Tag Archives: Featured

Makeful’s Post My Party encourages DIY celebrations

Lynzie Kent didn’t have dreams of being a television host. She already runs Love By Lynzie, a successful wedding and event planning company in Toronto, and fronts Electric Blonde, a band that  plays weddings, events and corporate gigs. Throw in a child, and her calendar is pretty packed. But then Makeful called, and Kent found herself in front of the camera hosting Post My Party.

Debuting Sunday at 8 p.m. ET/PT on Blue Ant Media’s fledgling craft network—fellow new original Taste of the Country bows right after—Post My Party tracks Kent while she helps clients pull off cool shindigs and saving a buck by doing the decorating yourself. Far from hanging a few sad strands of crepe paper streamers with sticky tape, Kent’s creations are creative, fun and—best of all—easy and accessible. Craft and dollar stores offer untold treasures that can be transformed into playful features in any party.

“I think that there’s a little bit of a shift towards celebrations that are a little more authentic,” Kent says. “For awhile it was all about keeping up with the Joneses and spending a lot of money, but I think people are trying to bring it back to the retro idea of throwing a really sweet party inspired by the person or thing they’re celebrating. That’s a little more down-to-earth and where the handmade aspect comes in.”

Makeful already had the show concept developed with General Purpose Entertainment and were searching for a host. They found Kent on Instagram; the series title references the fact that as parts of the party come together they’re photographed and posted on the social media site. Sunday’s first episode—future instalments cover a boy’s sleepover, a beat the January blues party, a boho-inspired girl’s night in and celebrating the end of a dodgeball season—catches up with Kent as she plans a ballerina-themed birthday party for Avery. With three days plot and create, Kent and Avery’s mother, Betta, craft tiaras made of paper, glue, paint and sparkles, personalized refreshment bottles capped with edible adhesive and candy sprinkles, and a stunning table cover mirroring a ballet tutu. Needless to say, Avery and her friends are astounded.

Achieving what Betta did for Avery is easy. Aside from acquiring items from dollar stores, there is a whole online community offering up crafting tips on YouTube, Pinterest, craft blogs and Makeful’s own  tutorials to inspire and educate.

“You don’t have to look too far anymore for guidance,” Kent says. “And you don’t have to be intimidated by it either.”

Post My Party airs Sundays at 8 p.m. ET/PT on Makeful.

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Comments and queries for the week of March 11

20 Stars, 20 Room Renovations: Home to Win debuts

OMG. I would love to enter my husband in this challenge. He is a farmer but I call him my jack-of-all-trades. I don’t know what heart palpitating challenges you will give him, but I’m sure my heart will be palpitating watching him do these challenges. Please consider him as a contestant. (P.S. – We love to watch HGTV.) —Joan


Murdoch Mysteries‘ showrunner explains heartbreaking episode

Maria, when did you start watching the show? Julia cannot have children, due to a past and painful abortion. My only solution would be for the Murdoch’s to have a surrogate; but, that was the early 1900. No surrogate then? I believe before the season finale, they will have a child. We now know that they are open to adoption, so anything now is possible and acceptable with Julia and William. —Joanne

Joanne, thank you so much for clarification. I watched all the seasons (not in order though) and most certainly I missed that information. One episode, however, sunk in my memory and made me think that it is possible for them to have a child. This was when Det. Murdoch went to the so called “Future Showing” show and got somewhat hypnotized inside the machine. In this episode, he could foresee his future (10 to 12 years from the present time) with Julia and (must be) their son. This story made me think that it is possible for them to have a son, maybe even an adopted one. But it really doesn’t look like anymore. How sad. —Maria


Link: Why Canadian TV producers don’t want to make a Downton Abbey

We arguably did have a Downton Abbey. It was the 90s period drama Road to Avonlea, a Canadian story set in Canada with a large ensemble of great characters with great writing and great acting. It got great ratings on both sides of the border and it holds up rather well today, unlike many shows which become corny with time. That being said, its been a couple decades since the show ended and Emily of New Moon failed to live up to its predecessor. I wish we could get something else; none of the networks really seem to embrace the idea. —Alicia


Curses on Curse of the Frozen Gold

You think it is respectful disrespecting a B-25 bomber war grave on your show? Rooting through it like vultures; you should be slapped for your ignorance of the men that lost their lives and their families. I believe that is a protected war grave and I hope you are reprimanded. —Bill

Got a question or comment about Canadian TV? Fire off an email to greg@tv-eh.com or on Twitter @tv_eh.

