Tag Archives: Featured

Jill Hennessy stars in CBC’s offbeat critter-filled comedy Crawford

While you may not know exactly what you’re going to get from a television series involving Mike Clattenburg, you have a pretty good idea. He is, after all, the creator of Trailer Park Boys, that ribald comedy starring three East Coast dudes smoking weed, sipping adult beverages and going on profanity-laced adventures. At its heart, Trailer Park Boys was about family. Family is also at the heart of Clattenburg’s latest project, Crawford. Well, family and raccoons. Many, many raccoons.

Debuting Friday on CBC.ca and the CBC TV app before moving to the main network on June 14 at 9 p.m., Crawford‘s 12 episodes centre on a dysfunctional family headed by Cynthia (Jill Hennessy), an award-winning cereal executive trying to juggle work, her husband Owen, and her lover; and Owen (John Carroll Lynch), a former police chief who suffered a bullet wound on the job and communicates via an app on his smartphone. Adding to the nuttiness are siblings Don (Kyle Mac), a musician who returns home following an emotional breakdown; Wendy (Alice Moran) and Brian (Daniel Davis Yang).

In the first episode, “I’m not crazy, I love you,” Owen awakes to a ransacked kitchen. Food is all over the place and he has no idea who, or what has done it. Suddenly, Don arrives and begins hauling clothes and musical equipment into his old bedroom, putting a strain on a father-son relationship already smarting from something in the pair’s past. Owen is convinced burglars broke into the house while he was asleep; turns out a family of raccoons enjoyed a buffet lunch while he snoozed. And, strangely, Don feels a weird connection with the little beasts.

“I had worked with raccoons once before on Trailer Park Boys, and had a wonderful experience with them,” says series creator, head writer, director and executive producer Clattenburg. “And then I saw a documentary called Raccoon Nation and I became infatuated with them and what kind of person might try to relocate them.”

Clattenburg and co-creator, writer and composer Mike O’Neill were thinking about their own fathers—who had recently passed away—and came up with the dad character. The rest of the family dynamic followed soon after and the duo was determined to create something not seen on television before. Far from being outlandish, the pair sought to make Crawford as realistic as possible via scripts written by them, Zoe Whittall, Kathleen Phillips-Locke, Monica Heisey and Timm Hannebohm and hired dramatic actors to take on comic roles. And, in a departure from how television is usually made—table read followed by filming—the cast rehearsed extensively in advance.

“It was a luxurious, delicious gift,” Hennessy says. “You never get a chance to rehearse in TV or even in films. The rehearsal process was so invaluable because we got to know each other and become a family. We heard the dialogue come to life and the spectrum of the characters really came to life. It was one of the closest experiences I’ve had in TV to theatre.” Lines were workshopped, improvised and worked on to determine what was best for the scene and the plotline.

“It’s really spoiled me,” Mac admits. “On other shows, like 21 Thunder, for example, I had gotten into trouble all of the time for changing lines to suit how I wanted [my character] Tim to speak. You feel nervous to even experiment. And then, on Crawford, I was allowed to do that. Liberating is really the only way to describe it as an actor.”

Crawford‘s first season is available for streaming this Friday via CBC.ca and the CBC TV app. Crawford airs Thursdays at 9 p.m. on CBC beginning June 14.

Images courtesy of CBC.

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Preview: Burden of Truth digs deep into “Family Ties”

Well, things have certainly taken a turn on Burden of Truth. After soil samples fingered the local steel mill as the likely culprit when it came to burying canisters of toxic goop under the soccer field, Joanna and Billy were run off the road. Things are getting serious and if they’re not careful, deadly.

As I said last week, I’ve been really impressed with this first season of Burden of Truth. Aside from the storytelling, the drama is slowly being ratcheted up week-to-week, infusing all with a sense of dread. Wednesday’s new episode, “Family Ties,” is the last one before a three-week hiatus during the Winter Olympics. Here’s what the CBC has revealed as an official synopsis:

Convinced that the local steel mill and its owner, Ben Matheson, are responsible for the barrels Joanna and Billy go after him but don’t have enough to make the allegation stick.

And here’s some more information after watching a preview of the episode, written by Shannon Masters and directed by Jordan Canning.

