TV, eh? | What's up in Canadian television | Page 136
TV,eh? What's up in Canadian television

Expert sand sculptors compete in CBC’s Race Against the Tide

Canadian production company marblemedia has been creating some truly interesting twists on the reality competition genre. Blown Away (about glass blowing) and Landscape Artist of the Year (which is just what it sounds like) are stellar examples of reality shows that don’t have Canada in the title.

Now marblemedia is back with its newest reality project. Race Against the Tide debuts Thursday at 8 and 8:30 p.m. and finds 10 teams of highly skilled sand sculptors battling each other—and the tide—to impress judges and win $10,000. Hosted by Shaun Majumder, Race Against the Tide‘s setting is the Bay of Fundy, where high tides mark the deadline in each episode’s competition.

Not only is Race Against the Tide as engaging as heck, but it’s an education as well. I had no clue competitive sand sculpting was a thing. Neither did showrunner and writer Carly Spencer, who we spoke to about the challenges the pandemic and nature played in Season 1.

I knew nothing about sand carving contests until I watched the first episode of Race Against the Tide. Did you know anything about any of this stuff before you got involved in the show? 
Carly Spencer: I did not. And, it was a real whirlwind when we started up production because we were actually the first show in Canada out in the field during COVID. We just sort of hit the ground running working with CBC and it was crazy because we had never seen what we were going to be working with, this tide and everything because we couldn’t travel out there [in advance].

We saw that tide for the first time and we went, ‘Holy moly.’ What’s so cool about this show is that the crew is actually racing against the tide as well. We have basically the time from when the tide goes out and we start shooting and the sculptors start sculpting. And then, when the tide starts to come back, it hits these markers, so we have a little bit of time for judging. That’s it. If we miss a step we lose an episode. If the tide washes away one of the sculptures before we can shoot the beauty of it… But what that does is just create this amazing energy on set. Everybody is just in it working so well as a team. The cooperation on this crew is just like nothing I’ve ever experienced. I tell every single person who will listen to me, that it is because of the crew, the fantastic people just hauling their butts and working together, that this show even gets made.

These are incredible artists. Just learning about the packing down of the sand, the different scientific properties of the sand, and maybe black sand looks cool, but it doesn’t have the same properties or regular brown sand. You have so much packed into a 22-minute episode. That must have been a heck of an edit that you had.
CS: You hit the nail on the head because this is a half-hour show. Every single line, every single shot is completely curated because there’s just no time to wait. It’s actually quite difficult cutting down so much footage.

How did you get involved in Race Against the Tide?
CS: I had done a show called Landscape Artist of the Year for CBC and marblemedia. Then, I got a call from marblemedia and they said, ‘You’re never going to believe this, the show has been greenlit and you start tomorrow.’ I didn’t even have time to think about it. I really like working with marblemedia. Matt Hornburg and I have such a lovely working relationship. He really prepped me and he just lets me run. So the opportunity to repeat that was great. And, also, I like a good challenge.

Talk about the beach where you filmed.
CS: The sand has to be the right type of sand to hold together. Originally, they were going to shoot it on a different beach, and then we did all this research. We actually had someone from here send samples to our judge, Karen Fralich, who had to do all these little experiments. We had to move to this particular cove because that’s where the best sand was. That’s the first thing all the sculptors asked, ‘How’s the sand?’ There’s so much science in this show and that nobody would know.

Race Against the Tide airs Thursday at 8 and 8:30 p.m. on CBC.

Images courtesy of CBC.

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Award-winner Mary Berg is back on TV with Mary Makes it Easy

There’s a reason Mary Berg has resonated with audiences and judges, first on MasterChef Canada and then with Mary’s Kitchen Crush. What you see is what you get with Berg, and you can’t help but cheer her on.

The two-time Canadian Screen award winner is back with her latest series for Bell Media, helming Mary Makes it Easy. Debuting Monday at 8 p.m. Eastern on CTV Life Channel, Berg brings viewers into her real-life kitchen for easy-to-make (and equally easy to tweak) recipes, delivered with her trademark smile and humour.

We spoke to Mary Berg about Mary Makes it Easy, what viewers can expect from Season 1 and what it’s like to be an award winner.

How did Mary Makes it Easy come about? Is this something that you pitched to Bell or was this a collaboration?
Mary Berg: I think it was a bit of both, to be honest. We definitely pitched it to Bell. It’s no secret that I’m a sucker for a straight-ahead cooking show, in the kitchen, showing you how to make something, walking you through it, cooking show. And we definitely did that in Mary’s Kitchen Crush. With Kitchen Crush, it was about the end result. It was about the people coming over and making dishes inspired by people who you’re going to meet at the end, that was the payoff. In Mary Makes it Easy I think we did a good job at conveying this is it’s all about you and me in the kitchen together, because that is the biggest hurdle for most people. 

