Tag Archives: Canadian Screen Awards

Awards

Link: Martin Short to Get Canadian Screen Awards’ Lifetime Honor

From Etan Vlessing of The Hollywood Reporter:

Martin Short to Get Canadian Screen Awards’ Lifetime Honor
Martin Short will be presented with a lifetime achievement award at the 2016 Canadian Screen Awards, organizers said Tuesday.

The Canadian funnyman known for his star turns on SCTV and Saturday Night Live will receive a gala tribute on March 13, 2016 during a national awards show airing on the CBC network. Also known as the man-child Ed Grimley and clued-out reporter Jiminy Glick characters, Short hosted the event in 2013 and 2014. Continue reading.

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Awards

Academy announces Canadian Screen Award special award winners

From a media release:

The Academy of Canadian Cinema & Television is pleased to announce six Academy Special Award winners for the 2016 CANADIAN SCREEN AWARDS: Ivan Fecan, This Hour Has 22 Minutes, Ana Serrano, Mark Starowicz, Karen Walton and the Performing Arts Lodges (PAL Canada).

Academy Board of Directors’ Tribute: Ivan Fecan
Ivan Fecan has been in the media industry over 40 years. Beginning at CBC Radio, he produced Quirks and Quarks, then went to Citytv, co-creating CityPulse News. In the 80’s, legendary NBC programmer Brandon Tartikoff recruited Ivan as VP Creative Affairs where he was the executive on such shows as SNL. Returning to Canada as Director of CBC TV Programming, then VP of English Television, he greenlit such programs as Kids in the Hall, Degrassi Junior High, Codco, This Hour has 22 Minutes, Air Farce, Road to Avonlea, Love and Hate, The Boys of St Vincent. In the 90’s, he became CEO of Baton Broadcasting (renamed CTVglobemedia). He acquired CTV, launched Sportsnet and the Comedy Network among others, bought TSN/RDS, Discovery, CP24, MuchMusic, Bravo, E!, and Space, won the rights for the Vancouver Olympics, overseeing the broadcasts. He greenlit Corner Gas, Flashpoint, Canadian Idol. Under his watch, CTV dominated the top 20. Currently Ivan is Executive Chair of Thunderbird Films, which is comprised of multiple production and distribution companies. Ivan, with his wife Sandra, are philanthropists who believe in giving back to the arts, making major gifts to York University’s Faculty of Fine Arts, the National Ballet, the AGO, the National Ballet School, and the Soulpepper Theatre Company, among others.

Academy Icon Award: This Hour Has 22 Minutes
This Hour Has 22 Minutes is an acclaimed, provocative Canadian satirical sketch/variety show that skewers politics, culture and world events. No story is off limits, and no personality too big for dynamic cast members Mark Critch, Cathy Jones, Shaun Majumder and Susan Kent to tackle. Politicians and celebrities frequently make guest appearances, some willingly … some not. Produced by DHX Media, 22 Minutes is currently in its 23rd season on CBC, and continues to be one of Canada’s best-known and top-rated comedy shows.

Digital Media Trailblazing Award Sponsored by the Ontario Media Development Corporation (OMDC): Ana Serrano
Ana Serrano is the Chief Digital Officer of the Canadian Film Centre and Founder of CFC Media Lab, the world-renowned and award-winning institute for interactive storytelling created in 1997. Serrano is driving the digital transformation of the CFC into a unique blend of talent, product and company accelerator and creative production house. Most recently, she launched Canada’s first digital entertainment accelerator IDEABOOST with founding partners Shaw Media and Corus Entertainment. To date, Ana has directed the development of over 130 digital media projects, mentored over 50 start-ups, and has received numerous awards from the digital media, film, and theatre industries in both Canada and the U.S., including a DigiAward for Visionary of the Year, a Best Canadian Feature Film Award from the International Reel Asian Film Festival for her own transmedia production Prison Dancer: the Musical, and a Jim Blackaby Ingenuity Award for Body/Mind/Change.

