TV, eh? | What's up in Canadian television | Page 149
TV,eh? What's up in Canadian television

T+E serves bite-size scares with dark, modern-day horror anthology Series, Web of Darkness

T+E’s new original series Web of Darkness (8×60’) is a dark, modern-day anthology series that pays homage to the classic horror and sci-fi genre. Inspired by horror stories found in the deepest recesses of the web, each episode follows five chilling tales narrated by everyday characters reliving their nightmarish run-ins with the unexplained. From ghosts seeking revenge to encounters with UFOs and a resentful witch bearing a grudge, Web of Darkness accelerates the terror to deliver bursts of fright in a bite-size format. The series shows audiences what could happen if our world ever intertwined with the supernatural, offering a vivid portrayal of modern-day horror stories often caught on camera by the main characters. The world broadcast premiere of Web of Darkness airs Tuesdays at 10 p.m. ET/PT on T+E, starting June 8.

The first two episodes of Web of Darkness include:

Episode 1 – Not So Scary Now, Are You?
June 8 at 10 p.m. ET/PT
A nurse is plunged into a frightening battle with mysterious patients who infect her with their dark qualities. A farmer is in mortal danger from a “scarecrow” that is terrifyingly more than what it seems. A UFO crash puts a doctor in an impossible and deadly battle with alien lifeforms. When an old theatre reopens, a clown ghost is reawakened and embarks on a frightening rampage. A teen couple are having fun live streaming their explorations of haunted places until they find themselves way in over their heads.

Episode 2 – The Game’s Just Begun
June 15 at 10 p.m. ET/PT
At a school with a sordid past, a desperate ghost reaches out to an unsuspecting new teacher. On Hallowe’en, a young man fatally misjudges what he thinks are only frightening decorations. Discovering her boyfriend is part of a horrifying offworld experiment, a young woman realizes she’s their next target. The only survivor of an office massacre returns to work, only to be trapped with the killer who died at the scene. Discovering his family’s brutal past when he returns to their old homestead, a tailor tries to outrun ferocious, newly-awakened spirits.

Web of Darkness is produced by Saloon Media, a Blue Ant Studios company, in partnership with the U.S.-based MY Entertainment. Michael Kot, Betty Orr, Julie Chang, Joe Townley and Michael Yudin serve as Executive Producers. Paul Kilback and Tara Elwood serve as Series Producers.

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Transplant, Schitt’s Creek and Beans win at 2021 Canadian Screen Awards Gala

Transplant and its lead actor, Hamza Haq, Schitt’s Creek and its lead actress, Catherine O’Hara, Kim’s Convenience‘s Paul Sun-Hyung Kim and Beans captured trophies during the Canadian Screen Awards gala.

Thursday’s online gala was narrated by actors Stephan James and Karine Vanasse. The Margaret Collier Award was given to David Shore, the Lifetime Achievement Award to David Suzuki, the Earle Grey Award to Tina Keeper, the Radius Award to Dan Levy and Academy Icon Award to the late Alex Trebek.

Wild Kratts tooks home the Shaw Rocket Fund Kid’s Choice Award while Wynonna Earp‘s Melanie Scrofano received the Cogeco Fund Audience Choice Award, both of which were voted on by fans.

Here are the winners in Thursday’s television and film categories:

Best Lead Actor, Drama Series
Hamza Haq, Transplant

Best Lead Actress, Drama Series
Crystle Lightning, Trickster

Best Drama Series
Transplant

Best Feature-Length Documentary
Wandering: A Rohingya Story

Performance by an Actor in a Leading Role
Michael Greyeyes, Blood Quantum

Performance by an Actress in a Leading Role
Michelle Pfeiffer, French Exit

Achievement in Direction
Deepa Mehta, Funny Boy

Best Motion Picture
Beans

Shaw Rocket Fund Kids’ Choice Award
Wild Kratts

Cogeco Fund Audience Choice Award
Melanie Scrofano

Best Lead Actor, Comedy
Paul Sun-Hyung Lee, Kim’s Convenience

Best Lead Actress, Comedy
Catherine O’Hara, Schitt’s Creek

Best Comedy Series
Schitt’s Creek

For the complete list of winners, visit the Academy of Canadian Cinema and Television website.

