Tag Archives: Killjoys

The Lake’s Julian Doucet: “I love production, putting together that world, anything that’s creating the sandbox”

They say, “Write what you know.” That’s exactly what Julian Doucet did.

The writer and producer for shows like Killjoys and Hudson & Rex turned to his own life for The Lake, available now on Prime Video. Starring Jordan Gavaris (Orphan Black), Madison Shamoun and Julia Stiles, The Lake tells the story of Justin (Gavaris) a man who has returned from living overseas after breaking up with his long-term partner. Hoping to reconnect with the biological daughter he gave up for adoption in his teens, he and Billie (Shamoun) head to cottage country for time on the lake from Justin’s youth.

We spoke to Julian Doucet, while he was attending the Banff World Media Festival, about bringing the story to life.

There’s the saying, ‘Write what you know.’ And in this case, that truly was the case for you with The Lake. Was it easy to write down these ideas and create these characters?
Julian Doucet:  Yeah, weirdly, it was. What was not easy is the 22 years prior to doing it. When people heard about my situation, they are always like, ‘You should write about it, you should write about it.’ But I didn’t 100 per cent feel that it was my story to tell because there’s also my daughter, her birth mother and her parents. It took a long time to get to a place where I thought, ‘Yes, write what you know, but also maybe not exploit it or pimp it out.’

I don’t know why this felt like the time, it sort of felt right. We had been taking vacations together since she was 16 and it was just something about that dynamic, which I had never seen before on television. And, somehow, when I started to write them, it was so easy once it was on the page, I couldn’t put the genie back in the bottle.

It was so easy to like these characters and the dialogue is so natural. Is it difficult to write dialogue? Is it partly the writing, and the performers that are making it so natural and relatable?
JD: I think it’s a combination of all. I started as an actor, so very much dialogue for me is rhythm, it’s music. I do feel like every character has their own rhythm, and then every actor has their own rhythm. When you get one actor that lines up with the rhythm of your character or how they’re going to transform it, that is gold. And with both Madison and Jordan and really our whole cast just kind of seamlessly fused with the flavour, the rhythms of each of the characters.

[Writing dialogue] is my favourite thing because it’s like a catchy tune and I do feel like we always try to find the words that get us there the most efficiently. I do think it’s probably not easy, but for me, it is the thing that I love.

Jordan did have funny moments on Orphan Black, but he’s so good with his physical comedy and body movement. What’s it been like working with him on The Lake?
JD: Amazing. Jordan just killed it, and we share weird chemistry. We kind of wonder, are we the same person, just separated by 12 years? We have most of the same anxieties. We both order the same coffee. We both collect weird plaid blankets without knowing. It’s just bananas, and we feel like we can’t spend too much time in the same place because the universe might collapse as we could be from the same person from different dimensions. He just knows the character and understands not only the huge need that Justin has but also the anxiety, the heart and the resilience that Justin has.

You are the showrunner, creator, writer and executive producer of The Lake. What’s your favourite hat to wear? What’s it been like show running your own program?
JD: I loved the writing. The writer’s room as always, that’s my happy place. Just creating, problem-solving, how imaginative and resilient writers are. They just astonish me every time. But I loved putting together the music. I loved the costumes, the look. I love production, putting together that world, anything that’s creating the sandbox.

The Lake is available for streaming on Prime Video now.

Images courtesy of Prime Video.

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CBC and Paramount+ order new scripted medical adventure series Skymed

From a media release:

Piazza Entertainment announced today production is underway on the new original drama series SKYMED for CBC and Paramount+, the streaming service for ViacomCBS. Created by Julie Puckrin, the serialized character-driven series features an ensemble cast of young talent including Natasha Calis (Nurses), Ace (Aason) Nadjiwon (Batwoman), Morgan Holmstrom (Siberia), Praneet Akilla (Nancy Drew), Thomas Elms (The Order), Mercedes Morris (Between), Kheon Clarke (Riverdale), Rebecca Kwan (Taken), Braeden Clarke (Outlander), and Aaron Ashmore (Killjoys). The series is now in production, filming in Manitoba and Ontario. SKYMED, produced by Piazza Entertainment in association with Paramount+, CBS Studios and CBC, will premiere in 2022-23.

