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Blackstone

CBC acquires broadcast rights to Seasons 3-5 of Blackstone

From a media release:

Prairie Dog Film + Television announced today that CBC has acquired the broadcast rights to air seasons three, four, and five of the hit drama, Blackstone. CBC previously broadcast seasons one and two as part of the network’s 2015 National Aboriginal History Month programming. Broadcast and digital platform details for the remaining seasons will be announced at a later date.

Known for its “ripped from the headlines” approach to storytelling, the Blackstoneseries is a fictional yet authentic drama series that explores the raw and real dynamics of family, power and politics on a First Nation reserve. Told through the entertaining and all-too-real storyworld of Blackstone, the series delves into prevalent and present day issues affecting Aboriginal communities, including: the missing and murdered Aboriginal women epidemic in Canada, drug and alcohol abuse, domestic violence, oil and gas exploration on reserves and the devastating effects of the residential schools. While the portrayal can be dark, Blackstone is both the story of a community plagued by corruption, violence and injustice, and the inspiring story of the undying hope and resilience of people fighting for a better life in the midst of adversity.

Blackstone’s award-winning, predominantly Aboriginal cast includes: Carmen Moore, Eric Schweig, Michelle Thrush, Nathaniel Arcand, Steven Cree Molison, Tantoo Cardinal, Andrea Menard, Glen Gould, Justin Rain, Cheri Maracle, Jessica Matten, Ray G. Thunderchild, and Georgina Lightning, with appearance by Jennifer Podemski, Garry Chalk, and John Cassini.

Blackstone is produced by Prairie Dog Film + Television, with Ron E. Scott as Showrunner & Director, Jesse Szymanski as Co-Executive Producer, and Damon Vignale as Writer/Producer. The series currently broadcasts in Canada on APTN, in the United States on Hulu and HuluPlus, in New Zealand on Maori Television, and in Australia on SBS/NITV.  Blackstone has been nominated for 86 awards, including its most recent nomination for Best Dramatic Series in the 2016 Canadian Screen Awards.

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19-2, Amazing Race Canada, Awards, Big Brother Canada, Blackstone, Degrassi, Dragons' Den, Featured, Industry News, Jonathan Strange & Mr. Norrell, Masterchef Canada, Mohawk Girls, Motive, Mr. D, Orphan Black, Rookie Blue, Schitt's Creek, Spun Out, Still Standing, Strange Empire, Vikings, X Company, Young Drunk Punk

19-2 and Schitt’s Creek lead 2016 Canadian Screen Award TV nominations

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Bravo’s gritty cop drama 19-2 and CBC’s high-profile comedy Schitt’s Creek topline the nominations for the 2016 Canadian Screen Awards. Announced Tuesday morning in Toronto at TIFF Bell Lightbox by Lyriq Bent (The Book of Negroes) and Aislinn Paul (Degrassi), 19-2 captured 12 nominations, including Best Dramatic Series and Best Performance nods for supporting cast and leads Jared Keeso and Adrian Holmes; Keeso and Holmes recorded a video to mark the occasion (check it out below).

Meanwhile, Schitt’s Creek does battle in the comedic categories, with co-stars Eugene and Dan Levy facing off for Best Performance and the Tuesday night comedy fighting off fellow CBC series Mr. D, Mohawk Girls, Young Drunk Punk and Tiny Plastic Men for Best Comedy Series.

Space’s Orphan Black did well too, snagging 13 nominations including performance acknowledgements for Ari Millen and Tatiana Maslany, though it was shut out of the Dramatic Series list. Global’s final season of Rookie Blue was recognized by the Academy of Canadian Cinema & Television, as Missy Peregrym and Ben Bass received nominations.

The nominees in the key television categories are listed below. Who do you think deserves to win? The two-hour Canadian Screen Awards gala airs Sunday, March 13, at 8 p.m. on CBC.

