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Amazing Race Canada hangs ten—and delivers a Fast Forward—in Bangkok

It’s been a little hard for me to connect with the teams during this season of The Amazing Race Canada. I’m not sure what it is. No one is particularly annoying or deserves my scorn. Everyone seems to get along not only within their own duos but with each other too. Perhaps that’s it; I’m used to villains and heroes distinguishing themselves by now and it hasn’t happened. These folks are just so nice.

And while I haven’t been outright cheering for a pair yet, I was sad to see Zed and Shabbir eliminated. The father-son duo have a great story—Shabbir battled cancer and won, and Zed looks like José Bautista—and they’ve been strong performers so far both physically and in the mental game. Unfortunately, they stumbled in Bangkok, Thailand.

Sam and Paul, who began the Leg in first place, made a costly blunder at the top of the hour, dropping their instructions and train tickets to Shanghai in the street as they walked away. Incredibly, no one had sauntered along and picked them up and the boys reclaimed the ducats when they retraced their steps. And credit to the pair for keeping cool heads and looking for the tickets rather than wasting time blaming each other. They did, however, lose their clue instructions. But even then, Adam and Andrea gave them help without a blink of the eye. Yes, they want help in return, but this being a competition, I’m still surprised everyone is willing to help.

A quick stop at a Montreal-themed restaurant in Shanghai for some Sinorama product placement and teams were on a plane to Bangkok and a cat café in search of their next clue. It also introduced the first Fast Forward of the season, a special challenge that would score the first team to complete it a straight shot to the Pit Stop. The catch is always that you could waste time going there when another team had already completed the task, and many teams choose to skip it altogether. Ivana and Korey and Adam and Andrea both picked the Hoop Takraw. (The others all elected to stick with the Route Info and took a river cruise to their next clue.) I’m not sure how long it took them—and it appeared to be a total fluke—but Adam’s kick landed the ball in that small net, vaulting them to a temple Pit Stop in top spot and a return trip to Bangkok. Ivana and Korey were forced to return to the Route Info.

An intricate, word-free puppet show was the test for everyone but Adam and Andrea, a mixture of body movement, puppet coordination and silence that all members struggled with. Shabbir kept talking, resulting in failure. Sam and Paul and community theatre actors Bert and Karen nailed the performance on their first try and zipped off to the Detour: Bling It involved decorating a tuk tuk in a specific way while Shred It tested the ability to surf and snag flags for a clue. After eight tries, Zed and Shabbir re-read the clue and realized they were supposed to be silent during the puppet show. By the time they did, they were in last place.

After a few practice tries surfing, Sam and Paul nabbed a flag each and quickly departed for the Pit Stop. Andrea and Ebonie completed the surfing next, followed by Kenneth and Ryan. Clearly, the surfing was the easiest of the two Detours, but how could you know until you were there? Still, Shabbir had troubles surfing and after a particularly bad fall, they decided to switch challenges. That put them far behind everyone else and the only thing that could save them from being sent home was if this Leg was a non-elimination. It wasn’t.

Here’s how the teams placed at the end of this Leg:

  1. Adam and Andrea (won trip to Bangkok)
  2. Andrea and Ebonie
  3. Sam and Paul
  4. Kenneth and Ryan
  5. Karen and Bert
  6. Korey and Ivana
  7. Zed and Shabbir (eliminated)

The Amazing Race Canada airs Tuesdays at 8 p.m. ET on CTV.

Images courtesy of Bell Media.

 

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21 Thunder: Diversity

A “show about soccer,” they say. “Lots of sex and violence,” they say. OK, it is summertime and not much is going on. I will check it out. Admittedly, I know next to nothing about the game. I never played it in my youth. My kids never played soccer either; hockey and basketball were their choices. A lack of soccer in your life is fine because unless things change, the premiere episode of 21 Thunder on CBC actually showed much less soccer than it did the lives of the players involved with the franchise.

And this just may work. With the influx of new Canadians, and the popularity of players like Messi, Neymar and Agüero, soccer is gaining a strong foothold in the public’s consciousness—particularly our youth—and so what better foil to tell the story of diverse backgrounds than a football pitch? Toss in storylines that appeal to millennials, and we have 21 Thunder. CBC’s newest drama explores the diversity that is so prevalent in urban Canada through the storytelling of co-creators Riley Adams (Flashpoint), Kenneth Hirsch, and Adrian Wills.

