All posts by Greg David

Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.

Kim’s Convenience comes to an end after five seasons

After five seasons on CBC, Kim’s Convenience is closing its doors.

The news came on Monday afternoon via producers.

“Authenticity of storytelling is at the centre of the success of Kim’s Convenience,” the show’s producers said in a statement. “At the end of production on Season 5, our two co-creators confirmed they were moving on to other projects. Given their departure from the series, we have come to the difficult conclusion that we cannot deliver another season of the same heart and quality that has made the show so special. Kim’s Convenience has meant so much to our cast, writers, crew, and audiences around the world. Despite the restrictions and complications of shooting during the pandemic, Season 5 is our finest season to date. It’s been a privilege and a very great pleasure to work with the Kim’s family of gifted writers and performers for the last five years. Thank you to our fans for the love and support you’ve given this show.”

The statement was followed by messages from the cast on social media. The series had previously been earmarked for Season 6.

“It was announced today that the current season of #kimsconvenience will be our last and we will not make a season 6,” Andrew Phung posted on Twitter. “It’s a bittersweet end to one of the greatest experiences of my life. I’m so proud of what we’ve done and want to reflect and thank those who made it possible.

“We were the little show that could,” he continued. “Based on a fringe fest play that major theatres passed on. Ins Choi took this from an idea, to the stage, and w/ Kevin White to the TV screen. Few gave us a chance but we were a breakout hit. Thank you Ins and Kevin for your ideas and stories.”

You can read the rest of Phung’s heartfelt message, and feedback here, as well as Twitter posts by co-stars Simu Liu, Paul Sun-Hyung Lee and Jean Yoon.

This fifth season has seen the Kim family face one of its toughest challenges yet, with a difficult medical diagnosis for Umma (Jean Yoon), Appa (Paul Sun-Hyung Lee) stepping up as the primary caregiver, and recently-graduated Janet (Andrea Bang) moving back home. Meanwhile, Jung’s (Simu Liu) trip to business school has tested his relationship with Shannon (Nicole Power) and Kimchee (Andrew Phung) reconnected with his family, and his high school crush.

Recently, Kim’s Convenience was recognized by TV Guide as one of the best “feel good” streaming series available and a perfect quarantine distraction by Oprah magazine.

Awards it has collected include Canadian Screen Award wins for Phung, Sun-Hyung Lee, Amanda Brugel and the series, and nominations for Bang, Yoon and Power. The series has also received nominations for awards from the Writers Guild of Canada, and the Directors Guild of Canada.

In addition to airing in Canada on CBC and CBC Gem, the series also streams on Netflix and is watched on cable and VOD platforms around the world, including in Japan and Korea.

The news comes a week after it was announced Frankie Drake Mysteries would not return for Season 5 on CBC.

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MasterChef Canada takes on its first team challenge

After two weeks featuring the returning contestants jockeying for position in solitary tests, MasterChef Canada threw the group its first team challenge of the Back to Win season. And what a doozy it was.

But when the Top 10 reported for duty in the MasterChef kitchen, April Lee was missing. Had she decided to leave? Turns out April Lee injured herself and had to drop out of the competition. I looked at it as one less competitor to worry about. I was wrong about that because the producers brought back a competitor to take her place: Barrie.

The global pandemic has affected everyone, and restaurants are no different. Many have adjusted by offered take-out and delivery menus, the latter of which use services to get food to customers. MasterChef brilliantly employed the same idea on Sunday, tasking the Red and Blue teams with creating recipes to be delivered to hungry folks using the “MasterChef Canada 4U” app.

Captaining the Red team was Jeremy, who chose Andy, Christopher, Thea, and Marissa for his squad. Heading the Blue team was Mai, who picked Andre, Andrew, Jen, and Barrie to join her. Each team created three entrees with protein, vegetables, and starch as the main feature, to be rated out of five stars. With just one hour to prepare before the app went live for 200 select customers (100 per team) and a 90-minute cooking and serving window, it seemed like an impossible task. (I would have started crying.)

