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CBC Announces Winter 2021 Premiere Dates

From a media release:

CBC today announced broadcast and streaming premiere dates for its winter 2021 slate of original programming, including over 20 new and returning Canadian series reflecting a diverse range of storytelling and perspectives. The new winter primetime schedule launches Monday, January 4 on CBC TV and the free CBC Gem streaming service.

MONDAYS:
Mystery Mondays return on January 4 with new seasons of hit detective series MURDOCH MYSTERIES (Season 14) and FRANKIE DRAKE MYSTERIES (Season 4).

New weeknight primetime program CANADA TONIGHT WITH GINELLA MASSA launches Monday, January 11 at 8 p.m. on CBC News Network.

TUESDAYS:
CBC’s Tuesday night comedy lineup continues on January 5 with new episodes of THIS HOUR HAS 22 MINUTES and BARONESS VON SKETCH SHOW The Final Season: Bonus Episodes, featuring never-before-aired sketches, followed by irreverent new series HUMOUR RESOURCES, starring Jon Dore and featuring comedians including Sarah Silverman, Aisha Brown, Tom Green, Scott Thompson and Ronny Chieng.

KIM’S CONVENIENCE returns with Season 5 beginning January 19.

New seasons of WORKIN’ MOMS (Season 5) and TALLBOYZ (Season 2) debut on February 16.

WEDNESDAYS:
British drama QUIZ, based on the true story of a former British army major who was caught cheating on the game show Who Wants To Be A Millionaire? and starring Matthew Macfadyen (Succession), premieres January 13.

Season 3 of procedural crime drama CORONER starring Serinda Swan, followed by new buddy-cop drama series PRETTY HARD CASES (formerly Lady Dicks), starring Meredith MacNeill (Baroness von Sketch Show) and Adrienne C. Moore (Orange Is The New Black), premiere February 3.

THURSDAYS:
documentary Channel originals Fear of Dancing, Clydesdale: Saving the Greatest Horse and The Oslo Diaries premiere on CBC TV, January 7 through 21.

Beginning January 28, legal drama BURDEN OF TRUTH starring Kristin Kreuk returns with Season 4, and THE FIFTH ESTATE continues on a new night.

FRIDAYS:
MARKETPLACE continues on January 8, featuring an ongoing series, “Face Racism,” hosted by Asha Tomlinson, which follows people in search of justice in their communities, the marketplace and the workplace, often bringing them face-to-face with company executives and government officials.

The landmark 60th season of THE NATURE OF THINGS returns on January 8 with an ambitious archeological dig that peels away myths surrounding the last queen of Egypt in SEARCHING FOR CLEOPATRA, and the following week, a special five-part series, WILD CANADIAN WEATHER, showcasing a cinematic journey through Canada’s most extreme and spectacular weather.

New docuseries ANYONE’S GAME (formerly Orangeville Prep), offering an inside look at the competitive, high-pressure world of basketball’s most successful preparatory program at The Athlete Institute in Orangeville, Ontario, launches on January 15, with all episodes available that day to stream on CBC Gem.

New family-friendly series ARCTIC VETS, offering an up-close look at the wildlife that inhabits Canada’s north and the veterinarians at the Assiniboine Park Conservancy who work tirelessly to keep them safe, premieres February 26.

SUNDAYS:
Audience favourite HEARTLAND returns with a new season on January 10, followed by a four-week special event featuring back-to-back episodes of BBC’s acclaimed LES MISÉRABLES dramatic miniseries, starring Dominic West, David Oyelowo, Lily Collins and Olivia Colman.

Starting on Valentine’s Day, February 14, Season 4 of THE GREAT CANADIAN BAKING SHOW welcomes a new batch of amateur bakers and two new hosts, Second City alumni Alan Shane Lewis and Ann Pornel, followed by the exclusive Canadian premiere of BELGRAVIA, highlighted in Vanity Fair’s Five New Juicy Costume Dramas to Add Glamour to Your Quarantine, centering on secrets and scandals amongst the upper echelon of London society in the 19th century.

