me know what you think.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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Murdoch Mysteries: Mary Pedersen breaks down “Operation: Murder”

Murdoch Mysteries showrunner Peter Mitchell promised several Season 12 episodes would focus on other members of the series. He wasn’t kidding. Monday’s latest, “Operation: Murder,” saw Julia step into the spotlight as she investigated a series of deaths at the University of Toronto’s School of Medicine.

Meanwhile, George was smitten by a young Florence Nightingale Graham (Kathryn Alexandre) before she left town in favour of a career in New York City. As for William? Well, his latest creation seemed intent on gobbling him up. We spoke to the writer of “Operation: Murder,” Mary Pedersen, all about what went on inside and outside Station No. 4.

I had no idea Florence Nightingale Graham was Canadian. How did she come up in the Murdoch Mysteries research?
Mary Pedersen: Every season we like to feature real historical figures, so we’re always keeping an eye on what important Canadians were doing around our time, and what famous international people might have been in Toronto then. Elizabeth Arden was on that list, and since she had actually attended nursing school in Toronto, it happened to dovetail nicely with the idea of a mystery set at the hospital where Ogden is completing her training to be a surgeon.

Were there other facts about Florence/Elizabeth that didn’t make it into the episode?
MP: What I find really fascinating about her is that she was the daughter of immigrants in small-town Ontario, her mother died when she was in her teens, and she went to nursing school to help support her family. So for her to go to New York City and go on to build her own cosmetics empire—really one of the first such businesses, with her name on the products—strikes me as a story of such bravery and determination. I would love to have been able to get into more of that, but of course we’re dealing with just a small moment in her life, really before she knew what she would become. I hope we were able to depict a little bit of what was to come through George’s enthusiasm for her dreams. He has a special skill for giving talented women a nudge in the right direction and I love that about him.

Peter told me that other characters would get more screen time this season. That started tonight with Julia doing the investigating. How refreshing was it for you to write a mystery where William took more of a back seat?
MP: I’ll tell you, I loved it. I got a little cocky writing the first draft; I was telling everyone I could totally write a medical drama if I had to! That’s from years of being a devoted fan of ER and Grey’s Anatomy. Of course, you wouldn’t actually want me doing a tracheotomy! Luckily, I have friends and family in health care who coached me through the medical stuff, and we have a terrific consultant to make the medical stuff look and sound good. So that was fun, to bring us into a different world, get to know Julia’s new workplace and the people there, and make her the primary detective on the case. I’ve always appreciated that Murdoch Mysteries has that latitude to make room for the actors to do what they do best, to explore different worlds and tones, and we hope that quality will help keep things fresh in Season 12 and beyond!

Yet another woman enters George’s life ever so briefly. Will he ever find love?
MP: He really comes up against his essential problem in this episode, doesn’t he? He loves ambitious, complicated women. He’s such a special character and I think he deserves someone who’s one in a million like him. But if he finds his true match, will she accept that he’s ‘just’ a constable, and will she want the same life that he does?

I was so glad to see the incredible set for William and Julia’s house has stuck around for another episode. Is it as impressive in person as it is on-screen?
MP: It is. Bob Sher and the art department did such an amazing job on it, really making it feel like a home that expresses who Murdoch and Ogden are. It’s become my favourite set to visit, and it’s much cozier than the morgue, so there have been a few times this season when I’ve snuck down and put my feet up on one of those built-in sofas to read a script. And there have been a few more great scenes shot in the house already this year.

Next week Higgins and Ruth are scheduled to marry. [Preview picture above.] What can fans expect from the episode?
MP: The Newsome family episode has become really one of the highlights of every season for the writers, and you can imagine that with a wedding, the extended Newsome family coming to stay, Ruth determined to find George a girlfriend, and of course a murderer on the loose, that Murdoch, Brackenreid, Crabtree and Higgins will really have their hands full next week.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

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Preview: Frankie Drake Mysteries hits the dance floor

Welcome, Frankie Drake Mysteries fans, to the latest Season 2 preview. Last week, Frankie ran afoul of an old foe and triumphed in the case of a counterfeit piece of art destined for the Royal Ontario Museum.

What shenanigans will she and the girls get into this week? Here’s what the fine folks at the CBC have revealed for “Last Dance.”

Trouble follows Frankie and the ladies of Drake Private Detectives on a night out at the Palais Royale when a contestant in a dance marathon is kidnapped. Suspicious, Frankie recruits Flo to investigate while she and Trudy look further into the case. The gals find the wealthy sponsor of the dance marathon, wearing the contestant’s jacket. Mary stays behind in case the kidnapper returns. 

And I’ve got the scoop on more entertaining tidbits after watching a screener of the episode.

The ladies are shaking it up
One of the many things I love about Frankie Drake Mysteries is the soundtrack. Each week we’re treated to fantastic sounds from the 1920s. This Monday the ladies take to the dance floor and get grooving. (For some insight into the filming of the opening scene read She Does the City’s story.)

Alan Davies stops in
The British actor, who has starred in such projects as Damned and Jonathan Creek, guests as the Palais Royale’s owner … and a major pain in Frankie’s behind. And Anthony Lemke returns as Det. Greyson.

Trudy and Tickles
Trudy reconnects with an old friend during the course of the investigation and gets a taste of jazz.

An inadvertent tie to Murdoch Mysteries
They’re on the same night of the week and on the same network. And, during Monday’s investigation, Frankie Drake Mysteries and Murdoch Mysteries feature the University of Toronto in their storylines. And, in the case of Frankie Drake, a very famous doctor factors into it.

Frankie Drake Mysteries airs Mondays at 9 p.m. on CBC.

Images courtesy of CBC.

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Preview: Murdoch Mysteries goes in for surgery in “Operation: Murder”

And just like that, we’re off and running with a new season of Murdoch Mysteries. In last week’s return, we met architect Frank Lloyd Wright and saw the deadly consequences of being inside William’s potato cooking room when you’re not a potato. If you haven’t done so already, read my interview with showrunner Peter Mitchell, who gives some background on how the house came together.

Now, on to Episode 2. Here’s what the CBC has released as the official storyline for “Operation: Murder,” written by Mary Pedersen and directed by Harvey Crossland:

Ogden enlists Murdoch to investigate possible sabotage in the operating room after a patient dies during a routine medical procedure.

And, as always, some non-spoilery details after watching the screener.

Orphan Black‘s Kathryn Alexandre appears in an important role
After playing Tatiana Maslany’s body double for five seasons, Kathryn Alexandre steps into the spotlight in a fun role: Florence Nightingale Graham, the businesswoman who founded Elizabeth Arden, Inc. Florence and George enjoy quite the romp on Monday night and it leads to a very, very funny scene.

Julia’s storyline is anything but funny
While George is getting goop on his face, Julia is dealing with tragedy at the University of Toronto School of Medicine. Veteran actor James McGowan is Doctor Forbes, who encourages Julia to perform surgery on a patient. Stephanie Belding returns to Murdoch Mysteries for a third stint, this time as Nurse Sullivan, a key witness in a patient’s death. Sebastian Pigott, most recently seen on Wynonna Earp this year and Frankie Drake Mysteries last year, is Dr. Dixon, a fellow student of Julia’s and none too happy she’s smarter than him.

Oh, that house
I’m glad all the work the crew did on the Frank Lloyd Wright home set is being used in more than one episode. It serves as the backdrop for William’s latest scientific gadget.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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