Everything about Featured, eh?

Comments and queries for the week of May 22

I wish CTV and Global would commit harder to Canadian programming, in particular prime-time dramas and comedies. I don’t really care all that much for sports, lifestyle, news programming. I try to stay informed, I’m not on top all the time on the stories, I do pay a little attention, but I’d rather be entertained.

Somewhere I’ve struck a balance and entertainment gets the preference maybe like 70 or 80 per cent (70/30 or 80/20). CTV has come a long way since I started paying more attention to their “original” programming way back in the 90s with Due South and look what we’ve had since: Corner Gas, Corner Gas Animated, Cold Squad, Motive, 19-2, Orphan Black, Cardinal …. and Transplant! (Admittedly, I watch a lot of murder mystery shows).

On Global, the pace of growth (in the direction I’d like to see them go) has been slow for sure, but they are getting there; since Traders we’ve had Blue Murder, Rookie Blue, Bomb Girls, Nurses, Private Eyes, and Remedy, (yeah, there was Falcon Beach, but I never really watched it; glad there was a soundtrack album release though as I’m a collector of Canadian soundtrack albums.)

Hell, I loved Citytv’s The Bletchley Circle: San Franscisco. But it’s not enough for me. I want more from these networks! I want more original, Canadian programming on these networks. Recently I’ve signed up for Crave in order to see the Robbie Robertson documentary, Once Were Brothers (I highly recommend) and what else am I watching on Crave? Re-runs of 19-2! The American shows don’t interest me at all. So, luckily, I have the CBC to watch more Canadian shows on than CTV or Global. Man, I wish CTV and Global would catch up to the CBC! —Stephen

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Comments and queries for the week of May 15

I was crying through the last season of Cardinal and blubbering so hard during the last episode (rather incongruous for a murder mystery, I know). I’m glad that it wasn’t a tidy ending in that Delorme does end up going and Cardinal just starts on another case. I understand the actors would willingly return if there is a chance for more stories. I hope it happens. —John

I loved this show from the first episode in Season 1. Billy and Karine are unforgettable as Cardinal and Lise. I love them both. The music, the scenery, the shots … it was a treat to watch and I looked forward to every episode. Farewell, parting is such sweet sorrow.  Hope to see Karine again soon, but don’t expect that Billy is going to leave Denmark/Norway anytime soon. At least we had him for four [brief] seasons. —Judy

Canadian TV at its absolute best and on a par with Motive. I’m sad it has come to an end but how many more deranged serial killers could there be in Algonquin Bay?! Still, I’ll miss the scenery and stellar cast. —Paresh

On one level it was a shame the TV show attempted to blend the novels together. Each book alone could have been one season! On another level, some of the scenes in the novels couldn’t be filmed, right? But this show did an amazing job of bringing the books to life. Damn, I don’t want it to end!! —Stephen

Will miss this hauntingly beautiful show; maybe, just maybe, they can muster up another season or movie. The scenery’s too beautiful to waste, along with the fabulous leads. One can hope. —D Mac

Got a question or comment about Canadian TV? Email greg.david@tv-eh.com or via Twitter @tv_eh.

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Preview: Dan Aykroyd hosts spooky goings-on in Hotel Paranormal

Dan Aykroyd is no stranger to the paranormal. In addition to hosting PSI Factor: Chronicles of the Paranormal—tales inspired by the paranormal investigations of the Office of Scientific Investigation and Research—for 88 episodes, Aykroyd’s great-grandfather was a spiritualist who held séances and his father published a book called A History of Ghosts.

So it’s not a shock, really, that Aykroyd was tagged to narrate T+E’s latest peek into the paranormal. Debuting Friday, May 15, at 9 p.m. ET/PT on T+E, Hotel Paranormal retraces the terrifying, true stories of those who have come face-to-face with otherworldly hotel guests.

“Millions check into hotels each year,” Aykroyd states in the opening credits. “Some check into another dimension.” In Friday’s debut instalment—the first of 10 episodes—we’re introduced to “Paranormal Predator,” three stories of scares from around the world.