Oh the irony
It’s fascinating to me that Ben Matheson, of Matheson Steel, loathes co-operating with Joanna and Billy despite the fact his own chemicals could be making his daughter, Taylor, sick. What kind of man would put profit over the health of his own child or the children of Millwood? Of course, the growing case is dividing the town between concerned parents and those worried about losing their jobs.

Jessica Matten co-stars
I was wondering how long it would be until Jessica Matten appeared on Burden of Truth. The Blackstone and Frontier actress makes an immediate impression as Gerrilyn Spence, Luna’s mom, who isn’t too keen on her daughter’s new job. Undaunted, Luna persists, and we get an important peek into her First Nations background and learn what she and Joanna have in common.

Molly makes a big decision
A fracas outside of the Millwood courthouse leads to a discussion between Molly and Billy, and she decides what to do regarding putting her name at the top of the court filing. But will a sudden gesture by a surprising source derail those plans?

Joanna makes a BIGGER decision
A visitor to Millwood attempts to persuade Joanna to return to Toronto. What happens next turns the entire case—and Joanna’s legal future—on its head.

Burden of Truth airs Wednesdays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Murdoch Mysteries: Simon McNabb on “Crabtree a la Carte” and Violet Hart’s intentions

Spoiler alert! Do not continue reading until you have watched “Crabtree a la Carte.”

Just what is Violet Hart up to? That was my biggest query going into Monday’s new episode of Murdoch Mysteries, especially after fans noted her odd behaviour in and around William. That was just one of many questions I had for Simon McNabb, who wrote “Crabtree a la Carte,” an instalment with plenty of fun thanks to Crabtree and Margaret, a gruesome poisoning and some tense moments between Julia and William.

I need to ask you about Violet Hart. Fans have noted her odd behaviour. She went to Josephine’s grave in “Mary Wept,” and made a comment to William about perhaps one day marrying a detective like him. Should fans be worried? Do we have another Eva Pearce on our hands?
Simon McNabb: [Laughs.] As a fan, I love any character who has a strong point of view and can bring some drama to the table. What kind of drama that might be for Violet Hart, obviously I can’t disclose, but I don’t think anyone should be worried, I think they should be excited.

I’m not sure if ‘excited’ is the right word if it means something bad happens to any of our core characters.
[Laughs.] That’s fair enough. I can’t say anything specific with respect to Violet, but I hope that, like all of our best characters, that even if we have questions about her we come to understand her at the end of the day.

She is certainly diligent. She works through the night to get William the information she needs with respect to the tainted meat.
One of the things that is interesting about her, as a character from our point of view as a writing team, is that she’s really good at her job which everyone on our show is if we’re being honest. Other than on occasion, when Higgins gets lazy. But, as a young woman in a male-dominated profession, what we haven’t really done before is bring in a character who right off the bat says something like, ‘I’m not going to be your assistant forever.’ She is somebody who has ambition from the get-go and isn’t afraid to say what she wants and wants to get out of life.

A reader picked up on Daniel Kash’s character’s name as being Randall Gordon, a take on Gordon Ramsay. I didn’t even twig to that.
Yeah, that was intentional. We’ve done it on occasion in the past as well as a sly reference to contemporary personalities and people we know in the public sphere. We’re always curious about what people will pick up on and we’re happy when people do because it means we’ve built the character strongly enough that there is just a little bit of Gordon Ramsay that comes through in Daniel’s performance.

There is so much buried in an episode of Murdoch Mysteries, from the murder itself to names of characters to props and signs. You really need to watch an episode more than once.
The great thing is we have a bunch of fans who do watch the show more than once. We’re aware of that and are excited, thrilled and quite honoured, frankly, that people like it enough that they revisit it, sometimes the same night that it airs or the very next morning. That’s just amazing that people care about it that much. In the writer’s room, we think about that but also people in all the departments—the crew—really get a kick out of that fact as well. People like Craig Grant in the props department and Bob Sher, our production designer and art director, go that extra mile so that there are those extra details.

