Welcome back to another bi-weekly chat about the latest news in Canadian TV! First, Greg goes through debuts and returns on the Canadian TV calendar.
Then, we cover the latest Canadian TV news, which includesa Season 4 renewal for Transplant, more seasons of Run the Burbs, Son of a Critch and This Hour Has 22 Minutes, and a new comedy series from CBC, APTN and Netflix. We conclude with Part 2 of our discussion about the Canadian Screen Awards, focusing on Best Lead Performers in the Comedy and Drama categories.
I’ve covered Mitch Azaria’s excellent real-time Tripping documentary series before. From the first, Tripping the Rideau Canal, through followups Tripping the Niagara and Tripping the Bruce, they all embrace the “slow TV” genre of broadcasting a trip from beginning to end, in real-time.
Azaria’s latest, Tripping Train 185, has a special connection for me.
Debuting Friday on TVO at 7 p.m. ET and post-broadcast on TVO.org and TVO’s YouTube Channel, Tripping Train 185 immediately revived beloved memories of chasing trains with my Dad when I was a kid. He and I used to tool around the back roads of Brantford, Ont., watching passenger and freight trains at level crossings through the countryside. It was exhilarating and felt a little dangerous too. Tripping Train 185 also recalled Cochrane, Ont., my Dad’s hometown and the base of a similar train in the Polar Bear Express. In fact, Azaria was initially planning the board the Polar Bear Express and track its journey from Cochrane to Moosenee, Ont.
“[The Polar Bear Express] a great run in that it ends in a particularly cool spot, but the ride itself is a bit of a tunnel,” Azaria says over the phone. “It doesn’t have the sweeping views that Train 185 has, and that’s just the nature of the country it’s going through.” You can’t argue with him on that. Tripping Train 185 shows the rugged and wildly varying terrain between Sudbury and White River, a beautiful chunk of the Canadian Shield showcasing rocks, valleys, endless forests, marshes, rivers and lakes.
Azaria (third from left) and his crew, next to Train 185.
Operating three times a week, Via Rail’s Train 185 is a flag-stop train, meaning all one has to do to snag a ride on it is stand next to the tracks and flag it down between scheduled station stops. That in itself makes Tripping Train 185 a unique documentary; seeing the train slow down and wondering who and what will be hauled on board is particularly fun, especially when the reality is that train is their only connection to the outside world. But the train itself has a story to tell and attracts enthusiasts from around the world.
Train 185 is the only remaining Rail Diesel Car (RDC) line in North America. Nicknamed Budd Cars because they were built by the Budd Company of Philadelphia in the 1950s to service rural areas around the world, each car has its own twin diesel engines as well as compartments for passengers, conductor and baggage. Like a bus, an RDC provided inexpensive commuter service into remote areas where short rail spurs had been abandoned because of the high cost of traditional, multi-car trains.
“The Budd Cars have a bit of a cult following,” Azaria says. “It’s such a unique type of train that they want to ride the last one in North America.”
As with past Tripping projects, Azaria has compiled a staggering amount of factual information to tell the history of the train, route, and the country itself, which is presented via on-screen visuals. It’s through them that a very cool story about educating the north is told. Using CGI and old CBC footage, we learn of Bill Wright, a teacher who used a revamped Canadian Pacific Railroad passenger car in a schoolhouse/living space for him and his family.
“For 40 years, he worked out of this car,” Azaria recalls. “It would stop on the tracks and any kids in the area would find their way to it. They would be taught for a week and then receive three weeks of homework. Then he’d move up the line and do the same for the next group of kids. He probably taught a few thousand kinds in the time he was up there.”
Tripping Train 185 airs Friday at 7 p.m. ET on TVO. Stream it anytime post-broadcast at TVO.org and the TVO YouTube Channel.
Welcome back to another bi-weekly chat about the latest news in Canadian TV! First, Greg and Amy go through debuts and returns on the Canadian TV calendar.
Then, we cover the latest Canadian TV news, which includesthe cancellation of CBC’s The Porter, Sullivan’s Crossing to debut on CTV, more Skymed for CBC, a development deal for Priyanka, and Part 1 of our discussion about the Canadian Screen Awards, focusing on Best Drama and Best Comedy.
Who, honestly, hasn’t wondered what it would be like to hop in a time machine for a life do-over? I certainly have. If only I could go back to high school and take things more seriously, tell that certain someone how I felt, or reverse a decision I made. But, would doing any of those things change how my life ultimately ended up?
That’s the premise of Plan B, debuting Monday on CBC.
Adapted from the original Quebecois French-language series Plan B that premiered on Ici Radio-Canada Télé n 2017, the English version stars Patrick J. Adams (Suits) and Karine Vanasse (Cardinal) as Philip Grimmer and Evelyn Landry, a couple whose lives are literally in disarray. Whether it’s the clutter of the home renovation going on around them, to the erosion of their relationship, things are not good for the pair.
