From Bill Brioux of Brioux.tv:
Link: Set visit: party time at CBC’s Kim’s Convenience
Headed out to Kim’s Convenience Tuesday but not for milk and bread. The comedy, premiering in October on CBC, is shooting in Toronto on seven standing sets spread across two large sound stages.
If you’ve been watching CBC’s Summer Olympic Games coverage, you’ve no doubt seen the promos for the series. Continue reading.
From a media release:
Halfire Entertainment, CBC and Netflix today announced that Academy Award-winning Canadian-born actress Anna Paquin (True Blood, Roots) has signed on to play Nancy Montgomery in the screen adaptation of Margaret Atwood’s Alias Grace. The six-hour miniseries is inspired by the true story of Grace Marks, who was convicted of murdering Nancy Montgomery and Thomas Kinnear. Alias Grace is written and produced by Sarah Polley (Take This Waltz, Away from Her) and directed by Mary Harron (American Psycho, I Shot Andy Warhol). The mini-series began shooting in Ontario on August 15, 2016. Alias Grace will be broadcast in Canada on CBC and globally – everywhere outside of Canada – on Netflix.
Alias Grace follows Grace Marks (Sarah Gadon) a poor, young Irish immigrant and domestic servant in Upper Canada who, along with stable hand James McDermott, was convicted of the brutal murders of their employer, Thomas Kinnear and Nancy Montgomery (Anna Paquin) in 1843. Nancy is Kinnear’s housekeeper and lover, and while she initially befriends Grace, she begins to resent Grace and becomes increasingly jealous of Kinnear’s affection for her.  Nancy eventually fires Grace in a fit of rage and is later found brutally murdered.
Alias Grace is co-commissioned by CBC and Netflix, produced by Halfire Entertainment and created by Sarah Polley. The executive producers are Sarah Polley, Mary Harron and Noreen Halpern. Producing alongside Polley is D.J. Carson.
This episode of Working It Out Together examines a topic dear to my heart: Indigenous education. Through the lived experiences of an Inuit student from Nunavut, it takes a hard look at the effects that the Residential School System continues to inflict upon Indigenous youth across Canada today.
Carol Rowan, Professor of Education at Concordia University–Inuit Studies, describes the way Inuit children were educated by the community and through their experiences on the land prior to colonization. “The land was teacher and land was pedagog. Children learned through a caring relationship with the land.” This attitude to education was in stark contrast to what we today understand conventional education to be.
Morley Hanson, Coordinator, Nunavut Sivuniksavut describes the process of colonization as it manifested in the far north. “Waves of outsiders would arrive, predicated on the continued use of the natural resources.” There was a European whaling industry, followed by fur traders and missionaries. The people began to convert to Christianity, and were also encouraged and/or coerced to move off of the land to live in larger communities.
Melissa Irwin, Instructor, Nunavut Sivuniksavut explains how the Residential School System was a “colonizing tool that was designed with ill intent to take away our culture, our language, our pride, and our voice. It separated families physically, but also psychologically. It introduced violence, pain, disconnect, and abuse.” As a result of colonization, the value of education has been deflated within Indigenous communities across Canada. If however Indigenous ways of knowing are incorporated into school curriculum, interest in attending school and understanding its value will act to improve student success rates.
We follow 20 year old Lucina Gordon on her quest to become a school counselor. In order to complete her college degree at John Abbott College, she must travel more than 1500 km. Lucina is 1 of only 2 youth from her community to make it to the final college semester. We see through Lucina’s eyes the difficulties students face when they leave their tightly knit communities in the north to attend school in a large urban centre.
We are also introduced to the Nunavut Sivuniksavut program that helps Inuit students make the transition from their communities to post secondary education. Using culturally relevant topics, students, so far removed from home and family, recognize their own sense of self and the program gives them ongoing support as they seek to complete higher education.
Admittedly, I am biased when it comes to Indigenous education but this episode really is jam packed with the issues that face Indigenous education and educators in Canada today. I have only touched on a few themes addressed in the episode and were I to truly do it justice (at least in my mind) this recap would be twice as long as it is. Given the heavy media coverage that the Truth and Reconciliation Commission’s Calls to Action have received across Canada, educational reform for Indigenous youth is a very timely topic. So my advice is simple, if you missed this episode just go watch it here: Working It Out Together
Steve Levitan is trying to get Train 48 back on track, and now seems like the perfect time to do it.
“The format that, at the time, I thought was innovative today is even more strategically smart,” Levitan says.
For those who don’t recall, Train 48 was an anomaly on the Canadian TV landscape. Broadcast on Global from 2003 until 2005 and based on the Australian series Going Home, the soapy series followed the daytime commute of a small group of characters from Toronto to Burlington, Ont. Before cell phones became the norm, folks would travel on the train and talk about the day’s events, often amongst the same four people sitting together. Levitan and his writers mirrored that for Train 48, mapping rough conversations and then letting the cast go, free forming the discussions to make them more real. Among the cast on Train 48 were Krista Sutton, Paul Braunstein, Paul Sun-Hyung Lee, Joe Dinicol, Raoul Bhaneja, Amy Price-Francis and Lisa Merchant, who filmed an episode every weekday for two years.
“I sort of vaguely remember getting up at 4:30 a.m. to drive into the set,” Merchant, who played Brenda Murphy, recalls. “We’d get into costume and have a meeting with the producer, have breakfast, and then it was time to get rolling. We’d be finished by 2:30 p.m. and then would do it all over again the next day.”
“Even though those of us who did it have done a lot of things in our careers, we’ve haven’t done anything like it again,” Bhaneja, who portrayed Pete Subramani, says. “It was such a unique journey. We’d be picked up in a van convoy, climb into our fake GO Train set, film and then what we did would be on TV that night. It was crazy.”
As a daily commuter into Toronto myself at the time, I totally got what Train 48 was all about. Aside from being tonally different from what was on television at the time, Train 48 broke new technological ground as well. Levitan recalls how Global wanted to drive traffic to its fledgling Canada.com website; the show placed Pete on the phone his bookie betting on that night’s Toronto Blue Jays-New York Yankees game. Viewers were urged to visit the website to vote who they thought would win the game; Canada.com crashed for days.
So, why the attention for Train 48 after 13 years? Because episodes are rolling out on the show’s YouTube channel. The show’s distributor, Syndicado (a deal structured through Farrago Media Inc.), suggested they be posted online and Levitan said yes. Train 48 certainly works airing on YouTube, but it would be a perfect fit for Canada’s streaming channels CraveTV and shomi. Levitan thinks so too, but no broadcaster has been interested. He also believes the format is the perfect formula for television today. Levitan points to Orphan Black, which attracts 250,000 viewers for Space every week at a cost of millions per episode versus his show, which attracted 250,000 viewers or more every night of the week at a cost of $40,000 per instalment. The model, he says, still works today.
“There are lots of ways to keep doing Train 48,” Levitan says. “And there are lots of ways to update or change the creative focus of that format, depending on who your network or audience is.”
Check out all of Train 48’s episodes as they roll out on YouTube.
From Denise Petski of Deadline:
Link: WWE star Edge joins Vikings Season 5 in recurring role
Adam Copeland, former WWE Superstar Edge, is set for a recurring role in the upcoming fifth season of the hit History drama series Vikings. Continue reading.
