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Workin’ Moms: Catherine Reitman, Dani Kind and Juno Rinaldi talk Season 3

When we last left the Workin’ Moms, things had gone badly, especially for Kate (Catherine Reitman). She discovered that her husband, Nathan (Philip Sternberg), was having an affair with Mean Nanny (Jess Salguiero). And, to add to the emotional moment, Kate discovered she was pregnant.

Viewers were left wondering what Kate’s next steps were. Would she divorce Nathan? What about the pregnancy? Kate wasn’t the only one facing challenges. Anne (Dani Kind) was headed for a showdown with he ex-husband Brad (Christopher Redman), and Frankie (Juno Rinaldi) was juggling new relationships.

Workin’ Moms returns on a new night this Thursday at 9 p.m. on CBC with two back-to-back episodes chock full of the tears and laughter we’ve come to expect from Reitman’s creation. And with folks like John Ralston, Sean Cullen and Emma Hunter on board, we had to find out more. We spoke to Reitman, Kind and Rinaldi at CBC’s recent media day.

There is a time jump when Workin’ Moms returns. Kate is about to give birth. At what point in the creative process did you know you were going to do that?
Catherine Reitman: We went back and forth on this in the writers’ room a ton. And ultimately we always go back to, ‘What’s the most compelling way to watch this character?’ Is it more interesting if she doesn’t have another child, does the child actually drag us back to what we’ve already seen her do?

And then she gets involved with someone else.
CR: She is juggling a little more than usual. Dani, Juno, and I all in real life have two kids, and I think there is something to do when you meet someone with just one child you’re like, ‘Ugh, I totally understand, but just wait.’ Because when you double down on kids there is just a different level of storm, you’ve become so not a priority in your own life. Giving Kate this baby felt like a way of just filling her plate to make her the least important protagonist in her own story.

It just parallels so many working mother’s lives, I think. As far as her season, I think Kate is having an identity crisis once again. Kind of like Season 1. Except for this time she now has to reinvent herself with infidelity kind of screaming at her the entire time. We hear so often about the women keeping the house and the kids. And there’s something just really refreshing, and you really root for someone who moves out. Someone who hits the pavement and starts her own business the way Kate does and so many women I know out there currently doing it. I just think it’s incredibly brave and it’s the kind of story I wanted to get behind.

How did you land John Ralston in a guest role?
CR: I tricked him. He thought it was Murdoch. He showed up, and he was like, ‘I don’t understand, where’s the gentleman with the beautiful lashes?’ And I said, ‘You’re fine, just hold this baby and get in a wheelchair and …

He is a recurring character? 
CR: He is a recurring character. Look, our characters make flawed decisions all the time and having them sort of deal with those repercussions at this magnitude is really, it’s just really fun. It’s a fun ride for Kate. And John made it that way. I think we auditioned every guy in the country for that role. Similar to Anne and Frankie, it was, ‘How do we find someone who can make this character likable? Not a straight up cartoon villain.’ And he brings so much heart, and he’s having so much fun. He’s constantly laughing at what he’s saying. He’s delighted with himself. And it makes him so easy to watch and get on board with.

Had you considered having Kate and Nathan get back together again?
CR: Of course, and that’s not off the table.

Dani, things look pretty tough for Anne right now. The court case being challenged, and the cake being brought in as evidence. What can you say about what’s going on with Anne and Lionel? And there’s something going on with her daughter this season as well, right?
Dani Kind: She clearly hasn’t dealt with things between her and Brad from last season, from their marriage. I think she’s stuffed them away and hasn’t dealt with them. She gets a new job this season helping other people who’ve gone through similar traumas, which is very interesting. It creates a lot of conflict for her. She also becomes extremely possessive of Alice and almost gets into like a manic state of wanting to protect her family and protect herself, I think, from feeling all the things that she hasn’t dealt with.

What about Frankie? I mean things are going great, she’s got these ads where she’s lying on top of money. She’s got an old girlfriend coming back into her life asking for tuition. So what’s going on with her this season that you can say?
Juno Rinaldi: I feel like Frankie is feeling really great about where she’s at. Things have taken a turn for her, she finally feels like she’s got her groove and it’s, she’s able to help Giselle with some financial stuff, she’s sort of in the driver’s seat now. But with Frankie, you never really know where we’re going to go with her, how it’s going to shake down. But it’s really nice to see her sort of feeling really good about things and moving forward.

Workin Moms airs Thursdays at 9 p.m. on CBC.

Images courtesy of CBC.

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Workin’ Moms: Catherine Reitman talks about “that” season finale storyline

It’s been over 24 hours since the season finale of Workin’ Moms and I’m still reeling.