The opening scenes in the premiere episode of CBC’s 21 Thunder  welcomed viewers to the Thunder family and introduce viewers to Christy Cook (Stephanie Bennett, The Romeo Section) turned coach, unwanted and ignored by the coaching staff but nonetheless slotted into the coaching team by upper management; Davey Gunn (Ryan Pierce/Ryan O’Leary, a former professional Scottish footballer) a soccer superstar on the run from his past; former gang member Nolan Gallard (RJ Fetherstonhaugh, Wayward Pines) struggling to resist his wayward habits of youth; Ivory Coast midfielder Junior Lolo (Emmanuel Kabongo, Hemlock Grove); and team captain, goalie and academic prodigy Alex el Haddadi (Andres Joseph, The Flash) who all play under the leadership of head coach  Albert Rocas (Conrad Pla, 19-2). They’re all part of the struggling U-21 Montreal Thunder soccer franchise. Yes, there are big egos here, but you just know that with hubris comes gigantic falls and that spells drama!

Following the introductions—as much backstory as you can cram into 15 mins—the pace quickened the moment Nolan ran into a former friend/gang member from his youth: “Special K” (Kyle Mac). The call of Nolan’s past rang deep and with barely a second thought he jumped headlong back into his criminal ways. Nolan followed Special K and the rest of the Point Soldiers as they tried to recoup their losses from a drug deal gone bad. The gig quickly went sideways and ended in bloodshed. Nolan narrowly escaped capture by the police—good thing he is such a fine soccer player! However, the Point Soldiers have Nolan’s participation recorded on video, and “K” found Nolan’s missing medallion which was lost at the scene of the crime. Seems our pretty boy Nolan has a whole lot of ugly coming down!

And just in case you didn’t think Nolan had enough going against him in this opening episode, we learned about his father, Declan Gallard (Colm Feore, whom I had the privilege to see play Romeo at Stratford in 1984!) currently serving time at the same facility where “Special K” served out his sentence. I suppose we have to wait to learn how far-reaching Declan’s past will interfere with his son’s future. Or in a twist, will Declan’s connections be what saves Nolan from his impulsiveness? In any case, Nolan’s play on the pitch was affected by his extra curriculars and the coaching staff took notice.

Other questions that remain as we await next week’s episode: how will Christy and her brother, Peter (Chris Cavener), manage to care for their ailing mother, and how will that affect Christy’s coaching responsibilities? How are Junior Lolo (Emmanuel Kabongo) and his younger brother coping as they adjust to life in Montreal? And how is Assistant Coach Davey Gunn going to influence all of the various players on the team as the season plays out?

Overall, I found this episode visually appealing, looking more akin to the productions we see coming from BBC. I was also reminded of the cult-favourite Dream Team, which appeared in the late 90s to 2006 on SKY; the football drama featured an underage team in the English Premiership, chockablock with crazy storylines, lots of sex and gratuitous violence. It remains to be seen if 21 Thunder intends to follow that same path, or if it will generate the same fan following that Dream Team did two decades ago.

A couple of little things did niggle at me. Coach Cook’s little “header hack” was a bit too amateur for pro soccer, and actor RJ Fetherstonaugh is just too pretty and clean to portray a former gang member—yes, I know, I am falling for the archetypes here. Both were distractions for me as I watched. However, those aside, I am very curious to see how the show evolves and I am quite interested to see how both newcomer Pierce and veteran Feore’s characters develop through the season.

What were your initial thoughts following tonight’s premiere? Let me know in the comments below!

21 Thunder airs Mondays at 9 p.m. on CBC.

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Saving Hope says goodbye with tears and triumphs

This is it Saving Hope fans. The last episode before the doors of Hope Zion close forever this Thursday at 9 p.m. ET/PT on CTV. It’s been one hell of a ride, hasn’t it? I distinctly recall watching the first episode of the show back when I was at TV Guide Canada. “Another medical drama?” I thought. Yes, Saving Hope is a medical drama, but with one heck of a twist: a doctor who can see dead people. In the wrong hands, the premise would be cheesy, over-the-top and unwatchable.

In the right hands, it became a bonafide ratings hit for CTV. Stellar writing from co-creators Morwyn Brebner and Malcolm MacRury and a whos-who of scribes like Fiona Highet, Waneta Storms, Adam Pettle, Patrick Tarr, Noelle Carbone, Amanda Fahey and Jennifer Kassabian established the characters. Actors Erica Durance, Michael Shanks, Wendy Crewson, Benjamin Ayres, Julia Chan, Huse Madhavji, Joseph Pierre, Michelle Nolden and Daniel Gillies breathed life into them and made us care. Thanks to them—and all those behind-the-scenes folks and dozens of additional actors—who put in the long hours to make a truly great Canadian television series.

