Prior to becoming a television critic and owner of TV, Eh?, Greg David was a critic for TV Guide Canada, the country's most trusted source for TV news. He has interviewed television actors, actresses and behind-the-scenes folks from hundreds of television series from Canada, the U.S. and internationally. He is a podcaster, public speaker, weekly radio guest and educator, and past member of the Television Critics Association.
Jen and Mo have said goodbye. After three seasons on Omni, Second Jen will not be back for a fourth.
“It is bittersweet for us to announce that this has been the last season of Second Jen,” co-creators, co-executive producers and stars Amanda Joy and Samantha Wan, and showrunner Carly Heffernan posted on social media following the show’s Sunday season finale. “Thank you to everyone who has supported us. Thank you for the love and laughter over the years.”
“We leave Jen and Mo in a place that feels good; where they’ve grown, and learned, and come into their own,” the post continued. “We are so happy to have shared their journey with all of you. In many ways, their story has echoed our own.”
Over the course of three seasons, Second Jen centred on best friends Jen (Wan) and Mo (Joy) who banded together to tackle life’s ups-and-downs in Toronto.
Sphere Media, a leader in the field of creation, adaptation, production and distribution of television and cinematographic content, is proud to announce that Transplant has been named an Honoree at the 29th edition of the Media Awards that took place on March 20.
MPAC’s annual Media Awards celebrates members of the entertainment industry, artists, and activists who promote inclusion and social justice through their craft. Honorees have done so by advancing authentic portrayals of Islam and Muslims, increasing understanding by reflecting the realities of our world today, and by inspiring action and movements for social change.
Transplant is the story of Dr. Bashir “Bash†Hamed (Hamza Haq), a talented doctor and Syrian refugee who fled to Canada with his younger sister and earned a second chance to practice Emergency Medicine at York Memorial Hospital in Toronto. The series features realistic and nuanced portrayals of the challenges faced by refugees, and the trauma of those struggling to survive in war zones.
Developed at CTV, Transplant is produced by Sphere Media in association with CTV and NBCUniversal International Studios, a division of Universal Studio Group. All distribution rights are handled by NBCUniversal Global Distribution, with the series airing on NBC in the U.S.
The first season of the critically acclaimed series saw Transplant become the most- watched Canadian series among total viewers, with an average audience of 1.4 million on CTV.
The second season of Transplant is currently in production and will consist of 13, one- hour episodes. The series is also set to air on Noovo in a translated French version.
My formative years were spent in the 1980s. Though I didn’t know it at the time, the 80s celebrated consumerism and excess. I was, however, aware of the media’s portrayal of Communism—and the Soviet Union, specifically—during that decade through movies like Rocky IV, Red Dawn and then-WWF wrestlers Nikolai Volkoff and Boris Zhukov. And I was aware of how it all came to a head in 1989 when the Berlin Wall tumbled, signifying the fall of Communism in Eastern Europe.
That time, and the tumult that came with it, is explored in the new web series The Communist’s Daughter. Available now on CBC Gem, the eight first-season episodes are the creation of head writer and director Leah Cameron (Coroner), who has first-hand knowledge of the subject matter.
The Communist’s Daughter is loosely based on Cameron’s childhood: her father was a Communist during the 1980s. As a result, the family car was a Lada, Soviet Life magazine was delivered to the door, and family vacations were to Cuba to support the economy. In the first episode, viewers are introduced to Dunyasha McDougald (Sofia Banzhaf), a 15-year-old living in Toronto in 1989. Happily upholding the beliefs of her father Ian (Aaron Poole) and mother Carol (Jessica Holmes), Dunyasha finds her support of Communism challenged by her first day at high school when she meets Jasmine (Nadine Bhabha) and Marc (Kolton Stewart). (Look for Chris Locke, George Stroumboulopoulos and Neema Nazeri in funny supporting roles.)
It’s been a long road for The Communist’s Daughter. I first spoke to Cameron back in 2018, when she applied to the Independent Production Fund to produce the series. Now, with the debut close at hand, how did she tackle writing the web series?
