Remember “Sir. Sir? Sir!!!,” the Halloween episode of Murdoch Mysteries that was so controversial?An homage to classic horror movies like Invasion of the Body Snatchers, it featured a dire conclusion. Fans either loved it (like me) or hated it.
Here we are again with a Halloween instalment of Murdoch Mysteries. Will it be as galvanizing as “Sir. Sir? Sir!!!” was?
Here’s the synopsis for “I Know What You Did Last Autumn,” written by Simon McNabb and directed by Craig David Wallace:
At Halloween, Murdoch pursues a killer dressed as a clown who is terrorizing romantic, young couples.
And here are some observations by me after previewing the episode.
It begins with the opening credits… Monday’s episode lets you know this one’s going to be different with a twist to Robert Carli’s theme.
… And gets creepy fast Like the serial killer genre it is acknowledging, “I Know What You Did Last Autumn” features a mysterious phone call that goes downhill quickly.
A killer costume Anyone who is disturbed by clowns will be freaked out by this MM creation. The fact the mask looks handmade is all the scarier, in my opinion. Someone took the time to make themselves look this way. Gah. Helping in the investigation is Miss Cherry, who reported on events the previous year when a clown was stalking “teeners.”
Meanwhile, back at the Station House Watts and several other lads partake in a pumpkin carving contest. Turns out that Watts is much better as a detective than a jack o’ lantern maker. Also? Someone in the MM cast of characters seems to have invented a certain spice we enjoy so much of today.
Murdoch Mysteries airs Mondays at 8 p.m. ET on CBC.
When Jann Arden met Charlie Kerr at a dinner party in Vancouver last year, she immediately wanted him to play Nate, the younger boyfriend of her fictional self, on the third season of CTV’s Jann. However, the pair almost didn’t cross paths that night.
Arden was staying at a cottage owned by Kerrâ€™s father on Bowen Island, B.C., and Kerrâ€”who fronts alt-rock band Hotel Mira and has appeared on TV shows such as iZombie, The Magicians and Supernaturalâ€”says he was worried the iconic singer-songwriter would think he was just â€œanother actor-musician … with ulterior motives to collaborate with herâ€ if he turned up at a dinner they had both been invited to. So he initially declined to go. In the end, a friend convinced him to attend the gathering, but he â€œpurposely wore ratty clothingâ€ so it wouldn’t look like he was trying to impress anybody.
Little did Kerr know, Arden was already impressed with him.Â
â€œI sat down and [Jann] already knew who I was and started talking about music,â€ Kerr says. â€œI had a song that was doing well on the radio at the time and we were kind of relating to each other on that. And then the subject of her TV show came up, and she started talking about this character Nate, and I think she even said [he was] â€˜kind of somebody a bit like you,â€™ and I was like, â€˜Well, Iâ€™m an actor; Iâ€™d love to audition.â€™â€
Soon after their encounter, Arden began championing Kerr to play Nate. In response, the Vancouver native started an intense workout regimen to change his appearance because, as he explains, the character is â€œa star in an action TV show, and I have the body of a 13-year old girl.â€
Following a lengthy audition and network approval process, Kerr finally landed the part. â€œBetween going to that dinner and filming, I think it was like seven months,â€ he says.
Last week, Nate made his debut on the show. Matched with Jann through a celebrity dating app, the TV starâ€”who plays a fantasy action hero called Dark Cupidâ€”at first, appears to have little in common with her. For one thing, heâ€™s a younger manâ€”to the horror of Nora (Deborah Grover), who protests both his age and gender. For another, heâ€™s grounded and isn’t into relationship drama, which makes him wary of Jannâ€™s over-the-top antics when they run into Cynthia (Sharon Taylor) on their first date. But despite this rough start, the episode ends with Nate making pancakes in Jannâ€™s kitchen after spending the night, indicating there might be hope for this odd couple after all.
We spoke to Kerr, who is currently recording new music with Hotel Mira, about what viewers can expect from Nate in coming episodes.
