TV, eh? | What's up in Canadian television | Page 317
TV,eh? What's up in Canadian television

Link: New Orphan Black series in the works from AMC

From Dalton Ross of Entertainment Weekly:

Link: New Orphan Black series in the works from AMC
There may be another attack of the clones coming to television. EW has confirmed that Temple Street Productions and AMC are in the early stages of development on a possible new series set in the Orphan Black universe. Variety first broke the news. Continue reading.

Facebooktwitterredditlinkedinmail

Arlene Dickinson helps Canadians invest in small businesses in CBC’s Under New Management

I’m a fan of Arlene Dickinson. Amid what seems like a cacophony of negativity on Twitter, she stands out with her positive vibes every morning. The outlook carries over to her latest television project as well.

Under New Management, bowing Friday at 8:30 p.m. on CBC, catches up with the venture capitalist and Dragons’ Den investor as she aids aspiring business buyers in their quest to find a great investment. In Friday’s debut, that’s NBA veteran Cory Joseph and his sister, Danielle. The pair are looking to buy a restaurant—he recognizes he won’t be on the court forever and wants to build a nest egg—but finding just the right place is difficult. That’s where Dickinson shines, not just with her advice but a property twist that throws the siblings for a loop.

We spoke to Arlene Dickinson late last year about Under New Management.

Under New Management is the way that I want to see Dragons’ Den go sometimes, to follow after the deal’s been done. I know it’s not like Dragons’ Den in that way, but I do like seeing you working on these deals. How did the idea come about? Was it an idea that was pitched to you?
Arlene Dickinson: It was an idea that was pitched to me, and it was pitched to me by a producer that I knew. He and I started talking about this. He said, ‘I really thought of you when I wrote this concept.’ He talked to me about it. I thought, ‘Man! This is just something I really relate to.’ And I loved the idea of it, which is understanding what people’s dreams are and then helping them realize it.

Was it you or the producers that decided the projects and the people that you were going to meet?
AD: People submitted their names and there were a lot of online applications. We went out and did a casting call and asked people if they were looking for businesses. I believe Corey and Danielle were found through somebody who knew about the show. They knew that Corey and Danielle were looking for a business and then suggested they apply, so they did.

Corey is so smart recognizing that he’s been in the NBA for a certain number of years and knows that at any time in sports anything can happen. An injury can take you out and he’s planning for the future.
AD: I think that a lot of athletes and people who count on their physicality in order to make a living can find themselves injured or their careers are very limited in terms of how long. Very few play past 40 unless they’re in golf. I know a lot of athletes, pro athletes who have no idea what they’re going to do. They hadn’t thought of the future.

It was really interesting to see them going through the process, going to the small restaurant, going to the large restaurant. It’s one thing for Danielle to say, ‘Oh, I really like this and I’m passionate about it,’ but it’s quite another to envision her running a small restaurant or a large restaurant. Restaurants go under all the time because people don’t have that business savvy.
AD: I’m glad that you picked up on that because I think that’s the nuance of the show, which is you really have to start to understand that these people that are on the show are going through a real journey. They’re going from, ‘I can’t wait to do this,’ to the reality of ‘Oh, I never thought about doing that every day. That’s what it means to own a restaurant or that’s what you have to do.’ I feel like they go on this amazing journey of highs and lows. Then they come out the other side with something that maybe not expect it. In their case, we showed them something that they didn’t expect.

When people tune in to watch these episodes, what do you want them to get out of it? Obviously, there’s the entertainment value but is there something you want them to learn and to consider in their own lives?
AD: I think at the heart of the show is this notion of hope and aspiration that we all have aspirations. We all want to do something interesting and meaningful in our lives. Many people in today’s world are thinking, ‘Well maybe I should start my own business. Maybe I should go and think about this differently.’ I want people to understand that the answer might not be obvious to you right now. Often, I get asked, ‘What should I do? I want to run a business but I don’t know what to do. I don’t know what I like.’

I say, pick something. Go through a process and make something. Just start. Just start. You can evolve into other businesses. You don’t have to get stuck with something. If you make a smart choice, you learn from it and you can go on and find exactly what it is you’re passionate about. I hope people feel inspired to go and try something they’ll love.

Under New Management airs Fridays at 8:30 p.m. on CBC and CBC Gem.

Image courtesy of CBC.

Facebooktwitterredditlinkedinmail

Cameras roll on Northwood Entertainment’s third season of the award-winning Anne with an E

From a media release:

Principal photography has commenced on the much anticipated third season (10×60) of CBC and Netflix’s Anne with an E. From Miranda de Pencier’s Northwood Entertainment and Emmy®-winning showrunner Moira Walley-Beckett, Season Three continues the coming-of-age story of Anne Shirley-Cuthbert, an outsider who against all odds, fights for acceptance, for her place in the world, and for love. After an extensive cross-Canada search, Walley-Beckett and de Pencier cast 12-year-old Kiawenti:io Tarbell, a Mohawk from Akwesasne, who portrays Ka’kwet, an independent, resilient Mi’kmaq girl who befriends Anne. The third season airs on CBC and Netflix in 2019.