“Look Back” was, of course, beautiful and funny thanks to Anne (Dani Kind) and Lionel’s (Ryan Belleville) commitment ceremony that reunited the clan and saw the reappearance of Jann Arden as Kate Carlson. Throw in Val’s (Sarah McVie) outrageous dress choice and overshare about Alicia’s (Kat Barrell) bedroom antics and there was plenty to laugh at and enjoy.

But, in a stunning reveal, we learned Nathan (Philip Sternberg) and Mean Nanny (Jess Salgueiro) have been having an affair. This just minutes after Kate (Catherine Reitman) and Nathan’s quickie in the wedding hall bathroom. Now it appears as though Kate could end up pregnant. All this after a season where Kate lost two jobs, strained her friendship with Anne and started her own business. It was just too much; we had to get Workin’ Moms‘ creator, showrunner, executive producer, star and director Reitman on the phone to discuss it all!

Most showrunners, in a second season of a series, will expand their characters’ worlds a bit. But you blew the show up and sent them in different directions. Was that always your intention?
Catherine Reitman: Yes and no. We learn so much, the writers and Philip and I, during production. You can imagine things all day but the chemistry that happens in front of the camera absolutely determines things for me. Once I get in the edit bay and go, ‘Oh man! No wonder the audience is going crazy for him or her.’ I want to honour what’s meant to be and not just try to control it. Did I have a sneaking suspicion Sarah McVie was going to make Val the funniest character in the world? Yes. But did I know how great she was going to be? No. That’s something that I’m continuing to push forward. Even now I’m scratching my head in the Season 3 writers’ room wondering how I better feature our talent, how do I best include the chemistry that we’re witnessing. The yes part of it is, of course, I knew Jenny and Ian [Jessalyn Wanlim] and Ian [Dennis Andres] were never going to make it and there had to be consequences to her actions. That was something I had intended. So, yes and no.

You mentioned Val already. There were many funny moments this season and in the finale, but there were very serious moments too. Kate and Anne’s friendship … those characters were so real this season. Everyone can relate to them.
I’m so in love with Anne and Kate. I moved my world to Toronto two years ago and I don’t have a lot of close friends in my life. I have the people that I work with, my incredible kids and my husband. And I think most women that are full-time working moms are hungry for a friendship like that. We’re so desperate to see a connection like that. Dani Kind and I have become very close in real life and I saw our chemistry on-camera—which very much exists off-camera too—but I don’t think anyone, including me, knew how potent it would be. We started going, ‘OK, this is the real love story.’ The husbands and the partners are fantastic but what our audience really seems to be thumping their hearts for is the Kate-Anne storyline. And I do think that’s because so many women crave that in real life. I made the decision to direct the first and last episodes to bookend what a friendship could look like over a decade.

Let’s discuss the Brad storyline. I believe your scripts were already written when the #MeToo movement happened, correct?
You’re absolutely right.

It was a dramatic arc with, I feel, Anne getting her mojo back after perhaps questioning her strength.
As far as the #MeToo movement goes, it has always existed. It’s this fantastic thing where victims are now having a voice. All of the women in our room, for the most part, had some uncomfortable stories with an authority figure. No one was hypnotized. We thought there was something that could potentially be funny, potentially be really creepy and bothersome. But, most importantly, that it would challenge this character we love to see as strong. People love that Anne is a no-nonsense ass kicker. So of all the characters, to see her emotionally threatened in a sexually deviant way by someone she trusted, her husband, it felt like the right combo to take her on a great arc. And then you have someone as brilliant as Christopher Redman come in [as Brad]. I think I saw the whole country of Canada, Greg, I read for that role for weeks and weeks and weeks because it’s a really tricky role. Chris had this amazing ability of making him very believable and nuanced while also tapping into funny even though it’s very serious subject matter. It was really exciting to cast him and realize we had something real on our hands.

Let’s break down the season finale. We had happy moments thanks to Lionel and Anne, and we had the sad because of the revelation Mean Nanny and Nathan are having an affair. With everything that Kate has been through this season—the death of her father, losing two jobs and a falling out with Anne—why this?
[Laughs.] It’s true. She got her ass kicked this season. Something that we’re really hemming and hawing about in the Season 3 writers’ room is … look, nothing justifies having an affair. I’m a married woman of 10 years, I can wrap my head around that. Kate, whether we like to admit it not, had both feet, head, arms, legs, breasts, her whole body out the door this entire season. She hasn’t been on the same page as her husband and there are consequences to that. I don’t think she asked for this and I don’t think she deserves this. But in my quest to have it all, in the hours that I spend working and the hours that I have left that I want to give to my children, my marriage often suffers for it. Luckily, Philip is in the same game as me. For most couples, the pressure to keep things alive … fuck sex, just staying emotionally connected is so much responsibility. As a showrunner, I knew the audience wouldn’t see that coming. It is a really effective gut punch. But, if you go back over the season, we planted so many seeds to show this coming.

