Everything about Coroner, eh?

Serinda Swan on her CBC series Coroner and why Canadian actors in L.A. should come home

The last time I spoke to Serinda Swan, she was co-starring in A&E’s excellent and cancelled-too-soon Breakout Kings. Filmed in Toronto, Swan played one of a handful of criminals who worked with the U.S. marshals to collar prison escapees and have time taken off their own sentences.

Now Swan is back in Toronto, on the other side of the law in CBC’s new drama Coroner. Debuting on Monday at 9 p.m., the drama—based loosely on the books by M.R. Hall—stars Swan as Dr. Jenny Cooper, a recently widowed new coroner who investigates suspicious, unnatural or sudden deaths in Toronto. Created by Morwyn Brebner (Saving Hope) and produced by Muse Entertainment, Back Alley Films and Cineflix Studios, Coroner features Roger Cross as homicide detective Donovan McAvoy; Lovell Adams-Gray as pathologist Dr. Dwayne Allen; Tamara Podemski as Alison Trent, Jenny’s assistant; Kiley May as River Baitz, Dr. Allen’s assistant; and Ehren Kassam as Ross, Jenny’s son.

I chatted with Swan and Cross during CBC’s winter media day in November.

How did you get involved in Coroner, Serinda? Were you looking to come back to Canada?
Serinda Swan: I’ve had my eye on projects, Canadian projects, for a while because I feel there’s this new face of Canadian television that’s coming up or new perception of Canadian television that I think, as Canadian actors, we need to come back. We need to come back to Canada and we need to stop this archaic idea that in order to make it, we need to go to the U.S.

I think that dilutes the Canadian talent pool because we all leave, and then our team and our managers and agents don’t want us to come back, and I think this is a time that’s really exciting for Canadian television because we’re having these shows come out, and they’re becoming more specific. We’re not making Canadian television for American markets anymore. We’re making Canadian television for Canadian markets, and in that specificity, it becomes more universal.

Roger Cross: It’s making quality television, and it translates universally.

SS: I read a script a few years ago [for] Bellevue. And I loved it, I absolutely loved it, I thought it was incredible. And we got very, very close to actually doing it, and it didn’t end up working in the end, and so I had my eyes on [the production companies]. I was like, ‘OK, this is a pretty incredible group of humans that are orbiting around some really interesting material.’ They called me when this role came up, and said, ‘Would you be interested?’

And they sent me the bible for it, and it just was such an interesting perspective, the imagery that they used in it, the way that they described the character. The fact that she was more human than she was coroner … And so when I read it, I was like, ‘Oh this is some character work. I’m gonna be able to physically, emotionally and mentally change.’ And they were all for it. I was like, ‘I want my character to cut off her hair, I want to be able to put on weight, I want to be able to change my physicality, I want to be able to have a minute and a half panic attack on television. I want to show mental health issues, I want to show a diverse cast. I want to be able to have gay, straight, trans, black, white, First Nations on our show and not exploit it, but celebrate it. Show what Canada really is.’

And they literally went, ‘Yeah, of course.’ And I was like, ‘Wow, my people.’ This is exactly where I want to be, and I want to stop being a part of the problem, and just doing what I think cool American TV is.

A show like Dark Matter, just thinking most recently Roger, it’s just good TV regardless of what country it’s from.
RC: Yeah. And that’s the thing, you want to get rid of those labels. Let’s forget about, ‘It’s good for this,’ or, ‘You’re good because you’re a woman.’ And hopefully we evolve to that point where we can do that one day, and that will be great.

Jenny has her world ripped apart, and you see her struggle at times, but evolve and grow throughout it.
SS: To show the bad and the ugly. She makes good choices, bad choices and then some lovely choices.

I love the chemistry that Jenny and Donovan have. They have a really good repartee.
SS: I think that comes from both of them not really giving a shit about the other one. To be honest, she doesn’t care if he likes her, he doesn’t care if she likes him, and so there’s this relaxed sense of just being who you are, that is really interesting when it comes to two different characters. Because, normally, it’s two people don’t like each other and they’re fighting to make each other like each other, and that’s not it. I’m after the truth here, with or without you, I’m going after the truth. And so it’s this breaking down and figuring it out.