Here’s what CTV revealed as the episode synopsis for Thursday’s last episode “Hope Never Dies,” written by Adam Pettle and directed by James Genn.

In the shocking series finale of Saving Hope, following a mass casualty accident involving a bus full of teenagers, Dr. Alex Reid and Dr. Charlie Harris rush to the scene to try and save the kids while waiting for backup to arrive. The Hope Zion Hospital family must band together to overcome the tragedy, and move on to the next chapter of their lives.

Are here are a few more tidbits to get you through to the broadcast.

So, do Alex and Charlie finally tie the knot?
They were on the verge of it last week, but an injured bride-to-be got in the way. Now, the road is clear for these two to make it official, right? It would be a major bummer if, after five seasons, they didn’t get married. But, this being Saving Hope, nothing is easy, is it?

A truly shocking moment
I’m always waiting for the other shoe to drop on a series like Saving Hope. Even I gasped because of what occurred just minutes into the episode. It was unexpected and takes “Hope Never Dies” in a stunning place made even more effective with Pettle’s storytelling, Michael Shanks’ and Erica Durance’s performances and Genn’s direction.

Guest stars aplenty
Keep your eyes peeled for Alden Adair from Workin’ Moms, Lisa Codrington from Letterkenny, Paul Popowich (Cracked) and Dempsey Bryk, who appeared on Heartland earlier this year.

What happened to Jackson?
Last week’s liver surgery went south thanks to the longtime nurse having an allergic reaction to the anaesthetics. We find out Jackson’s fate.

Related: Here’s what writer-co-executive producer Patrick Tarr says about the series finale!

Want to send the folks at Saving Hope a message? Post in the comments section and I’ll pass it along!

Images courtesy of Bell Media.

 

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Orphan Black 508: Writer Aisha Porter-Christie on Clone Club’s devastating loss

Spoiler warning: Do not read this article until you have seen Orphan Black Episode 508, “Guillotines Decide.”

“Chickens.” —Mrs. S

Well, that was a gut-punch. After providing nearly five seasons of fearless protection and guidance to Sarah (Tatiana Maslany), Felix (Jordan Gavaris), Kira (Skyler Wexler) and, indeed, all of Orphan Black‘s Clone Club, Mrs. S (Maria Doyle Kennedy) met the fate that greets most beloved TV and film mentors: sacrificial death to help the protagonist meet her destiny. It’s not like the writers didn’t thoroughly foreshadow her death this season, repeatedly showing that Sarah was finally mature enough to take care of Kira and fight Neolution on her own. But that didn’t make the loss hurt any less. Mrs. S was the rock of the family, and Maria Doyle Kennedy imbued her with a perfect blend of steeliness, heart and humanity all series long. Her death—and the sacrifice she made to win Clone Club’s freedom—truly changes everything as we head toward the series finale.

Fortunately, episode co-writer Aisha Porter-Christie was able to take a break from working on Shadowhunters to help us make sense of this heartbreaking episode—and give us some hints about what to expect from Orphan Black‘s final two episodes.

You co-wrote the episode with co-showrunner Graeme Manson. What was it like to work with him?
Aisha Porter-Christie: He’s just the most supportive person throughout the process. He really just lets you take a run at things and mentors you through the whole process. And his brain works in such an interesting way, where you’ll write a version of a scene, and he’ll find a way to make it sing. Like, he’ll add a line or two that just really encompasses something deeper, something more than you imagined when you first envisioned the scene. I can’t wait to one day be that good.

Mrs. S’s death is a huge turning point in the series. I have to say that I was fearful it might happen because there was some foreshadowing about Sarah stepping into S’s shoes, but I was hopeful she might make it. When was it decided that Mrs. S was going to die? 
It was already on the board and decided by the time I joined as [the Season 5] story coordinator that Mrs. S would die. So I came into it a bit late, and it also wasn’t my episode to begin with, so I never had those early discussions. But I know that it was exactly as you said, that it was time for Sarah to step into her own, and in a way, she had always been using Mrs. S as a crutch, and Mrs. S is the matriarch of all matriarchs. She is the one who has kept this family together, and Sarah has made a lot of mistakes and has had a lot of growing to do, but it was time for her to really take her place and step into Mrs. S’s shows. And, unfortunately, on shows like this, the only way for your main character to truly achieve their destiny, in a way, is to face that kind of crushing blow and loss. Which is sad, because Sarah has faced a lot loss and a lot of trials in her life, but luckily Mrs. S has imparted so much wisdom on her throughout the season, throughout prior seasons, and she’ll always know that Mrs. S will always be with her going forward in that kind of heartfelt way.