What was Phil’s reaction to this story angle for Nathan and Kate?
We held off letting him know that detail. About halfway through writing the season the network comes in and we pitch them what we have so far. Philip came to that and we went through to the end and I looked right at him and I could tell his socks were knocked off. Phil is always story above all else. He was totally on board for it. The day of was challenging and the person I felt most for was Jess Salgueiro. She was just incredible on the day. Not only did she have to kiss Phil but I had to direct her in doing it. I pray every director gets to work with someone like Jess because there was no bullshit. She brought her A-game. Never for a second did I see her sweat or feeling uncomfortable. I was so impressed with her.

Where are you at with Season 3?
We’ve got about six episodes outlined that we’re just starting to draft out. That being said, everything can change. After watching the season finale last night, I thought, ‘You know what this needs? This, that and the other.’ I’m re-opening the outline of the first episode so it’s still all a Tetris board.

Do you think Kate should confront Nathan right away or should she focus on building her business? What was your favourite storyline from Season 2? Let me know in the comments below!

 

 

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Link: Workin’ Moms: Dani Kind previews a “gut-wrenching” Season 2 finale

From Bridget Liszewski of The TV Junkies:

Link: Workin’ Moms: Dani Kind previews a “gut-wrenching” Season 2 finale
“She is going through a lot with Lionel because coming out of the abortion at the end of last season and all that really changed things in their relationship. She became softer with him and they went through something so vulnerable together. Lionel has a bigger voice this year, which I thought was really important both in their relationship and for their marriage.” Continue reading.

 

 

 

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Workin’ Moms: Dani Kind and Ryan Belleville discuss Anne and Lionel’s Season 2 journey

If fans thought Season 2 of Workin’ Moms was going to ride on cruise control, they were in for a surprise.

Catherine Reitman and her writing team have headed into bold new directions for the show’s sophomore season on CBC, putting Kate (Reitman) through the death of her father and having her take on a new job. Frankie (Juno Rinaldi) is seeking wellness for herself and Ian (Dennis Andres) finds himself in a whole new world. Anne (Dani Kind) and Lionel (Ryan Belleville) are treading new ground as well, dealing with the after-effects of his vasectomy by having sex everywhere and anytime they can. That will, of course, be tempered by someone from Anne’s past surfacing in this week’s episode, “The Holy Hole.” We spoke to Kind and Belleville about the couple’s journey during a break in filming Season 2 late last year.

I just watched you film a pretty heavy scene in there.
Dani Kind: There are some heavy scenes this season.

I told Catherine Reitman that I sometimes feel Workin’ Moms is being erroneously billed as a comedy. There are some downright heartbreaking moments.
DK: I like that, though, because then we’re not all ‘yukka yukka yukka’ like a lot of comedies are.

I was telling Ryan Belleville that he’s usually that guy going for the laughs, but he gets to play such a sensitive character in Lionel.
DK: I think so too. He’s so great. He’s amazing. He just had a vasectomy so there is a whole bunch of sex. They’re humping everywhere and for no reason. They’re just so different after the abortion. Anne is softer. She is still hard, but they really went through something together. That couple has changed. The writers are so smart because the abortion changed them. There is an intimacy and a passion between them that wasn’t there last season.

Viewers met Anne’s ex, Brad, in the “2005” episode. Are you allowed to say whether or not Brad shows up later this season?
DK: Well … Anne is forced to get her own office …

There are more scenes with Anne and Kate this season?
DK: We go on a retreat this year. Val plans this retreat that we all go on, which is great because there are two new additions to Mommy & Me and we get paired up with different characters at the retreat which is comedy in itself.

I love that Ian is now part of the mommy group.
DK: He is so sweet, it’s literally like throwing a piece of meat into a lion’s pen.

I really like seeing this side to your acting. Lionel is a great character.
Ryan Belleville: It’s been nice to come in and bring some humanity to the comedy and not just be Mr. Punch-Up or Mr. Zany.

Did you view this as an opportunity to show another facet to your acting?
RB: There have been a few people who have given me shots to be more dramatic over the years, like Martin Gero on The L.A. Complex and Emily Andras on Wynonna Earp. I’m still learning the craft of dramatic acting but I love it. My parents are both actors. Like, real actors.