Gordon Sinclair Award for Broadcast Journalism: Mark Starowicz
“There’s a persistent idea that Canadians aren’t interested in their own stories,” Mark Starowicz once said. “I’ve made a living proving that isn’t true.” The ultimate expression of Starowicz’s passion for Canadian history and culture is the 30-hour CBC documentary series Canada: A People’s History (2000-01), which he created and executive produced. It attracted over 14 million viewers and won three Gemini Awards. Mark Starowicz was raised in Montreal and graduated from McGill University with a Bachelor of Arts in History. He began his career in newspaper journalism, then joined CBC Radio in 1970, where he received particular acclaim for his reworking of As It Happens and his creation of Sunday Morning, a three-hour weekend review. In 1979, he joined CBC Television, where he was the architect and executive producer of the hugely successful current affairs and documentary program The Journal (1982-92). As Executive Producer of CBC’s Documentary Production Unit and later executive director of documentary programming, he oversaw The Greatest Canadian (2004), Hockey: A People’s History (2006), 8th Fire (2012), and a decade of acclaimed independent productions. Starowicz is an Officer of the Order of Canada, and has won the Canadian Journalism Foundation Lifetime Achievement Award, a Governor General’s Performing Arts Award, nine Gemini Awards and one Prix Gémeaux.

Margaret Collier Award (for Writing): Karen Walton
Karen Walton is an award-winning screenwriter and creative producer whose credits span an eclectic array of popular, critically-acclaimed and/or ground-breaking film and television works. To film lovers, she’s the sardonic scribe behind the international cult horror classic, Ginger Snaps. In television, she’s been in the earliest writing rooms for game-changing series such as gay culture classic Queer As Folk, and science fiction sensation Orphan Black. A graduate of the Canadian Film Centre’s Film and TV Writing programs, her other credits include the Gemini awarding-winning Mow script for the true rape-culture saga, The Many Trials Of One Jane Doe, biopic Heart: The Marilyn Bell Story and six other original drama series, Flashpoint, The Eleventh Hour, and The Listener among them. Her unique voice and dedication to social change through innovative content has won Karen a Canadian Comedy Award, a special jury citation from the Toronto International Film Festival, Canadian Screen Awards for Best Dramatic Series, and the Writers Guild of Canada’s Writers Block Award for outstanding contribution to the national screenwriting community. Born in Nova Scotia, 2016 marks Karen’s 22nd year living and writing in Toronto.

Humanitarian Award: Performing Arts Lodges (PAL Canada)
PAL Canada Foundation is a national charitable organization whose mandate is to create and encourage programs and services for senior and disadvantaged members and associates of Canada’s professional artists’ community, in the areas of affordable accommodation and overall well-being. PAL Canada Foundation supports 8 individual PAL chapters across the country: Halifax, Ottawa, Toronto, Stratford, Winnipeg, Edmonton, Calgary, and Vancouver. Each PAL chapter has its own unique requirements, which are defined by the needs of their local community. Depending on the chapter, the focus may be to provide and sustain quality affordable housing for seniors and/or challenged individuals within their professional and performing arts community. Alternatively, some chapters may not require accommodations, but do need support for their members. This support typically takes the form of a volunteer-driven team known as “Supporting Cast”, a group of volunteers who offer personal assistance to PAL members so that they can continue to lead independent lives in their own homes. These services may include assistance in dealing with community agencies and health care providers, rides to medical appointments or running errands. Supporting Cast also offers companionship and checks in with members who are on their own. Some chapters also organize group activities.

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19-2, Awards, Call Me Fitz, Orphan Black

Call Me Fitz and Orphan Black take home top Canadian Screen Award TV titles

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Cancelled comedy Call Me Fitz and cult hit Orphan Black were the big winners in the television categories at the 2015 Canadian Screen Awards on Sunday night.

“It’s an honour to make great Canadian TV for the world from our own backyard,” Orphan Black co-showrunner Graeme Manson said from Toronto’s Four Seasons Centre for the Performing Arts stage after claiming the trophy. Orphan Black lead Tatiana Maslany took home the title for Best Performance by an Actress in a Continuing Leading Dramatic Role.

19-2‘s Jared Keeso took home the hardware for Best Performance by an Actor in a Continuing Leading Dramatic Role.

Cancelled Movie Network/Movie Central sitcom Call Me Fitz took home two awards for Best Comedy Series; co-star Joanna Cassidy won for Best Performance by an Actress in a Continuing Leading Comedic Role.

