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The Senate on the CBC

Cbc-logoYesterday the Senate Standing Committee on Transport and Communications released its report on the CBC: Time for Change: The CBC/Radio-Canada in the Twenty-first Century. Despite its title, it seemed mired in the Nineteenth Century.

Well, maybe the mid-Twentieth.

The report described the current challenges that the CBC and all of Canadian broadcasting is facing with the advent of services like Netflix and YouTube but offered no suggestions for how the CBC could better embrace the digital age. There were some good suggestions on eliminating waste, reducing salaries and selling off real estate (which at times came very close to micromanaging) and a worthwhile discussion of governance which correctly objected to the CEO of the CBC reporting to the Prime Minister’s Office and not the Board (though it failed to point out that under the Conservative government the CBC’s Board has become a patronage appointment so does not have the expertise to oversee a broadcaster).

However, the core message was that the CBC should be broadcasting what the private broadcasters will not – Canadian historical dramas, nature documentaries, amateur sports such as university athletics, performing arts with an emphasis on symphonies, and Reach For The Top. Yes, it specifically suggested Reach For The Top, a show that the CBC broadcast from 1966 to 1989.  Old White Guy TV*.

Before you get up in arms, I love Canadian historical dramas and nature documentaries, but broadcasts of the Toronto Symphony Orchestra and Reach For The Top are not going to increase CBC’s market share nor will it engage younger, diverse, urban audiences. The CBC needs to be relevant to a wide range of Canadians.

There is no vision in this report. The Committee complained that the Broadcasting Act mandate for the CBC was too broad but its only recommendation for amendment was to include a specific reference to airing more historical drama and Canadian feature film.  It did not explain why only those two genres needed to be singled out. It complained that the Broadcasting Act did not contemplate the 21st Century and needed to be updated but gave no guidance on what revisions needed to be made. It complained that witnesses kept saying that the CBC was underfunded, demonstrated that in inflation-adjusted dollars government funding is at its lowest in the past 25 years, but then suggested that new funding models, including telethons and corporate sponsorship, should replace the shortfall.

Over the years there have been many studies of the CBC. The House of Commons Standing Committee on Canadian Heritage conducted a study in 2008 on the CBC that contained a number of very good recommendations, including a memorandum of understanding between the government and the CBC that would set out specific goals and make sure that the CBC was sufficiently funded to meet those goals. The study also looked at digital media, diversity, Canadian programming, governance and accountability. The government declined to implement any of the recommendations.

Is the Senate report more in line with the Conservative government’s position on the CBC? Likely. Should we be worried? I don’t think so. For one thing, we do have an election this fall and nothing will be done before then or, if a minority government is elected, after then. As well, there is very little in this report that Conservative MPs have not said before (except maybe Reach For The Top, that’s new). For example, they have been advocating for a PBS-style funding model for years.  The reality is that many of these recommendations would not be popular with their constituents, who do not want to sit through a telethon to be able to watch Coronation Street.

Yes, it was a wasted opportunity but honestly do we need another study that the government will ignore? Or do we need political will and vision at both the government and the CBC to work together to provide Canadians with the public broadcaster that we need and deserve? Yeah, that.

*With apologies to Senator Betty Unger, the one woman on the Senate Committee.

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TV, eh? podcast episode 186 – Not Necessarily Schmaltzy

After almost a month apart, Diane, Anthony and Greg reunited to chat about several things in the Canadian TV industry. First, Diane gave us the scoop on her set visit to Chris Haddock’s new series for CBC called The Romeo Section, then talk turned to Orphan Black star Tatiana Maslany finally receiving a Primetime Emmy nomination.

After some more Emmy chat regarding how Netflix, Amazon and Yahoo have changed the face of this year’s nominations we closed out with the NFL’s plan to force the CRTC to let CTV air their own ads during the Super Bowl, and a senate report offering some recommendations on how the CBC should operate in the future.

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Preview: Spun Out’s second season formula works

Spun Out is barely into its second season—No. 2 goes tonight on CTV—so it’s a little hard (and perhaps unfair) to envision where the series is going for its sophomore season. But after snagging a preview of tonight’s new episode, I can say I’m impressed with how things are shaking out so far.

As showrunner Jeff Biederman told Anthony Marco during the latest TV, Eh, B Cs podcast, the writing is tighter this time around. The performances are better too, something that happens when writers and producers have a season to figure out what their cast’s strengths and weaknesses are. This year, Rebecca Dalton’s Stephanie is smarter and given more responsibility by Dave; in Tuesday’s “Under the Influencer,” she runs a focus group in a local bar to gauge reaction to a new beer/vodka mixed drink. Sure Stephanie makes some mistakes, but it’s nice to see her take the reins on something for DLPR. It should be said that Dalton has got a gift for physical comedy … at least I hope that’s what made her club dancing so darned awful.

This is the second week in a row that Bryce and Gordon have been paired up in storyline, and I’m digging it. The duo were keep separate in Season 1, but putting the weird characters together has made for some great comedic moments. Barb Hayne’s script involved Bryce becoming obsessed with Internet polls and videos—the fake quiz titles actually sounded real to me—and Gordon and Dave teaming for an impromptu intervention to get their co-worker offline. The trio worked really well together and I’m hoping they get more screen time this season.

For me, the weak spot so far is the relationship between Nelson and Beckett. The two don’t come off as the longtime friends they’re supposed to be. It may be that neither character is particularly smooth or confident, but their conversations always come off stilted and devoid of the chemistry and rapport friends share. The result? The scenes in tonight’s episode are awkward and in some cases a little cringeworthy.

