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Wynonna Earp sounds off: A conversation with Melanie Scrofano

Anyone who has access to social media—and fans of Wynonna Earp do—knows the Season 2 return episode previews have been fantastic. Count us in on the praise-heaping. Showrunner Emily Andras and her writing team have advanced the plot—Super-creepy new monsters! A laboratory! New characters!—while keeping our core of favourites intact.

And while Friday’s first episode—”Steel Bars and Stone Walls,” airing at 10 p.m. ET on Space—is full of snark, fights and The Peacemaker, there are quiet moments too. When we catch up with Wynonna, Waverly (Dominique Provost-Chalkley), Haught (Katherine Barrell) and Doc (Tim Rozon), they’re plotting to save Dolls from the clutches of Agent Lucado (Kate Drummond). With the curse stronger than ever, Black Badge intrigue, gobs of goo still hanging around, and new evils to contend with, Season 2 is going to be jam-packed.

We spoke to Melanie Scrofano for some help sorting it all out.

I’m really loving the tone of Season 2 so far. Friday’s return, “Steel Bars and Stone Walls,” features plenty of slow-motion hair flipping and strutting.
Melanie Scrofano: Really?! Already? Oh, I do. I DO.

As an actress, forget about the lines written … is it hard to get the hair flip just right?
MS: No, because there is so much hair and none of it is mine. I’m just trying to, like, ‘Get off!’ I’m so used to doing that in real life. Sometimes I just do it, and other times in the script it will say, ‘Super, sexy, hair porn.’ Something like that, but better, because it’s Emily.

There is so much to address in Season 2. First is the goo that was absorbed into Waverly. Anything you can say about the goo at this point?
MS: The thing about goo is … [looks at network publicist] … it just goos up your life. You just never know how long it will be in your life.

I not going to spoil anything about Friday’s first episode, but we do get a little more background into Dolls and why Lucado [Kate Drummond] feels the way she does towards him. Can you comment?
MS: It’s safe to say Dolls has got a lot more complexity than any of us realize and it will also play to our strengths as a team. It definitely makes things harder and he has a lot to deal with on his own. Just like Wynonna kind of sucks at the beginning at her job, but the things that are a mess about her, like her instinct rather than being polished, is what gives the team its edge. I think we can say it’s the same with Dolls.

Where is Wynonna’s state of mind at the beginning of Season 2? Her attitude suggests she thinks she’s a pretty big deal.
MS: Given everything that happened at the end of Season 1 and the mountain she’s up against, she’s puffing out her chest and is going, ‘I don’t know if I can do this, but I have to.’ Part of the reason everything is so fast-paced is because she can’t slow down to think because she’ll have a meltdown if she thinks about what she’s done and what’s happened.


Wynonna doesn’t have time to choose. She’s like, ‘Boys are important and everything, but I have to save the world! So, sorry for your feelings, and I’m going to do my best but I’ve got a job to do.’


There’s a lot going on in the first episode back. The team is going after Dolls, so we’re introduced to a new setting in the lab and a couple of new characters and new monsters.
MS: Any monsters that we come across don’t just come and go. They are all tied together in some way.

There is also one heck of a fight between Wynonna and another character. How long does it take to choreograph and film a fight scene?
MS: They take all day, and you see them on the schedule and you want to go home. Usually, you don’t have a lot of time to prepare for them and they’re messy. It adds a nice energy to it because you’re phrenetic and you hope that you don’t actually connect and actually punch somebody. Those scenes are very intricate, there are so many pieces, and then you have to land your marks and sell the punches. The scene in Episode 1 probably took six to eight hours.

Who’s the stunt coordinator?
MS: Steve McMichael. He’s incredible. Don’t tell him this, but he could poison my oatmeal and we would have him back for Season 4 because he’s just so good!