When I read that Jann would be dating an action star that she meets on a celebrity dating app, I thought the character would be somewhat silly or over-the-top. But Nate is serious and no-nonsense. How did you approach playing him? CK: I know quite a lot of people kind of like him, who have been on and off sets and want to be treated like theyâ€™re normal and kind of want a break from all the glitz and glamour and stuff. That was the main thing that I was thinking about, that Nate is so well known for this part that is nothing like him, and he just wants people to love him for him and show that heâ€™s not just one thing, and I think a lot of people can relate to that. I think thatâ€™s a pretty human quality. One of my other favourite things about Nate is he means really well, and sometimes heâ€™s being insulting and doesnâ€™t know it. Being a movie star, being pampered on set, whatever it is, leads to kind of a lack of awareness. Those are the main things about Nate that I wanted to portray: He means well, heâ€™s very loving, but he has a very strange life thatâ€™s led to a bit of lack of awareness.
When we spoke to co-creators Jennica Harper and Leah Gauthier, they mentioned that they had to age you because Nate is supposed to be 38 and youâ€™re several years younger than that. What did that involve? CK: I think my body transforming was a big part of it. I also grew out a beard, and my hairâ€™s super long. I look pretty different than I usually look. And trying to have that maturity wherever I could as well in the performance. One thing Iâ€™ve noticed about people growing up and getting to a certain age, is they donâ€™t sweat the small stuff as much. If youâ€™re playing someone younger, everythingâ€™s the end of the world. Youâ€™re incredibly dramatic at every single moment of conflict, and I think a way to kind of play maturity is to understand that some things arenâ€™t that important and roll with the punches a bit, so I tried to do that as well.Â
Itâ€™s common to see relationships between older men and younger women in movies and on TV shows, but itâ€™s still rare to see the reverse. Did it excite you to be a part of an onscreen pairing that bucks that trend? CK: Itâ€™s one of my absolute favourite things about it because itâ€™s an age gap that no one would blink an eye at if the genders were reversed. If Larry David had a girlfriend on his show that was a similar age gap, it wouldnâ€™t even be a plot point, and to be a part of something going the other direction and making people think and pointing out the hypocrisy of that was really appealing. Itâ€™s really exciting to me to be a part of anything that makes people think or challenges something.
When Nate goes on his first date with Jann, he sees some red flags that initially make him think he doesnâ€™t want to see her again, but then he stays the night. What made him change his mind? CK: [Jannâ€™s] honesty, authenticity. He mentions how sick of anything vapid he is at this point. So when Jann gets real with him about what sheâ€™s going through, I think thatâ€™s what really hooks him, and I can relate to that. I think weâ€™ve all fallen in love with or become more interested in somebody once theyâ€™re vulnerable with us.Â
What was it like to work with Jann Arden? CK: I think the entire thing was just a dream come true. I never thought Iâ€™d get to be a part of an ensemble comedy, especially one this strong. Jann championed me from the beginning. I owe her a lot. But the entire cast and crew is just remarkably fun to work with. I couldnâ€™t believe my job was going to work to make people laugh. Thatâ€™s so absurdly cool. And sheâ€™s so talented and sheâ€™s such an awesome leader, and she has kind of hand-picked and curated who she works with in a way where you always feel safe, you always feel taken care of, and honestly, I just loved being a fly on the wall on that set because everyone was so goddamn funny.
Speaking of funny, Nate stars in a fantasy TV series called Dark Cupid, and there were several campy scenes from the show included in last weekâ€™s episode. Were those as fun to film as they were to watch? CK: That was an absolute joy, and it was something I was pretty nervous about because I had the whole body language and voice kind of picked out, and I didnâ€™t know if other people would find it as funny as I did. And the first thing we did was a big table read on Zoom and my first lines are as Dark Cupid, so I started doing the voice and the breathing and stuff and everybody was cracking up, and it was the first time I was able to breathe and be like, â€˜OK, Iâ€™m probably not gonna get fired.â€™ So doing that and people digging it, it was such a joy. It was kind of like getting to be in a Marvel thing or a superhero thing.Â
From talking to Jennica and Leah, I know that Nate plays a major role in the rest of the season. What can you preview about his journey in upcoming episodes? CK: He really integrates with the rest of the cast, and I think we get to see just more and more of how human he is and how he enjoys the simple things. I got to work with Patrick [Gilmore] for an entire episode and that dynamicâ€™s really, really fun. I think just as time goes on, you get to see how much of a goofball he is, you get to see the best parts of Jann that appeal to him, why theyâ€™re an unlikely match.Â
Do you have a favourite episode coming up? CK: This weekâ€™s episode, 305, is a lot of fun. It has a lot of rad, funny moments. And the finale is really cool. Getting to be a part of something with Tegan and Sara wasâ€”I never got to meet themâ€”but being involved with them whatsoever was incredibly exciting because The Con was one of my favourite records growing up, so that was a bit of a starstruck moment for me, and an honour.Â
Jann airs Mondays at 7 p.m. ET/PT on CTV, CTV.ca and CTV app.
