Tag Archives: Featured

Murdoch Mysteries; Caleigh Bacchus breaks down “The .38 Murdoch Special”

[Spoiler alert: Do not continue reading until you have watched “The .38 Murdoch Special.]

Named on of Playback magazine’s 10 to Watch in 2020, Caleigh Bacchus is a new member to the Murdoch Mysteries‘ writer’s room. She, along with Simon McNabb, penned Monday’s instalment, which investigated murder, racism and more.

We spoke to Caleigh Bacchus via email about the key storylines and what fans can expect as Season 14 closes out.

Welcome to the Murdoch Mysteries team! You’re a former track and field athlete. How did you end up working in Canadian television?
Caleigh Bacchus: I’d always been interested in storytelling, but it took me a while to figure out the best medium to do so. It wasn’t until I moved to Toronto that I saw film crews all around the city and I considered screenwriting. So I decided to go back to school for film and it was the best decision that I ever made.

And how did you end up in the Murdoch Mysteries writing room?
CB: I interviewed for MM in 2019, but I didn’t get the job that year. They remembered me the next year (2020) and offered me the script coordinator position.

You previously worked on Diggstown with Floyd Kane. What did you learn from him – about storytelling, the craft of TV or anything else – while working with him?
CB: Diggstown was a great experience and it was where I first learned how to break story and really break down a script. After that I was able to go back and apply what I’d learned to my own work. I also learned from Floyd that it’s important to have some ownership over your projects. To take the risk and invest in your work so that you truly have a stake in it.

How did the idea for the main storyline come about, regarding the opium den? Was it discussed in the room first and then fleshed out? What was the inspiration for it?
CB: We started breaking this story during the summer of 2020 while the BLM protests were happening worldwide and we thought that it was important to join in on that conversation of racial injustice. Upon researching the topic, we discovered the Vancouver anti-Asian race rots of 1907 and the Opium Act of 1908 which was also seen as an anti-Asian law. It was a great opportunity to highlight this bit of history so we decided to focus the story there.

It was interesting to get a little history on opium via Brackenreid, Murdoch and Watts. What was it like researching it?
CB: I didn’t personally know all of the history around the opium laws and anti-Asian sentiments in Canada so the research was both informative and heartbreaking.

What about the history of mayonnaise? I didn’t expect that little tidbit.
CB: While mayonnaise had been around since the 1700s, it wasn’t jarred and sold until 1907. So we thought it would be fun if Murdoch and Ogden tried it for the first time on the show.

How did the writing process work between yourself and Simon McNabb? Did you write first, and then pass it to him?
CB: Writing with Simon was a very smooth process. We would split the writing work 50/50 then put our halves together and then we would each do a round of edits to the entire document.

What was the idea behind not showing Miss Hart’s wedding? Was it just due to the shortened episode order?
CB: We thought it would be in character for Miss Hart to have her wedding without inviting any of her colleagues.

The addition of composer Samuel Coleridge-Taylor as a historical reference was neat.
CB: Yes. A wonderful black historical figure.

Watts going to Ogden, seeking hypnosis as a “cure” was so heartbreaking. What has it been like to follow Watts’ journey this season?
CB: It’s been quite an emotional journey watching Watts’ plight. It’s good to see how far we’ve come as a society but also a reminder that there is work still to be done because, unfortunately, we can still draw too many similarities from Watts’ story and apply them to the issues facing the LGBTQIA today.

Racism has always been a part of Murdoch Mysteries’ storylines, in particular against the Black community. What has it been like telling Black stories like Momo and Nomi’s on Murdoch this season?
CB: I was really glad to be a part of telling this story and portraying some of the issues that the Black community faced and still face to this day through the characters of the world.

I feel like Brackenreid has put himself in danger with his revealing Nomi is his daughter. Should I be concerned?
CB: You’ll have to wait and see :)

There are just two episodes of Murdoch Mysteries left this season. What can you say about them without giving any secrets away?
CB: They’re a whirlwind. Prepare yourself for a lot of jeopardy and some heart wrenching twists.

Murdoch Mysteries airs Mondays at 8 p.m. on CBC.

Images courtesy of CBC.

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CBC’s Frankie Drake Mysteries ends after four seasons

Frankie Drake Mysteries is riding off into the sunset and will not be returning for Season 5.

The news was announced via Instagram on the stars’ Instagram pages on Sunday.

“We wanted to come on and let you guys know that, before it gets out into the world, that we have not be renewed for a Season 5,” Lauren Lee Smith announced. “We are incredibly disappointed, but we felt that it was really important for us to let you guys know. We are so incredibly grateful for the four seasons that we got to do and I know we all loved making this show.”

“I will miss the laughter that we had,” Chantel Riley said. “We laughed a lot, and that’s something I’m grateful for.”

“We’ve all gone through so many different things during these last four years, and we have all been so there for each other … this whole job was such a gift,” Matthews said.

You can watch the full announcement on Instagram.