Bomb Girls: Facing the Enemy had a bittersweet goodbye earlier in the night with a win for Best Dramatic Mini-Series or TV movie; star Jodi Balfour captured Best Performance by an Actress in a Leading Role in a Dramatic Program or Mini-Series.

Lost Girl was given the Fan’s Choice Award.

Here’s a list of the television winners (Bold text indicates the winner of each category.)

Best Dramatic Series
19-2
Continuum
Motive
Orphan Black
Remedy

Best Comedy Series
Call Me Fitz
Mr. D
Seed
Spun Out
Tiny Plastic Men

Best Reality/Competition Program or Series
The Amazing Race Canada
Big Brother Canada
MasterChef Canada
The Ultimate Fighter Nations – Canada vs. Australia
Unusually Thicke

Best International Drama
Vikings
The Great Martian War

Best Variety of Sketch Comedy Program or Series
Rick Mercer Report
Funny as Hell
Seth Rogen: Hilarity for Charity
This Hour Has 22 Minutes

Best Performance by an Actor in a Continuing Leading Comedic Role
Gerry Dee, Mr. D
Adam Korson, Seed
Don McKellar, Sensitive Skin
Dave Foley, Spun Out
Mark Meer, Tiny Plastic Men

Best Performance by an Actress in a Continuing Leading Comedic Role
Joanna Cassidy, Call Me Fitz
Julia Voth, Package Deal
Carrie-Lynn Neales, Seed
Kacey Rohl, Working the Engels
Andrea Martin, Working the Engels

Best Performance by an Actor in a Continuing Leading Dramatic Role
Adam Beach, Arctic Air
David Sutcliffe, Cracked
Jared Keeso, 19-2
Michael McLeod, Forgive Me
Dillon Casey, Remedy

Best Performance by an Actress in a Continuing Leading Dramatic Role
Meaghan Rath, Being Human
Tatiana Maslany, Orphan Black
Megan Follows, Reign
Jennie Raymond, Sex & Violence
Jackie Torrens, Sex & Violence

What did you think of the Canadian Screen Awards? Did your favourite take home a trophy? Comment below or via @tv_eh.

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Awards, Featured

Interview: Andrea Martin previews Sunday’s Canadian Screen Awards

By Chis Jancelewicz

It’s only fitting that one of the most hilarious women to ever grace the Canadian small screen is hosting the annual gala to honour Canadian film and television. SCTV alum Andrea Martin is taking the mic this year to helm the 3rd Annual Canadian Screen Awards on March 1, and promises to bring the funny.

TV, Eh? sat down to chat with the comedic star about hosting the gig (while simultaneously being nominated for her comedy Meet the Engels).

It’s cold out there. What are you going to do if the temperature is like this on March 1?
Andrea Martin: [Laughs.] I’m going to be inside! Or … where WILL the red carpet be? It might be outside. Oh, it is outside. They probably have heaters, though. This IS Canada.

Is there a lot to be proud of this year in terms of Canadian entertainment?
I think it’s so varied! Usually, there’s a lot of French-Canadian films and talent, this year I think there’s more English-speaking films. There’s a nice balance, and a lot of new, young talent.

Have you ever been a host and been nominated at the same time?
I’ve been a host many times, and I’ve been nominated many times. [Laughs.] I’m trying to think! Not in the States, I’ve just won a lot there: two Tonys, two Emmys, a People’s Choice Award … but I’ve never hosted the shows.

Can you reveal any details or surprises about the show to us?
One thing that’s going to be very exciting is they’re putting together packages for each film and TV show, just in case people haven’t seen the productions. The Canadian public hasn’t necessarily seen the stuff up for awards, so they might not tune in if they’re not interested. This way people can be informed.

Is there anything new this year?
It’s not new since the ceremony is already three years old, but I think combining movies and television into one is an exciting, jam-packed evening. It seems there are a lot of actors from the United States included this year, some nice crossover as well.

The Canadian Screen Awards gala airs Sunday, March 1, at 8 p.m. on CBC.

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Awards, Featured

Canadian Screen Awards: Who should/Will win the TV categories?