“By the time I got to shooting the [IPF] teaser, I had a sense of, tonally, what I wanted the show to feel like in terms of comedy and casting,” Cameron says. “I had originally conceived of it as a half-hour comedy, so it was more a process of refining some of the characters and paring things down.” The first TV episode was broken down and served as Episodes 1 and 2 of the web series and a rough season outline followed. Cameron knew she wanted The Communist’s Daughter to be serialized and take place over time, using the frame of Ian running for a local election and Dunyasha beginning her school year in September and the fall of the Berlin Wall in November of 1989.
“It’s a time when the family’s values couldn’t be more out of sync with what’s going on,” she says. “The Reagan 80s are a super-consumerist time, a super-conservative time and a time when I, growing up, said that my dad was a Communist and everybody thought that meant he was an evil person.”
Executive producer Lauren Corber—her LoCo Motion Pictures are behind Detention Adventure and How to Buy a Baby—is always looking for stories that speak to her, an audience for a project and if a creator is bringing something new to the table. She found all three in The Communist’s Daughter.
“Leah and [producer] Natalie Novak did an excellent job with their proof of concept video,” Corber says. “I had worked with Natalie before and was excited to work with her again. Leah came to the project with such a passion for the story. It was just undeniable that she would bring something special to the production.”
In what is becoming a sad several weeks for Canadian TV, it has been announced that Season 4 of CBC’s legal drama Burden of Truth will be its last.
“After four incredible seasons, we’re bringing our Burden of Truth story to its conclusion in tonight’s series finale,” a statement read on the show’s official Facebook page. “We are so proud of the stories we’ve been able to tell each season, especially those related to social justice. We’re also tremendously appreciative of the support we’ve received from our fans worldwide, and are particularly grateful to the communities in Winnipeg and Selkirk, Manitoba, for being so welcoming to our crew.”
“We’re incredibly proud of Burden of Truth and are honoured that the show resonated with so many viewers worldwide,” executive producers Ilana Frank, ICF Films, Linda Pope, and Kyle Irving, Eagle Vision said in a statement. “When we began this season, we knew our story was coming to its natural end with a meaningful conclusion for Joanna, Billy, and the entire cast of characters. We’re thankful to the communities in Winnipeg and Selkirk, Manitoba, where we filmed our show, and our tremendous cast, helmed by Kristin Kreuk and Peter Mooney, for bringing ground-breaking stories to life. We also appreciate the steadfast support of our production partners at eOne, as well as our broadcasters CBC and The CW, on four tremendous seasons of Burden of Truth.â€
Created by Brad Simpson, Burden of Truth stars Kristin Kreuk as Joanna Chang, Peter Mooney (Rookie Blue, Saving Hope) as Billy Crawford, Star Slade (Frontier, Emerald Code) as law student Luna Spence, Meegwun Fairbrother (Mohawk Girls, Hemlock Grove) as Police Chief Owen Beckbie, and Anwen O’Driscoll (Emerald Code, Flint) as new Millwood police recruit, Officer Taylor Matheson.
The legal drama follows Joanna Chang, a ruthless, big-city lawyer who returns to her small hometown in Millwood for a case that will change her life forever.
In the fourth season, a mining company reopened a dormant mine outside Millwood. Joanna and Billy, lawyers and new parents, stepped in to protect a local woman’s home from certain destruction. When the mine swiftly retaliates, Joanna is forced to confront a long-buried secret from her past and scramble to protect the future of her career and her family. As both sides prepare for war with the fate of Millwood at stake, Joanna and Billy must juggle their life with a newborn with waging a legal battle against a corporate titan. When they come across evidence the mine isn’t what it claims to be, Joanna seizes an opportunity to launch an unexpected legal battle that will bring the company to its knees.
Burden of Truth follows Frankie Drake Mysteries and Kim’s Convenience as CBC series ending this broadcast season.