Life, death, and drama at 20,000 feet, SKYMED weaves together intense character journeys and high stakes medical rescues as we follow the triumphs, heartbreaks and tribulations of budding nurses and pilots flying air ambulances in remote Northern Canada. They’re all in over their heads, and on their own, with no one to rely on but each other.

“This show was inspired by the real-life experiences of my sister and brother-in-law, who met flying air ambulances in the north,” says Puckrin. “Together with a talented team of writers, we created relatable characters full of hope, compassion, and resilience. I am thrilled to be working with such an incredible and diverse cast to bring these exciting, emotional stories to life.”

“Julie has brilliantly imagined these characters who are not only dealing with demanding, high-pressure circumstances, they’re also dealing with the ups and downs of their lives as they come into their own,” said Vanessa Piazza, Executive Producer, Piazza Entertainment. “We are proud to partner with Paramount+, CBS Studios and CBC and look forward to introducing these characters to audiences.”

SKYMED is produced by Piazza Entertainment. The series is created by Julie Puckrin who also serves as Executive Producer along with Vanessa Piazza and Ron Murphy. Steve Adelson serves as pilot director. From Manitoba, Kyle Irving and Lisa Meeches serve as Executive Producers for Eagle Vision. Jennica Harper and Nikolijne Troubetzkoy serve as Co-Executive Producers. Outside of Canada, the series will be distributed internationally by ViacomCBS Global Distribution Group.

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Blood and Water: Fire & Ice’s Sean Baek: “It’s fun to explore that dark side of humanity”

Sean Baek entered my television viewing world through Killjoys, that most excellent space adventure created by Michelle Lovretta. His character, Fancy Lee, made an immediate impact with fans and, by the show’s end, he was just one of many fan faves on that fine program.

Since then, Baek has turned in memorable roles on The Expanse, Coroner, Private Eyes, Nurses and Utopia Falls. His latest gig? On Omni’s Sunday night drama, Blood & Water: Fire & Ice, as villain Norris Pang.

Airing Sundays at 10:30 p.m. ET, this season follows disgraced former Vancouver cop Michelle Chang (Selena Lee)—now a Toronto-based private detective—as she hunts down Norris Pang (Baek), the man who has kidnapped her daughter. Pang is also the mastermind behind a money-laundering scheme happening at the Xie family’s casino, where Anna Xie (Elfina Luk) is attempting to expand the family business.

We spoke to Sean Baek about his acting origin story, playing a baddie and, well, his facial hair.

Before we get into Blood and Water: Fire & Ice, I was going through your bio and saw that you were part of the Stratford Festival. Did you always want to be an actor? 
Sean Baek: Yes. My parents took me and my older brother and sister to a movie theatre. My formative years were spent in South Korea and I can’t remember if I was four or five or six. We all went to the movie theatre and there was this film about a family that gets separated due to poverty. I didn’t understand the entire movie, but I remember just being glued to the screen, obviously, because it was a young family, there were young kids in the cast. I was mesmerized.

Fast forward a few years, and I actually auditioned for a training program [at Stratford] called the Birmingham Conservatory. For five months, six days a week from 10 to 6 every day, you delve into classical theatre and classical theatre performance. You would have teachers from the UK, the Royal Shakespeare Company, people who’ve worked with Orlando Bloom, Ian McKellen and all the legends as well. The first time I auditioned for it, I didn’t get in, but the second time was back in 2005 and I got in. I was one of 10 actors that got selected from across Canada.

Those five months were the best time of one of the best times of my life personally because I’ve met a lot of great friends, but also professionally because I learned so much. I already had nine years of acting under my belt, small to medium-sized theatres and film and TV credits here and there. But, I’ve always loved Shakespeare and I wanted to expand my knowledge. A little bit of luck had something to do with it too, but I put in a lot of hard work.

Let’s go from the stage to the screen. Let’s talk about Blood and Water: Fire & Ice. Creator Diane Boehme told me how COVID-19 messed up the production schedule. Can you give me the backstory of how you became involved? It sounds like your character was one person in one iteration of the show and then ended up being the Norris Pang who we’re seeing now.  
SB: We were filming in February of 2020 and into March. I was cast as this one character at the time named Norris Morris, and it was more of a hands-on sort of bad guy, this henchman type. Before we knew anything, production was shutting down. I was playing this character, and then the actor playing the main character in the first block—because he was from elsewhere—due to travel restrictions [could not return]. 

