TV, eh? | What's up in Canadian television | Page 664
TV,eh? What's up in Canadian television

ZoomerMedia announces new fitness TV series for OneTV: Anjelica’s Dance Workout

From a media release:

ZoomerMedia founder and ONETV Executive Producer Moses Znaimer has announced the premiere of Anjelica’s Dance Workout. The company’s newest original fitness series will premiere during a Canada-wide month-long free preview of the ONE: GET FIT channel all April long. Anjelica’s Dance Workout will air daily at 8 am ET and 7 pm ET starting Monday, April 3.

Starring Anjelica Scannura, Toronto-based dancer, actor, comedienne and co-artistic director of Ritmo Flamenco Dance and Music Ensemble, Anjelica’s Dance Workout is a 30-minute exercise show that incorporates Flamenco, Bellydance, Brazilian, Irish, and contemporary world dance into an easy-to-follow and fun cardio routine for all ages, shapes, and sizes. Each episode is designed and target a specific muscle group, and of course, always the abs!

Viewers can follow along with the exotic and colourfully costumed Anjelica and her dancers as she takes them through a warm-up, the how-to basics of a particular dance technique, the workout, and cool down.

Anjelica is accompanied by special guests including her mother and co-artistic director of Ritmo Flamenco, Valerie Scannura, and local dancers Liane Dozois, Matt Eldracher, Theresa Gesualdi, Sherie Marshall, Ethel Nañes, Damian Norman, Rachel James, and Shakeil Rollock.

Moses, whose only previous excursion into the exercise genre had been the sensational “20-minute workout” on Citytv, conceived Anjelica’s series after he booked her to lead the daily stretch breaks at his annual ideacity conference in 2015, and again in 2016. Anjelica’s dance moves, combined with her natural ability to engage and entertain the audience, led him to cast her as the star of a new fitness series for ONETV, whose programming inspires viewers to GET FIT and transform themselves into the best they can be.

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Bellevue: The (hidden) “Truth” may bite you in the ass

Spoiler alert! Do not read until you’ve watched Episode 6 of Bellevue.

Welcome back Bellevue-ites! We meet again to go over what we learned in this week’s episode of Bellevue, “The Problem with the Truth.” The pace is picking up, so a lot of information is parsed during this episode, on many different fronts. And, as the title suggests, the truths uncovered may have unsavoury consequences.

We pick up where we left off, Eddie (Allan Leech) is staying the night at Annie’s (Anna Paquin) following his statement to Peter (Shawn Doyle). Annie is discussing her theories with Eddie and feels if she combines the information she has now gathered with the information that would be contained within her father’s old memo books she could solve Sandy Driver’s murder. Annie puts in the request, much to Peter’s objection. However, with Annie’s reminder that Peter burned down the shed at the New Horizon’s property, Peter reluctantly backs down and agrees to sign off on Clarence Ryder’s last notebook.

Annie revisits the witness statements in her father’s notes. First, Randy Olding (Kent McQuaid) who discovered Sandy’s body, and then Helen Spencer (Laura Mitchell), the pageant organizer. Upon questioning, it is Helen who reveals Sandy had always been unkempt and lacked friends. But for her brief moments as Mary, Sandy Driver never felt love. She also reveals Lily Mansfield (Janine Theriault) was not very “biblical.” Later, in a follow-up visit, Annie questions her directly. Helen reveals Lily “Mother” Mansfield had an abortion, and the father was rumoured to be an older man. But how much older, is the question!

Annie works through the notebook and discovers that the last page for March 23, 1995, is missing. It has been cut out. Using the all too reliable pencil shading technique, it reveals her father received a 911 call. Now, WHY would he rip that out?

Next, we turn to the audio tapes of the 911 calls of March 23 and discover it was none other than Lily Mansfield who made the emergency call. She knows there was an intruder in her home because he or she left fingernails. The 911 operator notifies Lily that an officer is on the way. Further investigation by Annie reveals the 911 call was never officially recorded. There is no file.

The trouble with cold cases is technology has evolved and the old interview videotapes are still on VHS instead of digital. And, it seems, the station’s VCR is not in good working order. Ever the problem solver, Annie calls Brady (Billy MacLellan) and invites herself over to watch Sandy Driver interview tapes. Included in the interviews was a statement by none other than Lily Mansfield in which she is clearly flirting with the officer questioning her, and the officer, from his tone, is totally “into it.”

Annie believes she has pieced it together: her father was somehow involved with Lily Mansfield and Peter did not want her to know about it. She approaches Peter and questions him, explaining her theory and he does not deny her hypotheses, letting her believe that not only did her father respond to the 911 call made by Lily Mansfield, but that her father was having an affair with a 16-year-old Lily.