RC: One of the things that homicide detectives have is a consultant we talk to. We had real pathologists, real detectives, we had real SWAT members come out … We had some great people to lean on, and ask them, ‘When you are cutting a body out, would you do this? How would you handle evidence? How would you do things?’ We had these great people to lean on. And one thing this homicide detective said to me was, ‘Listen, we’re the main thing, it’s our world. They all serve to assist us to find the murderers and find these other people.’ And so, Donovan’s been used to that world where, ‘OK, we need you, coroner. We need you over here, we need these other people. But we run the show and we know what’s going on.’ He’s been used to doing things his way and had a coroner that would sign off on things, saying, ‘Yes, that’s how it’s done.’ ‘Yeah? OK good.’ [Jenny] comes in and she’s like, ‘Nah, ah, ah, ah, ah. I’m not signing off until I’m absolutely sure that that’s right.’ He’s like, ‘What’s wrong with you? Just stay in line, do your thing.’

SS: He started as Jenny, and then slowly it dulled out, based on the constant rubbing of people just trying to get the quick fix. And so eventually, it’s that knife, he comes in very sharp and by the end, you’re like, ‘I’m worn out, man.’ She’s coming in strong, and so there is that friction of, ‘Don’t mess up my life,’ on both sides.

With Morwyn Brebner as the creator, it’s no surprise Coroner is a roller coaster of emotion. It just came across like it’s a cable show. Yes, it fits on CBC, but it also very much as a cable show where you can have those moments, those long moments to really let a scene breathe and let those emotions come out.
SS: That was something that was really important to me because that’s how I act. I don’t react, I act, and in order to act, you have to hear, you have to listen, truly listen and you have to process and then you have to figure out how you want to act. And it could be a reaction, but there is that moment of processing.

Coroner airs Mondays at 9 p.m. on CBC and CBC Gem.

Images courtesy of CBC.

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Link: How cutting her hair created a new career for Coroner’s Serinda Swan

From Tony Wong of the Toronto Star:

Link: How cutting her hair created a new career for Coroner’s Serinda Swan
Serinda Swan could likely write a graduate thesis on the cultural weight that society places on hair.

After all, when the Vancouver native chopped off her signature flowing locks she inadvertently started a social experiment that changed the trajectory of her career. Continue reading. 

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CBC announces winter 2019 premiere dates for Heartland, Schitt’s Creek, Workin’ Moms, Kim’s Convenience and more

From a media release:

CBC today announced broadcast and streaming premiere dates for its winter 2019 lineup of highly anticipated new titles and popular returning series, featuring original programming by Canadian storytellers. With a new winter schedule launching Sunday, January 6, each series will be available for linear broadcast on CBC and live and on demand streaming on the CBC TV app for iOS and Android and cbc.ca/watch.

● Family drama HEARTLAND returns for Season 12 on Sunday, January 6 at 7PM

● Inspired by the best-selling series of books by M.R. Hall, female-driven procedural CORONER starring Serinda Swan premieres Monday, January 7 at 9PM

● CBC’s hit Tuesday night comedy lineup continues this winter with new seasons of KIM’S CONVENIENCE, SCHITT’S CREEK and WORKIN’ MOMS beginning January 8 at 8PM

● A new case draws Kristin Kreuk into the shadowy world of hackers and activists in Season 2 of BURDEN OF TRUTH, premiering Wednesday, January 9 at 8PM

● Limited drama series UNSPEAKABLE focused on Canada’s tainted blood scandal, starring Sarah Wayne Callies and Shawn Doyle, debuts Wednesday, January 9 at 9PM

● East Coast humour rules Thursday nights beginning January 10 at 9PM, with new comedy CAVENDISH from the creators of Picnicface and Season 2 of Joel Thomas Hynes’ LITTLE DOG

● Factual entertainment series THE STATS OF LIFE returns with a new look at how Canadians are living Friday, January 11 at 8:30PM

● Iconic drama STREET LEGAL returns with Cynthia Dale and a new generation of Toronto lawyers Monday, March 4 at 9PM

● New Halifax legal aid drama DIGGSTOWN starring Vinessa Antoine and Natasha Henstridge premieres Wednesday, March 6 at 8PM

● Arlene Dickinson matches budding entrepreneurs with the businesses of their dreams in UNDER NEW MANAGEMENT launching Friday, March 15 at 8:30PM

● A winter, digital-first streaming premiere date for new family adventure drama NORTHERN RESCUE, starring William Baldwin and Kathleen Robertson, will be confirmed in the near future.