The Writers Guild of Canada has released a new Equity, Diversity and Inclusion Report with 2020 data. The initiative is part of the WGC and its Diversity Committeeâ€™s efforts to work towards addressing issues of historic underrepresentation in Canadian television. (Diversity groups are defined by the WGC as Indigenous, Black, LGBTQ2S, People of Colour, People Living with Disabilities.)
The new report provides membership data from 2017 to 2020, and includes contract data from 62 live-action and animated series that started production in 2020, in addition to the 280 series previously covered in the period from 2017 to 2019.
The data shows some marked increases between 2019 and 2020 in key credit categories, including:
The share of writers from underrepresented communities receiving upper-level staffing credits increased in multiple categories, including Co-Executive Producer (from 25% in 2019 to 28% in 2020) and Consulting Producer (from 24% in 2019 to 33% in 2020).
The combined share of Black and People of Colour who received credits for entry-level Story Editor and Executive Story Editor positions rose in 2020 by 14% to 46.9% and by 5.5% to 52.6%, respectively. Both categories of credits have reached a parity zone, when population numbers in urban centres where writersâ€™ rooms are often located are considered (visible minorities make 54% of the population in Toronto and 51% in Vancouver).
Black writers have made strides to achieve representation in live action that is on-par with population numbers. The percentage of Black writers in live-action writersâ€™ rooms increased from 8% in 2019 to 9.2% in 2020 and is slightly higher than population numbers in highly dense population centres like Toronto and Montreal. Other indicators such as writing credits show that there is still room for improvement.
Other observations on the 2020 data include:
The participation of Indigenous writers decreased across the board in 2020. The share of Indigenous writers working on Canadian TV dropped to 1% in 2020 from 4% in 2019. No Indigenous writers were engaged in animation productions during the same period.
The share of East Asian (1.4% in 2019 to 2.8% in 2020) and South Asian (3.2% in 2019 to 3.6% in 2020) writers increased slightly, but there’s still work to do to achieve representation on-par with Canadian population numbers.
The share of writing credits received by LGBTQ2S writers decreased across different formats. In live action, credits dropped from 8.6% in 2019 to 6.9% in 2020. When it comes to animation, writing credits going to LGBTQ2S writers decreased from 4.1% to 1.7% during the same period.
When we last left Chief Sam Woodburn (Jessica Matten) and Detective Chuck “Buke” Bukansky (Brian Markinson), they had made a horrible discovery: a tomb of Indigenous bodies buried under a water treatment plant.
Returning Thursday at 9 p.m. Eastern on APTN, Season 2 of Tribal will conclude that storyline in dramatic fashion, while unearthing others, in particular the circumstances surrounding the shooting that injured Buke.
Created by Ron E. Scott, Tribal is a no-nonsense cop drama that pairs Tribal Police Chief Sam with veteran, white, city cop Bukansky, as they investigate not only crimes but corruption within the city police force itself.
“[This season] is a culmination of taking the tomb and turning it into a longer commentary,” Scott says. “We’ve crafted it in such a way that we have a lot going on. There is usually a crime of the week, and we’re going to that next level with the crime drama.”
Returning cast members include Garry Chalk, Julian Black Antelope, Ryan Northcott, John Cassini and Stafford Perry; newbies this season include Marci T. House, Stephen Huszar, Anita Brown, Bernard Starlight and Ashley Callingbull. The characters they embody circle Matten and Markinson, whose performances as Sam and Buke are even better in Season 2.
“We definitely wanted to explore how policing can affect the personal lives, and also the progression within the story world into some other realms,” Scott says. “We also learned that it was interesting to add some serialized aspects to the procedural, which gives it that ‘Can’t wait to watch next time.'”