It’s not necessarily having someone over. It’s how do you make something for friends, or even just your family that you live with or even just yourself? It is a hard thing to do when there are so many other options. This is about you and me, the person who doesn’t want to be pulling their hair out at the end of it when their guests arrive. It is just about prepping and making delicious food and making it as confident-filled and comfortable as possible for everybody.

You’ve always made it very accessible with your ingredients. Has that always been something that’s been important to you? Just keeping it easy for the home cook? 
MB: Totally. When I write recipes, I want someone who’s experienced in the kitchen to not think, ‘Oh, this is an easy recipe,’ but I want someone who isn’t also to feel like I’m there with them walking them through. With ingredients, especially over the last year and a half, my cooking style changed kind of completely. I don’t go to the grocery store every day anymore. I go once every two weeks, pretty much still like I’m still on that kind of schedule and it’s totally changed the way I cook. This show has a lot more options for substitutions. There are a lot more suggestions for if you don’t have this or you don’t like it, that’s fine. It’s not going to ruin the recipe. Make it yours because it’s about you.

How do you develop recipes?
I love recipe development and I love food science. Basically, I have this Nancy Drew-style notebook, a composition book that I write my ideas in. I write what I think is going to work. I write estimated measurements and I just think about flavours that I think would go well together. It’s summertime right now, so obviously, everything I do has peaches and tomatoes in it because both of those things go so well together. So taking cues from what’s at the market, what’s at the grocery store, even what’s on sale, and then trying to figure out ways to do it in exciting but accessible and accomplishable ways.

You film Mary Makes it Easy in your actual kitchen. Was that always the plan?
MB: This show was always going to be in my kitchen. I think I wanted to have people in my house [because] there’s a comfort level there that I think you can’t convey in a set in the same way. So having that and giving this whole show more of a comfortable, tight-knit, cozy, homey vibe, it feels a little more like you’re just hanging out at my, at my breakfast bar pretty much the whole time. 

I enjoyed the bloopers at the end of the first episode.
MB: Thanks, man! I wanted, throughout the show and throughout the episodes, to keep flubs in too. We kept things in where something goes wrong because that’s how it works. No one is perfect. In my world, in the kitchen, there’s no failing. You’re just like trying something and it might not work, but that means you learned how to make it not work. Sometimes things go wrong and you just roll with the punches and keep going.

Can you give me a hint about some of the upcoming episodes? The first is chicken.
MB: We’ve got 25 episodes, and it was really fun coming up with the ideas for each episode because we wanted to think of common issues in the kitchen. For instance, chicken. It’s a great staple, so we wanted to do one that with 100 percent all on chicken. The next episode is date night. The thing with date night is no, you shouldn’t make like a souffle. That is an insane thing to do when you’re trying to impress someone because it’s going to go wrong. You need to do things that are quick, really impressive, but also still look like you aren’t sweaty and you just had a crying fit on the floor before your date arrived. There’s get ahead recipes, there’s one-pot there are lunches, there’s baking, baking recipes for like real beginners. Like if you want to make bread, I’ve got the bread for you as a beginner and you want to make a cheesecake, I got the cheesecake for you.

You recently won a second Canadian Screen Award. How does that feel? 
MB: It’s one thing to put something out there and think that you really like it and that the folks at Bell Media really like it, but it’s another when people vote and you find out that the Academy really likes you too. So how does that feel? Um, mindboggling. Oatmeal brain is what I call it. The fact that the show also won is so huge because so many people worked so hard on it. I know everyone says this, but I truly did not expect it either time.

I was a participation ribbon kid. I was the kid who you’re playing soccer and I’d be like, ‘No, I’m going to sit down and find a four leaf clover.’ It is really exciting and thrilling to work so hard on something and have that peer and Academy-based recognition.

Mary Makes it Easy airs Mondays at 8 p.m. ET/PT on CTV Life Channel.

Images courtesy of Bell Media.

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Amazon Prime Video and Left Bank Pictures begin production on the scripted Canadian Amazon original drama series Three Pines

From a media release:

Amazon Prime Video and Left Bank Pictures today announced the start of production on the Canadian Amazon Original drama series, and second original scripted series, Three Pines. Filming in Montreal and rural Quebec, the series stars Alfred Molina and is based on Canadian author Louise Penny’s New York Times- and Globe and Mail-best-selling Chief Inspector Armand Gamache novels. The eight, one hour episode drama will film from August to December and launch exclusively on Prime Video in Canada, U.S., UK, Ireland, Australia, New Zealand, Norway, Sweden, Denmark, Finland, and Greenland. Sony Pictures Television will handle all other international sales.

