Everything about Schitt’s Creek, eh?

Hidden gems of the Canadian Screen Awards

The Canadian Screen Awards (aka CSAs aka Screenies aka#CdnScreen16 aka give the damn things an official nickname, would you?) were announced yesterday.

In one of the worst-designed websites you’ll find this side of GeoCities, the Academy helpfully tells us which awards we should care most about by selecting them for an easier to navigate “Selected Awards” television page. They think I’m more interested in Best Local News Anchor than any of the screenwriting awards? Don’t they know me at all?  After combing through a 55-page PDF of the complete television nominees I’ve found some gems and head-scratchers.

Favourite head-to-head match-up

Dan Levy versus dad Eugene Levy, both of Schitt’s Creek, as best actor in a comedy? Bring on the battle of the eyebrows. Eugene has the Canadian comedic royalty history but Dan’s portrayal of selfish, oblivious, vulnerable David won my heart and my funny bone. Both could be winners as producers, since Schitt’s Creek is up for best comedy, and Dan has one of two writing nominations for the series, which garnered a whopping 14 TV nominations (and one for digital).

Helen Shaver should direct everything

She has two of the five nominations for best direction in a drama, for two different series: Vikings and Orphan Black. Which also seem to me two of the most complicated series to direct, what with the multiple clones played by one person and the swashbuckling Vikings.

There’s a fine line

Still Standing, with comedian Jonny Harris touring the country doing standup and finding laughs and poignancy in small town Canada is most reminiscent of the Rick Mercer Report to me, yet they are in different categories: best factual program for Still Standing, best variety or sketch for Mercer. It both makes sense — Still Standing skews towards learning about the places he visits, Mercer skews more toward sketch, and yet illustrates the difficulty of categorization, especially for awards that have 55 PDF pages of categories to choose from.

I do not think that word means what you think it means

Bitten received two nominations, one for music and another for “best achievement in casting.” Yet none of the cast, including guest roles, was nominated. I wouldn’t take anything away from Bitten but one of the few nominations Schitt’s Creek did not get was casting, though nearly its entire cast was nominated.

Moment of panic

No This Life or Romeo Section? The Canadian Screen Award eligibility period for television is from September 1, 2014 to August 31, 2015, so they won’t be able to enter until next year.  That five month gap between the period’s end and the nomination announcement — which expands to seven months until the awards are handed out — primes the Screenies to regularly honour already cancelled shows long after they last aired.

Speaking of cancelled series …

Strange Empire‘s Aaron Poole is deservedly up for best dramatic actor, and Woody Jeffreys for supporting in the same series. Blackstone has one last shot as best drama, an award its been nominated for before but has never taken home.

That said … holy 19-2

The Bravo series will be hard to beat, with 12 nominations including best drama series. Orphan Black has 13 nods but best drama series isn’t one of them (two of them are best writing for a drama series, though).

Canadian rules

Best international drama was added to  the Gemini Awards — the TV awards that merged with the Genies to create the Canadian Screen Awards — in 2012.  The perception was that international coproductions such as The Tudors and The Borgias had an unfair advantage over purely homegrown productions and naming them best Canadian drama was an embarrassment. Lately it’s the international drama category itself that’s an embarrassment, with only Vikings and Jonathan Strange & Mr Norrell earning nominations this year. With two contenders, why bother? I’d put my money on 19-2 over those two any day. And yet, this category made the Academy’s “Selected Awards” cut.

Tune in March 13 on CBC to see Norm Macdonald preside over the televised portion of the ceremony.

 

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Review: Schitt’s Creek “Jazzagals” – And, we’re back

The first two episodes of season two were good, but did not measure up to season one for me. Episode three is a showcase of talent. It’s a one-two-three punch. It goes from one vignette to the next. One brilliant line to the next.

The show starts with Moira and David discussing “the perils of owning cashmere” after David finds moths have found their way into “a triple locked titanium suitcase.” In that same moment we have yet more proof that Moira is not going to win the Mother of the Year Award when she insists to David that she had breakfast with Alexis yesterday (her daughter has been with her new boyfriend for a week and a half). David says, “That was me.” To which Moira replies that she and Alexis had a “lengthy conversation about hosiery and menopause.” David’s response was simply, “Again, that was me.”

