Tag Archives: Murdoch Mysteries

Preview: Al Jolson visits Murdoch Mysteries

After a three-week break for the Winter Olympics, Murdoch Mysteries roars back onto CBC’s schedule with an interesting and unique episode.

“Murdoch Schmurdoch,” written by Robert Rotenberg and Lori Spring and directed by Sherren Lee, isn’t your traditional Murdoch episode. Well, yes, there is a crime and most of the major characters are involved, but that’s pretty much where the similarities end. Here’s what the CBC has revealed in their official synopsis:

Murdoch investigates a murder with connections to vaudeville entertainers Harry and Al Jolson and Watts unravels a mystery about his own family.

And, as always, a few more tidbits from me after watching a screener.

John Brackenreid returns
After several episodes away, John is back in Station House No. 4 where he spends a lot of time alongside Higgins, working the main murder case. And, while working it, someone catches John’s eye. Is yet another romantic relationship in the cards for a Murdoch character?

Al and Harry Jolson visit Toronto
My research—OK, Google—shows Al did indeed perform in Toronto, though not exactly during Murdoch Mysteries‘ timeline. No matter, he and his brother make an immediate impact. Kudos to Sayer Roberts for the great performance as Al, who connects with Detective Watts in a major, and surprising, storyline.

Detective Watts gets spiritual
Daniel Maslany gets major screen time on Monday night and I couldn’t be happier. Not only is the slightly dishevelled detective on point during the murder investigation, but he and Al Jolson spend numerous scenes together, rounding out Watts in a fascinating way.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

 

 

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Kristian Bruun says goodbye to Murdoch Mysteries in The Book of Jackson

Spoiler alert! Do not continue reading unless you have watched the Season 10 finale of Murdoch Mysteries.

As much as I love Murdoch Mysteries, I didn’t like the way the show said goodbye to Constable “Slugger” Jackson. There was a lot going on in the Season 10 finale and Season 11 premiere, so his loss felt a little shoved to the side for fans. But now I feel like we—and the most lovable lug in Station House No. 4—have gotten a proper sendoff thanks to this season’s Murdoch Mysteries web series The Book of Jackson.

Written by Noelle Girard, the six-episode series—available now at CBC.ca—kicks off with the members of Station House No. 4 continuing to grieve the loss of Constable Jackson as they pack up his belongings. But the arrival of a distraught woman looking for the deceased Jackson and the discovery of a hidden notebook filled with a secret code lead Murdoch, Crabtree, Higgins and Watts working to unravel the case Jackson was working on in secret before he died.

I spoke to Kristian Bruun about playing Jackson for so many years and what it was like to return to the Murdoch Mysteries set to film The Book of Jackson.

I’ve watched The Book of Jackson and it was nice to take the time to really have a heartfelt goodbye for Slugger Jackson. He was taken so suddenly at the end of Season 10, it was hard to really grasp his exit.
Kristian Bruun: Yeah, it was nice. At the beginning of Season 11, we’re worried about Murdoch being framed for murder and that Crabtree is OK. They did have a nice little salute to him at the end of the episode that misted me up when I watched it. But it was so nice for me to have the opportunity to put the uniform back on and say goodbye my own way. I was pleasantly surprised and honoured to come back and put the uniform on.

What was the production schedule like? When did you film The Book of Jackson? It sounds like it was after Season 10 wrapped.
It was sort of similar to how we did the previous year’s web series, Beyond Time, which I was a part of as well. It’s best to film it when the season is up and running when everybody is around, the sets are in order and nothing has been shut down for the winter. Basically, they use the weekends to film the web series, so it’s extremely daunting for the cast and crew that are there all the time because they’ll shoot the regular work week and then will come in on Saturday and Sunday to shoot the web series, followed by another work week. It creates two straight weeks of super-long days. I think we shot this in November, so it was already near the end of the [filming] season and everyone was exhausted. And they fit so much into those two days. I mean, I remember working on the last one and trying to cram so much time travel jargon into my brain. It was such a blast but it’s a whirlwind.

So, I came in in November—I’ve been living in Los Angeles for a year now—and at the end of Season 10, we had a feeling one of us was going to die. We filmed the season finale and didn’t know who it was going to be at the time. I wish I’d known it was going to be me at the time because I would have taken the opportunity to say goodbye to the cast and the crew. But, they wanted to figure out what would be best for the fans and the mystery. I wanted to come back because I love the show, but I also understood that logistically I was the one actor who had moved away and that was just a timing thing because of my career and looking for the next thing after Orphan Black. I knew I was on the chopping block but I was hoping it wouldn’t be me. [Laughs.] But that’s the way it goes.

I was very sad to get that email from Peter Mitchell. He’s such a funny guy. He was like, ‘You’ll land on your feet, don’t worry.’ He wasn’t worried at all; meanwhile, I’m like, ‘Oh my gosh, what do I do? I had two shows but they just ended at the same time!’ It was stressful, but having the chance to say goodbye this way and see the crew one last time … who knows, maybe this isn’t the last time. Who knows? But it was certainly nice to come back and do some flashbacks with everybody.