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Production begins on Season 3 of CBC original series Diggstown

From a media release:

Production is now underway in Halifax, Nova Scotia on Season 3 (8 x 60) of CBC original drama DIGGSTOWN, produced by Circle Blue Entertainment, Freddie Films Inc., and Waterstar Entertainment Inc. Created by Floyd Kane (Across the Line), who serves as showrunner and executive producer, DIGGSTOWN features the determinedly fierce Marcie Diggs and her colleagues at Halifax Legal Aid as they dive deep into battles against the complex criminal justice system. CBC renewed the series for a third season last year, with production pushed to spring 2021 due to COVID-19.

In Season 3 of DIGGSTOWN, the world has changed. In this post-COVID society, our heroes’ lives have transformed, and perspectives and priorities have changed. Relationships have formed while others have fallen apart. As Marcie (Canadian Screen Award Nominee for Best Actress, VINESSA ANTOINE) tackles some of her most complex and personal cases to date, she finds herself bucking up against a system that refuses to change. Colleen (NATASHA HENSTRIDGE) struggles to manage Halifax Legal Aid amidst increasing interference from the board of directors. Reggie (C. DAVID JOHNSON) embraces life as a guest lecturer at the University, only to become tangled in the ethically charged world of academia. Doug (BRANDON OAKES) is confronted with his past and finds new romantic and job opportunities in the least likely of places. Iris’ (SHAILENE GARNETT) ability to help others as a social worker leads her to an unanticipated and exciting career opportunity. Meanwhile, after a year spent travelling, Avery (DWAIN MURPHY) returns to Halifax a changed man with a desire to live a better life.

Joining the cast of DIGGSTOWN this season are Antoinette Robertson (Dear White People), Crystle Lightning (Trickster) and Nicole Muñoz (Van Helsing). Robertson stars as Vivian, a young tech mogul with the deep pockets to make Marcie’s dreams a reality; Lightning is Doug’s fiercely independent ex-wife Michelle; while Muñoz plays Ellery, a sharp Crown attorney who plays for keeps.

Jully Black guest stars as Nina in the season’s premiere episode, playing a long-term Continuing Care Assistant charged with assault and criminal negligence. Michelle Hurst guests in a later episode as Marcie’s client Jojo, a Black woman who has spent most of her life in and out of prison.

Returning cast members also include Mpho Koaho as Percy Lincoln, Arlene Duncan as Velma Diggs, Maurice Dean Wint as Austin Diggs, Matthew Bennett as Steve Conway, Jenny Brizard as Emily Diggs, and Kim Roberts as Ona Reeves.

As Nova Scotia continues to struggle with the third wave of COVID-19, production is maintaining strict protocols based on the municipal, provincial and federal government and public health regulations currently in place.

Seasons 1 and 2 of DIGGSTOWN are currently available to stream in Canada on CBC Gem. The first two seasons of the series were acquired by FOX in the U.S. earlier this year.

A CBC original drama, DIGGSTOWN is co-produced by Circle Blue Entertainment, Freddie Films Inc. and Waterstar Entertainment Inc. Floyd Kane is creator, executive producer and showrunner and Amos Adetuyi (Jean of the Joneses) is executive producer along with Brenda Greenberg (Being Erica) and Karen Wentzell (Seed). Directors for the season are Cory Bowles (Black Cop), Lynne Stopkewich (The L Word), Juanita Peters (Hannah’s Story), Rob Adetuyi (Strike!, Beat the World), and Shamim Sarif (Murdoch Mysteries). John Calvert (X Company) is producer. Series writers are Kane, Lynn Coady (Burden of Truth), Ellen Vanstone (Departure), Lakna Edilama (Odd Squad), Amber-Sekowan Daniels (Trickster), Motion (Akila’s Escape), and JP LaRocque (Jann). Series cinematography by Celiana Cárdenas (Diggstown), production design by Jennifer Stewart (Pure) and costume design by Martha Curry (Mr. D.).

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Canadian Screen Award nominees: Joel Oulette and Peter Mooney

It’s Canadian Screen Awards week and we’re celebrating all week long in a very special way. We’ll feature exclusive interviews with the actors and creative folks who are nominated in the television and web series categories.

Today, it’s Joel Oulette, nominated for 2021 Best Lead Actor, Drama Series for Trickster; and Peter Mooney, nominated for 2021 Best Lead Actor, Drama Series for Burden of Truth.