We find Johnny in his “office” in Bob’s garage spending more time with Bob’s clients than Bob. But the scene where he proudly tells Bob that he sold the ‘93 Buick and how there are “certain instinct that you don’t lose…it’s like riding a bike” is priceless. Bob quips back in his typical deadpan, “it’s interesting that you use that phrase because Dick Sinson is going to be riding a bike until I can get his car back.”

Things continue to be tense and sarcastic between David and Stevie as David decides to build a cedar chest for his “knits”. I think I enjoy this dynamic between them even more than the friendship/lover relationship. But both work equally well. In the end, Mutt builds the cedar chest for David. This is the first real interaction between these two and they do not disappoint.

Moira, it seems, has not fallen from her high horse after the embarrassing false exit from Schitt’s Creek. She finds out there is a singing group in town called the Jazzagals and she decides to condescend and join the group. When told she will need to audition, she says, “in the actual world of entertainment I’m what’s known as offer only.” Jazzagals won’t budge. So she goes to “showcase” her talent, telling them they can call it an audition or “an evening with.” When she hears their lead singer she is taken aback and clearly nervous. Her “audition” is not good. The show ends with her singing softly in bed to Johnny, still not sure if she’s in the group.

Just looking at Catherine O’Hara makes me giggle.

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19-2 and Schitt’s Creek lead 2016 Canadian Screen Award TV nominations

Bravo’s gritty cop drama 19-2 and CBC’s high-profile comedy Schitt’s Creek topline the nominations for the 2016 Canadian Screen Awards. Announced Tuesday morning in Toronto at TIFF Bell Lightbox by Lyriq Bent (The Book of Negroes) and Aislinn Paul (Degrassi), 19-2 captured 12 nominations, including Best Dramatic Series and Best Performance nods for supporting cast and leads Jared Keeso and Adrian Holmes; Keeso and Holmes recorded a video to mark the occasion (check it out below).

Meanwhile, Schitt’s Creek does battle in the comedic categories, with co-stars Eugene and Dan Levy facing off for Best Performance and the Tuesday night comedy fighting off fellow CBC series Mr. D, Mohawk Girls, Young Drunk Punk and Tiny Plastic Men for Best Comedy Series.

Space’s Orphan Black did well too, snagging 13 nominations including performance acknowledgements for Ari Millen and Tatiana Maslany, though it was shut out of the Dramatic Series list. Global’s final season of Rookie Blue was recognized by the Academy of Canadian Cinema & Television, as Missy Peregrym and Ben Bass received nominations.

The nominees in the key television categories are listed below. Who do you think deserves to win? The two-hour Canadian Screen Awards gala airs Sunday, March 13, at 8 p.m. on CBC.

Best Performance by an Actor in a Continuing Leading Comedic Role

  • Gerry Dee, Mr. D
  • Eugene Levy, Schitt’s Creek
  • Daniel Levy, Schitt’s Creek
  • Dave Foley, Spun Out

Best Performance by an Actor in a Continuing Leading Dramatic Role

  • Adrian Holmes, 19-2
  • Jared Keeso, 19-2
  • Ari Millen, Orphan Black
  • Ben Bass, Rookie Blue
  • Aaron Poole, Strange Empire

Best Performance by an Actress in a Continuing Leading Comedic Role

  • Brittany LeBorgne, Mohawk Girls
  • Annie Murphy, Schitt’s Creek
  • Catherine O’Hara, Schitt’s Creek
  • Belinda Cornish, Tiny Plastic Men

Best Performance by an Actress in a Continuing Leading Dramatic Role

  • Kristin Lehman, Motive
  • Tatiana Maslany, Orphan Black
  • Megan Follows, Reign
  • Missy Peregrym, Rookie Blue
  • Jennie Raymond, Sex & Violence