At what point in your career will you think of yourself as a real actor?
RB: I don’t think I ever will! I think I have too much respect for the craft to ever think I’ll be good at it.

I really enjoyed the honesty in Anne and Lionel’s relationship in Season 1.
RB: That’s the thing about this show. It’s not cliché. The husbands on the show are good dads, they’re not like in commercials where you have bumbling dads. In Anne and Lionel’s relationship, I’m the more sweet, docile character but it’s still a relationship and a partnership. Anne is super-angry and I’m super-soft, but when real-life stuff starts happening you see them functioning as a couple.

Lionel has had a vasectomy, and that leads to a whole new level of relationship for Lionel and Anne.
RB: It was kind of funny because I was only three or four weeks out from my own vasectomy. Most of the vasectomy scenes are very method. [Laughs.] There is a lot of doing it this season. It’s funny because in my career I’ve done far more sex scenes than a guy that looks like me should ever do on camera. [Laughs.] And the only reason I can think of is it’s because I look hilarious.

Workin’ Moms airs Tuesdays at 9:30 p.m. on CBC.

Images courtesy of CBC.

 

 

 

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Hits and misses: The 2018 Canadian Screen Awards nominees

First of all, a hearty congratulations to everyone who has been nominated for a 2018 Canadian Screen Award. I’ve spoken to many of you over the years and basked in both your kindness and awesome skills whether you work in front of or behind the camera.

I believe the Canadian Screen Awards are as important and justified in their existence as the Golden Globe Awards, Primetime Emmys and BAFTA awards; and with that comes the scrutiny that befalls the Academy and the nominations it puts forth every year. What does that mean? I poke, prod and peruse the television categories and scrutinize every decision the Academy has made with regard to the 2018 television nominations.

Here are my thoughts on several of the key categories. Let me know your own thoughts in the comments section below!

Best Drama Series

  • 19-2
  • Anne
  • Mary Kills People
  • Pure
  • Vikings

I’m thrilled to see 19-2, Anne, Mary Kills People and Pure all in this category. Each represents unique storytelling, characters that are interesting and push the boundaries of what we view as heroes and villains. I’m especially tickled that Pure is here because I think what creator Michael Amo, director Ken Girotti and stars Ryan Robbins, Alex Paxton-Beesley, A.J. Buckley and Peter Outerbridge did was really special. That said, I’d rather have seen Vikings replaced by X Company or Travelers. Both of those programs—X Company in its last and Travelers in its first—provided more engaging stories than Vikings did and in more creative ways. Honourable mention: Hard Rock Medical, which manages to jam twisting, dramatic storylines into a mere 22 minutes of airtime.


Best Comedy Series

  • Letterkenny
  • Workin’ Moms
  • Nirvanna the Band the Show
  • Michael: Every Day
  • Kim’s Convenience

Letterkenny continues its journey to being one of the greatest Canadian comedies of all time while breaking new ground being a Crave TV original. Workin’ Moms was simply fantastic in its debut season, Kim’s Convenience is stellar and Michael: Every Day was a comic gem that I’m glad CBC revisited. I simply don’t get Nirvanna the Band the Show. I’ve tried to watch it several times and couldn’t stick with it. Maybe it’s because I’m in my forties and it’s not for my demographic. To me, Mohawk Girls deserved to be in that final spot. Co-created by Tracey Deer (who received a well-deserved nomination for her directing) and Cynthia Knight, Mohawk Girls effectively delivered laughs and tears while telling the tale of four women negotiating life, love and what it means to be a member of the First Nations today.


Best Sketch Comedy Program or Series

  • The Beaverton
  • Baroness Von Sketch Show
  • Rick Mercer Report
  • This Hour Has 22 Minutes

I have no issues with this category. Let’s move on.


Best Reality Competition Series

  • The Amazing Race Canada
  • The Bachelorette Canada
  • Big Brother Canada
  • MasterChef Canada
  • Top Chef Canada

If this category has proved anything, it’s that we’re able to successfully create homegrown versions of proven international reality competition series and nab large audiences for them. Now it’s time to create our own concepts like CBC’s Crash Gallery and CTV’s The Launch; I expect to see the latter nominated in this category next year.


Best Limited Series or Program

  • Cardinal
  • Alias Grace
  • The Disappearance
  • The Kennedys: After Camelot
  • Bruno & Boots: This Can’t Be Happening at MacDonald Hall

Holy crap is this a stacked category. All are worthy of being here both for the writing, acting, directing and production values. My murder and mayhem-loving heart is filled with love for Cardinal, The Disappearance and Alias Grace. The pleasant surprise for me is Bruno & Boots which deserves to be here. The tone may different from the other four but that’s what makes it so exciting to see that project here. I’d love it if Bruno & Boots won.