Returning cast include Amybeth McNulty, Geraldine James, R. H. Thomson, Dalila Bela, Corrine Koslo, Lucas Jade Zumann, Aymeric Jett Montaz, Dalmar Abuzeid, Cara Ricketts, Joanna Douglas, Kyla Matthews, Cory Grüter-Andrew, and Miranda McKeon. Directors Norma Bailey, Paul Fox, Amanda Tapping, and Anne Wheeler return for Season Three as does the entire all-female writing team led by Walley-Beckett (Kathryn Borel, Jr., Shernold Edwards, Amanda Fahey, Naledi Jackson, and Jane Maggs, with the addition of Tracey Deer). New directors this season include Kim Nguyen and Michelle Latimer.

In addition to Kiawenti:io Tarbell and Brandon Oakes (Through Black Spruce; Arctic Air; Saving Hope) new Indigenous cast members include Dana Jeffrey (Heartland; Teenagers). To find the perfect ‘Ka’kwet’, Anne with an E producers and casting team conducted an open-call search across Canada. Two hundred and thirty candidates auditioned in person or via tape, from coast to coast. Shortlisted actors were invited to take part in an acting workshop in Toronto, where the producers and casting team landed on Kiawenti:io Tarbell.

As the world of Avonlea continues to expand, Anne turns 16 – a momentous occasion which cements her desire to discover more about her birth parents and family history. But this new quest isn’t comfortable for everyone, as Matthew and Marilla grapple with the fact that Anne may have a life outside of Green Gables. Meanwhile, the residents of Avonlea interact with a camp of members of the Mi’kmaq nation, causing tensions to rise – and deep bonds to be forged. The future looms large as the kids enter their senior year of school – some prepare for their college entrance exams, while others set their sights on more exotic shores. But first, everyone must survive the perils of romance, friendship, first love, first kisses, and much more. Sebastian and Mary settle into domestic life, while Gilbert dreams big about his future as a doctor. As Anne matures, she’s increasingly forced to grapple with difficult topics — from gender equality to Indigenous rights — and learns that the fight to make the world a better place never ends. As the characters prepare to enter the twentieth century, some continue to look forward while others cling to more traditional ways, but one thing is clear – nothing will ever be the same again.

While Anne with an E continues to honour the foundation of L. M. Montgomery’s novel, this reimagined series explores identity, racism, feminism, friendship, bullying, gender parity, and empowerment through the lens of its fierce, starry-eyed, irrepressible 16-year-old protagonist.

A CBC and Netflix original series, Anne with an E is produced by Northwood Entertainment and created by Moira Walley-Beckett. The executive producers are Miranda de Pencier, Moira Walley-Beckett, Tina Grewal, Debra Hayward, and Alison Owen. Anne with an E is inspired by the timeless Canadian novel Anne of Green Gables by Lucy Maud Montgomery.

Facebooktwitterredditlinkedinmail

Spring has sprung! AMI-tv announces exciting original series and documentaries to celebrate the season

From a media release:

The snow is melting, the days are growing longer, and Canadians are excited about the arrival of spring. Accessible Media Inc. (AMI) is too. Today, AMI-tv unveiled new original and acquired television series and documentary programming designed to shake off the cold, invigorate and motivate.

In keeping with AMI’s mandate of making accessible media for all Canadians, the original series and documentaries utilize Integrated Described Video (IDV) to make them accessible to individuals who are blind or partially sighted.

Highlights of AMI-tv’s upcoming spring programming include:

Heart to Heart (Friday, March 15, at 7 p.m. ET)
We love a good love story and Heart to Heart has them. This AMI original special tells the tale of three couples—Olivia and Carolyn, Terry and Anne, and Brian and Krista—who all share something in common: one of the partners has a disability. Offering an honest, insightful and light-hearted dive into what love can look like, Heart to Heart proves one thing: love is awesome.

Reflect and Renew with Kevin Naidoo (Saturday, March 16, at 9 a.m. ET)
Prepare yourself for mind and body rejuvenation through Reflect and Renew with Kevin Naidoo. Those with all levels of mobility can join host Kevin Naidoo on a journey through thoughtful meditation and yoga practices. These will lay the groundwork for mental and physical wellness and positivity providing clarity, focus, balance, inner strength, and greater mobility. Start your day with this AMI original to see and feel a new you!

Our Community, “Paralympic Sports Association” (Thursday, March 21, at 8:30 p.m. ET)
Based in Edmonton, the Paralympic Sports Association (PSA) is a charitable, volunteer-driven organization that provides sport and recreation opportunities for children, youth, teens, adults and seniors of all abilities. In this episode of the AMI original, Our Community, participants and volunteers explain why programs like this must exist, and we explore how the Paralympic Sports Association has created a community within its walls for over 30 years.