Paranormal experts complement the stories told by witnesses, offering suggestions and clues as to what—and why—spookiness is going on. Many believe the fact hotel rooms, which see thousands of guests, are the perfect places to house spirits. I’m not sure I believe in the supernatural, but I do have my own odd tale. Years ago, I spent several nights in a B&B outside Gettysburg, Pennsylvania. Built in 1812, the property had served as a field hospital during the Battle of Gettysburg. From the moment I entered the room I was staying in, I felt out of sorts and two nights of sleeplessness followed. Nothing grabbed at me or moved stuff around, but something was going on in that room.

But back to Hotel Paranormal.

In 2017, travelling repo man Frank spent the night in a low-budget Texas motel boasting five decades of service. But instead of respite, Room 38 oozed unease from the get-go. What began as the phone receiver hopping out of its cradle and a plastic cup sliding across a bedside table was enough to send Frank scrambling for the door. Luckily for us, Frank recorded what happened in Room 38 with his cell phone and it’s shown. Sadly, much of the evidence could be dismissed as Frank moving those items himself.

Also included in Friday’s debut is the 2014 account of American high school students unleashing ancient evil in an Italian guest house, and something unseen attacking news reporter Patricia Stark in a New England B&B in 2014.

If you’re a fan of this type of programming, as I am, you’re going to love Hotel Paranormal, particularly thanks to the stories told, accented by Arkroyd’s deep baritone.

Hotel Paranormal airs Fridays at 9 p.m. ET/PT on T+E.

Images courtesy of Blue Ant Media.

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Farewell, Cardinal

This Monday night, a Canadian television series says goodbye. After four seasons, Cardinal ends, closing a chapter on some truly groundbreaking TV.

I was a fan of the Cardinal from the very beginning thanks to reading and loving the source material written by Giles Blunt years ago. The tale of a small-town Canadian cop solving crimes? I was all in. But would a television adaptation work? How would a lead character that was so in his head translate to the small screen?

There are a lot of folks to credit with how it was done, from Season 1 writer Aubrey Nealon, to actor Billy Campbell, director Podz, Sienna Films, and executives at Bell Media. Instead of going inside Detective John Cardinal’s head, we stayed outside, the camera coming in close on Campbell’s face, reading what was there in his expression and in his eyes. The same goes for Detective Lise Delorme. Karine Vanasse, and the creative folks get kudos for breathing life into this feisty, fantastic cop. I can’t imagine two actors more suited to the roles they were cast in. Re-reading the novels, which I will do this summer, means I’ll picture their faces as I scan the pages.

Northern Ontario—and the weather than comes with it—has played a huge role in Cardinal‘s storytelling, reflecting the changes in season in this country and adding another layer (pun intended) to each episode.

Back in 2004, Corner Gas debuted. It changed the way we looked at ourselves on the sitcom front, and proved Canada could do comedy just well—and I’d argue better—than the U.S. Now, with Cardinal Bell it has been done with the drama genre. I’m a huge fan of Nordic Noir—crime dramas set in Scandinavian locales—and Cardinal deserves to stand among the very best of those. And, I’m hoping, Cardinal will inspire more drama like it to be created in this country.

Thanks to Billy Campbell, Karine Vanasse, Glen Gould, James Downing, Kristen Thomson, Deborah Hay, Eric Hicks, Zach Smadu, Alanna Bale and the rest of the cast for bringing these characters to life in such a convincing way. Thank you to Aubrey Nealon, Sarah Dodd, Patrick Tarr, Jane Maggs, Gemma Holdway, Naben Ruthnum, Patrick Whistler, Alison Lea Bingeman, Jennica Harper, Russ Cochrane, Noelle Carbone, Aaron Bala, Shannon Masters, Penny Gummerson and Jordi Mand for writing such wonderful scripts. Thank you to Podz, Jeff Renfroe and Nathan Morlando for your directing. And thanks to the crew, producers, executives and everyone else who made Cardinal happen.

I’m going to miss Cardinal, but I’m so glad it was made in the first place. It’s hard to make television in this country, and even harder to do it right.

Cardinal did it right.

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Season 2 of Coyote Science celebrates Indigenous science on APTN

I love shows like Coyote Science. Though it’s aimed at kids, I found myself learning a heck of a lot about science and how it ties into the First Nations community.