Best Lead Actress, Comedy

  • Annie Murphy, Schitt’s Creek
  • Catherine Reitman, Workin’ Moms
  • Catherine O’Hara, Schitt’s Creek
  • Andrea Bang, Kim’s Convenience
  • Jean Yoon, Kim’s Convenience

Another category jammed with bona fide, worthy winners. All are strong women in real life and on the small screen. Andrea Bang and Jean Yoon have created something truly special via Janet and Umma’s relationship, especially in the second season. I wish a sixth name could be added to this list and that it was Dani Kind’s. Her portrayal of Anne Carlson on Workin’ Moms has been a revelation. I’m still marvelling at how a character like Anne can struggle with connecting with her two children, worry the nanny is stealing her family away and decide to have an abortion … and make the situation alternately heartbreaking and hilarious.


Best Lead Actor, Comedy

  • Gerry Dee, Mr. D
  • Jared Keeso, Letterkenny
  • Paul Sun-Hyung Lee, Kim’s Convenience
  • Eugene Levy, Schitt’s Creek
  • Daniel Levy, Schitt’s Creek

I agree with all the names on this list and don’t envy the Academy for having to choose a winner.


Best Lead Actress, Drama Series

  • Amybeth McNulty, Anne
  • Caroline Dhavernas, Mary Kills People
  • Jennie Raymond, Sex & Violence
  • Tatiana Maslany, Orphan Black
  • Meaghan Rath, Rogue

I have not, I must confess, watched Sex & Violence or Rogue, so I’m kind of out of my element here. Still, that doesn’t mean I can’t have an opinion. McNulty’s portrayal of Anne Shirley re-created the character for a whole new generation of Anne of Green Gables fans. She certainly won me over. Caroline Dhavernas was great in Season 1 of Mary Kills People (I think she’s even better in the two episodes I’ve seen of Season 2) and Tatiana Maslany is, well, frigging Tatiana Maslany. If I could suggest a couple of other names for this category they would be Melissa O’Neil for Dark Matter and Hannah John-Kamen for Killjoys. Both were kicking ass and taking names in their sci-fi series while showing sensitivity and humour throughout. And yes, I’m still pissed Dark Matter was cancelled. Thanks for asking.


Best Lead Actor, Drama Series

  • Brian Markinson, The Romeo Section
  • Richard Short, Mary Kills People
  • Christopher Heyerdahl, Van Helsing
  • Alexander Ludwig, Vikings
  • Shawn Doyle, Bellevue

Brian Markinson was so, so good in Season 2 of The Romeo Section; I’m thrilled he got a nod here. Rather than swap a name out, I’d like to add one: Shaun Johnston. His Grandpa Jack on Heartland has been through a lot over the past several years but he’s always been the rock everyone could lean on. In this past season of Heartland, Jack was called upon to help run the ranch while being there for Georgie and Amy, especially when Ty was away in Mongolia. Those storylines called on Johnston to do some major heavy lifting and he shouldered it with no problems at all. Honourable mention to X Company‘s Jack Laskey who was so fantastic as Alfred Graves in the historical drama’s final season.


Best Lead Actress, Drama Program or Limited Series

  • Sarah Gadon, Alias Grace
  • Maxim Roy, Bad Blood
  • Karine Vanasse, Cardinal
  • Camille Sullivan, The Disappearance
  • Hélène Joy, Murdoch Mysteries: Home for the Holidays

Honestly, how can you pick a winner out of this group of wide-ranging and fantastic characters?! That said, the Murdoch Mysteries fan in me is pissed Hélène Joy is nominated in this category rather than Best Lead Actress in a Drama Series. Shaftesbury, the show’s production company, put the Christmas special up for consideration in this category AND the show up for Best Drama Series, so I guess the Academy decided she was a better fit here?


Best Lead Actor, Drama Program or Limited Series

  • Kim Coates, Bad Blood
  • Edward Holcroft, Alias Grace
  • Billy Campbell, Cardinal
  • Alan Thicke, It’s Not My Fault and I Don’t Care Anyway
  • Yannick Bisson, Murdoch Mysteries: Home for the Holidays

Again, a stunning group of actors in this category and my same complaint for the previous category goes here: what the hell is Yannick Bisson doing here and not in the major Best Lead Actor in a Drama Series?!

The Canadian Screen Awards Broadcast gala airs live Sunday, March 11 at 8 p.m. on CBC.

 

 

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