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It’s the glitziest week in Canadian television. The third annual Canadian Screen Awards consume the entire week in Toronto with a nominee cocktail party on Monday, two nights of industry awards on Tuesday and Wednesday, the Women Who Act with Patricia Rozema screening at the TIFF Bell Lightbox and a Fan Zone on Saturday at the Eaton Centre.

On Sunday, March 1, the two-hour live broadcast concludes the festivities by awarding the top TV and film categories.

With all of that in mind, the editors and contributors here at TV, Eh? have broken down the major television categories, ruminated the talent involved and given our picks for who should—and will—win a Canadian Screen Award.

Who weighed in: Diane Wild, Greg David, Emily Gagne and Chris Jancelewicz.

Best Dramatic Series
19-2
Continuum
Motive
Orphan Black
Remedy

Emily
Should win: 19-2. This show is a true standout in the overcrowded cop drama landscape, as it tackles issues often avoided, whether out of lack of interest, or fear of disturbing viewers. What’s more, it’s beautifully shot and features some truly stellar performances from its leads.

Will win: Orphan Black. The CSAs will want to do everything they can to get Tatiana Maslany on the show while she’s still one of the hottest things out there, right?

Diane
Should win: Orphan Black. It’s not a perfectly plotted show, but it’s entertaining as all get out and touches on social issues in the way only sci-fi can pull off without turning into a mini morality play. The much-lauded performances by Tatiana Maslany are rooted in the excellent characters built by the writers.
Will win: Orphan Black.

Chris
Should win: 19-2. Canadians are always thirsting for new, innovative TV dramas, and here it is right under our noses. While it deserves all the awards and accolades for its amazing cast, inventive cinematography and solid, tight writing, it unfortunately falls off the radar.
Will win: Orphan Black, of course. The most hyped show to come out of Canada (as a co-production) since the beginning of time, there is no doubt OB will take top honours — even though a certain episode from Season 2 signalled a potential meltdown to come in Season 3.

Greg
Should win: 19-2. I do love Orphan Black (which will likely walk away with the award), but Season 1 of 19-2 was far stronger than Season 2 of OB. From the unflinching storylines to the incredible ensemble performances (the show’s cast is nominated in the lead and supporting categories), 19-2 has been simply amazing.
Will win: Orphan Black. The Academy may pull a fast one and choose something else, but I doubt it.

callmefitz

Best Comedy Series
Call Me Fitz
Mr. D
Seed
Spun Out
Tiny Plastic Men

Emily
Should win: Call Me Fitz. This show, run by the awesome Sheri Elwood, was horribly underrated when it was on, which is a total shame because it was one of the funniest—and crudest!—Canadian comedies ever to hit TV. Since this was its last season, it deserves all the attention it can get.

Will win: Anything other than Spun Out, amiright? I mean, after that whole scandal….

Diane
Should win: Call Me Fitz has been one of my favourite Canadian shows since before it began airing. It’s insane in all the right ways.
Will win: Oh please let it be Call Me Fitz in the Academy’s last chance to honour the show again.

Chris
Should win: Call Me Fitz. Creative, funny, smart. Can’t really deny it, especially since the rest of the shows in this category have never made me laugh once.
Will win: Again, Call Me Fitz. If Seed takes this, oh man, I’ll be very concerned for the state of Canadian comedy.

Greg
Should win/Will win: Call Me Fitz. In a classic case of cancelled show wins in the category (sorry Seed, it won’t be you), Fitz is walking away with the award. It’s well-deserved. The writing was sharp, the performances hilarious and Jason Priestley was at the top of his game.

Best Reality/Competition Program or Series
The Amazing Race Canada
Big Brother Canada
MasterChef Canada
The Ultimate Fighter Nations – Canada vs. Australia
Unusually Thicke

Emily
Should win: The Amazing Race Canada. Even people who aren’t into reality TV anymore can get hooked on this show, which captures the same informative, yet engaging spirit of the American series that inspired it.
Will win: The Amazing Race Canada or Big Brother Canada. One of the big names.

Diane
Should win: I hate reality TV and I’m embarrassed our industry keeps pumping out [X] Canada type reality shows. Is the Firelog nominated? No? Then I don’t care.
Will win: Amazing Race Canada, because I guess something has to win.

