Tag Archives: Space

Wynonna Earp’s Caitlin D. Fryers on Wynonna’s pregnancy and that kiss

Not only did Caitlin D. Fryers have the pressure of writing her first Wynonna Earp script, but it was an important one. Friday’s “Whiskey Lullaby” followed up the revelation regarding Wynonna’s pregnancy with the fallout of that information when it’s revealed to the team. (Who do you think is the father? Vote below!)

And, with the Gardiner gals hunting down seals at a rapid pace, and the citizens of Purgatory put into dreamland by the Gardiners via Hypnos the god of sleep, Fryers had a lot on her plate. We got her on the phone to discuss everything that occurred, including that Wynonna-Dolls kiss and Doc’s heartbreaking message to Wynonna.

We had the huge reveal last week that Wynonna is pregnant. No pressure, but your first writing credit is the follow-up when the team learns she’s pregnant. I know writing for television is a collaborative process, but what did it mean to have your name on this one in particular?
Caitlin D. Fryers: It was really special. I felt very blessed, and it was a big vote of confidence for Emily [Andras] to have entrusted me with this episode. I just sort of put myself into Wynonna’s shoes and had fun with it. It was scary because I think people had a lot of questions. We’re trying to get the balance of Wynonna still has to be this kick-ass demon hunter, but man she has a lot of emotions that she has to deal with. Trying to find that balance between those moments and still making her this powerful woman was both daunting and a lot of fun.

I wondered what pregnancy would mean for Wynonna diet-wise. She doesn’t eat or drink the best stuff; now we have her trying to keep her edge while drinking tea.
Part of the comedy is that this woman has to suddenly cut that out from her diet and be very careful about what she puts in her body. Obviously, she’s going to make some mistakes. [Laughs.] There are a lot of moments for comedy and also showcases this other side of her relationship with Waverly. Waverly is already very careful about what she eats and we’ve seen that throughout the season. Now we’ll see Waverly being the mother figure to Wynonna.

It is fun; will that be a story arc through this season?
It definitely continues and there is a nice back and forth where Wynonna is protecting Waverly and Waverly protects Wynonna. It really is a show about their relationship and the way that these sisters protect and help one another. A strong woman doesn’t mean a woman who doesn’t make mistakes.

What about Wynonna’s physicality? She can’t get into fist fights and get thrown through walls anymore.
That’s a terrifying thought for her. Now she’s fighting for two and has to look after herself and the stakes are really raised. But we still want her to be a fighter and she learns some tricks and techniques that I think will be fun for fans to see her do. She has to use her head and think about this extra person. But also, there were lots of moments where Wynonna could step back from what she was about to do and she doesn’t because that’s Wynonna. She finds a different way of handling things.

I wondered how you would explain Wynonna showing her pregnancy. Having the Gardiners force Hypnos to put Purgatory to sleep was a great way to have time elapse and have Wynonna showing.
Thank you!

Was that something you came up with or was it broken in the room?
We had sort of created this villain already and then this episode came up and I said, ‘Is this a way that we can sort of accelerate things using and adjusting this villain’s powers to sort of like a dream state?’ But, Wynonna being the heir and her body being magic, she and her child don’t follow the rules. The spell doesn’t work exactly the way Hypnos expected and we were able to use that to allow us to show Melanie and have Melanie be more free.

Let’s talk about Black Badge breaking up. Does this free the team up to do what they want because there is no one to report to?
For us, as writers, we thought, ‘What would it mean to each of these characters if you suddenly remove their safety net but also this sort of overhanging threat?’ We see what Dolls feels all of a sudden. But, at the same time, they’re going to be asking questions constantly. Is Black Badge really gone? Where did they go? What does this mean? Even though they’re gone, the spectre of Black Badge is still hanging over our team.

Those Gardiner sisters have got two of the three seals and are well on the way to concluding their plan.
They’ve definitely got momentum, which is terrifying. They’re really delicious characters. We had a lot of fun coming up with these villains. Dani Kind really brought a humour to her character that just really works. It’s almost more scary when your villain is quipping as she eats you. [Laughs.] That was fun.

I loved the fact that Dolls got to smile this episode.
Oh, my goodness. That doesn’t hurt, right? We were just sort of ready to explore what would happen to Dolls if he didn’t have the restrictions that he himself imposed on himself. And also, as writers, we just like to have the drama between Doc and Dolls. The bromance/frenemies story is very entertaining and any time we can stir that up we try to.

There was a lot of energy crackling between Dolls and Wynonna during that kiss.
Yes. Their relationship and chemistry on-screen is wonderful but also a little bittersweet. Every time these two get close something comes up and we get to see the ways Dolls handles that and it hurts. You can tell that it hurts him and that’s another side we haven’t seen.