The series follows Chief Inspector Armand Gamache (Alfred Molina) of the Sûreté du Québec, a man who sees things that others do not: the light between the cracks, the mythic in the mundane, and the evil in the seemingly ordinary. As he investigates a spate of murders in Three Pines, a seemingly idyllic village, he discovers long-buried secrets and faces a few of his own ghosts. Additional cast members include Rossif Sutherland, Elle-Máijá Tailfeathers, Tantoo Cardinal, Clare Coulter, Sarah Booth, Anna Tierney, Julian Bailey, Frédéric-Antoine Guimond, Pierre Simpson, Tamara Brown, Marie-France Lambert, Frank Schorpion, Marcel Jeannin, Georgina Lynn Lightning, Crystle Lightning, Isabel Deroy-Olson, and Anna Lambe.

Louise Penny’s highly acclaimed, best-selling mystery series has won the CWA New Blood Dagger award, as well as multiple Agatha, Anthony, Dilys, and Arthur Ellis awards. In 2021, a reader survey conducted by The Washington Post ranked Chief Inspector Armand Gamache the most beloved fictional detective, beating out such characters as Sherlock Holmes and Hercule Poirot.

Three Pines comes from Amazon Studios and is produced by Left Bank Pictures, the Sony Pictures Television-owned production company behind The Crown, with Canadian production company Muse Entertainment providing production services. The series is executive produced by Andy Harries, Sharon Hughff, and John Phillips for Left Bank Pictures. Additionally, Sam Donovan, Emilia di Girolamo, and Alfred Molina serve as executive producers. The series is written by Emilia di Girolamo, who adapts the novels as lead writer, and Catherine Tregenna will pen two additional episodes. Directors on the series are Sam Donovan, serving as lead director, Mohawk director Tracey Deer, and Daniel Grou. John Griffin will series produce. Tracey Deer also serves as Indigenous consultant, alongside Katsitsionni Melissa Fox. IllumiNative will also consult on the series.

The series is part of Prime Video’s continued investment in Canada, following the revival of the sketch comedy The Kids in the Hall, docuseries All or Nothing: Toronto Maple Leafs, comedy-variety series LOL: Last One Laughing Canada, scripted comedy The Lake, and special Rupi Kaur Live. Since 2015, Amazon Studios has filmed 24 Amazon Original series and films in Canada, including The Man in the High Castle and Upload in Vancouver, The Boys and The Expanse in Toronto, Tales from the Loop in Winnipeg, as well as parts of Tom Clancy’s Jack Ryan and The Voyeurs in Montreal.

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Juno Rinaldi exits CBC’s Workin’ Moms after five seasons

There will be no Frankie in Season 6 of Workin’ Moms. Juno Rinaldi, who has played the role of real estate agent Frankie Coyne for five seasons, made the announcement on Instagram Thursday morning.

“To my dear cast, crew, friends, families and fans of the show. I have made the hard decision not to return to Workin’ Moms this season,” she wrote.

“As an artist I felt like it was time to pursue other creative opportunities as an actor and different opportunities in other mediums within the business (specifically, writing and producing). Frankie was a role of a lifetime. Deep gratitude goes out to @reitcatou for taking a chance on a nobody like me. I had 5 glorious seasons with truly incredible people and now I am so excited to see where Workin’ Moms goes next , I know it’s going to be fantastic!

All my love. Juno.”

Rinaldi’s post was quickly answered by her Workin’ Moms co-star, show co-creator, director and executive producer Catherine Reitman, who wrote:

“Telling these stories without Frankie this season was hard. Your spirit will be missed more than you know. But I speak for many when I say, we can’t wait to see what’s on the horizon for you ❤️ Sending you all the good stuff and more #teamfrankieforlife”

Earlier this summer, CBC announced that Season 6 of Workin’ Moms would return in the winter.

Image courtesy of CBC.

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APTN announces fall 2021 lineup

From a media release:

This fall, APTN is bringing the heat with new and returning shows that celebrate the many sides of Indigenous lives. From Indigenous change makers and visionaries, to the rustic kitchens of global Indigenous chefs, to survivalists, supernatural encounters and the raw drama of daily life, APTN is here to deliver straight-up Indigenous excellence. You’re going to laugh, you’re going to cry, and you’re going to get hungry, so bust out the napkins and get ready to eat!

APTN continues to be committed to showcasing Indigenous languages and cultures while providing engaging educational content for television viewers. For those who consume programming online, the network’s growing Indigenous-focused streaming service, APTN lumi, will have lots of new binge-worthy content.

