Tag Archives: Featured

Preview: Smithsonian’s Hell Below heads for new waters in Season 3

Hell Below is heading to new heights in Season 3.

The documentary series from Parallax Film Productions Inc.—the crew behind Hitler’s Last Stand, Battle Castle and two previous seasons of Hell Below—has added CGI aircraft to its toolbox. The Vancouver company’s storytelling sets it apart from other projects in this genre with its grittily realistic filming, achieved through as much in-camera filming as possible, including explosions.

The purpose of Hell Below continues to be tracking submarine warfare throughout the course of the Second World War, and Parallax always hit the mark.

Returning Wednesday at 8 p.m. ET on Smithsonian Channel Canada, “Killer Strike” spotlights U-47 and its commander, Günther Prien, who is credited with the first official U-Boat kill of the Second World War when he sinks the SS Bosnia. Prien is recalled from patrol early and offered a secret mission to strike the British Royal Navy at its home port of Scapa Flow, in Scotland’s Orkney Islands. Used as far back as the Vikings, Scapa Flow has served as the Royal Navy’s base of operations since the First World War. Fighting heavy currents and dodging blockships, Prien breaks into Scapa Flow, but there is no guarantee he will make it out again.

Expert analysis, re-enactments, stock footage and always-impressive CGI help tell these tales.

Future episodes cover the true stories of German U-Boat Commander Fritz Julius Lemp and the sinking of the SS Athenia, attacks on Allied shipping off the coast of Australia, and the rescue of George H. W. Bush by a submarine after he was shot down.

Hell Below airs Wednesdays at 8 p.m. Eastern on Smithsonian Channel.

Image courtesy of Parallax Film Productions Inc.

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Shaftesbury aces inclusive stories with Crave’s The D Cut

Shaftesbury truly is a production company providing stories for everyone. Want a time period drama? Check out Murdoch Mysteries, Frankie Drake Mysteries or Dead Still. How about a more middle of the road mystery? There’s Hudson & Rex and Departure, each with their own storytelling twist. Those looking for LGBTQ2S+ characters and stories can find that too, in Carmilla, CLAIREvoyant and the brand-new series The D Cut.

The D Cut, which debuted six Season 1 instalments on Crave, visits a combination bike shop and hair salon, the latter serving the LGBTQ2S+ community. Based on a true story, The D Cut stars Marie Marolle as hairstylist D and Amrit Kaur as her newest client Viva; the web-length instalments follow D as she interacts with her existing clients, friends and Viva.

The D Cut cast.

“The D Cut was inspired by a Montreal artist [who] had a salon that was in the back of a bike shop,” says Audrey Dwyer, who co-wrote the project with Wendy Litner (How to Buy a Baby). One of the interesting things about that, she explains, was there wasn’t a set price for haircuts, so it made the experience more accessible to people who wanted to explore their look or wanted just a simple haircut. Dwyer—an actor, director and playwright—was teamed with Litner by Shaftesbury, presented with a few real stories from the shop and created their own. And while there is a dramatic tale regarding the future of the salon hanging over all, the heart of The D Cut is the will-they-or-won’t-they between D and Viva.

The D Cut co-writer Audrey Dwyer.

“[Amrit and I] had very little time to connect,” Marolle says with a laugh. “We had just one day of rehearsal and had to make a connection right away. It wasn’t easy, but we hit it off and it went really well. I was super-nervous but there also wasn’t time to be nervous.” Though they had a tight production schedule of just four shooting days—with D. W. Waterson directing—in Toronto preceded by one day of rehearsals, the chemistry between Marolle and Kaur is there from the moment D and Viva lock eyes. It gave me goosebumps. It’s performances like theirs that get me excited about Canadian content, especially when there are inclusive, diverse stories being told.

“It’s actually pretty awesome watching a brown person kiss a French woman on-screen,” Kaur says. “I’ve never seen that, so I was really excited to be a part of it. Hopefully, I get to tell more gay stories because I love to.”

All six episodes of The D Cut are available on Crave now.

Cast images courtesy of Shaftesbury. Audrey Dwyer image courtesy of Caro Ibrahim.