One thing that was teased by Emily, and Tim Rozon told me for an upcoming podcast, is the dynamic of having characters in different pairs this season.
MS: Everybody is affected differently by the curse. Wynonna and Officer Haught didn’t work much together last season, so it was interesting to see how that relationship evolved and I found it really fun and touching. I really loved that one. It was interesting to see different perspectives on the curse.

I also get the sense there’s going to be more regarding the love/affection triangle between Wynonna, Dolls and Doc.
MS: Wynonna doesn’t have time to choose. She’s like, ‘Boys are important and everything, but I have to save the world! So, sorry for your feelings, and I’m going to do my best but I’ve got a job to do.’ I like that aspect of it. She doesn’t want to be harsh, but at the same time, the clock is ticking.

Wynonna Earp airs Fridays at 10 p.m. ET on Space.

Image courtesy of Space.

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Comments and queries for the week of June 2

Very, very sad that [Saving Hope] is ending. A completely original concept for a medical show, the actors were all amazing and best one of all is it was UNPREDICTABLE! So many shows now are not original and highly predictable, boring story lines and drab and boring. To lose this show is really disappointing, but I guess it was too “intellectual” to the general audience. They didn’t “get it”! Anyway, I wish all the actors have wonderful lives; all great and good things don’t last, unfortunately! Going to miss you, Hope Zion. —Patricia


I really like reno shows but I’m losing interest in [Home to Win]. The contractors act like 12-year-olds and the designers wear jeans so tight they can hardly walk!! If that’s how they work on a real job I’d fire them all. Grow up. —Stan


Very captivated by [Anne]. So well shot, written, acted, etc. I even convinced my family to watch an episode with me and they were hooked from there on in. :) Really hope Season 2 is not far off! —Adria

 

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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MasterChef Canada: And the winner is …

After a three-hour marathon that included their fellow competitors and family members watching from the sidelines, Thea and Trevor did battle in a three-course non-stop cook for the ages to win the $100,000 grand prize and title of MasterChef Canada.

By the time the dust steam had settled on Thursday night, Trevor the plumber/gas fitter from Edmonton had emerged victorious. Thea, the insurance broker from Vancouver, came in second place. Things may have been very different if the tamale ball Thea served chef Claudio Aprile hadn’t been raw in the middle, but the devil is in the details and that one ruined her chances of winning. Judges Alvin Leung, Claudio Aprile and Michael Bonacini awarded Trevor the trophy, explaining that his three-course meal presented the best story of the two.

“Winning this has kick-started my food dream,” Trevor told producers after the confetti had fallen. “My life is changing as we speak. Goodbye plumbing, hello cooking!”

“I’m really happy for Trevor,” Thea said in defeat. “I still feel like a winner. This has been the best journey I’ve ever had and nothing is going to stop me from pursuing my food dream right now.”

MasterChef Canada continued to be groundbreaking in its challenges this season by presenting a doozy of a final one: Thea and Trevor had three hours to create an appetizer, entree and dessert and the clock would not stop running. This meant the pair would not only have to stay focussed while cooking but have excellent time-management skills. Thea’s take on Mexican food with street corn panna cotta, pork cheek tamale and orange sponge cake played to her strength of having bold flavours while Trevor’s octopus and chips, lamb two ways and deconstructed chocolate mint ice cream cone showcased his sophistication in taste and plating.

There wasn’t a ton of drama during the hour-long episode—despite producers injecting dramatic music to suggest there was—and it all rightly came down to taste for final judgement from Claudio, Alvin and Michael. A frontrunner from Week 1, the only way Trevor was going to lose was if something catastrophic went wrong with one of his plates. As soon as the trio went off without a hitch his win was sealed.

What did you think of this season of MasterChef Canada? Did the right home cook win? Let me know in the comments below!

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AMI-tv digs into DIY with debut of Eyes for the Job

It makes total sense for the folks at AMI-tv to follow up their cooking series Four Senses with Eyes for the Job. Aside from cooking, home renovations take up a lot of our time so why not launch a do-it-yourself series?