Jeremy chose to go with his strength—Filipino food—with a chicken Karaage bowl, charred eggplant, and sweet potato stew. Andy worried that, since Jeremy was the only one who knew what the flavour profiles should be, the team would be confused. Mai opted for bold flavours in jerk chicken wings, soba noodle salad, and mushroom tacos. Listening to the Blue team talk it out indicated to me (Barrie rightly had concerns about assembling tacos) they might have the upper hand in the challenge. But things can change once the clock starts running … and footage hits the editing suite.

The Red team started off the hour focusing on prepping vegetables for Jeremy’s plan, with him tackling sauces and flavours and Christopher rice and chicken. On the Blue team, Andrew took on the sauce, Barrie vegetables, and Andre the chicken wings; Jen floated around, helping wherever she could. Mai was concerned with Barrie’s performance and his somewhat cocksure attitude and Thea was worried a lack of communication on the Red group would sink them when the app went live. With minutes before orders were scheduled to come in, Andrew’s pork tenderloin was still raw and he had to refire the lot in hot pans.

Then? Chaos.

Both teams reeled from the onslaught, struggling to keep up and figure out who should be calling out orders and who should be plating. With no servers and faceless customers, it was nuts. Andrew quickly recovered, calling out orders while the Blue team prepared containers. Andy, meanwhile, shouldered that for the Red squad so Jeremy could focus on plating.

Chefs Alvin, Michael, and Claudio, meanwhile, tasted and critiqued the food. Blue’s chicken wings were tasty but lacked true jerk heat. Red’s chicken Karaage poke bowl was impressive, but the trio yearned for more chicken pieces. And while Andrew was calling out orders for Blue, no one was doing that for Red, with Christopher telling Thea to “go look” to see what she had to prepare next. It was so concerning that Chef Michael stepped in and instructed Jeremy to do it. Not good.

Meanwhile, mushroom tacos threatened to be the Blue teams undoing. Three tacos and many ingredients per taco slowed them down considerably. What did Alvin, Claudio, and Michael think of those tacos? A nice concept but seriously lacking flavour. As for Blue’s charred eggplant, the trio used words like “underwhelmed,” “under-seasoned” and “bland.” Even worse, both teams were running low on ingredients. The Blue team addressed this by making more, while the Red chose smaller portions. I’d be upset if I was paying for food and got a small portion and Chef Claudio said exactly that.

It was time for the Chefs to taste each starch dish. Blue’s cold soba noodle salad with pork was a hit, and Red’s sweet potato noodles were “awesome” according to Chef Claudio.

It was up to the customers to decide, and with a 4.1-star rating out of five, the win was delivered to Jeremy’s Red team.

But in a bit of a shake-up with episode timing, we won’t find out which member of the Blue team might be leaving the competition until next week during a surprise-filled Pressure Test. Who do you think might go home next week? Let me know in the comments below.

MasterChef Canada: Back to Win airs Sundays at 9 p.m. ET/PT on CTV.

Images courtesy of Bell Media.

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Links: The Hardy Boys, Season 1

From Debra Yeo of the Toronto Star:

Link: ‘Punky Brewster’ and ‘The Hardy Boys’ bring family-friendly nostalgia to YTV
“They had this perfect balance of humour and mystery and fun while always feeling real and heartfelt in a way that I don’t really see that often nowadays.” Continue reading.

From Leora Heilbronn of the Brief Take:

Link: Interview: The Hardy Boys’ James Tupper, Rohan Campbell and Alexander Elliot
No matter what your age, I guarantee that you’ll love The Hardy Boys tv series. Continue reading.

From Scott Campbell of Inside Ottawa Valley:

Link: The Hardy Boys returns with all-Canadian cast on YTV
“It’s a massive honour to even get a chance to sort of revive these characters in 2020, and in a new light.” Continue reading.

