Tag Archives: Featured

Preview: Timber Kings spinoff Carver Kings spotlights chainsaw artists

I’m a fan of Timber Kings, HGTV’s hit docudrama about the guys and gals of Pioneer Homes who create fanciful masterpiece log homes for clients. I’m always amazed at how those folks not only see art in trees but turn their visions into a reality.

I’m just as impressed, and maybe even a little more so, with the dudes on Carver Kings. A companion piece to Timber Kings, each half-hour instalment spotlights the guys at Pioneer who create carved pieces to accompany the homes built. Sunday’s finale jumps right in with Mark Colp and Ryan Cook carving a 13-foot modern totem pole ordered by a couple who own a ski lodge built by Pioneer in Colorado. Mark and Ryan have just five days to create a stunning piece featuring animals native to the area: a wolf, owl, bear, fox and eagle.

And while Mark is a speedster with the saw, Ryan is a relative rookie and Mark is unsure of his partner’s chops. Reality shows like Carver Kings usually inject some kind of drama into the storytelling and this is no different. Will Ryan make mistakes? Yes. Does he battle back and fix them? Why, yes. And as long as you go into this knowing the thrills are a little contrived, you’ll enjoy yourself. Also on tap in Sunday’s debut: three junior carvers are given a big job by veteran Pete Ryan, who challenges them to create a Pioneer Homes logo to be placed on the Carver Corner building.

Visually, Carver Kings is stunning. You can almost smell the cedar as wood shavings cascade down as intricate artwork is teased out of the trees. The series is a worthy companion to Timber Kings and worth checking out.

Carver Kings airs Sundays at 10 p.m. ET/PT on HGTV Canada.

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Review: Kings, queens and gods on Vikings

Before I get into this week’s Vikings review, I’d like to pause for a moment and remember Athelstan. Unlike Siggy, I didn’t really see his death coming. Sure, Floki has been giving Athelstan major side-eye this season, but still, I thought Ragnar’s Christian friend would last until the end of the Viking king’s reign. He will be missed.

When Clive Standen told me earlier this year that the siege of Paris was coming, I was excited. Then I spoke to the folks at Mr. X Inc. and Take 5 Productions, who do the visual effects for Vikings. From what they told me, this Thursday’s episode, “Paris,” would blow my mind.

And it did. Wasting absolutely no time with the journey around Europe, Ragnar and his supporters cruised up the Seine and had Paris in their sights. (That staring fight between Ragnar and Floki was amazing, wasn’t it? Floki looked pretty scared, if you ask me.) Unfortunately, the battle didn’t take place this week. But heck, you have to set up camp and prepare. And what preparations! I’m assuming Ragnar is playing Floki like a lute by giving him the important role of leading the first siege against Paris. If Floki fails, it will be his fault and because the gods are angry with him. But he might just succeed, what with those cool and impressive-looking siege towers he’s constructed.

“Paris” also introduced viewers to a pair of real historical figures in Count Odo and Emperor Charles, the former a bold, brash, calculating man and the latter a weakling paranoid he’s not as revered as his predecessor, Charlemagne, and relying on his daughter, Princess Gisla, to keep him focused. Charles clearly wanted to run off as soon as Odo reported the Northmen were on the way.

Meanwhile, back in Wessex, King Ecbert and Queen Kwenthrith were involved in a pissing match over who was the most powerful and it looks like Ecbert is going to win out. He has, after all, stayed ahead of Ragnar and is plotting to take over the land lorded over by Judith’s father. (Did anyone else find it a little creepy that Ecbert kissed his daughter-in-law passionately on the lips?)

The teaser’s for next week’s episode shows Floki leading the charge against Paris. A quick Google search revealed the Vikings didn’t sack the city, so we’ll see if Michael Hirst’s story sticks to historical events or goes off in a new direction.

Notes and quotes

  • The throbbing background beat during Ragnar’s voyage up the Seine set the tone for the episode.
  • I’m digging Ragnar’s bald look. Paired with those tattoos, he looks totally scary.
  • The snake and mouse Ragnar was holding in the camp wasn’t coincidence. But was Ragnar the serpent or the rodent?

Vikings airs Thursdays at 10 p.m. ET/PT on History.

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Killjoys lands on Space in June

This just in: Killjoys takes off on Space in June. The specialty network made the announcement earlier today, noting Season 1 launches Friday, June 19, at 9 p.m. ET on Space.

As previously announced, the Space/Syfy series—starring Aaron Ashmore, Luke Macfarlane and Hannah John-Kamen—comes from the folks at Temple Street Productions, who head up a little show called Orphan Black. Michelle Lovretta (Lost Girl) serves as writer, creator and showrunner.