Best Performance by an Actor in a Continuing Leading Comedic Role

  • Gerry Dee, Mr. D
  • Eugene Levy, Schitt’s Creek
  • Daniel Levy, Schitt’s Creek
  • Dave Foley, Spun Out

Best Performance by an Actor in a Continuing Leading Dramatic Role

  • Adrian Holmes, 19-2
  • Jared Keeso, 19-2
  • Ari Millen, Orphan Black
  • Ben Bass, Rookie Blue
  • Aaron Poole, Strange Empire

Best Performance by an Actress in a Continuing Leading Comedic Role

  • Brittany LeBorgne, Mohawk Girls
  • Annie Murphy, Schitt’s Creek
  • Catherine O’Hara, Schitt’s Creek
  • Belinda Cornish, Tiny Plastic Men

Best Performance by an Actress in a Continuing Leading Dramatic Role

  • Kristin Lehman, Motive
  • Tatiana Maslany, Orphan Black
  • Megan Follows, Reign
  • Missy Peregrym, Rookie Blue
  • Jennie Raymond, Sex & Violence

Best Dramatic Series

  • 19-2
  • Blackstone
  • Motive
  • Saving Hope
  • X Company

Best Comedy Series

  • Mr. D
  • Mohawk Girls
  • Schitt’s Creek
  • Tiny Plastic Men
  • Young Drunk Punk

Best Reality/Competition Program or Series

  • The Amazing Race Canada
  • Big Brother Canada
  • Dragons’ Den
  • Game of Homes
  • MasterChef Canada

Best Animated Program or Series

  • Endangered Species
  • Numb Chucks
  • Rocket Monkeys
  • Slugterra

Best Children’s or Youth Fiction Program or Series

  • Annedroids
  • Degrassi
  • Full Out
  • Max & Shred

Best Factual Program or Series

  • Emergency
  • Ice Pilots NWT
  • Jade Fever
  • Million Dollar Critic
  • Still Standing

Best International Drama

  • Jonathan Strange and Mr. Norrell
  • Vikings

Best Lifestyle Program or Series

  • Buy It, Fix It, Sell It
  • Carnival Eats
  • Income Property
  • Masters of Flip
  • Survivorman Bigfoot

Best TV Movie or Limited Series

  • The Book of Negroes
  • First Response
  • Forget and Forgive
  • Kept Woman
  • Studio Black!

The rest of the television categories can be seen here.

As previously announced, comedian Norm Macdonald will host the 2016 event. Wendy Crewson—currently starring on CTV’s Saving Hope—will receive the Earle Grey Award for acting and Martin Short will be honoured with the Lifetime Achievement Award.

The Canadian Screen Awards air Sunday, March 13, at 8 p.m. on CBC.

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Awards, Blackstone, Featured, Heartland, Lost Girl, Motive, Podcast, Saving Hope, Still Standing, The Nature of Things, X Company, Young Drunk Punk

The TV Ehwards: And the winners are …

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Thanks to everyone who took the time during the Christmas holidays to cast your vote in 10 categories in our annual TV Ehwards. Some shows lead from the very beginning while other programs snuck in to take their category in the end.

Here are the winning shows in each category, with the votes and percentage of votes each show had:

The Police Surgeon Award for Best Canadian Medical Drama
Saving Hope (686 votes, 62 per cent)

The Seeing Things Award for Best Canadian Crime Drama
Blackstone (715 votes, 41 per cent)

The Quentin Durgens, MP, Award for Best Canadian Historical Drama
X Company (1,700 votes, 46 per cent)

The Beachcombers Award for Best Canadian Family Drama
Heartland (1,637 votes, 72 per cent)

The Starlost Award for Best Canadian Sci-Fi/Fantasy Series
Lost Girl (3,634, 49 per cent)

The King of Kensington Award for Best Canadian Comedy Series
Young Drunk Punk (698 votes, 41 per cent)

The Wayne & Shuster Award for Best Canadian Sketch Comedy Series
Still Standing (1,161 votes, 50 per cent)

The Bastard Offspring Award for the Crossover You Most Want to See
Saving Hope-Motive (298 votes, 32 per cent)

The Reimagination Award for The Show You’d Like to See Brought Back
Due South (297 votes, 31 per cent)

Shows that you SHOULD watch, but you DON’T watch, but you still don’t want them to go away
The Nature of Things (380 votes, 37 per cent)

Check out the final tally in all of the categories; we’ll discuss the results in Tuesday’s podcast.