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Secrets revealed on X Company

I watch a lot of television shows. And while I enjoy every one, some are really special. X Company is one of those that strikes a cord with me emotionally every time, especially with an episode like this week’s.

“La Vérité Vous Rendra Libre,” written by Adam Barken and directed by Amanda Tapping, translates to “the truth will make you free,” and a lot of truths were uttered Wednesday night. With just three more episodes to go in Season 2, Barken’s script blew the doors off secrets kept for awhile. Perhaps the biggest of them all was the double shot of Sabine admitting to Aurora that she and Franz smothered Ulli and Aurora admitting to killing Rene (Aurora didn’t say Rene, but we all knew who she was talking about.) Alfred listening in to their confessions, in a church no less, means the Allied team is even more divided.

Now Aurora and Sabine have hopped on a train and headed to parts unknown. I’m assuming they’re going to the ocean so Sabine can bury Ulli’s bow tie. And if they are going to a beach, I’m betting it’s Dieppe, because of course it would be. Either way, Aurora has put herself in a dangerous position, betraying the team in order to get closer to Sabine and blowing their cover in Paris. And while Sabine and Franz’s relationship has been in the crapper since the tail end of Season 1, I always assumed things would work out between them. Not anymore. Franz knows Sabine told Aurora about the concert and it was he who told his wife in the first place.

As for the rest of the squad, they’re without a safe house or a camp. The guerrilla army was shattered when Martin revealed the location to the Germans—Neil’s cold killing of the young man was shocking but expected—and Miri and Neil’s relationship appears the same way. Him admitting his nightmares were tied to killing the German wasn’t what she wanted to hear, especially since Germans slaughtered her family.

Did I mention there was a lot going on in Wednesday’s episode? A planned mission to sabotage an auto plant being retrofitted to build tanks was jettisoned, and we learned Scuba Man joined the Royal Care Society so he can get into Camp X and kill Sinclair. And, thanks to the radio being shot up, Harry has no way to warn the camp of the coming attack.

Next week’s episode, “Fatherland,” is co-written by Sandra Chwialkowska and showrunners Mark Ellis and Stephanie Morgenstern and promises to be another nail biter. What do you think will happen? Will Franz turn against his wife or will he choose her over the party? Do you think Aurora and Sabine will end up in Dieppe? Comment below or via our Twitter feed @tv_eh.

X Company airs Wednesdays at 9 p.m. on CBC.

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Schitt’s Creek and The Book of Negroes dominate Night 2 of the Canadian Screen Awards

Schitt’s Creek and The Book of Negroes were among the winners of Night 2 of the Canadian Screen Awards. Hosted by Steve Patterson, the non-broadcast spectacle gave a nod to supporting actor and actress roles in television drama and comedy, children’s categories, and writing, directing, sound, makeup, costume in scripted series.

“Welcome to Night 2! I don’t care if you laugh or boo, as long as you’re listening,” Patterson quipped. “I do believe these awards mean something. Exactly what, I don’t know because I’ve never won one.” CBC’s Schitt’s Creek—recently picked up for a third season—took home a number of awards, including those for co-stars Chris Elliott and Emily Hampshire in the performance categories and Daniel Levy for writing.

The Amazing Race Canada continued its winning streak from Night 1, as host Jon Montgomery was recognized for Best Host. The Book of Negroes won a slew of trophies, including Aunjanue Ellis for Best Actress, Lyriq Bent for Best Actor and Shailyn Pierre-Dixon for Best Supporting Actress, Best Writing in a Dramatic Program or Limited Series, Best Sound, Best Original Music and Best Production Design.