We knew it would have a lot of impact, not just on the fans, but on the characters on our show. And it was a way of grounding the sacrifice that was required to free our people from the shackles of Neolution. We knew it wouldn’t be easy, and we knew it would be bloody, and unfortunately, Mrs. S was a casualty in that. But the fact is, she won. She won us our freedom.

I loved her death scene because, as sad as it was, it was really fitting. She not only took out Ferdinand, but she made sure he died first. She was a badass until the very end. Tell me about writing that final confrontation. 
We knew we wanted it to be Ferdinand because I think for most of our writers he’s one of our favourite villains out of the entire series. We were unaware for a little while whether we would have James Frain available to be with us for Episode 508, but luckily that all worked out. And once we knew that, we kind of just pulled the trigger and ran with it.

That death scene took a lot out of us, and it was kind of Graeme’s brainchild. He went on this tangent researching women and whether or not they would die faster from a gunshot wound than a man would, and that’s where you got the whole 14 per cent more likely to die statistic that we had in there. But I think overall when we were discussing it, we knew that we wanted it to feel like this death match between two seasoned killers, and—at least from Mrs. S’s side—she’s going into it knowing that she could possibly lose her life. That was one thing, is we wanted Mrs. S throughout—as you mentioned the foreshadowing—to know that death was a huge possibility and to do it anyway.

And Ferdinand’s arc within the episode is interesting as well because I personally love Ferdinand. I love his relationship with Rachel, as twisted as it is. And I think in this episode the thing that we wanted to make really clear is—as greedy of a bastard as he is and as power hungry as he is—the one thing he truly cares about is Rachel. And this is a character who has lost everything—everything!—and so when he goes after Mrs. S, he’s carrying all of that with him, the loss of Rachel. It’s not just that he’s there to take back what S stole, he’s there to get revenge on the fact that she convinced his powerful lady love to side with her sisters and become what he thought was weak. So there are the two things that we wanted to play with going into that. That’s where we got some of that fun dialogue within that scene, with these two seasoned people circling each other before actually getting down to blows.

I’m sure this episode must have been emotional for the cast and crew. 
When the 508 script landed, there were a lot of tears. People were very happy with it, people thought it was a great episode in the crew and the cast, and that made us very happy because we wanted to service S in a real way. And Maria Doyle Kennedy was also happy with the script, and then she helped us make it so much better on set by bringing so much more to it, her performance and shouldering that burden of being a martyr with such grace. She was just phenomenal.

It was incredibly tearful on set. Everyone came down, the producers, all the actors came and sat at the video village and sat and watched her final moments. And then she came out to this massive round of applause, and we all gathered for cake and champagne afterwards, and it was this huge celebration, because she’s such a huge part of the show, and she’s like everyone’s mom and everyone’s friend, and she’s just such a cool human being in general and so sweet. It was great to be able to celebrate her in this way, not just on the page, but overall. It was fun to have her go out with a bang—no pun intended! [Laughs.]

How are Sarah and the rest of Clone Club going to deal with this loss?
It’s interesting because they’ve faced so much tragedy throughout the five seasons, but this is by far the biggest blow. I think the person we have to worry about most is Sarah because, as much as she’s learned a lot from S and is in a position to fill her shoes, this will by no means be easy. And we’ve seen Sarah spin out before, so it’s all very up in the air as to whether she’ll be able to keep it together going forward. But Sarah always has ways to distract herself and do what needs to be done, so we’ll just have to see.

And what will Rachel do now that she’s betrayed both Neolution and Ferdinand? 
I don’t know. It will be interesting to see whether or not her sisters accept her, because S was the one who sort of offered the olive branch and allowed her this chance at redemption, and she actually—in our minds at least—made the decision quite early, after that scene she had with S, to side with her sisters.

But she had a moment where she realized that Ferdinand was a man who truly cared for her, and she tried to bring him over to her side, to bring him along for this decision that she was making, and then she realized that he just wouldn’t stand for it. But, as much as she betrayed him, I think his death will have an impact on her as well, and I’m not sure that she has much else in her life right now. So I think she’s sort of set adrift, and we’ll see whether or not she’s able to be with us for the rest of the season or what that means.

And there was another sad death in the episode—Gracie was killed!
I know. [Sad sigh.]