Annie then travels to her father’s cabin where she discovers an active pager with the same numerical message her father had written on the outside of his notepad. This has to be another clue from The Riddler because that pager would not still be active after 20 years out in a hunting cabin. Not to mention, who would pay to keep the account active for that long? (and presumably her father’s pager, if he had one, would be collected as evidence at the time of his suicide). Turns out the number is a coded message, “Horizon,” referencing back to the old and now derelict New Horizons Psychiatric Hospital. Annie places a requisition for a patient list.

Going over her materials one more time Annie spots an inconsistency. It was Peter who mentioned the fingernails were found on Lily’s bed, not the 911 call. How did Peter know? OK, cue the “Don’t trust the guy with the fire in his eyes,” moment. It was Peter who took the 911 call out, and it was Peter who tore out the last page of her father’s notepad. Another stellar performance by Ms. Paquin, this time with Shawn Doyle. The two rip into each other, with accusations flying. When faced with the truth, Peter admits to some complicity but not yet everything, as we will find out shortly, and Annie is pissed. How dare Peter let her believe her father was having an affair or that he screwed up the case? He does not seem to understand how this affects her life. And what was all that nonsense about being there for her?

“HE’S DEAD! HE’S DEAD and I AM ALIVE! I MADE A JUDGMENT CALL BECAUSE I THOUGHT YOU NEEDED SOMEBODY!”

Essentially, Peter has been lying to Annie all of her life.

While all of this back and forth with Peter is going on, Virginia (Sharon Taylor) is running down Jackie Edmonds’ (Marianne Farley) alibi because of her presence at the Rave from the other night. Witnesses state she attends every week, so this has effectively ruined Coach Tom’s (Vincent Leclerc) alibi. Jackie’s claim that she was home with her husband the night Jesse died is a lie.

This week’s instalment on the Eddie-Annie relationship front takes place at the community family barbecue. Eddie is there with Daisy and Briana (Amber Goldfarb). Annie begs Eddie to come home, to be a family again. Eddie, however, is done with crazy. He has to say no for his own well-being. He needs calm and simple and no longer believes that “you have to feel pain to be with someone.” Annie is not ready to not be crazy, and she proves it by running to the arms of Brady. That leads to a brawl between Eddie and Brady. In the end, Annie leaves by herself, Daisy (Madison Ferguson) insists on leaving with her dad, and Brady is left with a bloody nose.

Peter pays a visit to Mother Mansfield demanding information about the fingernails, but she swears she does not know who planted them in her room so many years ago. And it appears that these two have a secret history. Lily thinks he is an adrenaline junkie but Peter claims it is self-punishment for Clarence Ryder’s death, “I deserve to feel this fuckin’ low.”

The closing moments return to the hunting cabin where we find Annie drinking. I think it is safe to say, she has hit bottom and loses it. Annie, in a maniacal fever pitched rage, heads out into the woods and a hooded stranger appears, stopping her from self harm! Is THIS The Riddler? Following a brief search she returns to the cabin and finds another clue.

“Adam 16”.

WHEW! So Tom has no alibi, and Peter and Mother Mansfield are keeping secrets. Who killed Sandy Driver? Who killed Jesse? We still don’t know what the connection is between these murders. Who do you suspect? Let me know in the comments below!

Bellevue airs Mondays at 9 p.m. on CBC.

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Catherine Reitman reflects on Season 1 of Workin’ Moms

Season 1 of Workin’ Moms has been unlike any other comedy I’ve seen on CBC. As a matter of fact, to call Catherine Reitman’s creation a comedy is putting it in too small of a box. To tune into a half-hour episode on Tuesday night at 9:30 p.m. is to witness, yes, plenty of laughs, but also tears, drama and downright shock.

When we last left the ladies, Kate (Reitman) was reconsidering her decision to accept the Montreal gig; Anne (Dani Kind) had fleeting thoughts of an abortion; Frankie (Juno Rinaldi) had lost her job, and perhaps her mind; and Jenny (Jessalyn Wanlim) was juggling nipple piercings and alleyway makeout sessions.

With just one more new episode before the Season 1 finale—”Merde” on Tuesday—we spoke to Reitman about the journey she and these characters have been on.