Leslie Hope has directed a handful of Murdoch Mysteries episodes. I thought she did a great job capturing the action between Crabtree and Margaret during the Madison Fine Beef Culinary Challenge. What does Leslie bring to the table as a director?
When Leslie read the script [for this episode] during our first meeting about it she told me she had never seen any of these cooking competition shows. It shocked me that anybody could miss this enormous cultural phenomenon. But she got right into it and got very excited about it and watched a whole lot of the shows [as research] and really wanted to bring that aesthetic to the way that she shot the cooking sequences and then they way they cut it together. As a director in general, I think Leslie is someone we all love to work with. She’s been on the show for a couple of years now and she is somebody who, because she has a background in acting herself, the actors really respond to and enjoy working with. She is somebody who brings an energy and a focus to set that gets the crew and everybody excited to be there.

For me, the tainted meat in this storyline reminded me of what happened with Maple Leaf Foods back in 2008.
It’s funny, that’s not a case that we researched for this episode. The case that we had at the top of our minds in terms of the PR strategy and that kind of storyline was the Tylenol case from the 80s, which was not their fault at all but they decided to come out and apologize before they knew what the cause was. It came out that it was actually a lone wolf who tampered with a few bottles. Our view and the general consensus at the time was that it was a brilliant move to take responsibility before they had to and get in front of it because once it came out they had nothing to do with it they came out smelling like roses. So we tried to mirror that up and down scenario with our tainted meat scandal.

On the heels of the happy news that Julia is pregnant came an uncomfortable few scenes between she and William. Of course, that happened in front of Violet. Will there be more moments like this as Julia moves forward?
I hope it’s not all sunshine and lollypops because if it is it gets a little boring. At the same time, I hope the audience likes the direction that the rest of the season goes in. As for their fighting in this episode, it’s the perfect example of something the fans can enjoy and be excited about because, yes there is some friction between them but it comes from a place of love and William wanting to be everything he can for Julia and Julia wanting to be the best expectant mother that she can be.

There are a lot of balls in the air as we get into the last handful of episodes of Season 11. The pregnancy, Higgins and Ruth’s engagement … I can’t imagine every storyline will be wrapped by the season finale. 
I hope there is enough of a sense of closure at the end of the season that people will be satisfied even if there are hanging questions left over. Compared to the end of last season, there will be fewer question marks hanging over the heads of our characters and the audience.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Photo gallery: CBC’s Little Dog

I can’t wait until March. No, not because of March Break—no holidays for me—but because it means the debut of CBC’s newest comedy Little Dog.

Kicking off on Thursday, March 1, Little Dog is created by and stars Governor General Award-winning Joel Thomas Hynes as Tommy “Little Dog” Ross, a boxer on the road to redemption. Five years ago, Tommy betrayed the boxer’s code during a championship bout against Rico “Havoc” St. George (Dwain Murphy): he quit the fight, dumping a promising career down the drain. Tommy has had to live with the fallout of this decision ever since.

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Additional cast in the seven episodes include Ger Ryan as Tommy’s true nemesis and mother, Sylvia Ross; Stephen Oates as his eldest brother, Loyola “Lowly” Ross Jr; Katharine Isabelle as his sister Ginny Ross; newcomer Billy Cochrane as Ginny’s son Chesley; and Andy Jones as the wily, charming old patriarch of the family, Loyola “Lowly” Ross Sr.

Little Dog debuts Thursday, March 1, at 9 p.m. on CBC.

Images courtesy of CBC.

 

 

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Comments and queries for the week of January 26

I am dismayed by the lack of [Canadian Screen Award] nominations for Murdoch Mysteries. Yannick Bisson has finally received recognition for his role. Why was Hélène Joy’s name omitted from the Audience Choice Award? She and Natasha N. were both in the Top 3 along with the talented Mr. B. Why only put his name up and leave out Hélène and Natasha? Weird. Weird. Weird. Lots of the names chosen were weird. Reality TV is now a category and included in Audience Choice? Why? —Bonnie

Just because [William and Julia] have a baby doesn’t mean the baby has to be featured in every episode. I really hate episodes that cause terrible sadness. The stories need to stay about mystery and crime. Personally, as a side story, I think it would be so funny for the Murdochs, Ruth and Henry and George and Nina to all have babies around the same time. —Linda

I fully agree with your comments about Hélène Joy and Yannick Bisson. Their work is consistently good and has been enough to keep the show going for 11 seasons so far. To pigeonhole them into competition for a single episode, albeit a two-hour special, doesn’t allow the award folks to see the range and depth of their acting as it plays out during the entire season. Regardless of whether it is the studio or others limiting them, it is grossly unfair to these two very fine actors. —Mary

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

 

 

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