CBC KIDS:
CBC Kids’ refreshed weekday lineup begins Monday, January 4 with new seasons of PJ MASKS, KIRI AND LOU, and TRUE AND THE RAINBOW KINGDOM. New CBC Kids and Radio-Canada original preschool animated series DINO RANCH, produced in partnership with Disney, premieres on Saturday, January 16, featuring the adventures of the Cassidy family as they tackle life in a fantastical, “pre-westoric” setting where dinosaurs still roam. CBC Kids original tween sci-fi drama ENDLINGS, produced in partnership with Hulu, returns for a second season, launching on CBC Gem Friday, January 15, with episodes released weekly.

SUNDAYS

7 PM – HEARTLAND Season 14 (10×60) premieres January 10

8 PM – LES MISÉRABLES (8×60) the BBC miniseries premieres January 10 with back-to-back episodes

8 PM – THE GREAT CANADIAN BAKING SHOW Season 4 (8×60) premieres February 14

9 PM – BELGRAVIA (6×60) Julian Fellowes’ historical drama premieres February 14

10 PM – THE NATIONAL CBC News’ flagship program continues Sunday to Friday each week

MONDAYS

7 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

7:30 PM – FAMILY FEUD CANADA Season 2 (104×30) continues Mondays to Thursdays

8 PM – MURDOCH MYSTERIES Season 14 (11×60) begins January 4

9 PM – FRANKIE DRAKE MYSTERIES Season 4 (10×60) begins January 4

TUESDAYS

7 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

7:30 PM – FAMILY FEUD CANADA Season 2 (104×30) continues Mondays to Thursdays

8 PM – KIM’S CONVENIENCE Season 5 (13×30) premieres January 19

8:30 PM – THIS HOUR HAS 22 MINUTES Season 28 (19×30) continues January 5

9 PM – BARONESS VON SKETCH SHOW (5×30) The Final Season: Bonus Episodes featuring never-before-aired sketches premiere January 5

9 PM – WORKIN’ MOMS Season 5 (10×30) premieres February 16

9:30 PM – HUMOUR RESOURCES (6×30) a new irreverent comedy premieres January 5

9:30 PM – TALLBOYZ Season 2 (8×30) premieres February 16

WEDNESDAYS

7 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

7:30 PM – FAMILY FEUD CANADA Season 2 (104×30) Mondays to Thursdays

8 PM – CORONER Season 3 (10×60) premieres February 3

9 PM – QUIZ (3×60) the British drama starring Matthew Macfadyen (Succession) premieres January 13

9 PM – PRETTY HARD CASES (formerly Lady Dicks, 10×60) a new female-driven buddy-cop series premieres February 3

THURSDAYS

7 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

7:30 PM – FAMILY FEUD CANADA Season 2 (104×30) Mondays to Thursdays

8 PM – documentary Channel originals Fear of Dancing, Clydesdale: Saving the Greatest Horse and The Oslo Diaries premiere January 7 through 21

8 PM – BURDEN OF TRUTH Season 4 (8×60) premieres on January 28

9 PM – THE FIFTH ESTATE Season 46 (7×60) continues January 28 on a new night

FRIDAYS

7 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

7:30 PM – CORONATION STREET continues weekdays at 7 p.m., Fridays at 7:30 p.m.

8 PM – MARKETPLACE Season 48 (22×30) continues January 8

8:30 PM – ANYONE’S GAME (formerly Orangeville Prep, 6×30) a new factual series about basketball’s most successful preparatory program premieres January 15

8:30 PM – ARCTIC VETS (10×30) a new factual series featuring the wildlife of Canada’s north premieres February 26

9 PM – THE NATURE OF THINGS Season 60 (13×60) continues with an ambitious archeological dig in SEARCHING FOR CLEOPATRA on January 8

SATURDAYS

Afternoon – ROAD TO THE OLYMPIC GAMES Season 6 continues

6:30 PM – HOCKEY NIGHT IN CANADA begins January 16

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Hollywood Suite’s A Year in Film returns for Season 2

Last year, Hollywood Suite debuted its excellent documentary series A Year in Film. The program, divided up into the features that were made during a certain year in history, explores how movies reflect the events, mood, politics, and culture of their time.

