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Heartland’s Graham Wardle talks the winter finale and Ty’s journey

Whoa, talk about one heck of a winter finale for Heartland. “A Horse with No Rider,” was jam-packed with drama and danger on both sides of the world.

First, Ty and Bob were on the hunt for the elusive—and endangered—Gobi bears in Mongolia. They ran into some pretty tough customers on the road and then battled the heat and terrain in their quest before finding a cub whose mother had been killed.

Back in Alberta, Tim, Georgie and Amy fought for their own survival after a rockslide crushed the truck and horse trailer. With a horse trapped inside the trailer, Tim suffering from a concussion and Amy in physical distress with the baby, Season 10 is taking a break with plenty of drama.

One of the most interesting—and galvanizing—storylines this season has been Ty’s personal journey. He left Heartland with Bob because of something he believes in, despite Amy’s pregnancy. Not only has this story angle been an adventure for Ty but actor Graham Wardle, who really jetted to Mongolia earlier this year to film segments for the series and Ty’s blog, BordenWithoutBorders. With 10 seasons playing Ty under his belt, we spoke to Wardle about Ty’s journey, his time in Mongolia and what’s the come for his character.

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I just watched the pilot episode of Heartland on Netflix a week or so ago. Was it ever a kick to see Ty in a leather jacket and smoking a cigarette.
Graham Wardle: [Laughs.] Yeah, that was the character back then. He was a smoker, but they axed that as soon as the show got picked up. They were like, ‘Yeah, we’re not going to have him smoke.’ I think it was a wise decision, because having to smoke on-screen for 10 seasons … my character would have lung cancer by now. [Laughs.]

What’s it been like to have that character evolution? To go from a guy who was rough and tumble to the man we see today, who not only has a baby on the way but is in Mongolia because of something he believes in?
I’m very honoured to be part of the journey this character has been on and able to contribute to it. I think that’s what every artist wants to get out of their work. To contribute something authentic, to contribute something that inspires them and other people as well and speaks to bigger truths about turning your life around or going from a rebel troublemaker to getting his life straightened out and standing up for what he believes in is a big turn. That’s a big storyline. I’m a bit older than the character, but close enough in age that, as he goes through these things I learn and then want to contribute and add to him. I feel very blessed and passionate about telling those bigger stories, arcs and journeys. This is one of them.

I wanted to talk to you because of Ty heading to Mongolia. You really went there to film scenes. How did that and the story that sent Ty there come about?
It was a bit of a collaboration where I had sort of presented an idea about doing something a little bit different and we were going back and forth. [Showrunner] Heather [Conkie] had found a story about the Gobi bear and how there are, I think, less than 24 left in the desert. They are on the brink of extinction. And, from what I remember, the Cecil the lion incident was kind of part of that idea and how that impacts society, along with the Gobi bear story in Mongolia.

That was presented to me and I thought it was really cool, very unique and very different. As we started Season 10, I thought, ‘Well, what if I really go there?’ Most of the time when a character goes away somewhere they’re talked about but not seen, so I thought this was an opportunity to do something new and different and, I think, add a tremendous amount of value for the audience because they’d see a new part of the world and it would expand the storyline beyond Canada and Alberta. How to other people interact with their animals on the other side of the world?

Scott Lepp, our digital producer, set up BordenWithoutBorders, where Ty updates—within the reality of the show—Amy and his family about what’s going on. I went with a friend from Toronto, a good friend of mine who I went to school with named Peter Harvey. He came along and he shot stuff and I shot stuff. We were out there for just under two weeks and we did everything we could.


This storyline is important to me because I think it’s something everyone struggles with, including me. How do you balance your passion with making time for your family, your loved ones and your responsibilities?


You said you had some ideas for Ty before this was sussed out. What were some of your ideas?
I’m actually meeting with the writers to go over potential storylines for next year and is exactly some of the stuff I pitched to them originally. I could tell you, but then it would be out about what could be happening next year. It speaks to the larger vision that I want to contribute to this role and this show … the relationship of human beings to animals and how we see that relationship. A lot of people see animals as less than us … I want to explore the magical connection between animals and us.

