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Deadman’s Curse star Adam Palmer talks Season 3 of History Channel series

For 12 seasons on The Curse of Oak Island, brothers Marty and Rick Lagina have been searching for treasure on Nova Scotia’s Oak Island. And while there have been some tantalizing finds discovered, the massive alleged treasure eludes them.

Let’s hope the stars of Deadman’s Curse aren’t still digging for gold over a decade from now. Airing Thursdays on The History Channel, Canada’s West Coast is the setting for this doozy of a docuseries. Mixing action and adventure with Indigenous storytelling, rumour and legend, Deadman’s Curse follows prospector Kru Williams, mountaineer Adam Palmer, Indigenous explorer Taylor Starr and her father, Don Froese, who have worked tirelessly to finally solve the mystery of Slumach’s lost gold mine.

In the first episode of Season 3, Williams and Palmer made a startling discovery, uncovering an old mine. And while what they unearthed wasn’t Slumach’s, it did get the quartet—and viewers—excited.

We spoke to mountaineer Adam Palmer about his ongoing quest.

Before we talk specifically about Season 3, I wanted to compliment the production company, Great Pacific Media. They have created a really compelling series full of action and adventure, along with history and Indigenous storytelling.
Adam Palmer: I’m glad you said that because it is truly, we’ve become a big family and working with perfectionists because that’s what they are. I have a scattered brain of all these maps and stories and leads and clues and evidence, and none of that would make sense if I didn’t have their help to format it in a way where people could understand it. I’m really noticing that when I get approached, it’s people that are watching the show are actually, I feel like they’re involved. And it’s because for that simple reason that it’s formatted in a way where we can bring history, we can bring legend, we can bring storytelling all together and in a way that people can follow it and understand it and learn from it. So that’s been a huge part, and that’s largely due to having a production company that stands behind you and presents your research or your passion in a format where everyone can feel involved and understand it.

You definitely have to put your phone down. There’s no scrolling through TikTok or Instagram or anything, although I did have to hit pause a couple of times just to do a little bit of my own kind of research, some quick Google searches.
AP: Yeah. You’re not the only one that happens to. It’s amazing. And my biggest thing was researching old newspaper articles to get pieces of the puzzle, because there’s not a lot of history that’s recorded back in those days of prospectors going, looking for this mine. And you have to consider everything. This legend takes you down a rabbit hole where you cannot turn a blind eye to anything, anyone, or any place, because it all plays an important piece of the puzzle.

In regard to the Slumach storyline, in particular with Taylor doing the research into the court case … those documents aren’t necessarily there, and even if they are there, they may be wrong when it comes to court documents versus witness statements. So it can be very convoluted and confusing.
AP: It is. There’s a lot of misinformation, and with any legend, you’re going to get people who embellish stories or put their own theories in there. I’ve taken an approach where there are kind of free piles, there’s evidence and facts, and you put that in a pile, and then there’s theories. You put that in a pile, and then there is the chaos pile, that’s all the craziness that you stumble upon. Is it related? Isn’t it related? Is a lost Spanish mine related to the lost gold mine at Pitt Lake? There’s always something in there that is a missing piece of the puzzle, and you slowly put it together. Three seasons of TV is literally like 20 years of research going into this, so it gets a little crazy.

Not only that we’re being shown more and more often that the Indigenous stories tend to be the truth.
AP: Oral history is so strong. I start with the oral history now because it’s a hundred percent proven every single time. I take that oral history, I listen to the elders, I listen to them speak. A hundred percent of the time I’ve found that oral history is proven correct, and I think it’s because it can’t be changed through written words. When someone tells a story and you’re listening, you’ll pick up clues in there that’ll change your life.

In the first episode of Season 3, you’ve got to shut everything down for the winter and come back in the spring. Was there a legitimate fear that people could have gone in that time that you were away and actually discovered the mine?
AP: No. No. You know what? I challenge anyone to try to find that. You think that there are a lot of people out there looking, but the only thing they’re looking at is Google Earth. I would love it if more people were actually out there helping; that would help me so much because they would get through a lot of the dirty work or checking off these areas that I want to check out.

I’m part of a climbing and mountaineering community, and everyone just wants to go to the top of the peak and then back home. No one wants to walk around in circles. No one wants to climb the mountain three or four times. Everyone wants to go up and go down. So it’s one of those things where, yeah, I mean, sure, I would be lying if I said I haven’t thought about it. But then again, I’m like, you know what? Out of the 20-some plus years that I’ve been searching, I haven’t seen any more incredible search team other than ourselves that is actually putting the time and effort into looking for this.

You need critical thinking skills for research. You kind of almost need to be a history buff, a mountain climber, and a prospector all in one to kind of really get started into this legend.