Now the curtain has been pulled back on Season 2, digging deep into the films that hit screens in 1975, 1986, 1994 and 2000.

A Year in Film: 1994, debuting Sunday, December 20, at 9 p.m. Eastern on Hollywood Suite 90s Movies—the Hollywood Suite channels are available in a free preview all month—explores the stories behind some real heavy-hitters in the genre.

Set amid cultural touchstones like Nelson Mandela’s presidential election, the 1994 version of Woodstock, the debut of Friends, the OJ Simpson car chase, the attack on Olympic skater Nancy Kerrigan and the death of Kurt Cobain were the debut of blockbuster and indie films that resonated with the public. The Lion King, The Shawshank Redemption, Pulp Fiction, Forrest Gump, Natural Born Killers, Clerks, Reality Bites, Speed, True Lies and a trio of Jim Carrey flicks—Ace Ventura: Pet Detective, The Mask and Dumb and Dumber—captured eyeballs.

In Canada, Canadian filmmakers gained notoriety with hits like Double Happiness and Exotica.

As with Season 1 of A Year in Film, film critics and experts like Cameron Maitland, Alicia Fletcher, Radheyan Simonpillai and Adam Nayman explain society and cinema from the time.

A Year in Film: 1994 airs Sunday, December 20, at 9 p.m. Eastern on Hollywood Suite 90s Movies. A Year in Film: 2000 debuts Sunday, December 27, at 9 p.m. ET on Hollywood Suite 2000s Movies (HS00).

Image courtesy of Hollywood Suite.

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Nick Nurse, Mike Weir and Scott McGillivray hit the links on Private Eyes

It was a hot September afternoon in 2019, back when set visits to the media were open and masks weren’t required. As we drove down the driveway to the main clubhouse of the Ladies’ Golf Club of Toronto, it looked like anything but a set. Because if you’ve ever been to a charity golf tournament, well, that’s what it looked like, from the immaculate greens to the tents holding all kinds of swag. Which I suppose was the point — and exactly what is at the centre of this week’s episode of Private Eyes.

“There’s a mystery that takes Shade and Angie to a celebrity golf tournament,” says series star Jason Priestley. “It’s fun but it also provides us with a lot of logistical challenges.”

He should know; he directed the episode. “Shooting at a golf course and shooting an episode that revolves around a sporting event like this, it’s always a lot. It’s been interesting to deal with but it’s what we do on this show. We’re always looking for fun, sexy interesting worlds here in Toronto and this is the one we decided to delve into this week.”

In “Under Par-essure,” (we see what they did there), Shade (Priestley) and Angie (Cindy Sampson) are on the hunt for the stalker of a female golf pro. On the non-work side, sparks fly between Shade and actress Willow Marshall, while Angie decides it may be time to finally let her hair down and follow in her best friend’s fun footsteps.

“Mia’s always trying to get Angie out of her shell and this time, she’s ready to have some fun,” says Sampson of her workaholic character and her paramedic pal, played by Keshia Chanté. “But she has a case to work on.”

Enter Mia, who, Chanté makes clear, is not there to golf. “Mia wants to see what celebrities are here and get Angie to meet some people.” Ironic for the former ET Canada correspondent, who’s met her share of famous people. “She just wants them to have some fun.”

Speaking of which, who better to take part in a celebrity golf tournament than Mike Weir, who deadpanned, “It IS a golf-themed episode so I kind of fit in.”

The golfer was both nervous and excited when the show reached out to his agents. “Even though I’m out of my comfort zone, being in golf attire, at a course, in golf mode, helped,” says Weir who, up until this, had only ever appeared in golf commercials. Also by his side was his real-life girlfriend, reality star Michelle Money.

“They cast Mike for a small cameo, and then somehow I got written into the script,” says the Bachelor in Paradise winner. “We’re big fans of the show and Jason so we were honoured to have been included in this episode with this group.”