Joel Oulette, nominated for 2021 Best Lead Actor, Drama Series for Trickster

How do you feel the Canadian TV industry is faring during these pandemic times?
I feel more people are streaming and binge watching a lot of TV shows due to this pandemic – hopefully Trickster on CBC Gem is one of them. I have respect for the industry during this time – they are really taking in all the protocols, making sure we are each doing a part and still creating diversified magic.

How have you fared during these pandemic times?
It is difficult, with not only the pandemic but also the news surrounding the second season of Trickster. However, things are starting to look a little bit brighter. I am currently in Tkaronto (Toronto) isolating while I try to stay healthy and be fit skateboarding and making my own home gym. I have to admit though, Xbox comes in handy while isolating, also auditioning and studying my script for my next TV family series, Ruby & The Well.

Do you think Canadian TV is stronger than ever when it comes to telling our stories?
I feel like it’s taken a small step into the right direction. I feel like there still needs to be work done, to create more jobs and room for Indigenous people, whether it is directing, acting, casting. I would like to see more diversity and inclusivity with not only casting but behind the scenes. The auditions I am doing now are a lot stronger than back in the day, though. I am looking forward to Canadian TV honouring the traditional territories, acknowledging the true history and the stories that have made Canada today, I hope to see more Indigenous youth behind and on the screen. There are over 500 nations in Canada alone.

Does an award nomination/win serve as validation for you or is it just a nice nod that you’re on the right track, career or choice-wise?
I am so grateful and humbled for the recognition and for the nomination. It clarifies that the hard work, the perseverance, and commitment is worth it. I wouldn’t be here without my family and many mentors that were on Trickster. My family is the most important thing in my life. I am beyond grateful for them always being on my side and helping push me in the right direction. I seek validation in how I feel about my own work, within my own support system and community. The rest is just a bonus.

What will you wear during the Canadian Screen Awards?
Something comfy but something that looks good. I didn’t bring a lot of clothes to Toronto so I’m going to have to start looking online. I’m always wearing my sister’s matriarch necklace, though.

What will you eat/drink/snack on during the Canadian Screen Awards?
I would probably treat myself and order something nice off DoorDash. There is this nice pizza place called Pi Co. so I’ll probably get like three different kinds with truffle oil. Make some popcorn on the side. Delicious.

Is there someone who served as a mentor when you were starting out in this industry that you’d give a special shout-out to in your acceptance speech if given the chance?
I would have to say my mom. She was the one to get me in my first film when I was five, as an extra playing dead from smallpox in the film Bury My Heart at Wounded Knee, and many more. She was the thrusters to my rocket. She would do anything for her kids, and I have to give my all for her putting me in this industry.

Peter Mooney, nominated for 2021 Best Lead Actor, Drama Series for Burden of Truth

How do you feel the Canadian TV industry is faring during these pandemic times?
I don’t know the statistics, but I feel like it’s been a banner year for Canadian TV. In terms of recognition (Schitt’s Creek being the most notable example) and in terms of interest and production. Maybe it’s because our industry is smaller and nimbler than the one to the south, but it felt like we were up and running pretty quickly and, from my experience, safely. There’s so much in flux still while we wait out what is hopefully the last months of this pandemic, but when the dust all settles, I think Canadian production will be better off than before.

How have you fared during these pandemic times?
Like everyone, I’m ready for it to be over. My daughter just had her second pandemic birthday – there’s so much uneaten cake in the fridge. But I’ve been incredibly fortunate throughout. We shot the final season of Burden of Truth, and despite the limitations, managed to tell our best story yet. I am ready for that vaccine, though! I’m one age bracket away and walking around with my sleeve rolled up in anticipation.

Do you think Canadian TV is stronger than ever when it comes to telling our stories?
These things come in waves, but we are certainly at a crest now, and I think there’s more to come. There is so much content, and while that might make it difficult for a lot of shows to find a large audience, it gives a platform to so many more voices than before. And, because people can find content that really speaks to them, there’s real passion and engagement from the audience. I feel like there’s real confidence in our stories now. We don’t have to genericize our world – Toronto can be Toronto and not City X, and increasingly Winnipeg can be Winnipeg and Halifax, Halifax – it’s that specificity that draws people in. And it’s a double win. We get to tell our own stories and see ourselves reflected back, but we also get to be a part of this rich world of international television. When I think of what I watched over the last year, it wasn’t only shows from Canada and the U.S., but shows from Ireland and Israel and all over the world. It’s nice to be a small part of that international exchange of storytelling.