CBC’s winter 2019 primetime schedule, launching Sunday, January 6: All following times local with the exception of Newfoundland, please add half an hour to all times.

SUNDAYS
11 AM (12 PM AT) – THE WEEKLY WITH WENDY MESLEY Season 2 continues January 6

7 PM – HEARTLAND Season 12 (11×60) premieres January 6

8 PM – THE NATURE OF THINGS – Season 58 continues with “Food for Thought,” offering the latest in nutritional science, on January 6

9 PM – THE FIFTH ESTATE Season 44 continues January 6

10 PM – THE NATIONAL CBC News’ flagship program continues Sunday to Friday each week

MONDAYS
7:30 PM – CORONATION STREET (weekdays, back-to-back episodes on Mondays starting at 7 PM)

8 PM – MURDOCH MYSTERIES Season 12 (18×60) continues January 7

9 PM – CORONER New procedural drama (8×60) premieres January 7

9 PM – STREET LEGAL The iconic legal drama returns (6×60) March 4

TUESDAYS
8 PM – KIM’S CONVENIENCE Season 3 (13×30) premieres January 8

8:30 PM – THIS HOUR HAS 22 MINUTES Season 26 (19×30, 1×60) continues January 8

9 PM – SCHITT’S CREEK Season 5 (14×30) premieres January 8

9:30 PM – WORKIN’ MOMS Season 3 (13×30) premieres January 8

WEDNESDAYS
8 PM – BURDEN OF TRUTH Season 2 (8×60) premieres January 9

8 PM – DIGGSTOWN (6×60) New Halifax legal aid drama premieres March 6

9 PM – UNSPEAKABLE (8×60) Limited drama about Canada’s tainted blood scandal premieres January 9

THURSDAYS
8 PM – DRAGONS’ DEN Season 13 (20×60) continues January 10

9 PM – CAVENDISH (8×30) New comedy from the creators of Picnicface premieres January 10

9:30 PM – LITTLE DOG Season 2 (8×30) premieres January 10

FRIDAYS
8 PM – MARKETPLACE Season 46 continues January 11

8:30 PM – THE STATS OF LIFE Season 2 (8×30) premieres January 11

8:30 PM – UNDER NEW MANAGEMENT Factual series hosted by Arlene Dickinson (4×30) premieres March 15

9 PM – CBC DOCS POV Season 3 continues with “Pugly,” about the upswing in pug ownership and what makes them so lovable January 11

11:30 PM CBC ARTS: EXHIBITIONISTS Season 4 (26×30) continues

SATURDAYS
6:30 PM – HOCKEY NIGHT IN CANADA

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NBCUniversal International Networks acquires CBC series Coroner

From a media release:

NBCUniversal International Networks (NBCUIN) today announced the acquisition of Coroner – a new, procedural drama from Cineflix Rights to air around the world. A CBC original series created by Morwyn Brebner (Rookie Blue, Saving Hope) and produced by Muse Entertainment, Back Alley Films and Cineflix Studios, the eight one-hour episodes will premiere in the UK, Germany, France, Spain, Poland, Africa, Latin America, Brazil and Australia from late 2019.

Inspired by the bestselling series of books of M.R. Hall, Coroner is a female-driven series following Jenny Cooper – played by Serinda Swan (Inhumans, Ballers) – a newly appointed coroner investigating suspicious deaths in Toronto. Jenny is a brave and determined yet vulnerable coroner driven by an intense desire for the truth. A former ER doctor and a recently widowed mother of a teenage son, her husband’s death has unlocked a primal connection to death, tied to a secret in her past that is only now coming to the surface. With storylines based on real-life cases, Jenny is a coroner of our time, an advocate for the dead even when it’s inconvenient for the living, and defender of those who are powerless or in peril.