Weir wasn’t the only one there repping Canadian sports. Toronto Raptors head coach Nick Nurse was approached to make an appearance, though he initially wasn’t sure. But once he told his executive assistant, Jenny, she insisted he sign up.

“It beats being in the office,” Nurse says of his surroundings. “It’s nice to get out of the basketball realm, seeing how other big-time things go down. So, yeah, it’s pretty cool.”

And he may have gotten bit by the acting bug. When I asked him if he’d consider making more cameos, he replied, “Uh, yeah, maybe.” OK, maybe more like a nibble but, still. Don’t count out future guest appearances by Nurse.

Scott McGillivray, on the other hand, hasn’t met a camera that can resist him. He doesn’t golf but that wasn’t going to stop him from beating his rival. That’s right, there’s a little competition between the HGTV star and Shade.

“Taking down Matt Shade in this tournament, that’s the plan,” says McGillivray of his on-screen persona, adding, “It’s fun to mix it up, get a little bit of exposure to something different.” Very different.

“Doing home reno shows isn’t hard but it’s also not easy — but it’s not as hard as this,” admits McGillivray. “For me, I’m like an animal in my natural habitat when I’m on my set. They kind of let me loose, and they film me in the wild and I just do stuff and whatever I say, I say.”

On the set of a crime show, not so much. “Here, I feel a bit like a caged animal that’s been trained to juggle and dance. Being a caged animal is nice, they feed you, you don’t have to hunt or fend for yourself. But at the same time, it’s a lot of juggling. This takes discipline.”

McGillivray does have something up his sleeve: return the favour and get Priestley on one of his shows. “He can come on set and help me renovate a house. And we’ll see how he does with a hammer in his hand instead of a golf club.”

Priestley’s game. “Some of my earliest jobs, before I was lucky enough to make it in the entertainment business, were in construction,” says the former 90210 star. “I was a house painter, I put up drywall, I did boat refinishing. I don’t think I’ll show him up but I can hold my own.

“I have no problem doing bad jobs on a construction site. And I’m sure that’s what he’s going to give me.”

Private Eyes airs Mondays at 8 p.m. ET/PT on Global.

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Dan Riskin explores the dangers of devices on The Nature of Things’ “Kids vs. Screens”

The last time I spoke to Dan Riskin, it was for Daily Planet‘s “Shark Week” coverage in 2017. I’ve always been impressed with his (and then co-host Ziya Tong’s) broadcasting abilities. They are immensely smart folks who make science approachable and entertaining.

Riskin brings that vibe to his latest project, airing on CBC.

“Kids vs. Screens,” airing as part of The Nature of Things on Friday at 9 p.m. on CBC, was timely even before the pandemic, and reveals some sobering statistics. Babies can scroll before they can crawl. Children can’t read a map, but they can use an iPad. And teenagers pretty much live on their cell phones. But as stark as those facts are—and there are many more revealed in “Kids vs. Screens”—this episode of The Nature of Things isn’t supposed to scare you.

“There are a lot of really good things about screens,” Riskin says. “They make us work better and they are effective. But it’s good to question our relationship with them and keep it in check. Kids’ brains are developing, and you want to make sure you’re not handicapping them later in life by using these devices.” Riskin, a father of three, admits sometimes it’s easy to hand over a tablet or phone so he can prepare dinner in peace. And that’s OK, in moderation.

Produced and directed by Leora Eisen, Riskin hits the road to speak with experts like Dr. Michael Cheng, a child psychiatrist at the Children’s Hospital of Eastern Ontario; University of Calgary Professor Sheri Madigan; and Jess Haines, co-director of the Guelph Family Health Study. He also sits down with families and kids, like 18-year-old Myah, who teaches him the ins and outs of social media; Abby, whose phone addiction damaged the relationship between she and her mother; and Kaeden, a sixth grader who was obsessed with video games.

“The number of kids who are online now, especially during the pandemic, are huge,” Riskin says. “We put this together with the hope that it will make you feel better. The more you learn about screens and kids, the better you are going to feel about navigating that whole situation and the more empowered you are going to feel.”