The new season will roll out on APTN from September to January and will include the following programs.

Mouthwatering entertainment

Every Tuesday night, tune in for a mouth-watering celebration of food. Learn about Indigenous cuisine on the fan favourite series, Moosemeat & Marmalade and on brand-new programs:

New: Wild Game – Season 1 (Premieres Sept. 7, 2021)
Chef Rich Francis is an advocate for decolonizing food and has one goal in life: to reinvent Indigenous cuisine. Rich visits First Nations across Canada to hunt and gather only the best ingredients nature has to offer. The result: imaginative, improvised, Indigenous cooking that combines traditional practices with modern methods, with the most creative and tasty results.

New: On Country Kitchen – Season 1 (Premieres Sept. 7, 2021)
Comic Derek Nannup and one-of a-kind Indigenous Chef Mark, tour around the beautiful South-West of Western Australia, seeking out some of the best local produce in the world, and meeting some characters along the way.

New: Easy Eats – Season 1 (Premieres Sept. 7, 2021)
A unique culinary experience featuring presenter, Hera Te Kurapa, as she creates a rustic, but delicious fine dining menu filled with mouth-watering dishes.

Thrilling docuseries

Returning: Skindigenous – Season 3 (Premieres Sept. 15, 2021)
Profiling some of the most talented Indigenous tattoo artists in the world, this season highlights more Canadian artists than ever before. The adventure once again takes us deep into various Indigenous communities from around the world using the art of tattoo as a lens.

New: Michif Country – Season 1 (Premieres Sept. 12, 2021)
This documentary series explores the unique landscape, culture and language of the Michif community of Saint Laurent, Man. In this series, Indigenous celebrities embark on traditional hunting, trapping and fishing expeditions with the locals. The result is a comedic, exhilarating and inspiring exchange of culture and knowledge. ​

New: Life Below Zero: Canada – Season 1 (Premieres Oct. 31, 2021)
From long, dark, frozen winters to sweltering, bug-infested summers, Life Below Zero: Canada captures the day-to-day trials of people living in unforgiving environments. Follow the cast as they survive in the coldest and most remote regions of Northern Canada.

French-language content

Returning: Sans Réserve – Season 3 (French Premiere Sept. 6, 2021)
In a cozy and conducive atmosphere, the host Charles Bender welcomes the secrets of his guests with warmth and concern. This French-language series lifts the veil on Indigenous and non-Indigenous personalities who have a profound social, political and cultural impact.

Exploring the supernatural

Returning: Spirit Talker – Season 2 (Premieres Sept. 15, 2021)
Follow Mi’kmaq medium Shawn Leonard as he travels from coast to coast using his psychic abilities to connect the living with the dead and bring hope, healing, and closure to Indigenous communities.

New: Trickster – Season 1 (Premieres Sept. 16, 2021)
Showcasing a vast amount of Indigenous talent, the show follows Jared who is a teenager in the town of Kitimat, B.C. Like his mom and dad, Jared uses drugs and alcohol to escape the daily grind of poverty, violence and abuse. Jared starts seeing weird things like talking ravens, doppelgängers and monsters. To his relief, and terror, he isn’t crazy: he’s inherited magical abilities from his mom and someone he didn’t know existed: his biological dad.

Returning: Red Earth Uncovered – Season 3 (Premieres Sept. 15, 2021)
Tom Jackson and Shayla Stonechild lead the investigation of archaeological discoveries and ancient myths to uncover how Indigenous Peoples may have played a role in historical events and legends.

Returning: The Other Side – Season 7 (Premieres Oct. 28, 2021)
Follow the talented trio helping spirits and their loved ones find peace under the guidance of an Indigenous Elder. Opening the door to the spirit world can have unexpected results. That’s why the team of The Other Side approach every investigation with respect. Intuitive Jeff Richards, researcher Erin Goodpipe and Spirit Guide Tom Charles know that they won’t escape unchanged – and neither will viewers. This year features an episode inside APTN’s head office in Winnipeg.

Big drama

New: Unsettled – Season 1 (Premieres Sept. 10, 2021)
When urban Indigenous power couple Darryl and Rayna Keetch uproot their family and abandon their affluent life in Toronto and move home to the rez, everything they’ve worked for is compromised, including their marriage.

Returning: Tribal – Season 2 (Premieres Oct. 21, 2021)
Tribal returns where interim Tribal Chief Samantha Woodburn (Jessica Matten) attempts to overcome political red tape and must also prove herself amongst the old-white-boys club of the Metro Police. She navigates politics and procedure as she clashes with her partner, Chuck “Buke” Bukansky (Brian Markinson), a seasoned but broken-down Metro Police detective.

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