The trio portray three interplanetary bounty hunters—a.k.a. Killjoys—as they fulfill deadly warrants across a planetary system called the Quad. (Check out the explosive teaser trailer below.)

Here’s how Space describes each character:

“Hannah John-Kamen stars as the gorgeous, complicated, and deadly Dutch. A top-level Killjoy, she’s a much loved and charming presence in her community, with a unique gift for earning people’s trust and respect regardless of their class. Under her banter and protective flirtations, there is pain, maturity, and a deep solemnity resulting from a dark secret past.

Aaron Ashmore takes on the role of John Jaqobis, a Level 3 Killjoy who, despite his profession, is a peacemaker who hates conflict. Cheerful and kind-hearted, John prefers not to fight, but his sarcastic wit has put him into the fray enough over the years to teach him how to do it well, and dirty. Give this man any machine or situation, and he can fix it, build it, and fly it.

Luke Macfarlane stars as D’avin, a handsome, rugged, sarcastic, and incredibly loyal former soldier. He dreamed of enlisting in the military since boyhood, and his hard-won expertise in tactics, manoeuvres, and hand-to-hand combat make him an instant asset to the Killjoy team.”

Who is pumped for the debut? Tweet @tv_eh!

Killjoys debuts Friday, June 19, at 9 p.m. ET on Space.

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Interview: Open Heart boss reveals Season 1 secrets

It was one of the most action-packed season finales I’ve ever seen. In just over 20 minutes, Open Heart managed to squish romance, action and mystery into one instalment as Dylan found her missing father, Veronica was attacked, Det. Goodis was killed and London had not one but two fellows—Seth and Hud—profess their love for her and plant a kiss on her lips.

We had questions! So we turned to showrunner Ramona Barckert for the answers, and she delivered on everything from those pesky feathers to London and Hud’s smooch, and perhaps the biggest mystery: will there be a Season 2 of Open Heart?

It’s one thing to sit in the writer’s room and come up with these ideas, but what has it been like to watch the show every week and see the reaction from the fans on social media?
Ramona Barckert: It’s been amazing. I was super-nervous before the premiere. Not that I didn’t believe in the show and I wasn’t proud of it, but it’s a different kind of thing and I wondered if people would embrace it the way that we hoped, and if they would hate the things that we focused on. You always wonder. Over the course of the 12 weeks it blossomed into this obsessive group of people that really got into it. It was really awesome.

Twelve weeks has gone by very quickly.
It has gone by quickly. The show is quick, so I think that is a factor.

There was so much going on in Tuesday’s finale that there wasn’t any time for Jared (Mena Massoud)!
You didn’t! And that’s unfortunate. I feel terrible about that. I own that because I wrote the finale and I jammed as much in as I could and we unfortunately only have just over 21 minutes to tell the story so the scene he was in got cut. It was a great scene too—typical Jared being hilarious and mocking Dylan—maybe I’ll bug someone to get the deleted scene put online or something.


Dylan represents the youth, not keeping things hiding in the shadows and talking about what they are struggling with.


Would it have changed the main story?
No, it was a scene at the top of the episode that set up Dylan coming out of the psych ward and setting her off on her journey. We just didn’t have the time for it and it had to go, unfortunately.

Thank you so much for reuniting Richard with Dylan. It was an important payoff and some shows may not have done that. They would have drawn it out into another season.
My approach to storytelling is if you set something up you need to have a payoff in a timely fashion. That makes it satisfying. It’s intriguing to have that payoff and close that part of the story while opening up another part to it. You don’t know what’s going to happen next. You want to give the audience something. Stringing the audience along … I don’t like it when shows do that to me so I try not to do that with my own.

Richard told Dylan that she needed to keep acting like he was dead or missing to protect her. London had that vision of her holding a baby. I was thinking the baby was Dylan and that perhaps the woman on the gurney was her mother. That means Jane isn’t her biological mother and Richard had an affair. Thoughts?
I think you’re supposed to look at that vision as a piece of the Blake history. Whether or not London’s interpretation of that history is accurate is subject to discussion. I think you’re on the right track. The vision is a lynchpin in the Blake family history and what it means is to be determined. Right now that vision exists in the twisted corridors of London’s mind and there is more to be had there. It’s still a bit fuzzy.

Ug. OK.
Come on! We gave you Richard back! That’s something!