“Kids vs. Screens” airs as part of The Nature of Things on Friday at 9 p.m. on CBC.

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Jann’s Elena Juatco on channeling Cale and the Season 2 finale

On CTV’s Jann, Elena Juatco plays Jann Arden’s hip new music manager, Cale—a ruthless deal-maker who has no time for social pleasantries or touchy-feely nonsense. 

In real life, the Vancouver-born actor and singer, who first rose to fame during the second season of Canadian Idol, is an extroverted people person. 

“I’m much more friendly, chatty, and outgoing than Cale is,” Juatco says during a phone call from Ottawa, where she’s filming the Hallmark holiday movie The Key to Christmas. “It’s funny, I’ll talk to someone for like an hour, and then someone will say, ‘That’s Cale from Jann,’ and they’ll be like, ‘Oh, my God!’ and feel betrayed. Because I’m different, I smile, I gesticulate with my hands, but when we put my hair up in a bun and I put on the Cale face, something else takes over.” 

Juatco’s steely “Cale face” and deadpan line deliveries contrast wonderfully with series star Arden’s zany physical comedy and witty zingers. The odd couple’s bickering over the direction of Jann’s career has been one of the central storylines of Season 2, with Cale relentlessly pushing Jann out of her comfort zone and Jann finding increasingly hilarious ways to resist. Tensions came to a head in last week’s episode when Cale learned that Jann has been secretly getting advice from her ex-manager, Todd (played by the underrated Jason Blicker). 

To get us ready for Monday’s season finale, “The Tunies,” we chatted with Juatco about channeling Cale, working with Arden and Blicker, and whether Cale and Jann will end the season on a positive note.  

First of all, 2020 has been a crazy year. How have you handled COVID-19 and the strange events that came with it?
Elena Juatco: I’ve been very blessed. I’ve been healthy and safe in Toronto with my husband and my dog. I was actually in Los Angeles until March 11.  I flew back home from Los Angeles, and when I was in the air, Trump announced the European ban, the NBA shut down, Tom Hanks got it. When I landed in Toronto, my husband said, ‘You’re not gonna believe what just happened.’ But I was blessed that that was a scheduled flight, that I never got stranded. I’ve been lucky, and I’m even more blessed that I’ve been able to get back to work because Canada has been able to keep their numbers low.

But Season 2 of Jann was expected to run much earlier than it did, and we were all supposed to be at the Canadian Screen Awards together. I’d just gotten my dress when they cancelled the event. So the sad part, with these announcements, and [Season 3] being renewed, and the premiere of the season, we haven’t been able to be together in person to celebrate the achievements as a cast together. I can’t wait to get back at it.

You have a background in the music industry. Did you base Cale on any managers you’ve met?
EJ: I didn’t base her off anyone. I channeled her from myself I guess, that power, the laser-focus, the going after it, and the knowing how to get there. And so much of it is fearlessness. She doesn’t care what people think about her. She doesn’t care if people judge her. She doesn’t need to be nice to anyone, but she knows how to get what she wants. I think that’s just a really powerful thing that I think every woman has. So to get to play Cale, I get to channel that. It’s a bit freeing and fun. 

In Season 1, Cale stole Jann  from Todd because she thought it would be easy to revive her career. But in Season 2, she’s found out what a challenge Jann can be. What can you tell me about their relationship this season?
EJ: I think from the very first time you see Cale in the Season 2 premiere, when she pulls that curtain back and tells Jann’s mom to stop texting, she’s an absolute mess. Like her hair’s a mess—I mean, she still has her bun in, but it’s a frizzy—you can tell right away that Jann is breaking her down, and it’s a lot more difficult than what she was expecting. When you meet her in Season 1 and she’s representing Feist, I think she’s just used to people doing what she says. And with Jann, there’s just been this clash of heads throughout this season, of Cale trying to get Jann to do things she doesn’t want to do. But I put her through the ringer. It would be hard for me to think if my manager did some of the stuff Cale did. I don’t know if I could handle that. Like the balls in the avatar episode, I’m just like, ‘Cale, what are you doing?’ It’s really hilarious.