It must have been emotional to return for those two days after time away and reunite with the cast and crew working that weekend.
There were a lot of strong hugs. [Laughs.]

It’s interesting to hear the circumstances surrounding your departure from Murdoch. I did think perhaps you asked to leave because you were heading to L.A. on the heels of Orphan Black ending.
I was a little bit concerned people would think that; that I had left the show for so-called greener pastures. That’s absolutely not the case and I want the fans to know that. It was a story decision and if I were to do that, I would have released a statement. It was not my decision but it’s one that I fully understand. [Laughs.] It was almost like, ‘Sorry we killed you off, here’s a web series!’

I was sorry that the relationship between Jackson and Watts wasn’t explored more fully before Jackson’s demise.
Daniel Maslany and I are good friends now because we’ve gotten to work together and because I’m really, really good friends with his sister, Tatiana, of course. I loved working with Daniel because we just had so much fun together with the dynamic between Jackson and Watts. They are two very different characters, which always makes for good TV. We were just starting to find our stride as those characters and having fun working together.

Jackson is a wonderful character. He wears his heart on his sleeve and is fiercely loyal to his friends.
They really gave me the opportunity to make him more human. Getting a chance to grow a character is an honour and you don’t always get that chance. Jackson started off as this rival constable from another station way back in Season 5 and grew into another member of the gang. In the memorial to Jackson and the picture up on the wall, they don’t forget him.

Watch all six episodes of The Book of Jackson via CBC.ca.

Were you happy to see Jackson back in the world of Murdoch Mysteries? Do you have a message for Kristian Bruun? Let me know in the comments below.

 

 

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Emma Hunter and Jonny Harris to host 2018 Canadian Screen Awards

From a media release:

The Academy of Canadian Cinema & Television (the Canadian Academy) and CBC today announced that Jonny Harris of CBC’s Still Standing and Murdoch Mysteries and Emma Hunter of The Comedy Network’s The Beaverton and CBC’s Mr. D, will co-host the 2018 Canadian Screen Awards Broadcast Gala live on CBC on Sunday, March 11, 2018. The Canadian Academy also announced hosts for the three non-broadcast Canadian Screen Awards Galas and Family Fan Day.

The Canadian Academy and CBC also announced their new production partner for the Broadcast Gala: Insight Production Company. This year marks the inaugural year the Canadian Academy will work with the award-winning content producers to deliver one of the country’s biggest award shows. As part of the new partnership, Insight Productions is taking on the task of bringing the “Golden Era of Entertainment” to the Canadian Screen Awards stage.

Also taking on hosting duties during Canadian Screen Week this year are five very talented Canadian stars who will each bring their own flare and personality to the stage at the three non-broadcast Galas during Canadian Screen Week.

  • Canadian Screen Award nominee and co-anchor of The Comedy Network’s The Beaverton, Miguel Rivas, will host the Gala Honouring Excellence in Non-Fiction Programming Sponsored by Boat Rocker Media and Eagle Vision (March 6, 2018);
  • Award-winning actor and improv dynamo Andrew Phung, of CBC’s Kim Convenience, will host the Gala Honouring Excellence in Creative Fiction Storytelling Sponsored by Technicolor and Thunderbird Entertainment (March 7, 2018); and
  • Mind Fudge’s Jon Simonassi and Justine Nelson will serve as “virtual hosts” through the creation of content for the Gala Honouring Excellence in Digital and Immersive Storytelling Supported by the Independent Production Fund (March 8, 2018).

The three off-air Galas will be produced by e=mc2 events who are working with the Canadian Academy for the first time this year.

Additionally, ET Canada’s Carlos Bustamante will host Family Fan Day, presented by the Canadian Academy and the Shaw Rocket Fund, and supported by City of Toronto at the Sony Centre of Performing Arts on March 10, 2018, which coincides with the beginning of March Break in Toronto.

 

 

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Link: Women Behind Canadian TV: Christina Jennings

From Kelly Townsend of The TV Junkies:

Link: Women Behind Canadian TV: Christina Jennings
“It’s important to do and it’s important as a company, actually, to stay in touch with the young people coming up behind us. If you’re there at the CFC, at Sheridan or Humber, and you’ve given some time, you’ve done a course, you had them in to intern here at the company, and they have a project, they may just come to you first. It’s always about looking for the next generation of people behind you. And we think the way to do that is to give back.” Continue reading.

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Link: Gary Harvey’s before and after

From Sabrina Furminger of YVR Screen Scene:

Link: Gary Harvey’s before and after
There is a distinct Before in the story of Gary Harvey’s life, as well as an adjacent After.

The dividing line between Before and After was drawn on October 28, 2014, in a Vancouver General Hospital operating room. This is where Harvey underwent a surgery that changed nearly every aspect of his life. Continue reading.

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