In the press release it mentions unconventional theories. How much are you allowed to tease what those unconventional theories are?
AP: It’s unconventional theories from unconventional people. People come out and they try to give you their theories and where they think the gold is. And a lot of times to get to the bottom of that, to really investigate that theory, you need tools, you need ways to get in there, you need ways to research it that are not necessarily the norm. This legend doesn’t present itself in a linear format.

Do you find the gold at the end of Season 3?
AP: I found something that’s going to take, if people are paying attention, they’re going to wonder why I was in Utah for these last two weeks. So there are things that are getting a little crazy, and there are things that we researched in Season 1 that we kind of come back to full circle in Season 3. And if the production company is going to film another season, it’s going to show people this. It’s going to change history.

Deadman’s Curse airs Thursdays at 10 p.m. Eastern on The History Channel.

Images courtesy of Corus Studios.

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Cineflix unveils first look at upcoming CBC docuseries Cirque Life

From a media release:

Cineflix unveils a first look at Cirque Life, the highly anticipated new docuseries premiering winter 2026 on CBC and CBC Gem in Canada. The five one-hour episodes offer an unprecedented behind-the-scenes journey into the vibrant world of LUZIA, one of Cirque du Soleil’s most celebrated shows.

Cirque Life follows the extraordinary cast and crew as they return to Montréal—home to Cirque du Soleil—for the first time since the show’s 2016 debut. Over one unforgettable summer under the big top, cameras capture the exhilarating highs and relentless demands of up to ten shows a week during a spectacular four-month run.

From the hoop diver captain and veteran contortionist to the band leader and pole soloist, the series spotlights the remarkable individuals who bring Cirque du Soleil’s artistry to life. Balancing jaw-dropping acrobatics, the pressures of performance, and the realities of life in the limelight, Cirque Life is an immersive, heartwarming, and inspiring celebration of the human spirit—and the commitment it takes to be part of this iconic troupe.

“With Cirque Life, we want to give audiences an authentic window into the extraordinary world of Cirque du Soleil—beyond the spotlight and into the heart of the people who make the magic happen. These are incredible artists, but they’re also people facing real-life choices that come from making a life on the road. Their dedication, self-discipline, and resilience are awe-inspiring, and we’re thrilled to share their stories in a way that celebrates the human spirit as much as the spectacle,” said Tanya Blake, Executive Producer, Cineflix.

Cirque Life is produced by Cineflix for CBC in Canada. Cineflix Rights is the worldwide distribution partner for the series. The Executive Producers include Tanya Blake and J.C. Mills for Cineflix; with Susan Levison and Richard Lowell for Cirque du Soleil.

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Hamilton nabs the spotlight in laugh-filled Fibe TV1 series Charles TM Charles

Bell Fibe TV1 subscribers have access to a ton of locally-shot series. Viewers can catch chef Michael Smith on PEI’s Chef on Fire, Halifax’s very funny comedy Vollies, Manitoba’s docuseries A Chance to Dream and Quebec’s music series A Guitar for Pascale, to name just a handful.

There are dozens of excellent series available, showcasing Fibe TV1’s mandate of hyper-local programs, one of the latest being Hamilton’s CharlesTM Charles.

Co-created, co-written, co-directed and produced by Jess Joy and Stephen James, CharlesTM Charles is an eight-episode mockumentary full of awkward laughs, deadpan stares into the camera and heart.

Available now on Bell Fibe TV1, the series stars Kevin Jollimore as Southern Ontario’s most confident—but least successful—business mogul. When trademarking his own name fails to jumpstart his career, he reluctantly agrees to mentor two young entrepreneurs—Shanay (Shaeane Jimenez) and Josh (Adam Lupis)—in the hopes of finally earning the recognition he deserves.

“The idea for the show started with my love for Parks & Recreation,” Joy says. “I decided to take a stab at my own show. At the time, I was working with some guys who were very full of themselves but actually not very good at what they do, which I think a lot of people encounter, so I wanted to poke fun at a character who has a lot of that bravado but we can still laugh at and feel for as well.”

Charles certainly is full of himself, but Shanay successfully puts him in his place more than once in Season 1. While Josh is starry-eyed at being mentored by Charles, Shanay—who reluctantly took on the mentorship after losing out on her first choice—challenges Charles on numerous occasions over his outrageous claims and business acumen.

The relationship between the trio, as well as Charles’ chats with friend/lawyer/accountant/doctor Manu (Wes Malik), softens the edges around the series’ lead character.

“Jess and I had conversations with Kevin while we were filming,” James recalls. “And we talked about how, if the line he was saying was negative and potentially unsympathetic, then the delivery couldn’t be that way. If [the delivery] is kind and calm, then he can be a bit harsh. But if what he is saying is hurtful, he can’t go too serious.”

