TV, eh? | What's up in Canadian television | Page 972
TV,eh? What's up in Canadian television

Comments and queries for the week of January 29

TV Eh B Cs podcast 40: Keeping Company with Ellis and Morgenstern

So enjoyed this interview with Mark and Stephanie. Will us in the States get to see this great show? Loved Flashpoint and they could bring it back and would still be a big hit. Thanks, Anthony. —Mary


Baby talk on Murdoch Mysteries

The baby is so adorable, I just want to reach through the TV screen and hug him. And it was great fun to see Crabtree let down his hair, so to speak. Love the inventions! —Helen


Who will win Season 3 of MasterChef Canada?

I am not convinced it’s Berg. My bet is either on Zhara or Robyn. Zara is young with a touching story and Robyn of thechewishkitchen’s plating is out of this world. —TVFoodie

Got a question or comment about Canadian TV? greg@tv-eh.com or @tv_eh.

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Global greenlights new original drama Mary Kills People

From a media release:

Global announced today a brand new Canadian original drama series Mary Kills People,set to premiere on the network in January 2017. Partnering with independent studio Entertainment One (eOne), Mary Kills People is executive produced by Canadian Screen Award winner Tassie Cameron (Rookie Blue), under her new production company, Cameron Pictures Inc., and created and written by talented newcomer Tara Armstrong, a winner of the 2015 Shaw Media Writer’s Apprentice Program. Set in the morally grey world of assisted suicide, Mary Kills People is a thought-provoking, intense, and controversial drama. The provocative six-episode series is set to begin production in Toronto this summer. 

Mary Kills People follows Dr. Mary Harris, a single mother and ER doctor by day, who also moonlights as an underground angel of death — helping terminally ill patients who want to slip away on their own terms. So far Mary has managed to stay under the radar; but death is hot, business is booming, and her double life is getting complicated.  When the police start to close in, Mary realizes she’s going to have to fight dirty if she’s going to stay in the killing game.

Mary Kills People is produced by eOne and Cameron Pictures Inc., in association with Shaw Media, and with the financial participation of the Canada Media Fund, the Ontario Film and Television Tax Credit and the Canadian Film or Video Production Tax Credit. eOne handles international distribution for the series.

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Oh Baby Beluga in the deep tea-coloured river

There’s a moment in tonight’s The Nature of Things documentary, “Call of the Baby Beluga,” when a researcher involved in studying and protecting the remaining wild belugas in the St. Lawrence chokes up. “Is there a safe place anywhere on the earth for a little lost whale? And then the larger question: is there a safe place on the earth for 900 of them? I really want to believe …”

Husband and wife directing team Suzanne Chisholm and Michael Parfit of Mountainside Films (of Saving Luna fame) use the emotional story of a stranded baby beluga to tell that larger story. A group of scientists, drawing on their knowledge and their humanity, are determined to save Baby by putting it in the path of wild females who could adopt it.  The larger question is whether our knowledge of animal behaviour can help us protect our natural world.

Parfit points out  the scientists involved in protecting the whales may not see the ultimate results of their efforts until “long after their professional careers are over — in some cases long after their lives are over. They are devoted to something that feels like it matters. That’s the story of the little whale. They know they themselves will probably not know how it turns out.”

“With all these issues we’re facing with the planet, we’re doing for the next generations.”

The directors incorporated older footage of Baby’s story that had been filmed by the scientists involved, and captured some stunning new footage, including drone shots showing the whales in action from above.

Suzanne Chisholm-Michael ParfitWhenever they could fit on board, co-directors Chisholm and Parfit would hop on the researchers’ boats. Occasionally it was Parfit with his  son David, who composed the film’s music and acted as official drone catcher. “That’s an anxious endeavour,” dad Michael says.

Their little drone would fly over the belugas, capturing the footage from a perspective even the scientists hadn’t seen, and then “David would catch it. He almost got scalped once.”