Coroner also stars Roger Cross (Dark Matter, The X-Files) as Donovan “Mac” McAvoy, a police detective who partners with Jenny; Eric Bruneau (Blue Moon) as Liam, Jenny’s new neighbour; and Ehren Kassam (DeGrassi: Next Class) as Ross, Jenny’s 17-year-old son. Also joining the cast are Tamara Podemski (Rabbit Fall) as Alison Trent, Jenny’s eccentric colleague; Alli Chung (Dark Matter, The Expanse) as Taylor Kim, a smart, junior homicide detective; Lovell Adams-Gray (Second Jen) as Dr. Dwayne Allen, an idealistic young pathologist; and Saad Siddiqui (Incorporated, Taken) as Dr. Neil Sharma, Jenny’s insightful psychiatrist.

Coroner is produced by Muse Entertainment, Back Alley Films and Cineflix Studios. Morwyn Brebner is creator, executive producer and showrunner; Adrienne Mitchell (Durham County, Bellevue) is lead director and executive producer for Back Alley Films; Jonas Prupas is executive producer for Muse Entertainment; with Peter Emerson and Brett Burlock executive producers for Cineflix Studios.

Coroner is distributed worldwide by Cineflix Rights and is currently in production in Toronto, Canada.

The CBC will premiere Coroner in Canada on the CBC in winter 2019.

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Additional casting confirmed as Muse, Back Alley and Cineflix start production on CBC original drama Coroner

From a media release:

With production now underway in Toronto, Ontario, Muse Entertainment, Back Alley Films and Cineflix Studios today revealed additional casting for new CBC original drama CORONER (8×60), set for a winter 2019 broadcast and streaming premiere on CBC, the CBC TV app and cbc.ca/watch. Inspired by the best-selling series of books by M. R. Hall and created by Morwyn Brebner (Saving Hope), the series centres on newly appointed coroner Jenny Cooper as she investigates suspicious deaths in Toronto.

CORONER stars Serinda Swan (Inhumans, Ballers) as Jenny Cooper, a brave, determined yet vulnerable coroner, former ER doctor, and recently widowed mother, driven by an intense desire for the truth. She loves her son more than life itself and strives to support him while also trying to take care of herself. The passing of Jenny’s beloved husband has unlocked a primal connection to death, tied to a secret in her past that is only now coming to the surface.  With storylines based on real-life cases, Jenny is a coroner for our time, an advocate for the dead even when it’s inconvenient for the living, and a defender of those who are powerless or in peril.

Joining the series are Roger Cross (The X-Files) as Donovan “Mac” McAvoy, a police detective who partners with Jenny; Éric Bruneau (Blue Moon) as Liam, Jenny’s new neighbour; and Ehren Kassam (DeGrassi: Next Class) as Ross, Jenny’s 17-year-old son. Also joining the cast are Tamara Podemski (Rabbit Fall) as Alison Trent, Jenny’s eccentric colleague; Allison Chung (UnReal) as Taylor Kim, a smart, junior homicide detective; Lovell Adams-Gray (Second Jen) as Dr. Dwayne Allen, an idealistic young pathologist; and Saad Siddiqui (Madame Secretary) as Dr. Neil Sharma, Jenny’s insightful psychiatrist.

A CBC original series, CORONER is produced by Muse Entertainment, Back Alley Films and Cineflix Studios. Morwyn Brebner is creator, executive producer and showrunner, Adrienne Mitchell (Durham County, Bellevue) is lead director and executive producer for Back Alley Films, Jonas Prupas is executive producer for Muse Entertainment with Peter Emerson and Brett Burlock executive producers for Cineflix Studios. For CBC, Sally Catto is General Manager, Programming; Helen Asimakis is Senior Director, Scripted Content; and Sarah Adams is Executive in Charge of Production. Cineflix Rights has the exclusive worldwide distribution rights to CORONER.

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