Debuting Friday at 8:30 p.m. ET on AMI-tv, Eyes for the Job is designed for viewers who are blind or low vision by having hosts Chris Judge and Rebekah Higgs describe what they’re doing while it’s being done. That’s evident in Episode 1 as the pair turn an old piano into a showstopper bar and tile the kitchen at Higgs’ home; they give a step-by-step description of exactly what they’re doing as they do it.

Shot and produced in Halifax by Clerisy Entertainment, the 13-episodes spotlight the skills of Higgs—an accomplished singer, songwriter and do-it-yourself mom—and Judge, who was born blind. That didn’t stop him from catching the DIY bug from his father.

“My father wasn’t trained carpenter, but he did it all of his life,” Judge says on the phone from Halifax. “As a kid, I was always getting in his way. I was out in his workshop putting my hands all over everything and asking him more questions than I’m sure he cared to answer.” Judge honed his skills in junior high by taking industrial arts, first embracing woodworking and then, as an adult, turning towards handyman jobs. Judge has always had an uncanny knack for being able to dismantle and rebuild things; he once shocked friends by putting together a barbecue grill just from feel.

Still, there were parts of Eyes for the Job that him pause: painting. As Judge, an assistive technology trainer at the Canadian National Institute for the Blind recalls, he wasn’t sure how a blind person could successfully paint walls to the standard a sighted person could. But with Higgs’ help, he not only learned how to do it but do it well.

Eyes for the Job isn’t just an excellent DIY series for its intended audience, it’s a fantastic renovation series period, something producer Dale Stevens strived for.

“What a great bar to set on this project, if we can make this not only for the audience at AMI but for anybody on any network,” Stevens says on the line from Dartmouth, NS. “I think we’ve created something that—regardless of what visual state you are—you’re going to watch this show and you’re going to like it.”

 

 

 

Eyes for the Job airs Fridays at 8:30 p.m. ET on AMI-tv.

Image courtesy of AMI.

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Dark Matter’s Anthony Lemke guest stars on Private Eyes

Attention Dark Matter fans! With the June 9 return of the sci-fi adventure on the way, star Anthony Lemke drops by Private Eyes to shake up Angie’s world. Thursday’s newest episode, “Boardwalk Empire,” written by Marcus Robinson and directed by Rob Lieberman, also introduces fans to Zoe Chow (Samantha Wan), who goes from client to employee in the blink of an eye.

Here’s Global’s official episode synopsis:

The tenacious Zoe Chow hires Shade and Angie to find out who has broken into her apartment in the Beach. It looks like their client may be imagining things – until they uncover a real-life conspiracy to tear down Zoe’s eightplex and replace it with a massive condo tower.

And here are some spoiler-free notes we gleaned from watching the episode.

Samantha Wan as Zoe Chow

Zoe makes an impact on Angie and Shade
It’s not so much the case that attracts Angie and Shade to Zoe, but her personality. She’s quick-thinking, exuberant and quirky as all get-out. As stars Cindy Sampson and Jason Priestley told us, hiring Zoe means Angie and Shade can spend more time in the field. We love that. Also, check out Wan in Second Jen, the hilarious comedy series she and Amanda Joy created for City.

The mystery is solved
Remember the envelope Shade found taped to the bottom of Angie’s dad’s desk? It contained a key to a safety deposit box and Angie opens the box before episode’s end. That sends her and Shade’s business in a new direction.

Anthony Lemke slimes it up
Lemke is the big bad in this week’s instalment. We don’t want to give anything else away, except to say Lemke isn’t your typical villain.

A change of scenery
The episode begins with Angie and Shade in Toronto’s Beaches neighbourhood and that area of the city will play a big part in the rest of Season 2. I’m excited about the opportunities that will give the show going forward.

Private Eyes airs Thursdays at 8 p.m. ET/PT on Global.

Images courtesy of Corus.

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