So, when Philip—after an evening out drinking and commiserating about his lot in life with his brother-in-law and business partner Patrick (François Arnaud, X Company)—enters a bar bathroom and sees a flyer for a company named Plan B promising to allow you to go back in time and right wrongs, he jumps at the chance. Make no mistake though, Plan B is not a sci-fi drama.
“I’m not fascinated with time travel,” says co-creator and co-writer Jean-François Asselin. “I’m fascinated with human beings. What was interesting to me was, when co-creator Jacques Drolet and I started writing [the French version], we were questioning the choices we made in life. When I watch a TV show or movie, I’m involved as a human being and question what I would do in my personal life. I want people, when they watch Plan B, to reflect on their own lives.”
In Monday’s debut, Philip is trying desperately to keep his relationship with Evelyn intact. After annoying her during their daily commute to the office they work in—he’s a lawyer and she’s suffering in silence as a paralegal/secretary—and stuck in Montreal’s gridlock, Evelyn hops out of the car, opting to take public transit. Things only go down from there. As a viewer, those scenes of conflict are hard to watch. But they’re incredibly real.
“This is a couple that struggles,” Asselin says. “The challenge was, how are we going to root for them and follow them through six episodes?”
That all comes down to the performances by Adams and Vanasse.
“We can all connect to that fear of losing something when you thought that everything was going well,” Vanasse says. “Viewers really want Philip to find that solution so that he doesn’t fuck up this time, and that everything is going to be OK.”
But, in trying to make everything OK between him and Evelyn, or he and the team renovating his home, or the relationship he has with his brother, Andy (Josh Close), things just get worse. The result? Going further back in time.
“He clearly loves this woman,” Adams says. “He clearly wants this to work and has this idea of what the ‘right thing’ is and he wants everyone to be happy and goes to extreme lengths to ensure that’s the case. He’s just also deeply flawed because he doesn’t ask a question or take a minute to listen in the moment.
“Philip is such a doer,” Adams continues. “I can relate to that. What do I need to do? How do I fix this? How can I make this better? I’ve lived long enough to know that half the time when I do that in my own relationship the answer is, ‘How about you just listen to what I’m saying or how I’m feeling?'”
Today, the Academy of Canadian Cinema & Television (the Canadian Academy) announced the nominees for the 2023 Canadian Screen Awards in 145 television, film, and digital media categories, which also include the inaugural nominations in gender-neutral performance categories for lead and supporting performers in film and television.
The first season of CBC’s The Porter leads both television and overall 2023 Canadian Screen Award nominations with 19, including Best Drama Series and Best Lead Performer, Drama Series nominations for Aml Ameen, Ronnie Rowe Jr., and Mouna Traoré. Both CBC’s Sort Of and CBC Gem’s Detention Adventure received 15 nominations, followed by CBC’s Pretty Hard Cases with 11.
In film, Clement Virgo’s Brother tops nominations with 14, including Achievement in Direction and Performance in a Leading Role for Lamar Johnson. Stéphane Lafleur’s Viking follows with 13, while David Cronenberg’s Crimes of the Future boasts 11.
Revenge of the Black Best Friend leads digital media nominations with nine, including Best Web Program or Series, Fiction; followed by Avocado Toast The Series with seven and Tokens with four.
“From legendary directors like David Cronenberg to new voices like Bilal Baig, the 2023 Canadian Screen Award nominees reaffirm that our country has an immensely talented industry, and we are lucky to call them Canadian,” said Tammy Frick, CEO, Academy of Canadian Cinema & Television. “Supporting these artists has never been more important, and we are proud to be at the centre of those efforts. I’m thrilled to share my heartfelt congratulations with all of the nominees, and look forward to raising a glass to them in person this April.”
The 2023 Canadian Screen Awards will be presented in a series of seven intimate genre-based awards presentations, with esteemed members of the Canadian screen-based industry who brought us the best work from the last year, gathering in person at Meridian Hall in Toronto from Tuesday, April 11, 2023 through to Friday, April 14, 2023, all culminating with TheCanadian Screen Awards with Samantha Bee, broadcasting on Sunday, April 16 at 8 PM (9 AT, 9:30 NT) on CBC and CBC Gem.
An intimate look at Canadian storytelling excellence on screen, TheCanadian Screen Awards with Samantha Bee is an hour-long, star-studded broadcast special featuring celebrity interviews, highlights from the awards presentations throughout Canadian Screen Week 2023, and the presentation of the Cogeco Fund Audience Choice Award. The special will also include exclusive access to this year’s Special Award recipients, including: Ryan Reynolds, recipient of the Humanitarian Award, presented by Paramount+; Catherine O’Hara, who will receive the Academy Icon Award, presented by CBC; and Simu Liu, the recipient of the Radius Award, presented by MADE | NOUS.
For the full list of 2023 Canadian Screen Award nominees, please visit academy.ca/nominees; view the full schedule for Canadian Screen Week 2023 at academy.ca/schedule.