The vibe that I’m getting is that Dolls thinks the baby is his.
I think there are a lot of questions…

That’s just me as a viewer and fan watching. I think Dolls thinks the baby is his and that Doc thinks that Dolls is the father too.
That’s interesting. That’s good. We want you to have no idea and I think there are a lot of questions surrounding this baby.

I also translated Doc’s note, ‘I’m all in,’ as meaning he supports her even if the baby is Dolls’. Fans are going to have a lot of fun with this.
The power of that moment is that Doc loves Wynonna is his reaction to this is not to ask questions and not to poke and prod and demand answers. It’s just to offer his commitment to her. When I watched Melanie’s reaction, as Wynonna, to that note I almost lost it because she gives us that moment because it’s very powerful for their relationship.

What can you tell me about next week’s episode?
It’s a really fun script. Dolls and Jeremy have some really hilarious moments … and that’s all I’m going to give you. It’s a great episode.

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Wynonna Earp airs Fridays at 10 p.m. ET on Space.

Images courtesy of Bell Media.

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Link: Aaron Ashmore Talks The Meeting of the Nerds and More in Killjoys Season 3

From Heather M. of TV Goodness:

Link: Aaron Ashmore Talks The Meeting of the Nerds and More in Killjoys Season 3
“There’s a great dynamic that happens between Zeph, who is our the new nerd, played by Kelly McCormack, who does a wonderful job this season, and John sort of butting heads a little bit. John’s feathers are a little ruffled. He is more the tech science aspect of things and Zeph is more of a bio science expert, so they have different fields of expertise.” Continue reading. 

From Nivea Serrao of Entertainment Weekly:

Link: Killjoys’ Aaron Ashmore reflects on past Smallville, Veronica Mars roles
“It doesn’t mean that he’s a completely different character, but some of the things that have happened to him over the past two seasons are showing. It’s interesting because D’avin is playing some of the lighter stuff and keeps feeling like he’s joined this family, so he’s opening up, while John’s closing up a little bit.” Continue reading.

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Orphan Black 506: Krystal returns with a vital clue

Revelations have been coming fast and furious the last few episodes of Orphan Black, with Sarah and Mrs. S piecing together Susan Duncan’s dark history with Virginia Coady and Cosima uncovering P.T. Westmorland’s plan to harvest Kira’s eggs–a discovery that got her locked up in P.T.’s basement. This week, things heat up even more as Cosima tries to find a way out of her prison cell, and Krystal returns with vital information about Neolution’s endgame.

Here is our spoiler-free preview of “Manacled Slim Wrists,” written by David Bezmozgis and directed by Grant Harvey.

Cage-free Cosima
Cosima needs help to get out of P.T. Westmorland’s basement–but who can she convince to turn against P.T. and free her?

Krystal is back
And her ongoing battle against “big cosmetics” provides plenty of laughs and a major clue about Neolution’s ultimate goal. After this episode, I’ve got my fingers crossed for an Orphan Black spin-off featuring Krystal and her vlog partner Brie (played by the wonderful Cara Ricketts).

Yes, you really did see Tom Cullen in the promo
The talented Welsh actor–and Tatiana Maslany’s long-time partner–guests as an acquaintance of Krystal’s. Cullen and Maslany clearly had a blast filming their scenes together, and their chemistry adds another layer of fun to the episode.

It’s not all laughs
There is a very somber side to this episode, and it ends on a real gut-punch–which is accentuated by the beautiful direction of Grant Harvey.

Orphan Black airs Saturdays at 10 p.m. ET/7 p.m. PT on Space.

Image courtesy of Bell Media.

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Killjoys: We see a scary side to Aneela

Hells yeah, Killjoys is kicking some serious ass in Season 3. From deadly Hackmods to waging war against Aneela, we’ve loved every damn second we’ve seen. The fun continues on Friday in “The Hullen Have Eyes,” written by Adam Barken and directed by Ruba Nadda. It features a rollicking ride to a planet with a strange history, Johnny and Zeph—read our interview with Kelly McCormack—butting heads and a peek at what’s going on with Aneela.

Here’s what Space says about this week’s episode:

The Killjoys trace the last coordinates of a Black Root ship to a radiation scorched planet. The planet is home to an abandoned Hullen training camp, creepy inhabitants, and a surprising connection to their past.

And here are some fun tidbits we can add after watching a screener.

Aneela unhinged
We watched Aneela dump goo into Delle Seyah Kendry and bring her back to life. Barken’s script shows how far Aneela has gotten with regard to her war preparations … and how it’s best to run when Aneela gets angry. We also get our first gander at Ted Atherton as Gander, who reports to Aneela.

Speaking of Aneela…
Hannah John-Kamen is putting on an acting clinic with her portrayal of Aneela. She may look like Dutch, but her body language, accent and personality are totally unique.