Speaking of the ‘Covered in Balls’ episode, is it hard to keep a straight face when Jann Arden is doing things like rolling around in a motion capture suit?
EJ: There’s something that does come over me when I’m Cale that I won’t break, and they actually noticed that in my audition. I auditioned with Jann and with Jason Blicker, who plays Todd. Jason was doing some ad-libs, and I was just staring at him and I would not break. And I remember the table was like, ‘How is Elena not breaking?’ I was just Cale, and I will always be unimpressed with Todd, that will never change. So there is some of it where I’m just Cale and I will not break, but then sometimes you have those days. When we filmed the finale, at the Tunie Awards, that was an 18-hour day. It was a long day, and sometimes you’re tired and Jann is going off and she won’t stop. I can hold it for so long, but then it’s when Jann keeps ad-libbing past when you think someone would stop and you’re like ‘Oh, my God, they’re not calling cut.’ Then it’s like I’ll start to break and pray I don’t ruin the take. That’s happened a few times in Season 2. But you can’t blame me. I mean, it’s Jann. 

I love the rivalry between cool, calculating Cale and sweet, loyal Todd. What’s it like to work with Jason Blicker?
EJ: I love him so much. Honestly, when I got the part, my next thought was, ‘I hope that Jason Blicker got Todd.’ I remember being in Calgary for the first read-through, and I saw him turn the corner, and I was like, ‘I’m so happy it’s you.’ Because in our call-back, there was just this great chemistry we had, and it’s so easy and so fun. I love all of our scenes together.

It’s such a great relationship, too, the power dynamic. I love how in Season 2, you see him kind of get to Cale. Whereas before, she was kind of like, ‘Ugh, I’m not threatened by you, old little man.’ But then he starts getting to her. He can kind of crack her open a little bit, and you see maybe a little bit of insecurity come out.

In last week’s episode, Cale found out that Jann had been secretly seeking Todd’s advice.  Can you give us any hints about how that revelation will play out in the finale?
EJ: There’s definitely a clash between Jann and Cale, and something will happen in the finale.

Oh, that sounds cryptic. Is that all you can say?
EJ: Something will happen. 

What was your favourite episode of the season?
EJ: I really loved the episode ‘Covered In Balls.’ The ball gag and the avatar and the scenes that I had with Todd, the one long take that we did walking through the entire studio. You kind of see that shift in our relationship, where she asks him for help. I also really loved the one where k.d. lang makes a guest appearance, because obviously k.d. lang, but I also love that you got to see Jann play a song and sing. You’re reminded that in all the craziness and the mess and how horrible she is to her family, that at the core of it, Jann the character is an artist that has a real talent that touches people through music. I really loved that moment, and also, Cale got a one-on-one concert and Jann sang a line for her. That face when I’m watching her, that was a real face, it was me listening to Jann sing, because in real life, gosh, she’s got a talent. But with Cale, a manager cares about a client because they believe in their talent. So even in that moment, you see that Cale does see Jann’s talent and understands that. 

Schitt’s Creek, which you guest-starred in during its last season, became an international hit after Netflix started streaming it, and it was just announced that Hulu will soon be streaming Jann in the U.S. How excited are you that another great Canadian comedy is going to get a wider audience?
EJ: I’m absolutely thrilled. This is such an exciting time for Canadian comedy, and watching Schitt’s Creek sweep the Emmys, it was a win for all of us. We all shared that. It was an absolute honour to be on their very last season, to make it in and to be in such a pivotal episode as well, where my character got to play a hand in the fate of the family. It was such an honour to be a part of that and to witness the success it’s had.

They’ve been really amazing trailblazers to show that we’ve got amazing comedies up here. We’ve got incredible writers, actors, comedians, such great content is made here. [With Hulu], a wider audience will get to be exposed to Jann and, hopefully, share the laughs. I’m over the moon. 

Jann airs Monday at 8 p.m. ET/PT on CTV.

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