It was a hair-pulling experience for everybody involved, to say the least. During the hiatus—we had to stop filming from the middle to the end of March until the producers figured out, ‘OK, we’re going to block out these days and weeks to finish filming’—they had to rejig. They amalgamated my original character and the other character, so it became Norris Pang. He became this dude who does everything and anything possible to fulfill his goals. 

As an actor, I’m assuming you like to play a variety of characters, but I love it when you’re sinister and Norris is a sinister guy. 
SB: Thank you. My wife said after she saw it, ‘Oh wow, the creep factor is high.’ I was like, ‘Well, I get paid to do what I have to do.’ It’s fun to explore that dark side of humanity. That’s the fun part because you get to explore the psyche of this fictional character. 

How do the hair and the facial hair play into the building of a character like Norris? 
SB: The reason why I tend to have my beard is that when I shave I look a lot younger than my actual age. There was a period of my career, between the early to mid-thirties until my early forties when I was old enough to play young dads just like other colleagues. But I couldn’t because clean-shaven I was too old-looking to be in college, but I was too young-looking to be a dad.

I went through a lot of frustrating time periods like that. Now I go out for dad roles and characters who have kids a lot. That’s the reason why I tend to have that beard, just so that I can look the age that I am.

Blood and Water: Fire & Ice airs Sundays at 10:30 p.m. ET on Omni.

Images courtesy of Breakthrough Entertainment.

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Preview: Private Eyes eyes big names for Season 4

Like with everything else, there’s been a lot of uncertainty surrounding network television, from when a series is premiering or returning, if at all.

Well, Private Eyes fans, fear not. Matt (Jason Priestley) and Angie (Cindy Sampson) are back and in fine form—Monday at 8 p.m. ET/PT on Global—so much so that if you close your eyes, things almost seem normal again.

Fresh off its Golden Screen Award win for Canada’s most-watched comedy or drama, your favourite detective duo is on the case for a fourth season. Also fresh? Angie’s new haircut. Just saying.

Monday’s premiere picks up pretty much where it left off, with Shade grappling with that paternity bombshell. A half-sister for Jules, played by the always awesome Jordyn Negri, not to mention being a grandfather for the second time for Barry Flatman’s wary Don? Sure! Angie, of course, wants to help (a.k.a. stick her nose in where it doesn’t really belong) but it’s what she does best. Thankfully, for everyone, a case becomes the distraction Matt and Angie need. This time, it’s a murder mystery, complete with the paranoid claims of a wealthy, ailing patriarch, a power struggle over business and inheritance, a Great Gatsby-themed soirée, and a handful of suspects that will keep you guessing.

Back to that distraction, though. Sabrina (Katie Boland) simply wants to connect with her newfound dad—until things take a turn when guest star Erica Durance (Saving Hope) turns up. And if her appearance wasn’t enough, it gets even more complicated as Shade and Angie continue to cast not-so-subtle longing glances at one another—especially since Tex (Brett Donahue) is still in the picture.

Private Eyes has once again lined up a slew of Canadian favourites. Keshia Chanté and Supinder Wraich join in recurring roles, as Angie’s pal, Mia, and Danica’s girlfriend, Kate, respectively. And Aaron Ashmore (Killjoys), Stefan Brogen (Degrassi), and Eric Peterson (Corner Gas) guest-star.

But it’s the seventh episode that’ll have you reaching for the popcorn, thanks to appearances from Toronto Raptors head coach Nick Nurse, the prettiest star on HGTV Canada, Scott McGillivray, and golf pro Mike Weir. Priestley directs that star-studded hour, while Episode 3 marks Sampson’s directorial debut. It’s safe to say the rest of the season (and the upcoming fifth instalment) looks bright. Shade(s) optional.

Private Eyes airs Mondays at 8 p.m. ET/PT on Global.

Images courtesy of Corus.Facebooktwitterredditlinkedinmail

Link: Killjoys gave us the gift of one of science fiction’s most thoughtful shows

From Princess Weekes of The Mary Sue:

Link: Killjoys gave us the gift of one of science fiction’s most thoughtful shows
With Johnny and Dutch’s friendship, it never makes that awkward turn into the romantic, but it is always shown to be the most important relationship in the series. They are a family, and that is a bond that is even more important than romance. Continue reading.Facebooktwitterredditlinkedinmail