You mentioned yourself and Peter filming the Mongolia bits. It sounds like you’re moving into producing and directing your own stuff. Is that fair?
Absolutely. I’m writing my own scripts and taking classes and doing my best to further my storytelling abilities behind the camera. That fits into that vision of what I feel passionate about in my life and what I want to contribute to the world is telling stories either in front of or behind the camera.

What was filming like in Mongolia? It’s not a country I know very much about.
Neither did I! I got a Lonely Planet book and was reading it. I met a guy from Mongolia who was an actor on the show before I went over. We filmed some stuff in Drumheller and I was talking to him about it and he told me what it was like. Filming there was a challenge at first because of the jet lag. Peter and myself taking care of the acting, the continuity, the scripts, the costumes and the filming … that was a challenge to do all at once. The heat wasn’t that bad, the people were really friendly, we could stop and talk to anybody at the side of the road and find out what was going on. Beautiful country and beautiful people.

OK, so what segments were actually filmed in Mongolia? Bob and Ty looking for the bear cub was done in Drumheller.
Almost all of the Skype calls, the blog and then some establishing shots were done in Mongolia. The rest is Drumheller doubling as Mongolia.

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Let’s talk about Ty and Amy. This storyline has been galvanizing for the fans. Some want him on this journey and others think he should be with Amy. Where do you stand, as Graham the actor?
It’s something I took seriously as an actor and a person. We all have responsibilities in our lives, things we are committed to and responsible for. At the same time, we all have dreams, hopes and wanting to experience and give more. This storyline is important to me because I think it’s something everyone struggles with, including me. How do you balance your passion with making time for your family, your loved ones and your responsibilities? I’m glad that the fans are interacting because it means it’s striking a chord with them and they’re asking those questions or stating those opinions. That conversation is out there and I’m happy about it.

What can you say about how this experience affects Ty? I feel like taking care of horses would be boring.
Hey man, you’re onto the nerve of it in a sense. That’s what I want to talk to with the writers. Where does he go from this? How do things change going forward? We have some pretty cool ideas about that.

Heartland returns with new episodes on Sunday, Jan. 15, at 7 p.m. on CBC.

Images courtesy of CBC.

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Photo gallery: First look at “Once Upon a Murdoch Christmas”

It truly is the most wonderful time of the year, as Murdoch Mysteries‘ two-hour holiday special, “Once Upon a Murdoch Christmas” approaches. Written by Paul Aitken, Carol Hay and Michelle Ricci and directed by T.W. Peacocke, CBC says the following:

It’s four days ‘til Christmas, and with no snow on the streets of Toronto, spirits are low until two bombastic businessmen barge into Station House No. 4 with a far-fetched story about a train robbery – a bandit is trying to steal Christmas! Murdoch is baffled but soon, more impossible robberies have him giving chase around the city. Crabtree is convinced the bandit is based on his latest fictional hero but Brackenreid dismisses this outlandish theory. Meanwhile, Constable Jackson forms a Station House No. 4 choir, but with only a few days to whip the singing constables into shape he begs Rebecca James for help. And Ogden finds herself mysteriously spirited away after a family of children who need her help mistake her for a storybook heroine. Stories collide on Christmas Eve – and once again, Murdoch must find a way to pull off a Christmas miracle.

CBC has given us an early Christmas present by revealing the following seven images to get you in the holiday mood! Let me know what you think of the storyline, and images, by commenting below!

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Murdoch Mysteries‘ “Once Upon a Murdoch Christmas” airs Monday, Dec. 12, at 8 p.m. on CBC, with an encore broadcast on Christmas Day, Sunday, December 25, at 5 p.m.

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This Life 209: Crisis shakes the Lawsons in “Well Fought, My Love”

In the penultimate episode of This Life‘s second season, the Lawsons are shaken to their core by a sudden crisis. To make matters worse, Natalie experiences an unexpected medical complication.

Here’s a preview of what’s to come.

This is not a drill
As I’ve interviewed the show’s cast and writers over the past eight weeks, I’ve been repeatedly warned that Episode 209 packs a punch. It’s true. In fact, it packs more than one. An ample stock of wine and chocolate is recommended for viewers.