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Cristina Rosato and Greyston Holt among first to film during pandemic

While many cities and provinces are still mapping out how, exactly, television and feature films will resume production during COVID-19, Cristina Rosato and Greyston Holt are already back at work.

The real-life couple is among the first of North America’s actors to re-start filming, starring in the TV-movie For Better or Worse, in B.C.’s Okanagan Valley. And while Rosato and Holt didn’t have to worry about social distancing when it came to working with each other—they are a couple after all—not so the case with the rest of the cast and crew.

“We originally thought we might be back filming For Better or Worse, very conservatively, in August, September or October,” Holt says, on the line from Vancouver alongside Rosato. “When we got the call that we would potentially be filming on June 8 as a start date, it was surreal. It didn’t make sense that something was coming back that early.” But, with pandemic cases in B.C. holding steady, the project went to camera with guidelines to keep everyone safe.

Rosato describes the taking and recording of daily temperature checks for everyone on the cast and crew, with the stipulation that anyone having a fever would be immediately tested and would not return to set until the testing was complete; no one had a fever or became sick. Everyone reported to a sanitization station and put on masks. Champlain Media, the production company behind For Better or Worse, had everyone involved in the project stay in the same resort during filming.

“We just always wore a mask,” Rosato says. “And then when we were rolling, we would take them off.” Because of the way the script was written, day players and extras were kept to a minimum and only a very small, core cast interacted with each other.

For Better or Worse stars Rosato as Olivia Owens the owner of a community garden centre. Holt portrays Brian Wolf, a property developer for low-cost housing. Brian’s aim is to tear down Olivia’s garden in favour of subsidized housing. There is, of course, friction between the pair that only grows when they’re paired up for a friends’ wedding. It’s the light-hearted TV-movie fare we’ve come to expect from projects like Holt’s previous work in A Very Country Wedding, A Puppy for Christmas and Love is a Piece of Cake. Holt believes that, with the world being such a crazy place, viewers like to watch people falling in love and jump at the chance for some light escapism.

With pandemic fears continuing, For Better or Worse couldn’t be more timely, content-wise. And, with production ramping back up, Rosato and Holt realize For Better or Worse could serve as the template for TV and film.

“We felt a real responsibility to do it right and not mess it up for everyone else,” Rosato says. “We were very, very aware of playing by the rules and we hope that other people can get back to work because of it.”

Image courtesy of Shawn Goldberg/Shutterstock.

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Best Canadian TV shows of the past and present for hockey fans

You might have heard that hockey is pretty popular in Canada; it’s the only sport that will make any Canadian sit up and take notice no matter what’s going on.

With this in mind, it is hardly a surprise that there have been plenty of TV shows based solely on the sport itself or at least featuring some element of the game.

Here are some shows of past and present which are sure to either put a smile on your face or, at the very least, make you think more deeply about the game.

Rent-a-Goalie
This show has to have one of the strangest premises ever conceived, as the protagonist dubiously named “Cake” runs a business that centres around providing local hockey teams with much-needed goalies.

We’re not sure if this was someone’s idea of what sports agenting could have been, but no matter, it managed to run for 26 episodes and is something of a cult classic, revered for how bad it was more than anything else.

The show did inspire an app, which still runs to this day, allowing amateur teams to find the goalie of their dreams, or nightmares.

Hockey is a way of life in many parts of Canada.

Letterkenny
While Rent-a-Goalie is funny because of how bad it is, Letterkenny is just hilarious, full stop.

The connection to hockey is that the show’s protagonists have something of a love-hate relationship with the hockey players in their local area.

This is about as far away from high-stakes NHL odds and picks as you can possibly get, as life unfolds in the barren winter wasteland.

Hockey Wives
The world has moved on somewhat from a time when reality shows about sportsmen’s wives were fashionable.

That said, Hockey Wives was pretty entertaining throughout its three-season spree. The show’s mainstay was Maripier Morin who only needed three seasons to decide that the life of a hockey player’s wife wasn’t for her, divorcing Brandon Prust soon after the show ended.

The particularly interesting thing about this show was that it followed the lives of hockey players’ wives not just in Canada but around the world, giving some fascinating cultural context to the on-screen shenanigans and dramas.