Kate’s struggle has been awful to watch, but also very real and there were times I wanted to punch Nathan because this about her time to shine, for me anyway. But as of last week’s episode, it feels like Kate is regretting her decision. She’s being left behind and left out of her family dynamic.
Catherine Reitman: It’s not a ‘likeable’ storyline and it’s something I deal with a lot. Kate is in many ways a younger, naive version of myself. Someone who doesn’t want to compromise anything. To me, that’s very relatable but it’s also a very unrealistic way to live your life. Now that I’ve done a season of this show with a newborn, a three-year-old and a husband, something’s gotta give. To ‘have it all,’ as has been promised in this modern world, but there is not really a structure in place to achieve that. At least, not without compromise. The more I meet working women, there isn’t an affordable way to do this—daycare, etc.—trying to have it all, you lose all of your grace and relationship in the process or you lose things that have value to you and make you a unique, special individual and not just a mother.

Catherine Reitman as Kate

When I got pregnant with Liam, it was the day before I got my first-ever series greenlight. All of a sudden I realized I had an option. I could move forward and just be a mother and say no to this incredible opportunity. Or maybe, I could be an OK mother and follow this thing I’ve been dreaming about since I was a little girl. That’s sort of the route Kate takes and I think it’s really easy to lose your grace on that path and it’s something that I wanted to explore.

Nathan is played by Philip Sternberg, your real-life husband. Did you and he have discussions about whether or not you would showrun Workin’ Girls?
We absolutely had that conversation and his fears and my fears were absolutely equal. He wondered if we could do this. It doesn’t just mean, ‘Hey, you’re going to be working while you’re pregnant,’ but we were uprooting our toddler and saying, ‘Not only do you have a new baby brother to contend with, but you’re now living in a different country and Mommy’s gone all day and all night in production.’ It’s actually the cruelest to our toddler because he doesn’t know what the hell is going on. [Laughs.] Yes, it was a huge adjustment for all parties.

Dani Kind has been fantastic as Anne.
She’s been magical.

Every character is good, but Anne has been in some pretty dark places, the most recent of which secretly hoping she’d lost the baby when she fell on her stomach. I’ve never even considered that that might be a thought.
It’s funny. When you think about a woman considering an abortion or a woman being relieved at a miscarriage … if you had just told me that I would have complete judgment about her. The truth is that life is incredibly complicated. I heard a statistic where women having abortions are most likely to already have children. There was this huge wake-up call when I heard that statistic because I have absolutely thought about having an abortion before and have fainted on my child while pregnant and thought a miscarriage might be a relief for a second. That doesn’t make me a villain, it makes me a person. To watch it, and see the disconnection Anne has from the child she already has and then see them growing closer … there is something very potent to me about that.

Dani Kind as Anne, Ryan Belleville as Lionel

Anne could easily be construed as an angry woman and when you get somebody like Dani Kind … she never plays it safe. She plays it 100 per cent to the point where you become her. Every time I see her play it, I say, ‘Uh huh, I believe her and I want to be her.’ You get on board with a potentially unlikable subject matter.

This is a messy show.
Yeah man. This is a messy life.

The writers’ room must have been a real mix of laughs and tears.
It was pretty therapeutic. Everything you see on-screen is based on, if not mine, someone else’s story.

Have you gotten any negative feedback about some of the subject matter?
Not one. People put the fear of God into me. I was told that Canada would not accept this and we would have one wild season and be on our way. At first, the pushback was, ‘What kind of show is this?’ It’s not like a lot of stuff on our network. But as soon as you get on board with it and see it’s multi-faceted, then you can enjoy it.

One of the things Dani has said on social media is how caring the environment was on Workin’ Moms. That starts with you, the showrunner. How did you ensure it was a safe space?
I wasn’t afraid to fail. Because it was so real and we had been practicing fearlessness in the writers’ room for six months, but the time we got to production it was a very therapeutic environment. If someone needed to cry, they could cry. If they wanted to be angry, they could be angry. But we needed to be constructive and supportive of each other.

What are you most proud of?
That my boys still like me. I was really scared. I knew I had to go full-throttle with this and give everything I had to it with the awareness Canada might not accept it and it would be a flash in the pan for me. The fact we started to see [ratings] numbers and the fact that people wanted to watch it and stopping me at restaurants and thanking me for telling these stories and generating a conversation … that all of that happened felt really rewarding. And then, at the end of the day, my boys aren’t mad at me. They still accept me at their breakfast table! They know my features!

Workin’ Moms airs Tuesdays at 9:30 p.m. on CBC.

Images courtesy of CBC.

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Link: What Canadian TV series should be revived?

From Jim Bawden:

Link: What Canadian TV series should be revived?
The big news on American TV these days concerns the revival of past series hits. Gilmore Girls is back for a limited run and I’m, watching and enjoying it as I find out what happened to the original characters.

So I’m thinking back on all the Canadian TV sets I was on and wondering which ones could be successfully revived. The new Anne Of Green Gables is all the ratings rage on CBC-TV these days. So why not revive some other big hits over the years? Continue reading. 

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