Returning for a second season on APTN this Sunday at 10 a.m. ET, Coyote Science boasts super-cool animation and a punchy soundtrack, not to mention A-list Indigenous scientists like Percy Paul, a mathematician and physicist who explains the science of a skateboarding technique called an ollie; Jessica Bekker, an electrical engineer helping Indigenous communities develop sustainable energy from solar to wind; Naxaxalhts’i Sonny McHaisle, who has extensive knowledge of the traditional technology of the Sto:lo Nation; and Corey Gray, who works with the Nobel Prize team that measured gravitational waves at the Laser Interferometer Gravitational-Wave Observatory (LIGO).

We spoke to Métis Cree filmmaker Loretta Todd—an internationally acclaimed, award-winning filmmaker—about creating Coyote Science, what viewers can learn and what her plans are for Season 3 amid COVID-19.

Tell me about how Coyote Science came about in the first place.
Loretta Todd: I’ve been a bit of an amateur science nerd for a long time. As an Indigenous person, I’ve always been conscious of the fact that we don’t seem to be in that space of science, except maybe as specimens, or something that is studied. And yet I knew that when I was growing up, I had relatives who were very innovative with technology, could fix anything because that’s what we had to do, who seemed to have deep knowledge of the land, and so on. And so, those things all pertain to science and technology. And also, as I started making films, I would meet new people.

I always like to reference Dr. Leroy Little Bear and his wife, Amethyst First Rider, because they have always been one of my greatest inspirations for much of the work I do as a filmmaker.

Another person who influenced me is someone who’s in the children’s series, John Herrington, who is an astronaut, the first Indigenous astronaut in space. He talks about us as being natural scientists, that Indigenous science, as Indigenous people, we observe, and that from the observations we gain knowledge. We may not have the scientific method, which the west sort of prescribes as a necessity to really be science, but we certainly are engaged in observation and learning from that observation, and even testing, maybe not in the same way as a lab, but we’re doing that now anyway.

Is there a formula for each episode?
LT: There’s a whole parameter of things that influence the shaping of Coyote Science. You sort of have a mission statement or a set of parameters that I wrote out. Drawing from that, but also drawing from my knowledge of Indigenous learning, and just sort of like, ‘OK, this is what we do, this is what we don’t do.’ We’re respectful of adults. We reinforce healthy family relationships. All these things we sort of model that are things that are values within the Native community. Within the Cree culture, we talk about this idea of the good life. It doesn’t mean a materialistic type of life.

It’s a good life in which you’re respectful of family, community, the world around you. So again, I try to embody that. And plus, the other thing is, you’re always trying to underline this idea of encouraging confidence, young people having respect for themselves, liking themselves, seeing that they can do this. And then also, kids like to see other kids reflected back to them. That’s something that’s a constant in educational media. That’s why you see a lot of Indigenous kids. I thought that was really important.

Your host, Isa, is fantastic. 
LT: One of the other things I try to do in my children’s series, and I’ve done that right from the beginning, just because I think it makes it easier for all of us, is I work with kids that I know. I didn’t do an open casting. I asked family and friends. And of course, many of my family and friends are themselves involved in media in some way. So I was looking for kids that were comfortable in front of the camera. That’s sort of one of the first things is to search that out. Isa is my niece’s husband’s niece. She’s brilliant.

She’s now at first-year university, but she’s a straight-A student her whole life, and science has always been an area of her expertise.

Season 3 of Coyote Science is heading into production. How will you do that with COVID-19 still a concern?
LT: I had to convince the broadcaster APTN and CMF that I could do this comfortably, I could do it safely. One of the things that I’m really, really fortunate to have is the fact that through Season 1 and 2 and also through my previous children’s series, I’ve developed these relationships with Indigenous directors, and cinematographers, and other crew, who have kids at home. So basically, what I can do is have them do the quests with their kids at home, because they’ve got the equipment, they’ve got the skill. Some of them are cinematographers and directors, and some of them have got one kid, some of them have got six kids.

Some live in the city, some live out in the country, so we could kind of adjust to that. Some have green screens even, so we can adjust to that. And then, in cases where maybe the only real critical thing I’m worried about is sound, so our plan is to do some online sound workshops with one of our sound recordists, and get one of their family members, the husband, or the wife, or one of their teenage kids, to train in sound so that we can then make sure that we have good quality sound as well.

Coyote Science airs Sundays at 10 a.m. ET on APTN.

Images courtesy of Coyote Science Inc.

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