If you love hockey, then you should enjoy some aspect of all of these shows.

Hockey: A People’s History
If you are the sort of viewer who prefers a factual documentary over a comedy, or far-fetched reality show, then Hockey: A People’s History is perfect for you.

The show chronicles just why hockey is so important to the nation of Canada and will have you harking back to some of its episodes the next time you get in a heartfelt hockey conversion with fellow NHL fans at the local sports bar.

South Park
This long running animated series was more famous for ripping on Canada than saying anything meaningful about the country’s beloved sport.

However, all that changed in episode 153, when Stan was forced to become the coach of a hockey team in order to get his stolen bicycle back. The premise is almost as bad as Rent-a-Goalie’s, but the difference here is that South Park is genuinely amusing.

Power Play
Often the best stories in sport have nothing to with athletic competition and everything to do with the boardroom politics and backstabbing that goes on behind closed doors.

Power Play delved straight into that shady world, as a sports agent is thrust into becoming the general manager of an NHL franchise, battling to keep it afloat as he comes under attack from all sides. If you thought managing a team in the big leagues was easy, this show that aired for just two seasons will make you think again.

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Cardinal, Kim’s Convenience and Schitt’s Creek win during Night 3 of the 2020 Canadian Screen Awards Virtual Presentations

Cardinal, Kim’s Convenience, Schitt’s Creek and Baroness Von Sketch Show were among those who captured trophies during Night 2 of 2020 Canadian Screen Awards Virtual Presentations.

The Canadian Screen Awards, originally scheduled to air in March, moved online and was streamed because of the COVID-19 pandemic. Wednesday’s online ceremony celebrated Crafts in Scripted Programs, narrated by Evany Rosen and Kayla Lorette, and Scripted Programs and Performance, presented by Eric McCormack.

Here are the winners in Wednesday’s key categories:

Best Writing, Web Program or Series
Wendy Litner, How to Buy a Baby

Best Writing, TV Movie
Christina Welsh, Believe Me: The Abduction of Lisa McVey

Best Writing, Variety or Sketch Comedy
Baroness Von Sketch Show

Best Writing, Comedy
Jared Keeso and Jacob Tierney, Letterkenny

Best Writing, Drama Series
Patrick Tarr, Noelle Carbone and Aaron Bala, Cardinal

Best Guest Performance, Drama Series
Dalmar Abuzeid, Anne with an E

Best Guest Performance, Comedy
Amanda Brugel, Kim’s Convenience

Best Supporting Actress, Drama
Kristen Thomson, Cardinal

Best Supporting Actor, Drama
Thom Allison, Killjoys

Best Supporting Actress, Comedy
Emily Hampshire, Schitt’s Creek

Best Supporting Actor, Comedy
Andrew Phung, Kim’s Convenience

Best Supporting Performance, Web Program or Series
Emma Hunter, How to Buy a Baby

Best Lead Performance, Web Program or Series
Emily Hampshire, Save Me

Best Web Program or Series, Fiction
Save Me

Best Lead Performance, TV Movie
Kate Drummond, Nowhere to Be Found

Best Lead Actress, Drama Series
Karine Vanasse, Cardinal

Best Lead Actor, Drama Series
Billy Campbell, Cardinal

Best Lead Actress, Comedy
Catherine O’Hara, Schitt’s Creek

Best Lead Actor, Comedy
Eugene Levy, Schitt’s Creek

Golden Screen Award for TV Drama or Comedy
Murdoch Mysteries and Private Eyes

Best Sketch Comedy Show & Ensemble Performance
Baroness Von Sketch Show

Best TV Movie
Believe Me: The Abduction of Lisa McVey

Best Comedy Series
Schitt’s Creek

Best Drama Series
Cardinal

For the complete list of winners, visit the Academy of Canadian Cinema and Television website.

Virtual Presentation Schedule:

Thursday, May 28, 2020

7 PM ET: Canadian Screen Awards for Cinematic Arts (Narrator: Théodore Pellerin)

Watch the Virtual Presentations on  Academy.ca, Twitter, Facebook and YouTube.

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