Romy and Emma face a massive decision
But they also share one of the cutest bonding scenes in the series. Episode writer Rachel Langer says part of the scene was improvised by Julia Scarlett Dan and Stephanie Janusauskas. Listen for the mention of polar bears.

Maggie and Raza try to put the toothpaste back in the tube
Maggie’s confession that she has feelings for Raza makes things awkward at home.

Life goes on
Even as the Lawsons face multiple traumas, they find moments of beauty, connection … and reconnection.

Long, slow clap for the entire cast
This episode features lovely performances from everyone, but I’ll single out veteran actor Peter MacNeill because he makes every series he’s in better.

This Life airs Sundays at 9 p.m. on CBC.

Image courtesy of CBC.

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Comments and queries for the week of December 2

Which three new Canadian television shows are your favourites?

Bryan Inc. is my favourite, and the only one on the list that I watch. Was watching Moving the McGillivrays when it first started, but I feel that their new home is way over the top, and that has put me off. Their design style is quite elaborate. Do four people really need that much space? Bryan’s house is lovely, and I love their decorating style. —Marlene

Airport: Below Zero, Moving the McGillivrays and Bryan Inc. —Florence


Murdoch Mysteries‘ “Weekend at Murdoch’s” is a fan favourite

We loved the “Weekend at Murdoch’s” episode. The victim sure looked like Terry Kiser in Weekend at Bernie’s. Love Murdoch Mysteries and all the stars. —Liz

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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This Life’s Janet-Laine Green on mothering the Lawsons

Janet-Laine Green feels completely at home on CBC’s This Life.

“It’s rare in a series—and I’ve done a lot of series—that you actually have the sense of family and real joy to be on the set,” she says. “We just all connected so well.”

Her character, Janine, is the loving but slightly overbearing matriarch of the Lawson family. Throughout the series, viewers have seen her attempt to be there for her four very different children while struggling not to impose her conservative views on them.

“I think what Janine has been learning over these two years is actually to accept [her children], to really look at the way they all are living their lives, and to not be as judgmental, and to not try to push her structure and religion onto them,” Green says. “I think that’s been Janine’s journey.”

When she landed the part, Green—who is well-known to TV viewers for her roles in She’s The Mayor, This Is Wonderland, Anne Of Green Gables The Continuing Story and The Beachcombers—says she was not only drawn to her character but to This Life‘s universal storyline.  

“We all have disease or accidents or kids who go off the mark,” she says. “We all have that in our lives, and I think that’s why audiences relate to it so well, because it’s not foreign at all, and it’s not a fairytale story. It’s actually quite real.”

Joining us by phone from her home in Tottenham, Ont., Green tells us what it’s like to mother the Lawsons.

What was your audition process like for This Life?
Janet-Laine Green: I went and I met Louis Choquette, who was doing all the auditions, and it was one of the best experiences I’ve ever had in an audition. Because the director usually doesn’t get up and work with you, and he just was on his feet, and he gave you different suggestions. So you’d do a scene and he’d say, ‘Try with this angle,’ and then he would totally change the whole the way you were playing it and give you an opposite way of thinking of the scene. So it was so fabulous I didn’t even care if I got the part or not. I was just thrilled to have this experience with this director, and I knew I really wanted to work with him. It’s really exciting when you have a good director who is passionate about the actor but also the character’s storyline.

Then I actually found out I got it, and I didn’t even know about the Montreal series, the French series [Nouvelle adresse], and I think the first night that I got there, Peter MacNeill—who plays my husband and is an old friend of mine—invited me out for supper with some Montrealers, and then they told us how popular the series had been in French . . . So I was excited about it, but I didn’t really know how much I would come to care about the series. I think because they cast it so well, and we as a group got along so well, that it became very easy to play the parents and the grandparents. It was not a problem. It was like no work whatsoever.

In what ways has Janine challenged you?
I think what intrigued me most about her was her faith. She’s Catholic, and she has really strong beliefs. I was raised Anglican, and it really was a more gentle sort of way I was brought up in the church. She sort of put everything into faith, and believes if you just have that faith, everything will be fine. And she’s really tested. I feel that the progression of Janine is that she pulled away from the church because of either the teachings or how the particular father in the church didn’t actually guide her the way she needed to be guided . . . So it was her struggle with faith that really intrigued me, because I didn’t have that in my upbringing, I didn’t have a really strong influence. So I had to really think about that and really examine it.