Best Dramatic Series

  • 19-2
  • Blackstone
  • Motive
  • Saving Hope
  • X Company

Best Comedy Series

  • Mr. D
  • Mohawk Girls
  • Schitt’s Creek
  • Tiny Plastic Men
  • Young Drunk Punk

Best Reality/Competition Program or Series

  • The Amazing Race Canada
  • Big Brother Canada
  • Dragons’ Den
  • Game of Homes
  • MasterChef Canada

Best Animated Program or Series

  • Endangered Species
  • Numb Chucks
  • Rocket Monkeys
  • Slugterra

Best Children’s or Youth Fiction Program or Series

  • Annedroids
  • Degrassi
  • Full Out
  • Max & Shred

Best Factual Program or Series

  • Emergency
  • Ice Pilots NWT
  • Jade Fever
  • Million Dollar Critic
  • Still Standing

Best International Drama

  • Jonathan Strange and Mr. Norrell
  • Vikings

Best Lifestyle Program or Series

  • Buy It, Fix It, Sell It
  • Carnival Eats
  • Income Property
  • Masters of Flip
  • Survivorman Bigfoot

Best TV Movie or Limited Series

  • The Book of Negroes
  • First Response
  • Forget and Forgive
  • Kept Woman
  • Studio Black!

The rest of the television categories can be seen here.

As previously announced, comedian Norm Macdonald will host the 2016 event. Wendy Crewson—currently starring on CTV’s Saving Hope—will receive the Earle Grey Award for acting and Martin Short will be honoured with the Lifetime Achievement Award.

The Canadian Screen Awards air Sunday, March 13, at 8 p.m. on CBC.

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Link: Schitt’s Creek’s Annie Murphy on Alexis’ growing independence

From Bridget Liszewski of The TV Junkies:

Schitt’s Creek’s Annie Murphy on Alexis’ growing independence
“As self-centred and spoiled as Alexis is, there is a goodness to her. She always has the best intentions and does try to find the good and fun in situations. She’s from a completely different world than Mutt and something he’s never really experienced before. So I think it’s the unknown and the different energy that’s intriguing to him.” Continue reading.

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Review: Schitt’s Creek – “Family Dinner”

In episode 2, Alexis has made her choice – it’s Mutt. But telling Ted it’s over proves harder than she thought, as she explains to Mutt, “I don’t know if it was the timbre of his voice or the fact that he smelled like baby power, but I just couldn’t physically do it.” She considers sending him the “sweetest little text message” to get the job done, but realizes it must be done in person. The second breakup scene is every bit as funny as the first, and this times it’s successful.

Johnny is in search of office space and there is a funny scene in the restaurant between him and Twyla (Sarah Levy) as he asks her about the possibility of using a booth as his office. He goes into a long-winded explanation of why he needs office space. Twyla, who is laden down with dishes, finally says, “I am going to put these dishes down. I just think I’ll think better once the blood rushes from my arms to my brain.”

Bob (John Hemphill) who runs the local garage overhears Johnny asking about office space and tells him he has a “sweet little spot” that he can use. Johnny isn’t impressed when Bob shows him the inside of his garage. But Bob is undeterred and tells him to clean it up and give it a think. He, like the rest of the cast, is perfect in his role. He is so deadpan and so oblivious. When Johnny, in an exasperated tone, tells him he doesn’t need to clean it up to think about it, Bob just continues, “well, as long as it gets cleaned up at some point.”

Moira and David decide to make dinner for the family. Well, Moira decides she’s doing it and recruits an unwilling David to help her. The relationship between Moira and David is more mother-daughter than mother-son. Last season the two of them tried to sell cosmetics. It’s definitely a meeting of the divas, if not a meeting of the minds. The scene between them making dinner is funny, and the instruction to “fold in the cheese” is clever. I’ve always thought it was an odd, vague description and for the likes of them, it’s near impossible.

There is another awkward scene between David and Stevie. Their relationship may take a turn, but no matter what state it’s in, the chemistry between them is undeniable.

The show is witty, dry and sarcastic – and the characters are brilliant. Every single one of them.

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