From Eric Volmers of the Calgary Herald:

Link: Calgary-born, Cochrane-raised Rohan Campbell puts stamp on iconic role in YTV’s The Hardy Boys
When Rohan Campbell was growing up in Alberta, the Hardy Boys were his go-to “cabin books.” Continue reading.

From Postmedia News:

Link: Hardy Boys back on the case with new TV series
“We were just talking about book fairs — the Scholastic book fair. That’s where I found the Hardy Boys when I was younger … And obviously, when this came along, I was like mindblown that I would even get the chance to touch it, let alone be Frank Hardy. It’s crazy.” Continue reading.

From Victoria Ahearn of The Canadian Press:

Link: The Hardy Boys stars bring classic characters to life in 1980s-set Canadian show
Growing up in Alberta, actor Rohan Campbell spent summers at friends’ Canmore mountain cabins, where he’d crack open old “Hardy Boys” books that adorn many a cottage bookshelf. Continue reading.

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Season 3 of T+E’s Haunted Hospitals returns

From a media release:

T+E’s hit original series Haunted Hospitals (13×60’) returns for a third season with chilling stories of paranormal activity inside hospitals, asylums and long-term care homes. Featuring expert insight from paranormal investigators Morgan Knudsen, Christopher Brewer and Richard Estep, the new installment sees doctors and nurses stalked by tormented spirits; patients unlocking portals to other dimensions; and demonic entities lurking in corridors. These encounters are part of a paranormal pattern experienced by medical professionals and patients across Canada and around the globe. The documentary series takes viewers down spooky paths leading to unexpected twists, with shocking and hair-raising otherworldly encounters at every turn. Personal testimonies keep the storytelling authentic with a first-person production approach immersing audiences in fear. The world broadcast premiere of Haunted Hospitals airs Wednesday, March 10 at 8 p.m. ET/PT exclusively on T+E in Canada, during the channel’s nationwide free preview event running until May 2 across more than 8 million Canadian households.

The first two episodes of Haunted Hospitals, Season 3 include:

Episode 1 – Dance of Death, The Feeder, Swept Away
March 10 at 8 p.m. ET/PT
The series opener shows viewers Marlon Brandon, a nurse who begins experiencing the ghost of a young man who died while fighting for social justice that has returned to the hospital seeking closure. A near death experience for Emily Walsh, a patient, opens her up to the unknown dangers of a ghastly creature and Stephanie Ferreira, a pregnant woman, falls ill only to encounter the spirits of an anguished mother and the otherworldly cries of a baby in distress at the hospital.

Episode 2 – Soul Taker, The Iron Lung, Water Problems
March 17 at 8 p.m. ET/PT
In this episode, a personal support worker, Paige Mitchell, is on the night shift tending to an elderly patient when she is stalked by an energy-sucking entity. Christina Anderson, a nurse in a Catholic hospital, encounters the tormented soul of a nun and Kenny Irish is terrorized and chased through an abandoned psychiatric hospital while on a service call.

Haunted Hospitals is produced by BGM Inc. Robin Bicknell is the Series Producer. Bruno Dubé, Marlo Miazga, Sean Connoly and Corinna Lehr serve as Executive Producers. Robin Bicknell and Patrick Hepburn are Directors. Sara Soligo is the Story/Post Producer and Juan Montalvo is the Director of Photography.

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WGC Screenwriting Awards 2021 finalists announced

From a media release:

The WGC Screenwriting Awards annually celebrate and acknowledge the work of Writers Guild of Canada members and their outstanding scripts that power the most engaging Canadian-made series, films, documentaries and webseries.

This year, in contention are scripts from series Transplant (Joseph Kay, Lynne Kamm, Tamara Moulin), Schitt’s Creek (Daniel Levy, Kurt Smeaton & Winter Tekenos-Levy), Cardinal (Sarah Dodd), Diggstown (Floyd Kane) and New Eden (Kayla Lorette & Evany Rosen). Additionally, 2020 was a very strong year for Canadian feature films with three critically acclaimed screenplays and their writers receiving nominations: Akilla’s Escape (Charles Officer & Motion), Beans (Tracey Deer and Meredith Vuchnich) and The Willoughbys (Kris Pearn and Mark Stanleigh).