“We can confirm that Frankie Drake Mysteries will not be continuing beyond this season,” said Christina Jennings, founder, chairman and CEO of Shaftesbury and Frankie Drake Mysteries executive producer. “We would like to thank the incredible cast and crew, and the fans for all of the love and support over the past four years. We are so proud of this show and look forward to sharing the final two episodes.”

Set in 1920s Toronto, Frankie Drake Mysteries follows the city’s only female private detectives, Frankie Drake and Trudy Clarke, as they take on the cases the police don’t want to touch. In a time of change and hopefulness, their gender is their biggest advantage as they defy expectations and rebel against convention. 

Co-created by Carol Hay and Michelle Ricci, Frankie Drake Mysteries stars Lauren Lee Smith as Frankie Drake, Chantel Riley as Trudy Clarke, Rebecca Liddiard as Mary Shaw and Sharron Matthews as Flo Chakowitz.

Frankie Drake Mysteries airs in the UK, Spain, Brazil, Central and Eastern Europe, Finland, Portugal and New Zealand.

Season 4 of Frankie Drake Mysteries wraps up Mondays at 9 p.m. on CBC.

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Preview: CBC’s Arctic Vets an education of Canada’s northern wildlife

As a kid growing up in Southern Ontario, a trip to the Toronto Zoo was a rite of passage. Usually done on the hottest day of the summer, an outing featured—aside from tears—a visit to see the elephants, giraffes, lions, rhinoceros and primates. Those animals, from other countries, are often seen as the stars. But Canada has some pretty cool creatures as well, and I’m not just talking about the raccoons.

Debuting Friday at 8:30 p.m. on CBC, Arctic Vets follows Dr. Chris Enright (pictured above), director of veterinary services and animal welfare at Winnipeg’s Assiniboine Park Conservancy, and his staff as they treat and save some of this country’s interesting animals. In Friday’s first instalment, Enright and his animal experts trim the hooves on 800-pound muskox Chloe before jetting to Churchill, Manitoba, to examine a female polar bear caught while moseying around town. Future episodes spotlight wolves, lynx, snowy owl, Arctic fox and a tundra swan.

Aside from the stunning visuals, Arctic Vets is an education too.

“There are some incredible animals in the north and this is a great opportunity to share their stories,” Enright says during a phone interview. “The whole series really does highlight the animals that, for people who live in the south, don’t always experience.”

Three years in the making, Arctic Vets shows the level of care provided to animals, conservation and research programs offered at Assiniboine, and partnerships they have with other groups. Enright and his staff relished the opportunity to be filmed by camera crews for the 10-episode first season.

“We’re enthusiastic about what we do and we can talk about the level of care and excellence in the veterinarian procedures,” he says. “It’s sharing those stories that people don’t necessarily have the opportunity to have themselves, but also on that broader level to really promote conservation messaging and leaving room for wildlife.”

Arctic Vets airs Fridays at 8:30 p.m. on CBC.

Images courtesy of CBC.

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Masterchef Canada receives a master class in Japanese cooking

Some of my favourite episodes of MasterChef Canada have been when a chef who has a specialty drops by spotlight their skills. On Sunday’s newest episode, it came in the form of Chef Shigeo Kimura, a.k.a. the Godfather of sushi in this country, whose incredible knife skills were shown off in front of the remaining competitors.

The instalment started off on a sweet note, as Andre—the winner of last week’s Mystery Box Challenge—was saved from being kicked out. As for the rest, they would be run through a gauntlet of three grueling Japanese-themed challenges on the road to at least one cook going home. And while Jeremy was particularly excited, Barrie seemed concerned.

Chef Kimura prepared a snapper sashimi that was razor-thin and gorgeous. But where Chef Kimura had years to perfect his craft, the competitors had a mere 15 minutes to break down their own snapper and present it to Chef Michael, Chef Alvin and Chef Claudio. Chef Kimura would judge their knife skills and which Top 4 would join Andre in the safe zone in the gallery.

Andrew was confident his time working with fish in Halifax would help him, and Thea quickly called on a medic to staunch some bleeding. April Lee, meanwhile fell a little behind the rest of the group because she’d gone back to get the other snapper fillet after damaging the first. Jeremy and Andrew were the first to plate their snapper and were confident they’d be safe from elimination. As expected, Jeremy (his cuts were exquisite), was tops followed by Mai, Andrew and Thea, who headed to the gallery.

In the second round, the remaining contestants tackled maki, creating a customized roll with rice on the outside and a tempura element. The Top 3 dishes would earn those cooks safety. Marissa planned for a surf and turf maki, Andy went with a scallop tempura with yellowtail tuna, Barrie a fish and chips maki with tempura crab, April Lee aimed to add deli meat to her maki, Andrew a veggie roll, and Jen a ginger poke roll that had her scrambling (and swearing). Barrie’s sushi rice wasn’t ready, so he threw it into the cooler … and then returned to the wrong station. To say the test and time limit was a struggle was an understatement.