Parfit  explains that the usual underwater footage is captured by a diver, so “the beluga behaviour is related to what the diver is doing. And if the whale decides to leave in a hurry, you can’t follow.”

Thanks in part to the drone, then, the documentary shows in remarkable visual detail how belugas are tactile and social creatures, constantly touching and turning towards each other,  with strong bonds between groups of males and “alloparenting” among mothers who share parenting duties for sometimes unrelated calves.

While the scientists worked together to try to use that alloparenting trait to Baby’s advantage, the filmmakers used the little one’s story partly to show, in Chisholm’s words, “what we can do as humans and a society to make the world a better place, not just  for belugas in the St. Lawrence but for the animals we share the world with.”

Where once there were about 10,000 belugas in the area, hunting, pollution and environmental changes have seen those numbers dwindle over the past  several decades to 900.  But thanks to  scientific research into issues such as how sound from ferries and boats affects the whales, steps to protect them have been implemented.

“The coolest thing for me was seeing how in my lifetime, the human attitude toward belugas has changed,” says Chisholm. “People love these whales – our whole relationship with them has evolved. You think of that little baby, 30-40 years ago people would have left her to die.”

“Call of the Baby Beluga” airs Thursday, January 28 on CBC’s The Nature of Things.

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Prep for Season 4 of Vikings with stunning A World Revealed

I don’t make a point of reviewing or writing about digital initiatives. Not because I don’t enjoy them, but because they—and webisodes and online exclusives—all fall into a grey area. They’re not TV shows in the traditional sense and some come off more like DVD extras.

Vikings: A World Revealed plays like something you’d find at the end of a DVD or Blu-ray set, but presented in a much more entertaining way. The special website—bowing Thursday for fans to preview before Season 4 on History next month—is very much like an interactive documentary. Immersing those who visit into the world of Ragnar Rothbrok, his followers and enemies, it offers four views—Kattegat Village, The Great Hall, Wessex Chamber and The Courtyard—of the world occupied by these adventurous souls. Music sets the tone and vibrant animation accents informative video extras into how the Canadian-Irish co-production is made.

Click on Kattegat Village and actress Katheryn Winnick, smeared with blood and crud, takes visitors on a personal journey around the encampment. Along the way, clickable on-screen arrows go deeper, exploring how Viking ships are built for the series (and a sneak peek at Bjorn’s ride), the role of Viking women, how the series’ gallons of blood is created and what inspired those wicked hairstyles. Alyssa Sutherland (Princess Aslaug) takes visitors on a tour of The Great Hall, where set decoration, the hand-made costumes, Bjorn’s mystery map and the creation of the series are covered. Moe Dunford’s (Aethelwulf) humour is the highlight of The Courtyard tour, where he breaks down the Romans’ influence on King Ecbert and gives some hints as to where Aethelwulf’s head is at in Season 4.

The best segment of the lot is the trip into the Wessex Chamber, where Linus Roache and Travis Fimmel joke their way through describing the intricacies of King Ecbert’s inner sanctum. Beards, directing and series creator Michael Hirst are covered when Fimmel isn’t highjacking everything Roache is saying.

Fans of Vikings will find Vikings: A World Revealed to be an entertaining sidestep away from the series and it’s really a must-see for anyone looking to dive into the world of the vikings.

Vikings: A World Revealed can be found on History’s website.

Vikings airs Thursdays at 10 p.m. ET/PT on History beginning February 18.

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Link: Canadian TV needs X Company

From Jim Bawden:

Canadian TV needs X Company
I sat down to watch the first new episode of X Company on CBC-TV Wednesday night. And it reminded me once again how Canadian stories are disappearing on Canadian TV with alacrity.

A teacher friend of mine was telling me the other day her students were not quite sure what countries Canada was fighting during World War II. And asked to name the first five prime ministers of Canada? Nobody could do it. And why be surprised?

Canadian channels have become vast wastelands of conventional American imported fare that the networks can buy for cheap prices. Continue reading. 

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