Does an award nomination/win serve as validation for you or is it just a nice nod that you’re on the right track, career or choice-wise?
That might be easier to answer if television was a more singular pursuit like painting or distance running, but it’s such a collaborative process that I’m really only the proxy nominee for a whole bunch of people. It’s a performance category, but that performance wouldn’t exist without the writing, editing, or the scene partner (thanks Kristin!). It is validating to see the show recognized, and it does make me think I’m on the right track, in the sense that these things can’t happen without working with great people, and I hope I keep getting the opportunity to do so.

What will you wear during the Canadian Screen Awards?
The top half of the suit I got for last year. Still got the tags on.

What will you eat/drink/snack on during the Canadian Screen Awards?
I recently moved to Prince Edward County, and one of my favourite breweries, Slake, is just a few fields away. They came out with a killer IPA called Slow Slow, but it sold out almost immediately. Finger’s crossed they’ll have a fresh batch in time for the awards, and if so, that. Maybe some take out from Bermuda or Judy’s BBQ too – win or lose, I plan to take the night off dishes.

Is there someone who served as a mentor when you were starting out in this industry that you’d give a special shout-out to in your acceptance speech if given the chance?
Sherry Bie took over as the artistic director of my old theatre school the year I started. She really eschewed the whole “break one down to build them up” method of teaching, acting in favour of a more holistic and experimental approach. She’s a wonderful woman. Plus, she let me in. I’d decided at the time that if I didn’t get into theatre school, I’d be a painter – and I am a pretty mediocre painter, so I can only imagine how that would have turned out.

Stream the Canadian Screen Awards on the Academy websiteTwitter and YouTube.

Check out the list of nominees.

Thursday, May 20, 2021
7 p.m. ET: Canadian Screen Awards – Cinematic Arts, Presented by Telefilm Canada, Supported by Cineplex (Narrator: Nahéma Ricci)

8 p.m. ET: 2021 Canadian Screen Awards (Narrators: Stephan James and Karine Vanasse)

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Kim’s Convenience, Schitt’s Creek, Cardinal and Coroner win during Night 3 of the 2021 Canadian Screen Awards

Kim’s Convenience’s Andrew Phung and Amanda Brugel, Schitt’s Creek‘s Daniel Levy and Emily Hampshire, Cardinal‘s Shawn Doyle and Coroner‘s Tamara Podemski were among those who captured trophies during Night 3 of 2021 Canadian Screen Awards Virtual Presentations. The late Christopher Plummer was awarded a trophy for his work on Departure.

Wednesday’s online ceremony celebrated Creative Arts and Performance, narrated by broadcaster Tyrone Edwards.

Here are the winners in Wednesday’s key categories:

Best Supporting Actor, Comedy
Andrew Phung, Kim’s Convenience

Best Supporting Actress, Comedy
Emily Hampshire, Schitt’s Creek

Best Guest Performance, Comedy
Amanda Brugel, Kim’s Convenience

Best Performance, Sketch Comedy (Individual or Ensemble)
Baroness Von Sketch Show

Best Achievement in Hair
Annastasia Cucullo and Ana Sorys, Schitt’s Creek

Best Achievement in Make-Up
Steve Newburn, Emily O’Quinn Code, Kayla Dobilas, Trina Brink, Trickster

Best Costume Design
Debra Hanson, Schitt’s Creek

Best Writing, Variety or Sketch Comedy
Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen, Jennifer Goodhue, Monica Heisey, Allison Hogg, Adam Christie, Becky Johnson, Nelu Handa, Paloma Nuñez, Baroness Von Sketch Show

Best Writing, Comedy
Daniel Levy, Schitt’s Creek

Best Writing, Drama Series
Joseph Kay, Transplant

Best Writing, TV Movie
Barbara Kymlicka, Glass Houses

Best TV Movie
Christmas Jars

Best Lead Performance, TV Movie
Kim Shaw, The Lead

Best Guest Performance, Drama Series
Shawn Doyle, Cardinal: Until the Night

Best Supporting Actress, Drama
Tamara Podemski, Coroner

Best Supporting Actor, Drama
Christopher Plummer, Departure

For the complete list of winners, visit the Academy of Canadian Cinema and Television website.

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