Meanwhile, Det. Goodis turned out to be Det. Bad-is. The scene where he, Dr. K and Hud were fighting over the gun was pretty stressful for viewers. It did, for a few minutes, seem as though the secret had died with him.
Goodis, in my mind, up until the point that he got screwed was on board with Dylan and really wanted to help her. As with everyone on the show, there are times when you have the best intentions and things don’t work out. He wanted to get out of the situation he was in and made some poor decisions. And that’s why Dylan felt so lost at that moment. Goodis was dead and Veronica was in a coma and no one else could tell her about Richard. She had to find it out for herself. I really wanted her to have the win at the end of the season.

Thank goodness for that feather!
I know! There were other feathers. If you go back over the season there were other feathers in the trunk of the car and on Veronica. I got a lot of grief when we were shooting that because we had these feathers and people kept asking me about them. I said, ‘Don’t worry guys, it will all make sense.’

Open_Heart

Dr. Hud was interesting this season; he has to attend counselling for PTSD. Pair that with London’s visions and Richard’s mental state and you were very respectful while shining a spotlight on mental health.
Ultimately, we wanted to talk about family and issues that families deal with. To think about the Blakes, who have made such poor decisions when it’s come to dealing with Richard’s illness … it’s been the old-school way of dealing with things. Just keep it quiet and pretend it’s not happening. Dylan represents the youth, not keeping things hiding in the shadows and talking about what they are struggling with. That’s a great thing because teenagers are so open these things.

It would have been easy to just have Hud be the hunky doctor with the perfectly-sculpted stubble with no depth.
We cast for that, knowing that there would more to him. The first part of the season he’s really seen through the eyes of Dylan, who has a crush on him and he’s a player. And then there’s a subtle switch midway through the season where you start to see his point of view, which I’m pretty proud of. I’m really into characters who change mid-season and I think thats why the fans are really into him, because we did it slowly.

London started off the season with no men in her life. Now she has two kissing her and telling her they love her. That’s complicated.
Hud has been making bad decisions all season, so it’s exciting because you see he’s going to make one more when he’s going to kiss her. It’s great, and sexy and all that but also, ‘Oh no!’ People are very into them, though. Right now it’s all about Hud and London.

You left many questions open at the end of the night, including if there will be a Season 2. What’s happening? Have you been greenlit? Are you waiting to hear?
We are waiting. We are expecting news any day. We are very hopeful and our networks have been very supportive of the show. They love it and want to see more. The writers and I have been working over the last couple of months just getting ready and developing story ideas and every idea we have is super-exciting.

What did you think of Season 1 of Open Heart? Comment below or on Twitter @tv_eh.

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Review: X Company uncovers horror and heartbreak

With just one more week to go in Season 1 of X Company, Wednesday’s cliffhanger left Tom’s life in question. “Quislings”—named after Vidkun Quisling, who headed a Nazi collaborationist regime during the Second World War—focused on the team taking out three French targets in Paris who had been helping the Germans.

Harry, who was still getting over his injuries from last week, was pretty much left out of the equation, though he was chased from the apartment by soldiers with radio-detecting devices. Luckily, Harry had a hand grenade—and a new radio—both of which he used to take out the trio of baddies who tracked him down.

That left Tom, Neil and the duo of Aurora and Alfred to carry out the mission. None of the targets was easy, but Aurora’s was personal. Michel, a local baker she and Rene had hung around with, was accused of accepting money from the Germans in exchange for ratting out his pals. Nineteen pals, in fact, including Rene. Aurora, thrust into the role of team leader when Rene was killed, has evolved from an emotional mess into a cold-blooded killer. She mercilessly shot Michel in the back of the head for his actions and warned his sister would meet the same fate if she revealed anything.

Meanwhile, Neil was still battling his emotions surrounding the death of the German radio man. And what better way to his head back in the game than engage his target in a bare-knuckle brawl? Warren Brown’s face is so expressive; you could read the torment over the radio man in his twisting features. Could he ever kill again? Yes, he could, completing his mission after a bloody, physical battle involving furniture, a wine bottle and neck-breaking chokehold.

Finally, Tom’s target proved not only to be elusive but the storyline was a historical game-changer. After tracking his female target to an apartment, Tom wasn’t able to pull the trigger. He did stick around to speak to the man she had been giving medical attention to, a Jew who produced sketches and a tale of hell on earth: concentration camps. The woman’s arrival back at the hide-out—followed by German soldiers she tipped off—left the episode unfinished. Will Tom use his German accent and/or charm to win the day or will the team suffer another tragic loss?

We’ll have to wait until next week to find out.

X Company airs Wednesdays at 9 p.m. on CBC.

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