Jen’s swearing paid off: Alvin enjoyed her roll. Andy’s rice to ingredient ratio was off; Marissa’s consistency was off; Barrie’s roll featured rice sandwiched between two seaweed rolls, which wasn’t part of the challenge; April Lee’s executive deli maki was disappointing; and Christopher’s roll was good, but a little under seasoned. The Top 3 were Christopher and Jen, who were joined by Marissa.

That left Barrie, Andy and April Lee for the final test: creating okonomiyaki, a savoury Japanese pancake. As if that wasn’t difficult enough, this was a replication challenge, meaning the pancake must contain eggs, dashi, shrimp, cabbage and sauce, topped with grilled, marinated octopus, Benito flakes, pickled ginger and green onion. April Lee hoped her experience making it at home would give her an advantage.

With a 20-minute deadline, it seemed almost impossible. Everything seemed to be going OK … until April Lee flipped her base pancake. It actually wasn’t as bad as the show teased as they headed to commercial. April Lee’s pancake broke a bit but was by no means the catastrophe the edit hinted at. Barrie was the first to plate his pancake, and everyone was worried it wasn’t cooked all the way through.

Alvin deemed Barrie’s okonomiyaki little underdone, Claudio loved April Lee’s, and Michael loved Andy’s but judged it under seasoned. When it came down to it, Barrie was eliminated from the competition.

MasterChef Canada: Back to Win airs Sundays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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Why Are Thrillers and Mysteries so Popular in Canada?

Research has found that thrillers and mysteries are the fifth-most watched TV genre in Canada, with 45 percent of the population enjoying this type of content. Making up the other top four genres are comedies, dramas, news, and documentaries. There seems to be a high volume of top-quality content being released and rather than the thriller genre becoming over-saturated, viewers are hungry for more. This has spread out into other forms of entertainment as well, with games and books also featuring a heavy number of thrills and mystery.

Top Thrillers and Mysteries in Canada
One of the primary reasons for the rise of thrillers in Canada could be the success of Criminal Minds. This is the fourth-most popular TV series in Canada according to IMDB, behind The Expanse, Vikings, and the popular comedy, Schitt’s Creek. The procedural drama began in 2005 and ran for 15 seasons until 2020. In total, there were 324 episodes, and the original series also led to two spinoffs called Criminal Minds: Suspect Behaviour and Criminal Minds: Beyond Borders. Similar offerings like Murdoch Mysteries, Frankie Drake Mysteries and Cardinal are also hugely popular across the country.

Now that the CBS series has finished, it has left a vacuum in the market for thrillers. Canadian viewers are hungry for more of the same, so it is not surprising to see a vast number of other options emerging in Criminal Minds’ wake. The multiple award-winning series also led to other Criminal Minds-related content in different forms of entertainment, as well as a South Korean version that was launched in 2017.

Other types of thriller and mystery have been successful in Canada as well, and some of these are worlds apart from the procedural structure of the Jeff Davis offering. Some of the other most popular mysteries also belong in the fantasy and sci-fi genres. These include The Magicians, The 100, and the iconic sci-fi offering, The X-Files. Perhaps the main reason why the thriller and mystery genre is so popular in Canada is down to the fact that it is so broad, and can encompass a wide variety of shows.

Thriller and Mystery in Other Forms of Entertainment
The thriller genre isn’t just making waves on television, it is also prevalent across all other forms of mainstream entertainment. For example, it is a common source of inspiration for slot developers. This could be because it is associated with being exciting and intriguing. Agent Jane Bond Returns and Hitman are two examples of thrilling slots that have attracted a lot of players and are used on the front pages of slots sites to draw people in. The ubiquity of Sherlock Holmes across various forms of entertainment also shows how people have a strong desire to experience mystery. There have been eight games in the Frogwares Sherlock Holmes series, with the ninth installment, Chapter One, due for release in 2021.

Thrillers and mysteries continue to rank among the top genres in the world of books. Some of the most notable titles of the last 20 include Stieg Larsson’s The Girl With The Dragon Tattoo series, The Girl on the Train by Paula Hawkins, and Before I go to Sleep by S. J. Watson.

What Other Great Thrillers and Mysteries Should Viewers Watch?
For Canadian viewers who simply can’t get enough of the thriller and mystery genre, there are plenty of great options to check out in 2021. As long as the market is there, studios will keep creating content. And because there are so many offerings in the genre, it serves to maintain a high standard.

One of the most popular Netflix series of recent times is Lupin. This is a French mystery thriller starring Omar Sy as an expert thief. Another one to watch out for in the year ahead is Clarice. This offering from CBS Studios focuses on the FBI agent Clarice Starling from Thomas Harris’s The Silence of the Lambs and Hannibal. It is set one year after the events of the 1988 novel and stars Rebecca Breeds in the title role.

With the thriller and mystery genre being so diverse, it’s no wonder why it is so popular in Canada. It can span numerous other genres, from sci-fi to fantasy. As long as there is an audience for it, developers will keep creating enjoyable content. 2021 should see some great new offerings hitting television screens.

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