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Blackstone, Featured, Haven

Comments and queries for the week of January 1

Haven limps across the finish line

I enjoyed the finale, but I haven’t loved the last two seasons for the reasons you gave, so when it was time for the finale, a part of me was like “finally!” And as much as I like the Shat, I wish they’d cast someone with more of a dangerous vibe. They had all that build-up of this dangerous, malevolent Croatoan, and it ends up being Capt. Kirk?? You mentioned Priestley’s cameo at the end, but I also enjoyed seeing Nicole de Boer popping up too, as well as that artist girl who gave Nathan that nice drawing at the end. And as much as I loved the ending with Nathan’s lovely monologue, I almost groaned when he came across the car at the side of the road because I knew it was going or be the new edition of Audrey. On the one hand, it’s nice that he can start over with Paige, but that was almost too sweet an ending that came close to souring everything that just come before. —JeffDJ

I liked the ending. I also knew it would be someone who resembled Audrey; the payoff was James in the back seat. I also hated the show’s turn in the last couple of seasons. Not the Audrey, Nathan romance—I wanted that from the beginning—but too weird, even for Syfy, as they went into off-the-wall events. I just loved the Troubles they had in the early seasons, then the solutions. —Gerry

Blackstone closes down for good

I am going to miss Blackstone. Favourite actors and favourite show. —Lana

I just wish Blackstone had not ended. The show dealt with many realistic issues that are in today’s world. All the actors and actresses all great. A very powerful show. Please bring it back on. —Charlene

Wishing Blackstone would come back!! Such an amazing series!! —Josse

 

Got a comment or question about Canadian TV? greg@tv-eh.com or @tv_eh.

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Blackstone, Featured

Blackstone closes down for good

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“Flat Line” was an apt title for Blackstone‘s final episode. It, of course, referred to Andy Fraser, the one-time chief of the band, but the series itself. After years of being the big man around town, pushing others around and enjoying the spoils of his plots and plans, Andy was laid low by AIDS, succumbing to the pneumonia that weakened his immune system to the point he couldn’t fight anymore.

“Nobody needs you,” Tom, long dead, told his son. And with that Tom—the one who had haunted Andy for so long—jumped ship and left him to die alone.

Andy died alone because everyone else were focussed on moving forward. Alan, shedding his past life and planning for a future in business, left Blackstone for the city and an education. Daryl—after having accepted Jack’s $260,000 for both bars—left the city for a small farm and home on the Fraser’s family land. That scene reminded me of Tim Riggins in Friday Night Lights, and I was warmed by those feelings. I’ve always liked Daryl and was sincerely hoping he’d make it out of the club business unscathed.

Gail was headed for the city too, moving in with Luke—a genuinely good guy—and a bright future as an artist. Even Wilma had a happy ending (I was surprised by that turn), discovering a mix of traditional and modern medicine shoved her cancer into remission. Only Leona was on the downslide in this final instalment, suffering panic attacks at the losses in her life before Dr. Crowshoe sat her down for a chat.

For a series that has spent a lot of time dealing with the dark reality of life on a First Nations reserve—addiction, physical and sexual abuse, murder and rape—”Flat Line” was positively upbeat. Characters were smiling, laughing and joking and the soundtrack during that happy montage was light and airy. At least, until viewers were brought back to the stark reality of Andy’s last breaths. Blackstone‘s biggest character has had quite a ride over the past five seasons. And despite the fact it was fitting he die alone after stepping on everyone to get where he wanted to go, I’m still going to miss him. Just like I’ll miss everyone else on Blackstone.

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