And Janine’s children really didn’t share a lot. There were a lot of comments through both seasons, like ‘Don’t tell mom,’ or, ‘Imagine what mom will do,’ so that was really hard because, as a mother, you want your children to confide in you, and you eventually become friends with your children. I think [Janine] was the disciplinarian in the family. So I sort of have to look at, ‘How am I different? How do I mother? How does Janine mother?’ I think she’s much stricter than I am, much more careful. I’m more carefree and believe in nature and how God is in nature, rather than in a church. So there were lots of things to challenge me, to make sure that I wasn’t playing myself but actually playing a character.

Of her four children, Janine seems to struggle most with Maggie, and she had a very hard time with Maggie’s marriage to Raza. Why do you think that is?
I think Janine sees huge potential in Maggie, and Maggie doesn’t see it in herself. She doesn’t stick with anything. So to support a child like that is difficult for any parent. All you want, I think, for your kids is for them to be happy and to feel fulfilled, and I think Maggie has always struggled with, she doesn’t follow the status quo, there’s no straight line for her to do anything, and I think, as a mother, you’re always wanting the best for your child, but also you want them to just get a job, be able to pay your bills, and be happily married. So I think with this marriage of convenience, it’s not who she married, it’s that she did it without understanding the joy of marriage, and the depth of feelings in marriage, and the responsibility of marriage. And she didn’t even tell [her parents], she just sort of invited [them] to a party.

So I think it’s really hard for Janine to actually see Maggie as she is and totally accept her. At the same time, I actually think Janine wishes she could be more like Maggie, in her freedom and her love that she has for people, her joy of living. I think that Janine’s life has been so structured that she looks at Maggie and is a bit envious of that. But I don’t know if Janine would ever say that.

This Life 202

We just found out that Oliver is bipolar. How will that change her relationship with him? 
I think Oliver is her baby. I think she just adores Oliver and doesn’t really comprehend his dark side, and I think there has been a bit of, ‘He’ll be fine, he’ll be fine. We just have to nurture him more or love him more or look after him more.’ So I think there’s been a real blind eye to the real problem. And he’s had this since he was a child, and you tend to ride over the bad stuff and say, ‘Oh, they’re just wonderful.’ But to actually to get in and take them to doctors and try to find answers and then to actually put kids on medication, that’s a hard thing to do. A lot of parents have to face that, and I think Janine would say that God can help you, faith can help you, just go for long walks. I think the title ‘bipolar’ would really freak her out. I don’t know if she’d really accept it. I think that she would maybe blame herself for not loving him enough, as most of us do, as parents do. You actually don’t think there may be a chemical imbalance, it’s ‘I didn’t love them enough,’ or ‘I’m too hard on them.’ But I think, in her heart, she’s been protective of Oliver, and protected him from Gerald, as well.

Janine and Gerald seem happy now, but a few episodes ago, we learned they had at least one rough patch in their marriage. 
I think in any marriage, you fall in and out of love over the long period of time that you have, and I think there are times when one or the other gets to be too much—that’s not the person you fell in love with when you were young, when you were early 20s, that person doesn’t seem to exist anymore. Or, especially when you have kids, and when you have four kids, your belief system can go against what that other person’s belief system is. But I think they’ve had a very good marriage overall

How I see it, especially in this year, is that they really treasure each other, and they lean on each other. They support each other and try to be the best for that person. So, especially in Episode 209, just in sort of the beginning of it, you see that they’re very happy together.

I’ve been married for 35 years, and I look at sort of the ups and downs of our marriage, and as I get older, I fall more and more in love with my husband because I see really who he is without the kids being around. So I’ve used that sort of idea to what I bring to Janine with Gerald. And Peter and I just laugh all the time, he makes me laugh so much that it’s really fun to be on set with him. We’re very comfortable, and I’m thankful for that.

What can you preview about this week’s episode?
I would say living life to the fullest is the message of this episode.

This Life airs Sundays at 9 p.m. on CBC.

Images courtesy of CBC.

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