All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Peter Mooney continues to solve crimes—and celebrate the holidays—in Season 2 of Mistletoe Murders

Peter Mooney fought to keep the streets of Toronto safe for close to 50 episodes of Rookie Blue as Officer Nick Collins.

Now he’s back on the beat, albeit in a very different setting.

Returning for the second season of Hallmark’s Mistletoe Murders as Detective Sam Wilner, Mooney (Saving Hope) is fighting crime while juggling romance, espionage and decorating the Christmas tree.

Mistletoe Murders, airing Fridays at 8 p.m. ET/PT on W Network and StackTV, is based on the Audible podcast of the same name. Created by Ken Cuperus (Hudson & Rex), the six-episode season follows Emily Lane (Sarah Drew), the owner of Under the Mistletoe, a year-round Christmas-themed store. When she’s not running the shop, Emily is solving crimes and keeping a secret: she is a former spy who has been given a new name and started a new life in the small town of Fletcher’s Grove.

During the course of Season 1, Emily and Sam tackled whodunnits, got close and, ultimately (spoiler alert), kissed. The season finale’s smooch was followed by an awkward conversation. Sam asked Emily to reveal her secret, and she refused, leaving a cliffhanger that could have been the series’ final scene if Mistletoe Murders wasn’t renewed.

“It is a gamble,” Mooney admits about the cliffhanger. “The way these stories are written, with a self-contained mystery over two episodes, there is the bigger overarching mystery of, ‘Who is Emily Lane?’ And the reality, with what Ken has cooked up in his head, is going to take a while to figure out. We knew we were gambling on a Season 2 and, luckily, it went our way.”

When we catch up with Emily and Sam on Friday’s return, that conversation continues, seemingly giving closure—for now—on their budding relationship while kicking off a new mystery. Fans begging for more of Emily’s backstory rejoice: Friday’s return peeks back at her first days as a young student. As for Sam, Season 2 finds him continuing the adventure that is raising teenage daughter Violet (Sierra Marilyn Riley) while not letting Emily’s reluctance to answer his questions stop him from doing digging of his own.

Filmed on location in Toronto and on the former small-town set built for Season 1 of Reacher, Mistletoe Murders is the perfect blend of cozy crime drama, made popular by Midsomer Murders, Grantchester and Father Brown, and the Hallmark holiday movie genre filled with baubles, bows, candy canes and cookies that has become a seasonal (and year-round for some) sensation.

“It does really feel like a family,” Mooney says of being in the Hallmark stable of talent. “So many of the people have longstanding relationships with Hallmark and know and have worked with each other. It’s a really lovely and inclusive bunch of people.”

Mistletoe Murders airs Fridays at 8 p.m. ET/PT on W Network and StackTV.

Images courtesy of Corus.

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Blink49 Studios and Piller/Segan ink multi-year joint venture to develop and produce premium content across all genres

From a media release:

Piller/Segan and Blink49 Studios, have entered into a multi-year joint venture agreement that will see both companies contribute financial and creative resources for the development and production of a slate of premium scripted and unscripted content.

The partnership builds on a long-standing creative relationship between Blink49 Studios CEO John Morayniss and Piller/Segan partners Lloyd Segan and Shawn Piller, who previously collaborated on hit series Private Eyes and fan-favorite Haven during Morayniss’ tenure at eOne. The companies are currently producing Season 3 of Wild Cards (CBC/The CW), which has also been ordered for Season 4.

Designed as a hub for bold new projects, the joint venture will take an open-door approach to building long-term IP and franchises across genres, encouraging crossover opportunities for concepts that can thrive in multiple formats. Building on the strength of its existing creative team, Piller/Segan will expand its development capacity with the addition of a seasoned executive dedicated to sourcing and shepherding projects under the joint venture, working closely with Blink49 Studios leadership.

“This joint venture is a natural evolution of the trust and creative synergy we’ve built over many years,” said Morayniss. “With our combined financial commitment and infrastructure, Blink49 Studios and Piller/Segan are well-positioned to deliver globally resonant storytelling and provide creators with the resources they need to succeed.”

“We’re thrilled to formalize this next chapter with John and the incredible team at Blink49 Studios,” added Segan. “This venture gives us the reach and flexibility to champion a wide range of projects — from supporting established voices to cultivating fresh talent. Together, we’re building a dynamic environment where creators can take risks and bring ambitious ideas to life.”

The venture reflects both companies’ shared mission to empower creators, invest in innovative storytelling, and deliver high-quality programming to a global marketplace.

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APTN expands its presence across digital platforms

From a media release:

APTN is expanding its reach and offering new ways to connect with Indigenous stories in the digital era, including a free ad-supported streaming television (FAST) channel, in-flight entertainment on Air Canada and the transition of the network’s streaming platform from APTN lumi to APTN+.  