But, like I said, looking at the broad strokes Spun Out has definitely made strides. The laughs are more natural (still hating the laugh track) and there’s a nice little groove happening. Last week’s first episode attracted around 400,000 viewers, not at all bad for a summer sitcom that was announced it was returning just days before it did.

Spun Out airs Tuesdays at 8 p.m. ET/PT on CTV.

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He Said/She Said: How about those Emmy nominations?

Join Greg and Diane every Monday as we debate what’s on our minds. This week, we dissect the Emmy nominations.

She Said:

OrphanOne of the biggest snubs of last year’s Emmys has been rectified this year: Tatiana Maslany got her first nomination as outstanding actress for her multitude of roles on Orphan Black. I hope they give her 7 statues if she wins. Long-running Degrassi — recently revived by Netflix and Family Channel after its cancellation by TeenNick and Bell — was nominated as outstanding children’s program.

That’s some great recognition for Canadian-made shows, when most years we have to be satisfied celebrating individuals who left the Canadian industry for the bright lights of Hollywood … not that there’s anything wrong with that. Go Michael J. Fox (The Good Wife), Semi Chellas (Mad Men), Jeremy Podeswa (Game of Thrones) and Jeff and Mychael Danna (Tyrant) for their nominations, too.

Besides the Canadian invasion, the most interesting trend in this year’s Emmys is how streaming services are threatening to become dominant in the same way cable started talking over broadcast series years ago. Netflix earned 34 nominations, including for Unbreakable Kimmy Schmidt, Orange is the New Black, Bloodlines, House of Cards, Grace and Frankie, and Derek. Amazon snagged 12, mostly for Transparent, and even Yahoo was nominated for Community, the show they saved from an NBC cancellation.

In fact I feel unprepared to get excited about who was snubbed or what the surprises are in the nominations because after cutting the cable, the Netflix shows and The Good Wife are among the only non-Canadian shows I’m current with in my viewing. I’d love to see Unbreakable Kimmy Schmidt win for comedy but I haven’t seen the current seasons of its competitors yet. Same with Orange is the New Black in the drama category. I was disappointed enough in this season of The Good Wife not to think it was snubbed, I think House of Cards is cheese wrapped in a prestigious package, but I haven’t seen the nominated seasons of the other series, even those that are must-watch shows for me. I’m waiting for them to appear on Netflix or I likely won’t bother.

Which makes a nice segue to a topic that’s been on my mind lately: the Canadian industry might want to figure out what to do about streaming services sooner rather than later. It’s possible broadband-delivered content isn’t just a fad.

He Said: 

As Diane has already said, a hearty “Woohoo!” to all of the Canadian nominees. Despite what some might think about the Canadian Screen Awards, it warms my heart to know we handed out hardware to Orphan Black and Tatiana Maslany before the U.S. has acknowledged the show’s greatness.

Property_BrosAnd a special shout-out to Jonathan and Drew Scott, who I left off my initial post announcing the Canadian Emmy nominees last week. They nabbed a nod in Outstanding Structured Reality Program for their long-running Property Brothers series.

As Diane has already pointed out, streaming services being nominated in the major categories has quickly gone from outrageous to commonplace, a reflection of how quickly everyone has adjusted to online broadcasters and the fact fantastic stuff comes out of those outlets.

I’m still on cable, so can attest that Mad Men and Better Call Saul deserve kudos for Outstanding Drama Series, though I felt Downton Abbey and Homeland have been on the downslope for the last couple of years. I’d have liked to have seen Justified added to the category because FX’s U.S. marshal series has gotten better with every passing year, including its final one. Likewise, I’m happy Louie and Modern Family received nominations for Outstanding Comedy Series. The Big Bang Theory was left off the list, opening the door for Silicon Valley, Parks and Recreation and the excellent Transparent to get some serious consideration.

I’m a big fan of veteran series and talent being rotated out of categories so that newer projects and people get the chance to shine, and there is a nice mix in the 2015 nominees. Take a look at the full list of nominees, put your Emmy pool together and prepare to cheer for the Canadians when the Primetime Emmy Awards air Sunday, Sept. 20, at 8 p.m. ET on CTV.

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Review: Four, Five and Six on Dark Matter

Who is Titch, and what happened in their life to turn them into a hardened criminal? That was one of the key questions posed in Episode 6 of Dark Matter.

Friday’s newest episode showcased Jodelle Ferland’s acting chops as she assumed the role of Four to give us more of his back story while we learned more about Five’s own past. With the crew of the Raza still unsure about what brought them together, Five offered up her mind to a probe in order to get answers.

We knew Four’s power-hungry stepmother was behind the death of the Emperor, but Five recounted it all for Four. We learned the Emperor wasn’t all that nice of a guy and strived to have his son feared by all despite the kind streak in the boy.

As for herself, Das realized she and the dead boy, TJ, were stowaways on the Raza. She’d picked the wrong pocket to pick and gotten her hands on that key; the man who owned it killed all of her friends and mortally wounded TJ. The two snuck on board the ship where it was revealed One and Three knew each other.

Five’s extended attachment and reliance on the probe put her life in danger, leading Six to suit up and offer to go in and pull Five back. While he sought her out, he uncovered part of his own past: his rebel group fought back against the Galactic Alliance and took the extreme measure of blowing up a space station (and 10,000 people) for their cause.

So, who is Titch? Five was involved in that person’s memories doing chores around a farm and leading a happy life when Six showed up to take her back. Five was betting those memories belonged to One, but I think it was Three. He’s just the type of guy to put up a tough front to hide some inner sensitivity. Was Three’s idyllic life shattered by violence? I’m bet that’s the case, but we’ll have to wait at least another week to find out.

Notes and quotes

  • No wonder they’re running low on food. Three is eating. All. The. Time.

Dark Matter airs Fridays at 10 p.m. ET on Space.

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