Here are the winners in some of the key categories:

Best Performance by an Actor in a Featured Supporting Role or Guest Role in a Comedic Series
Chris Elliott, Schitt’s Creek

Best Performance by an Actress in a Featured Supporting Role or Guest Role in a Comedic Series
Emily Hampshire, Schitt’s Creek

Best Host in a Variety, Lifestyle, Reality/Competition or Talk Program or Series
Jon Montgomery, The Amazing Race Canada

Best Pre-School Program or Series
Odd Squad

Best Writing in an Animated Program or Series
Mark Steinberg, Numb Chucks

Best Writing in a Comedy Program or Series
Daniel Levy, Schitt’s Creek

Best Writing in a Variety or Sketch Comedy Program or Series
Rick Mercer, Rick Currie, Greg Eckler, Tim Steeves, George Westerholm, The Rick Mercer Report

Best Writing in a Dramatic Program or Limited Series
Clement Virgo, Lawrence Hill, The Book of Negroes

Best Writing in a Dramatic Series
Alex Levine, Orphan Black

Best Children’s or Youth Fiction Program or Series
Degrassi

Best Animated Program or Series
Rocket Monkeys

Best Variety or Sketch Comedy Program or Series
The Rick Mercer Report

Best Performance in a Guest Role, Dramatic Series
Christine Horne, Remedy

Best Performance by an Actor in a Featured Supporting Role in a Dramatic Program or Series
Torben Liebrecht, X Company

Best Performance by an Actress in a Featured Supporting Role in a Dramatic Program or Series
Shailyn Pierre-Dixon, The Book of Negroes

Best Performance by an Actress in a Leading Role in a Dramatic Program or Limited Series
Aunjanue Ellis, The Book of Negroes

Best Performance by an Actor in a Leading Role in a Dramatic Program or Limited Series
Lyriq Bent, The Book of Negroes

Here’s the complete list of winners.

The Canadian Screen Awards gala airs Sunday at 8 p.m. on CBC.

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A fable

Written by Mark Farrell

Imagine a world, much like our own, one in which there was a hugely popular hockey league in Canada, separate from a larger more popular hockey league in the USA (far-fetched but just go with it for a second), and there was an awards show for this Canadian hockey league that celebrated its participants. This award show was actually broadcast on television.

Now imagine that there was also a Canadian lacrosse league, not as popular in Canada as the hockey league but there was a belief in the highest offices of the land that lacrosse was much more important to our national identity than hockey. Hockey is fine, but lacrosse is CULTURAL. Canada couldn’t be a country if we weren’t accomplished at lacrosse. No matter how good, or popular our hockey players and games were.

But even though many people — often good, well-intentioned people — tried, lacrosse never caught on in a mainstream way. Oh there were great lacrosse players, but we couldn’t compete with the American lacrosse players for a bunch of reasons, not in the purview of this silly self-indulgent exercise.

So there was a hockey awards show and also a lacrosse awards show, separate, both broadcast in Canada. The hockey one, while sometimes cheesy and sometimes not very good, was always watched, mostly because people cared about Canadian hockey. Just for the sake of keeping the numbers simple let’s say it always got at least one million viewers. It also attracted all the big name Canadian hockey players.

Sadly, the lacrosse awards, no one watched ever, despite how important Canadians were told lacrosse was.

So then the elite of the elite, those lacrosse owners and some hockey owners who dared to dream about being lacrosse owners, decided to move the hockey awards from its normal time in March when it was being watched, to an asinine time in September. People stopped watching the hockey awards. Let’s say for the sake of the simplicity that it had 300,000 viewers.

So the Illuminati said let’s move the hockey awards back to its original time in March. But wait: let’s combine it with the lacrosse awards. Oh and let’s add soccer, because soccer is the future. And let’s call it the Canadian Score Awards because you are trying to score in each of the games.

Some simple-minded people asked: but won’t that water down the hockey awards? The elite folks smiled at the benign naivete of the question. No, they answered, in fact it will be great because people are getting awards show fatigue. And even if it did water down the hockey awards, lacrosse is much more important to the fabric of the country. We’ll mix popular hockey players with unknown lacrosse players and tell everyone it’s just like the Golden Globes, except you can find out the winners an hour before in 95% of the country if you have something called the internet.

Well some people still thought this wouldn’t work; that hockey would be dragged down. These people were quickly dismissed as unpatriotic lacrosse haters.

So the awards were moved back to March and some great people produced and worked on the show. The show was good, hiring hosts known for their work in hockey and writers who had also worked in hockey. But half the show was given to lacrosse and its celebration.

The first Canadian Score Awards got 700,000 viewers, and was trumpeted across the land as a huge success even though that was less than the hockey awards used to get. In fact the only knock from the lacrosse people was that the award for Best Lacrosse Game is the most important and should have been last. The next year the awards show got 500,000. But the award for Best Lacrosse Award, the award really that no one in the actual audience on television gives a shit about, was last.

So that’s how the Canadian Score Awards, or the CSAs, came to be.

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