Filmed in January in Hamilton, Season 1 focuses on Charles’ aim to win the city’s Business Person of the Year Award. It won’t be easy; his biggest competition is also his biggest rival in Melissa Van Hershey (Cheryl Poirier).

CharlesTM Charles is available now on Bell Fibe TV1.

Image courtesy of Dustin Rabin.

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Casting for Season 12 of CTV’s The Amazing Race is now open

From a media release:

On the heels of THE AMAZING RACE CANADA’s Season 11 finale, and recent Season 12 renewal announcement, CTV has confirmed that casting is now open for the upcoming season. Beginning today, aspiring racers can apply for their chance to experience the adventure of a lifetime at CTV.ca/TheAmazingRaceCanada.

Those looking to experience an unforgettable journey are invited to pair up with a teammate – a friend, relative, partner, or anyone else they share a relationship with – and submit their application for this once-in-lifetime opportunity. Further casting details, including instructions on how to submit an application, are available at CTV.ca/TheAmazingRaceCanada, with additional updates on the show’s official accounts on TikTok, Instagram, X, and Facebook

“THE AMAZING RACE CANADA is a true test of any relationship,” said Mark Lysakowski, Executive Producer and Showrunner. “It’s an experience unlike any other in Canada and we can’t wait to see who applies for this life-changing adventure.”  

Searching for teams from coast-to-coast-to-coast, THE AMAZING RACE CANADA is seeking individuals who are:

  • Adventurous and outgoing: The race is a physically and mentally demanding competition, so applicants should be comfortable with challenges, extensive travel, and have a positive attitude.
  • Strong communicators: Teams need to work together effectively and communicate clearly to solve puzzles and navigate their way throughout the race.
  • Problem solvers: The race throws unexpected curveballs, so applicants should be quick thinkers and able to adapt to new situations.
  • Passionate about Canada: The nation’s favourite summertime adventure series showcases the beauty and diversity of Canada, so applicants should be ready to explore the country.

Customized and wholly integrated brand partnership opportunities for THE AMAZING RACE CANADA, including video, digital, social, audio, and OOH platforms with first in class data opportunities, are currently available for the upcoming season. 

Hosted by Olympic gold medallist Jon Montgomery, Season 11 of THE AMAZING RACE CANADA was the #1 summer series overall (P2+ and A25-54), with a season average of 1.3 million viewers. The series also closed out its eleventh year as Canada’s most-watched summer series among A25-54. THE AMAZING RACE CANADA Season 11 also ranked as a Top 5 program on CTV.ca this summer. 

To help aspiring racers get race-ready, all previous seasons of THE AMAZING RACE CANADA are currently available for streaming on Crave, allowing fans to relive the excitement of the race from the very beginning. 

THE AMAZING RACE CANADA is produced by Insight Productions Ltd. (A Blue Ant Studios Company) in association with CTV. For Insight, John Brunton is Executive Producer and Mark Lysakowski is Executive Producer and Showrunner.

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12 homegrown designers compete in Project Runway Canada, debuting November 14 on Crave

From a media release:

Canada, the catwalk is calling! The Crave Original series PROJECT RUNWAY CANADA, the Canadian adaptation of the globally renowned fashion competition series, premieres on Friday, Nov. 14, with new episodes streaming Fridays until the finale on Jan. 16.

Also announced today are the 12, talented Canadian designers set to sketch, snip, and sew their way through a series of challenges for their ultimate industry breakthrough.

As previously announced, PROJECT RUNWAY CANADA is hosted by renowned Canadian supermodel Coco Rocha, who also joins the judging panel alongside fashion media icon Jeanne Beker, and CAFA award-winning designer Spencer Badu. Providing designer mentorship is Vice Chair of the Council of the Fashion Designers of America, Aurora James. The exciting lineup of guest judges joining the panel each week is set to be announced soon.

Over 10 episodes, PROJECT RUNWAY CANADA brings some of the country’s most exciting designers together to compete in a captivating series of challenges, with surprises and twists along the way. The designers share their stories and unique runway creations as they compete for the title of Canada’s Next Great Designer,  from TD, a career launching investment of $100,000, and a coveted feature spread in an upcoming issue of Elle Canada magazine.

The series was filmed earlier this year at Toronto Metropolitan University (TMU) and produced in collaboration with Fashion at The Creative School.

The PROJECT RUNWAY format is licensed for Canada from Fremantle. Spyglass Media Group owns the format for PROJECT RUNWAY.

PROJECT RUNWAY CANADA is produced by Bell Media Studios. Jennifer Couke and Michelle Crespi are Executive Producers. Coco Rocha also serves as Executive Producer.  Charles Falzon, Dean Emeritus, The Creative School, Toronto Metropolitan University, is Executive Producer. Nicholas Vasil is Series Producer. 

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