What will happen to Helena now that Coady finally tracked her down through Gracie’s phone? 
Helena has always been a fighter. We’ve seen that. She’s not one to get down on herself, she always fights back no matter what. But Coady’s the kind of villain that can get in someone’s head. Coady’s the kind of villain that can push you past your limits and sort of get you all twisted up. So it will be interesting to see those two together again and see the impact that Coady has with her fangs fully bared and Helena in such a vulnerable position. Because she cares so much about her babies. We see that she’s even writing this little novel or journal she has that she calls her memoirs, so we understand what they mean to her, these miracle babies. And to have her at Coady’s mercy, it’s going to be interesting times going into Episode 509 and 10, for sure.

On a more positive note, Cophine had some beautiful scenes this week, including the one where they send off all the Neolution proof to the press. It was great to see them finally fully trust each other and see Delphine fully accepted into Clone Club. 
After Episode 505, what we really wanted to get across was that they had reached a new level of trust in one another. They have sort of a ‘don’t ask, don’t tell’ relationship now, but they’re very aware that the other person will always act in the other’s interest. They know that they are both good people, and they will never do anything to hurt the other. So there is just a degree of intense trust between them. We wanted to keep them closer than ever even though Delphine was going off and doing her covert ops. And I think when Cosima has her line in the beginning, her little paraphrasing of a Jane Austen quote from Northanger Abbey, I think it says, ‘There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves, it is not my nature,’ it’s just a way of expressing how Delphine feels about Clone Club. Without even realizing it, Cosima is basically articulating what’s happening behind Delphine’s sacrifice.

And what was really great in being on set, was that last moment, when they get to be together and press that button to send off the emails and expose Neolution, that was an incredible moment between the two actors. Like, Tatiana was not necessarily meant to cry. It was supposed to be an emotional moment, but she just laughed in joy and she just broke, and it was just tears and she was just weeping. And Evelyne was just like, ‘Oh, my God.’ And holding each other—that moment was so real and so raw between the two of them. I get choked up just by watching it now. It was great to see the end of their arc, basically, as a couple. They’re closer together, and the question just now remains, what will they do with their freedom? Because we know that they’ll be together, but what will they do with their freedom? What does their future look like?

What can viewers look forward to in the final two episodes? 
This will be Clone Club’s last stand, and whether they triumph or fail, they have all banded together. Hearkening back to the beginning of the series and all the people we saw in Season 1, all these people are together with one goal of saving Helena and getting rid of Neolution once and for all. And it’s just great to see the sisterhood between the clones and also the people who are adjacent to them like Donnie and Art and Felix. It’s great to see them all together for this final battle.

Orphan Black airs Saturdays at 10 p.m. ET/7 p.m. PT on Space.

Images courtesy of Bell Media.

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CTV’s 19-2 returns for emotionally gripping final season

Have you heard of the children’s book, Alexander and the Terrible, Horrible, No Good, Very Bad Day? It’s about a boy who wakes up, and from the moment he does, everything goes wrong. I can’t help but think of that book—written by Judith Viorst and illustrated by Ray Cruz—every time I watch an episode of 19-2. Every time something goes right for that Montreal police squad, it seems like 20 don’t.

Returning for its fourth—and final—season on Monday at 10 p.m. ET/PT, 19-2 makes the jump from Bravo to CTV, a well-deserved move that will give more Canadians the opportunity to catch this exceedingly well-written, expertly acted cop drama. (CraveTV subscribers get to see episodes a day early, on Sundays.) Adapted from the Radio Canada series of the same name, showrunner Bruce Smith and his writers have not only managed to set the English version of 19-2 apart from the French but has outlasted it by one season. It’s also gathered a pile of awards—Canadian Screen Awards for leads Jared Keeso, Adrian Holmes as well as Best Drama—and critical acclaim in the U.S.

Now it all comes to an end beginning on Monday with the episode entitled “Swimming.” Season 3 ended in a flurry of violence and emotion. Officers Nick Barron (Holmes, above) and Ben Chartier (Keeso) were determined to hunt down Inspector Elise Roberge (Krista Bridges) to avenge the brutal death of Nick’s sister and Ben’s lover, Amelie (Tattiawna Jones). Escalating mob violence in the city has an impact on the 19-2 squad directly, leading to Ben and Audrey (Laurence  Leboeuf) involved in a deadly car accident.


When we first met Nick and Ben we asked, ‘Can these two guys be partners?’ And, after Houle [Conrad Pla] shot himself, and fell into the lake, and the two of them are driving back into the city … the message we were sending to the audience is they’re partners now.