Please see the complete list of categories and finalists below.

The WGC Screenwriting Awards will recognize and celebrate Canadian screenwriters and their scripts at a virtual ceremony on April 26, including the Showrunner of the Year — previous winners of this prestigious prize include Dennis Heaton (The Order), Emily Andras (Wynonna Earp) and Michael MacLennan (The Bletchley Circle: San Francisco).

2021 WGC SCREENWRITING AWARDS FINALISTS

CHILDREN’S
Odd Squad Mobile Unit, “Slow Your Roll” I Written by Mark De Angelis

Ollie’s Pack, “Birthday Shmirthday: A Cleo Badette Documentary” I Written by Jeff Sager

Xavier Riddle and the Secret Museum, “I am Harriet Tubman” I Story by Desmond Sargeant & Meghan Read, Teleplay by Desmond Sargeant

COMEDY SERIES
New Eden, “Who Are These Women?” I Written by Evany Rosen & Kayla Lorette

Schitt’s Creek, “Happy Ending” I Written by Daniel Levy

Schitt’s Creek, “Sunrise, Sunset” I Written by Kurt Smeaton & Winter Tekenos-Levy

DOCUMENTARY
The Detectives, “Project Prism” I Written by Eric Sabbag

John Ware Reclaimed I Written by Cheryl Foggo

Still Standing, “Rankin Inlet” I Written by Jonny Harris, Fraser Young, Graham Chittenden, Steve Dylan

DRAMA SERIES
Cardinal: Until the Night, “Adele” I Written by Sarah Dodd

Diggstown, “Willy MacIsaac Redux” I Written by Floyd Kane

Transplant, “Pilot” I Written by Joseph Kay

Transplant, “Trigger Warning” I Written by Lynne Kamm

Transplant, “Under Pressure” I Written by Tamara Moulin

Trickster, “Episode 105” I Story by Michelle Latimer and Tony Elliott and Penny Gummerson, Teleplay by Penny Gummerson

FEATURE FILM
Akilla’s Escape I Story by Charles Officer, Screenplay by Charles Officer & Motion

Beans I Story by Tracey Deer, Screenplay by Tracey Deer and Meredith Vuchnich

The Willoughbys I Story by Kris Pearn, Screenplay by Kris Pearn and Mark Stanleigh

MOW & MINISERIES
Christmas On My Mind I Written by Kirsten Hansen

Gourmet Detective: Roux the Day I Written by Becky Southwell & Dylan Neal

No Good Deed I Written by Doug Barber

PRESCHOOL
16 Hudson, “Tickle Tornado” I Written by Suzanne Bolch & John May

Dino Dana, “Prehistoric Hospital” I Written by J.J. Johnson & Christin Simms & Jagjiwan Sohal

Dino Dana, “The Sound of Dinosaurs” I Written by J.J. Johnson

Kingdom Force, “Big Cat Blues” I Written by Alex Ganetakos

Remy & Boo, “The Squailer” I Written by Jiro C. Okada

SHORTS & WEBSERIES
Detention Adventure, “Buried Treasure” I Written by Joe Kicak

My Pride: The Series, “Rain” I Written by Maddi Patton

Queens, “Minnie and Sharron” I Written by Pat Mills

Try to Fly I Written by Simone Swan & The Affolter Brothers

TWEENS & TEENS
Lockdown, “Social Togetherness” I Story by J.J. Johnson & Christin Simms, Teleplay by J.J. Johnson & Christin Simms & Nicole Stamp

Lockdown, “Stake Outing” I Written by Lakna Edilima

Malory Towers, “The Ghost” I Written by Kate Hewlett

Utopia Falls, “The World is Yours” I Written by Joseph Mallozzi & R.T. Thorne

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