Level Playing Field (Friday, May 10, at 7 p.m. ET)
This AMI original documentary series, hosted by Greg Westlake, showcases and celebrates the power of sport by introducing audiences to the athletes, community groups, healthcare professionals and grassroots innovators who demonstrate a desire to help drive positive social change through sport. This month we travel to Kelowna, BC, to meet Rob Shaw, an international wheelchair tennis champ from North Bay, ON, who is ranked Top 10 in the world in quad wheelchair tennis.

Without Limits: Australia (Saturday, May 18, at 8 p.m. ET)
This inspiring two-part BBC documentary observes ex-army Captain Martin Hewitt as he leads a team of British and Australian ex-servicemen and women with disabilities as they embark on an extraordinary nearly 1,000-mile expedition across Western Australia’s remote Kimberley region.

Seen & Heard (Friday, May 24, at 5 p.m. ET)
Filmed in English, American Sign Language (ASL) and Langue des signes québécoise (LSQ), Seen & Heard follows a troupe of actors and stage crew —who are Deaf and hearing—as they present a unique Deaf-themed version of The Little Mermaid. Many of the cast and crew have little or no theatre experience, and most of the Deaf actors use LSQ and are unfamiliar with ASL or English. Will the group unite and pull off this once-in-a-lifetime performance? The special presentation of the acquired program Seen & Heard leads into AMI-tv’s Friday night movies.

All AMI-tv originals are available post-broadcast on demand at AMI.ca or the free AMI-tv App.

Facebooktwitterredditlinkedinmail

Just For Laughs’ Stand Up & Pitch ’19

From a media release:

Submissions are now open for the largest and longest-running comedy pitch program, the 10th annual Just For Laughs’ Stand Up & Pitch in Montreal. CBC Comedy, Project 10 Productions and Tubefilter return as presenters of this unique program, running from July 24-27, 2019 during ComedyPRO, Just For Laughs’ elite comedy industry conference.

With submissions being accepted from all over the world, Stand Up & Pitch: The Comedy Content Search will offer five finalists in each category the once-in-a-lifetime opportunity to pitch their digital or TV concept to a panel of seasoned development and production executives, in a room filled with over 100 comedy industry tastemakers and accredited industry professionals. Furthermore, a total of five Canadian projects will be selected to pitch directly to CBC executives and members of the Canadian creative community as part of the CBC Comedy Originals Pitch Program.  One winner will be selected from each session format and will be invited back for the 2020 edition of Just For Laughs ComedyPro. He/she will receive one (1) free trip to the Just For Laughs Festival, including flight, a hotel room for up to three (3) nights, and a festival pass.

Several successful digital and TV series got their start during Just For Laughs’ Stand Up & Pitch, including Fatal Murder Mystery (Shaftesbury/Just For Laughs), That’s My Bus (FOX), My 90-Year-Old Roommate (CBC Comedy), Newborn Moms (CBC Comedy) and Epic Studios (Maker Studios).

Open to comedians, writers, producers and creators, Stand Up & Pitch offers two (2) formats for submission, in addition to the CBC Comedy Originals Pitch Program:

From Set to Screen: TV, OTT, SVOD and More

Presented by Project 10 Productions, submissions are now being accepted for single or multi-camera scripted sitcoms, game shows, reality shows, variety, sketch or animation series. These pitches are intended for television programs running 30mins. Previous panelists for this program have included executives from esteemed companies including Amazon, Bell Media, CBS, Comedy Central, FOX, HBO and more.

Beyond the Box: Playing It Short

Presented by Tubefilter, submissions are now being accepted for digital-first shows aimed for YouTube or other digital platforms, including scripted, animation, factual, variety and sketch. These pitches are intended for shows running 15mins or less. Previous panelists for this program have included executives from notable companies including Above Average, Adult Swim, Bell Media, Funny or Die, YouTube, and more.

CBC Comedy Originals Pitch Program

Presented by CBC Comedy, submissions are now open for Canadian citizens or permanent residents.

Projects will be drawn from both Stand Up & Pitch formats (Beyond The Box and From Set to Screen). The CBC is a long-time partner of Just For Laughs ComedyPRO, having helped develop the following programs from previous years in this program including How To Buy A Baby, Newborn Moms, My 90-Year-Old Roommate and the upcoming Diversity League.

Deadline to submit projects for this year’s event is May 6, 2019 at 11:59 p.m. PST.

 For additional details, full submission guidelines, and to submit for the 10th annual Stand Up & Pitch program, visit the Just For Laughs ComedyPRO website at www.comedypro.hahaha.com/submissions.

 

Facebooktwitterredditlinkedinmail