Back for Season 4 of 19-2 are Dan Petronijevic J.M., who saw his marriage crumble because of his rage issues; Benz Antoine as Tyler, on the mend from alcohol abuse; Mylène Dinh-Robic as Béatrice, who is seeking redemption after losing her stripes; Bruce Ramsay as manipulative District Commander Marcel Gendron; and Alexander De Jordy as young cop Richard Dulac. Maxim Roy returns to guest star as Nick’s ex-wife, Det. Isabelle Latendresse. New cast includes Aiza Ntibarikure as Roxanne, a new young female cop; and Sagine Sémajuste as Farah, a social worker.

Last November, TV, Eh was part of a press junket to Montreal that included a stop at the set of 19-2, where we chatted with Smith, Keeso and Holmes about Season 4, and the series overall.

Where do we pick up in Season 4?
Bruce Smith: Season 4 picks up exactly where Season 3 left off, not just in terms of plot, but emotionally and in intensity. These are characters in extremis from the beginning. We’re really excited about the way Season 4 starts. It starts with more plot going on than is normal for us—it’s not always about plot with our show, it’s about emotion. And really what we felt is that we spent so much time building up the emotional intensity, particularly for Nick and Ben, that we felt we could keep that intensity going rather than having to build it again. And, really, this final season is really the second of two two-part movies.

When we first met Nick and Ben we asked, ‘Can these two guys be partners?’ And, after Houle [Conrad Pla] shot himself, and fell into the lake, and the two of them are driving back into the city … the message we were sending to the audience is they’re partners now. They have been through the school shooting, through Houle … whatever they feel about each other, they are inseparable. Season 3 and four has been an exploration of that partnership under extremis. The real extremis was the losing of a common loved one between them. It really was like a marriage and the loss of a child causing a marriage to break up. We tracked them almost breaking up last season, and then they came together and move forward into Season 4. They’re not together when we start Season 4.

(l-r) Jared Keeso and Laurence Leboeuf

Can you say why?
One of the first things they experience is the weirdness of not being together for a very emotional moment. That’s for both the characters and the audience. There are a series of events that happen and they are physically separated. When they do come back together, it’s strange because they haven’t experienced it together. One of the focuses for us in the writer’s room in Season 4 was to show how much is undone. There are very prominent characters, our core characters, who never really had arcs together before. There are a couple of new pairings and new relationship arcs between core characters in Season 4.

Jared and Adrian, what were your reactions to Amelie’s death last season?
Adrian Holmes: It was a huge shock to me. Tattiawna was so great and when you lose an actor it’s hard because it’s like a family we’ve created here. So to not have her around was hard. And for the characters, it’s a huge blow and it’s something that adds a lot of tension and friction. The characters have to rise above that and find a way to still keep the marriage together. It was a big shock, but these are the things that make 19-2 so unique and special. You just don’t know what’s going to happen. The shock value is very high on our show and we take a lot of pride in it.


Once you do an episode about a school shooting, the second episode really needs to be about what that feels like. That’s it. It’s very challenging to write and very challenging to act, but if you can do it, you get rewarded for facing those challenges.


Jared Keeso: I think it was the first time that I read the script, and I texted Smitty and said, ‘This is a great opportunity for us as actors to play something like this.’ I’ve certainly never played anything that heavy before. The good thing about our show is it’s earned. It’s all about the writing on our show. It builds and builds and builds, and then boom. All the context is there and that’s a huge advantage for us as actors as well.

I always watch 19-2 cringing because no one is safe. That’s by design, correct?
Bruce Smith: From the beginning of the show and certainly by Season 3 we saw, from the reaction of the audience, that we had done our jobs. We want to train the audience to be afraid. When you have happiness, be a bit nervous but also cherish it. With the cast that we built up and the writers and directors we’ve had, we felt early on what we were really good at. We were really good at provoking intense emotion in the audience and in the characters. It’s a show about first responders. It’s not a show about abstraction and putting things together and solving something. It’s about being stuck in awful or exhilarating or wonderful moments and then dealing with the aftermath of just that moment.

Once you do an episode about a school shooting, the second episode really needs to be about what that feels like. That’s it. It’s very challenging to write and very challenging to act, but if you can do it, you get rewarded for facing those challenges. In Season 4, we’re coming in hot and there is intense feeling from the top and you’re on an emotional roller coaster with these characters.

Do you think fans will be happy with the series finale episode?
Bruce Smith: I sure hope so.

19-2 airs Mondays at 10 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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