Chris
Should win: The Amazing Race Canada. A Canadian reality show went international (albeit briefly)?! They deserve to win just for that. Big Brother Canada is a close second, just because of the major drama that went down in that house. It even drew the attention of American Big Brother fanatics, and that says something.
Will win: The Amazing Race Canada. High production values, international travel, good reality-show drama.

Greg
Should win: The Amazing Race Canada. This unscripted love letter to our country was even better in Season 2, spotlighting key locations in Canada and venturing overseas for key moments, like having the competitors run across Juno Beach in France on the anniversary of the D-Day landings and come face-to-face with a Second World War veteran.
Will win: The Amazing Race Canada … but Big Brother Canada could sneak in as a dark horse. I’ll weep for the future of Canadian TV if Unusually Thicke gets it.

Best International Drama
Vikings
The Great Martian War

Emily
Should win/Will win: Vikings. This is a powerhouse show with a hold on both the industry and viewers.

Diane
Should win/Will win: I haven’t seen either one of these shows so … um … Vikings?

Chris
No brainer. Should win: Vikings. The gritty action drama keeps upping the ante with every new season, and it’s not just because (like everyone else) I’m hypnotized by Travis Fimmel’s ice-blue laser-beam eyes. A great ensemble with interesting storylines, not to mention beautiful, well-shot scenery, make this a cinch to win.
Will win: Vikings, for all the reasons above.

Greg
Should win/Will win: It’s not even close. Though The Great Martian War was a very well-done special that combined real-life First World War footage with CGI that made it look like that conflict was really a fight with invading Martians, Vikings will not be beaten. Stunning visuals, memorable characters and wonderful scripts written by creator Michael Hirst means the vikings will claim their golden plunder.

Rick_Mercer

Best Variety or Sketch Comedy Program or Series
Rick Mercer Report
Funny as Hell
Seth Rogen: Hilarity for Charity
This Hour Has 22 Minutes

Emily
Should win/Will win: Rick Mercer Report. Every year, Rick comes up with fresh material to not only keep us laughing, but also to keep us thinking.

Diane
Should win: Rick Mercer Report. It’s been on the air for a million years and is still hilarious, with rants that still make people laugh, think and talk. Mercer for PM, never mind for a Screenie.
Will win: Seth Rogen: Hilarity for Charity because he’s one of the “fresh” names in a category of oldsters, and it was for charity so come on, how could voters be anti-Hilarity for Charity?

Chris
Should win: Rick Mercer Report. Rick has his finger on the pulse of this country, and it shows. Never stale, never lame, the man rants like no one else — and it’s always smart.
Will win: Rick Mercer Report, with 22 Minutes as a possible dark horse. Both are CBC, but I think Mercer resonates with both young and old, while the 22 Minutes audience is … um … not both.

Greg
Should win: I’m going to go out on a limb here and say Funny as Hell. The HBO Canada stand-up series hosted by Jon Dore is indeed funny as hell, spotlighting comedians like JB Smoove, Jim Jeffries and Marc Maron. Come on Academy, let’s mix things up a bit!
Will win: Rick Mercer Report

 

Best Performance by an Actor in a Continuing Leading Comedic Role
Gerry Dee, Mr. D
Adam Korson, Seed
Don McKellar, Sensitive Skin
Dave Foley, Spun Out
Mark Meer, Tiny Plastic Men

Emily
Should win: Adam Korson, Seed. I was always a huge supporter of Seed when it was on, and a big part of that had to do with Korson being an expert lead with effortless charm and spot-on timing. His chemistry with Carrie-Lynn Neales was enough to make me want to captain their on-screen ship, Rosarry.
Will win: Gerry Dee. He’s a crowd pleaser and Mr. D really is a great show.

Diane
Should win: Jason Priestley. What? Not nominated? Good grief. OK then, Don McKellar. His off-beat neurotic humour always makes me laugh.
Will win: Adam Korson, because he’s so darn charming, and was on a show more than five people saw.

Chris
Should win: Don McKellar, Sensitive Skin. I know, I know, he was a bit annoying at first, but he grew on me with his neuroses. I actually chuckled aloud at McKellar’s character’s ridiculous urban behaviour.
Will win: Gerry Dee. Everyone loves this guy.