APTN Beyond, a paranormal FAST channel now available on The Roku Channel and Pluto TV in Canada, invites viewers into a world of unexplained phenomena, haunting encounters and ancestral spirits. APTN Beyond features APTN’s most gripping supernatural series: The Other Side (10 seasons), Ghost Hunters of the Grand River (4 seasons), Spirit Talker (5 seasons), Indians and AliensLands EnchantedRed Earth UncoveredShadow of the Rougarou and Tales from the Rez

Select APTN programs are also now available on Air Canada flights commercial-free, including Indigenous Art Adventures, APTN Investigates and more. This new feature allows passengers to discover and enjoy Indigenous programming throughout their travels.  

This fall, APTN lumi is becoming APTN+, a new name that improves the platform’s visibility and reaffirms APTN’s commitment to making Indigenous stories more accessible. 

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New Production “Stand Up For Canada Starring Rick Mercer” goes to camera this week

From a media release:

Producers Bruce Hills Entertainment, Counterfeit Pictures, and Hemmings Films are pleased to announce that they will go into production on Stand Up For Canada Starring Rick Mercer, a new one-hour comedy special set to premiere on CBC and CBC Gem. Timing for the premiere will be confirmed at a later date.

Set to film in front of a live audience in Saint John, New Brunswick on October 17, the special will capture a night on Rick Mercer’s wildly successful coast-to-coast comedy tour, which continues through October 2025, and is presented by MRG Live and Bruce Hills Entertainment. Mercer is joined by Canadian comedians Sophie Buddle, Mayce Galoni and Julie Kim, and performed 28 shows across 20 cities, with 24 sold-out venues and more than 40,000 tickets sold.

The Stand Up For Canada Starring Rick Mercer special promises to deliver a funny, insightful and heartfelt celebration of Canada through the comedy of one of the country’s most beloved voices, as well as a new generation of rising stand-up stars. Together, Mercer, Buddle, Galoni and Kim will shine a light on the diverse perspectives, stories and humour that make Canada’s comedy scene one of the richest in the world.

Stand Up For Canada Starring Rick Mercer is produced by Bruce Hills Entertainment, Counterfeit Pictures, and Hemmings Films, in association with CBC.

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Top Chef Canada host Eden Grinshpan teases Season 12 of the iconic franchise

After a dozen seasons on the air, Top Chef Canada continues its winning recipe. There are new competitors from across the country facing off for big money, prizes and the title—and a new network broadcast on—but the core is still the same: to showcase the best chefs Canada has to offer.

Returning Tuesday at 10 p.m. Eastern on Flavour Network, host Eden Grinshpan and resident judges Mark McEwan, Janet Zuccarini, Mijune Pak and David Zilber welcome 10 chefs into the Top Chef kitchen to do battle.

We spoke to Eden Grinshpan about the upcoming season.

What has it been like being part of this franchise?
Eden Grinshpan: It really is such an honour to be a part of such an epic franchise in Top Chef. I’ve been a huge fan for so long, so to get to be the host of the Canadian version is a true honour, and it’s still, for me, it’s my favourite gig, and every time we shoot a new season, it is such a thrill and I get to eat and taste food from some of the best chefs in the country, and I get to eat so many icons in the industry. So it’s truly an amazing experience.

What’s the production window? How much time is allotted for the filming of a season?
EG: It’s usually around a month, but it is jam-packed. We do a lot in that month, basically. I say goodbye to my husband. I’m like, ‘Good luck. See you in a month.’ Because the mornings are super early. Sometimes the nights can be really late and just so much happens in such a short period of time. But I feel like it’s probably the best that it happens in that way because these chefs are putting their lives on hold as well.

There are some really unique themes and challenges to come in this 12th season. What are your thoughts on what the producers have come up with?
EG: I am, every season, floored, in awe, so impressed. The production company, Insight, is amazing and their team is just so good at staying on what’s relevant, what’s important. We did an incredible challenge where we celebrated pride. We also went to the Indigenous Film Festival, where we are celebrating and highlighting Indigenous culture and cuisine. These are exactly what we should be focusing on and talking about: the diversity of this city and this country. That’s something that I think the show has done so beautifully and continues to just highlight in such a creative and fun way. Listen, it’s television. We are entertaining here, so it’s always so fun and beautiful. And this season in particular, even watching the trailer, I was crying.

It’s an incredibly emotional season and I really do feel that it’s going to touch so many people in so many different ways. I bawled my eyes out so many times. I am actually curious to see how many shots there are this season of me crying, and it’s not like a gentle tear. We are ugly crying here. The prize is huge. The stakes are huge. These chefs leave their jobs and their families for a long amount of time, and they’re putting their lives out there.

As with past seasons, this one features a mix of chefs from all walks of life. Some have Michelin stars, some don’t. Do you think having a star gives a competitor an advantage?
EG: We’ve had a lot of chefs on this show who have catering companies blow some of these Michelin-starred chefs out of the water. So I think it really comes down to your ability, the seasoning, just the capability of the chef. Obviously, those Michelin-starred chefs they’re training at an insane level on a regular basis. So, obviously, it’s going to give them an upper hand on some level. And for instance, some other chefs have a more chill job and they may feel a little bit more insecure or whatever, but then they come into it and we’re blown away. It doesn’t need to be Michelin star to be absolutely delicious.

Top Chef Canada airs Tuesdays at 10 p.m. Eastern on Flavour Network.

Image courtesy of Corus.

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