Xeph + Johnny = plenty of laughs
There is a lot of creepiness to go around in Friday’s episode (what’s under that girl’s hood is going to give us nightmares), so the shenanigans between Zeph and Johnny are most welcome. He’s not happy she’s part of the team and she’s just trying to do her job.

Aidan Devine guest stars
The “that guy” of Canadian television appears in a memorable role. His character has got some unpleasant plans for our heroes … will he succeed?

Killjoys airs Fridays at 9 p.m. ET on Space.

Images courtesy of Bell Media.

 

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Kelly McCormack does double duty in CBC’s The Neddeaus and Space’s Killjoys

Like many Canadian actors, Kelly McCormack was plotting a move to Los Angeles this past January for pilot season. She was so busy packing for the trip, in fact, she almost missed a call from her agent, informing her the audition she’d done for Killjoys had scored her the part of Zeph.

“I’d read the character description and it said, ‘farm girl turned androgynous science nerd,’ and I said, ‘Well this is me,'” she recalls with a laugh. “I walked in with no makeup on, dressed in a black hoodie with a Dillinger Four t-shirt on over top—teenage boy from the 90s in my jam—and I went as weird and eccentric as I possibly could.” A week later, she was prepping for L.A. and had slept in. Her agent had been trying to contact her. She’d booked the role on the Space drama and had to be at a table read in an hour. McCormack’s Zeph has made an immediate impact on the trio of Dutch (Hannah John-Kamen), Johnny (Aaron Ashmore) and D’avin (Luke MacFarlane), acing her initiation test and now part of the Killjoys squad. The Vancouver native couldn’t divulge too much information about Zeph’s Season 3 adventures other than to say she’s in awe of Dutch and runs afoul of Johnny in her season-long arc. (The whole running afoul of Johnny happens this Friday, BTW. It is awesome.)

McCormack as Eloida Neddeau and Zeph

The fast-paced shoot-em-up of Killjoys couldn’t be more different than McCormack’s other project, The Neddeaus of Duqesne Island. Currently streaming on the CBC’s website, the 10 episodes are comedy’s version of the found-footage genre that exploded thanks to The Blair Witch Project.

Created by Aaron Schroeder and produced by CBC and McCormack’s Floyder Films, The Neddeaus is presented as a controversial 1970s documentary lost in the CBC’s archives. Stories of it were spoken of in hushed tones at the network, with folks like David Suzuki, Graham Greene and former Prime Minister Jean Chrétien all speaking on-camera about the series. The hook? It’s all fake, but like The Blair Witch, comes off as totally authentic.

Schroeder, an acquaintance of McCormack’s gave her a call one day, seeking a producer for his project; it was weird enough to catch her interest. After shooting a pilot, showing it to friends and being told it was amazing but too strange to be made into a series, they pitched it to CBC, who jumped on board. The result is an odd, engaging and ultimately heartfelt look at a faux family eking out a living on an island in Northern Ontario. Descendants of the Acadians, the Neddeaus utter an odd Newfoundland-ish hybrid language sprinkled with nonsense sayings only a family living away from the rest of the world would use. Cameras—and narration from Colin Mochrie—capture the day-to-day life of son Elmer (Schroeder), daughters Elène (Caitlyn Driscoll) and Eloida (McCormack), father Bichon (Tim Walker) and mother ‘Vangeline (Tara Samuel), who carry on the religion of their forefather and subsisting entirely on potatoes. Once a year they trek to town via boat to stock up on supplies they need to survive.

Aaron Schroeder as Elmer Neddeau

The key to making The Neddeaus seem real? Introducing each episode with the old CBC logo from the era it’s set in, keeping the cast’s names off the credits until Episode 10, the wardrobe, and extensive post-production work. McCormack says everyone involved pored over old CBC and National Film Board documentaries to get a feel for what The Neddeaus should look and sound like.

“It’s a comedy show, but it’s made by cinephiles,” McCormack says. “We spent hundreds of hours making sure we coloured the footage the way 70s footage picks up the blue and green in a way that HD doesn’t. We looked up how, when a camera is moving at this speed—or at what temperature—will a frame be blurred?”

Even more fun than the 10 episodes themselves is Not for Broadcast: The Lost Documentary The Neddeaus, where the aforementioned Greene, Suzuki, visual researcher Elizabeth Klinck, journalist Nerene Virgin and Chrétien all weigh in on the fabled project. Landing Chrétien was a major coup for McCormack, who was allowed five minutes with the former prime minister to explain what the heck she was making and what he needed to say.

“I’m sitting there, explaining a fake documentary about a fake documentary to him,” she says. “I nudged my cameraman and said, ‘You better be rolling!’ I was drenched in sweat and so nervous. But it was gold.”

All 10 episodes of The Neddeaus of Duqesne Island are available on CBC’s website. Killjoys airs Fridays at 8 p.m. ET on Space.

Neddeaus images courtesy of CBC. Killjoys image courtesy of Bell Media.

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