Greg
Should win: I’m going to side with Chris on this one. Normally I’m not a huge fan of Don McKellar, but I really enjoyed him in Senstive Skin. Can I also use this space to complain that Kim Cattrall was robbed by not being nominated in the Actress category? Thank you.
Will win: Gerry Dee.

seed-1.jpg

Best Performance by an Actress in a Continuing Leading Comedic Role
Joanna Cassidy, Call Me Fitz
Julia Voth, Package Deal
Carrie-Lynn Neales, Seed
Kacey Rohl, Working the Engels
Andrea Martin, Working the Engels

Emily
Should win: Either Carrie Lynn-Neales or Kacey Rohl. I’d honestly be happy with a tie for these two, as they showed us that Canada can do the adorkable leading lady thing too, and perhaps with even more heart than our neighbours to the South.
Will win: Andrea Martin. Uh, it’s Andrea Martin. And this is the only time they can give her an award for Engels.

Diane
Should win: Joanna Cassidy. Everyone in Call Me Fitz is terrific, and if Jason Priestley had to be robbed then his costar should take home the prize.
Will win: Andrea Martin, because even though the show was less than great, she’s Andrea Martin.

Chris
Should win: I’ll ignore the insane snub of Kim Cattrall (c’mon, that’s just plain nutty) for Sensitive Skin, and say Andrea Martin for Working the Engels. Martin is blessed with impeccable comedic timing and one of those faces that just triggers laughter.
Will win: Andrea Martin for Working the Engels. She’s hosting this thing. You do the math.

Greg
Should win: Julia Voth. This is partly my heart talking because I visited the set and met the very nice folks who are involved in it. Plus, Voth had no prior experience as a comic actress and proved to have a natural gift for physical comedy, a big feat considering she was sharing the screen with Harland Williams.
Will win: I can’t decide between Joanna Cassidy or Andrea Martin.

Best Performance by an Actor in a Continuing Leading Dramatic Role
Adam Beach, Arctic Air
David Sutcliffe, Cracked
Jared Keeso, 19-2
Michael McLeod, Forgive Me
Dillon Casey, Remedy

Emily
Should win: Jared Keeso. 19-2 might be well-written and shot, but it wouldn’t have the same star power without Keeso and his screen partner Adrian Holmes repeatedly killing it.
Will win: Keeso.

Diane
Should win: Jared Keeso is head and shoulders above the rest, and I say that as someone still catching up with season one of 19-2.
Will win: Jared Keeso or there is no justice.

Chris
Should win: Jared Keeso, 19-2. Keeso is the blood, sweat and tears of this show (along with co-star Holmes), and he’s displayed some serious acting chops in the past year.
Will win: Keeso for 19-2, for the reasons above.

Greg
Should win/Will win: Jared Keeso. Keeso and Adrian Holmes are the faces of 19-2 for good reason. They head up an incredible ensemble cast. Keeso, who was so good playing Don Cherry for CBC’s TV-movies, has come into his own in Bravo’s cop drama, playing a sensitive Montreal cop who means well in everything he does, even if it verges into some grey territory. Want to see Keeso’s comic side? Check out Letterkenny Problems.

orphanblack2.jpg

Best Performance by an Actress in a Continuing Leading Dramatic Role
Meaghan Rath, Being Human
Tatiana Maslany, Orphan Black
Megan Follows, Reign
Jennie Raymond, Sex & Violence

Jackie Torrens, Sex & Violence

Emily
Should win/Will win: Maslany/one of her clones.

Diane
Should win/Will win: Tatiana Maslany, eight times over.

Chris
Should win: Tatiana Maslany for Orphan Black. Do we really need to go over this? Maslany plays so many characters, without her the show would have like four other credits. Even if you’re not a fan of OB, you can’t deny her ability to throw herself into every single clone role.
Will win: Maslany, Orphan Black. If she doesn’t, the universe will fold into itself.

Greg
Should win/Will win: Tatiana Maslany. Yes, she’s as good as everyone says she is. My only question is: which clone will accept the award?

 

The Canadian Screen Awards gala airs Sunday, March 1, at 8 p.m. on CBC.

What do you think of our picks? Who do you think should and will win? Comment below or via @tv_eh.

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